Our Miss Doctor | |
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Directed by | Erich Engel |
Written by | Fritz Schwiefert |
Produced by | Eberhard Klagemann |
Starring | |
Cinematography | Massimo Terzano |
Edited by | Conrad von Molo |
Music by | Hans-Otto Borgmann |
Production company | Klagemann-Film |
Distributed by | Various |
Release date |
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Running time | 94 minutes |
Country | Germany |
Language | German |
Our Miss Doctor (German : Unser Fräulein Doktor) is a 1940 German comedy film directed by Erich Engel and starring Jenny Jugo, Albert Matterstock and Heinz Salfner. [1] It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Karl Haacker and Karl Weber.
A male teacher at a school slowly comes to appreciate one of his female colleagues both as a teacher and a woman.
Erich Gustav Otto Engel was a German film and theatre director.
Tired Theodore is a 1957 West German comedy film directed by Géza von Cziffra and starring Heinz Erhardt, Renate Ewert and Peter Weck. It was shot at the Göttingen Studios. The film's sets were designed by the art directors Dieter Bartels and Paul Markwitz.
The Swedish Nightingale is a 1941 German musical film directed by Peter Paul Brauer and starring Ilse Werner, Karl Ludwig Diehl, and Joachim Gottschalk. The film is based on a play by Friedrich Forster-Burggraf set in nineteenth century Copenhagen. It portrays a romance between the writer Hans Christian Andersen and the opera singer Jenny Lind, the "Swedish Nightingale" of the title.
Tomfoolery is a 1936 German comedy film directed by Willi Forst and starring Renate Müller, Jenny Jugo and Anton Walbrook. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Kurt Herlth and Werner Schlichting. It premiered at the Gloria-Palast in Berlin on 12 June 1936.
The Great and the Little Love is a 1938 German comedy film directed by Josef von Báky and starring Jenny Jugo, Gustav Fröhlich, Rudi Godden. Jugo plays a stewardess working for Lufthansa. It was shot at the Johannisthal Studios in Berlin with sets designed by the art directors Karl Weber and Erich Zander. It was filmed partly on location around Genoa in Italy.
Land of Love is a 1937 German romance film directed by Reinhold Schünzel and starring Albert Matterstock, Gusti Huber and Valerie von Martens. It was shot at the Bavaria Studios in Munich and the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Wilhelm Depenau, Kurt Dürnhöfer and Ludwig Reiber. Although Schünzel was Jewish he had been allowed to continue directing films in Germany after the Nazi takeover. However, this film faced objections from the censors and from Joseph Goebbels. It was briefly shown and then disappeared from cinemas. It was Schünzel's final German film as director, and he went into exile shortly afterwards.
Target in the Clouds is a 1939 German drama film directed by Wolfgang Liebeneiner and starring Albert Matterstock, Leny Marenbach and Brigitte Horney. It was based on a novel by Hans Rabl. The film portrays the struggles of the fictional German aviation pioneer Walter von Suhr, an officer in the pre-First World War German army who saw the potential for military aircraft.
Victoria in Dover is a 1936 German romantic comedy film directed by Erich Engel and starring Jenny Jugo, Olga Limburg and Renée Stobrawa. It is based on a play by Geza Silberer. It was shot at the Babelsberg Studios in Potsdam and the Tempelhof Studios in Berlin and premiered at the city's Gloria-Palast. The film was remade in 1954 in Austria with Romy Schneider.
You and I is a 1938 German romance film directed by Wolfgang Liebeneiner and starring Brigitte Horney, Joachim Gottschalk and Paul Bildt.
A Salzburg Comedy or Little Border Traffic is a 1943 German comedy film directed by Hans Deppe and starring Willy Fritsch, Hertha Feiler and Heinz Salfner. Erich Kästner wrote the screenplay based on one of his own novels. As he had been blacklisted by the Nazi Party he used the pseudonym Berhold Bürger. The novel was again adapted for the 1957 film Salzburg Stories.
Triad is a 1938 German drama film directed by Hans Hinrich and starring Lil Dagover, Paul Hartmann and Rolf Moebius.
All Lies is a 1938 German comedy film directed by Heinz Rühmann and starring Albert Matterstock, Hertha Feiler and Fita Benkhoff. It marked the directorial debut of Rühmann, a popular comedy star of the era.
Togger is a 1937 German drama film directed by Jürgen von Alten and starring Paul Hartmann, Renate Müller, Heinz Salfner. It was Müller's final film before her mysterious death the same year. The making of the film was portrayed in the 1960 film Sweetheart of the Gods.
We Danced Around the World is a 1939 German musical film directed by Karl Anton and starring Charlotte Thiele, Irene von Meyendorff, and Carola Höhn. It is a backstage musical. The film's sets were designed by Paul Markwitz and Fritz Maurischat.
Much Ado About Nixi is a 1942 German comedy film directed by Erich Engel and starring Jenny Jugo, Albert Matterstock and Hans Leibelt. It was shot at the Cinecittà studios in Rome. A separate Italian-language version was also produced.
Royal Children is a 1950 West German comedy film directed by Helmut Käutner and starring Jenny Jugo, Peter van Eyck and Hedwig Wangel. It was shot at the Bavaria Studios in Munich and on location in Bad Wimpfen and at Hornberg Castle. The film's sets were designed by the art director Bruno Monden and Hermann Warm. It was a major commercial failure on release.
A Hopeless Case is a 1939 German comedy film directed by Erich Engel and starring Jenny Jugo, Karl Ludwig Diehl and Hannes Stelzer.
The Night With the Emperor is a 1936 German historical comedy film directed by Erich Engel and starring Jenny Jugo, Richard Romanowsky, and Friedrich Benfer. It was shot at the Johannisthal Studios of Tobis Film in Berlin. The film's sets were designed by the art directors Karl Haacker and Hermann Warm. The film is set in 1808 at the Congress of Erfurt.
Serenade is a 1937 German drama film directed by Willi Forst and starring Hilde Krahl, Albert Matterstock and Igo Sym. The film was based on a novel by Theodor Storm, which was adapted again in 1958 as I'll Carry You in My Arms by Veit Harlan.