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Our Movie Made Children was written by Henry James Forman and published in May 1933. Commissioned by W.W. Charters, the Chairman of the Committee on Educational Research of the Payne Fund, Forman was "entrusted the task of preparing a popular summary" of the conclusions found by the various scholars who conducted the studies.
Henry James Forman was an author famous for his 1933 book Our Movie Made Children, which was a summary of the Payne Fund Studies. The book has been described as an "alarmist tome", and was responsible for publicizing the study's more negative results.
The Payne Fund Studies were a series of studies conducted to determine the effects of movies on the behavior of children and adolescents. They were paid for by The Payne Fund, a private foundation, and performed in the late 1920s and early 1930s. They have been criticized as lacking scientific rigor but were the first attempt to rigorously study the media. They were politically significant and were instrumental in the enforcement of the Hays Code. They are credited with contributing to the demise of Pre-Code film-making in Hollywood.
The investigations were conducted between 1929 and 1933 at the request of the Motion Picture Research Council and include:
Edgar Dale was an American educator who developed the Cone of Experience. He made several contributions to audio and visual instruction, including a methodology for analyzing the content of motion pictures.
The Payne Fund, an organization "interested in the radio, motion pictures and reading in relation to children and youth", supported these independent studies. Our Movie Made Children, aimed at middle class mothers and religious groups, echoed the pro-censorship attitude behind the Payne Fund, and dramatized the threats movies posted to children. Criticized today as "emotional and inflammatory" the book, in its time was widely read because, although each study and the popular summary was to be an independently written volume of a series, Forman’s book was the first published and therefore often viewed, at the time, as the "authoritative public source". [ citation needed ]
Although Charters stated he had examined the accuracy of the claims made in Our Movie Made Children in his introduction to the book, he goes on to say that "[his] interpretations of the studies, however, his selection of illustrative material, his literary style, his dramatic and emphatic presentation are of necessity entirely his own". [ citation needed ]
Despite these loose interpretations and individual style, Forman delivers exactly what the supporters of the studies desired: to show that movies can have a powerful and influential effect on the attitudes, emotions, and behavior of children, to appeal to parents to understand that there must be further study on how to use film to the best advantage of their children, and to put pressure on filmmakers to produce better quality, morally agreeable products. [ citation needed ]
The Motion Picture Production Code was the set of industry moral guidelines that was applied to most United States motion pictures released by major studios from 1930 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, who was the president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays' leadership, the MPPDA, later known as the Motion Picture Association of America (MPAA), adopted the Production Code in 1930, and began rigidly enforcing it in mid-1934. The Production Code spelled out what was acceptable and what was unacceptable content for motion pictures produced for a public audience in the United States.
The cinema of the United States, often metonymously referred to as Hollywood, has had a large effect on the film industry in general since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1917 to 1960 and characterizes most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the industry as it emerged. It produces the total largest number of films of any single-language national cinema, with more than 700 English-language films released on average every year. While the national cinemas of the United Kingdom (299), Canada (206), Australia, and New Zealand also produce films in the same language, they are not considered part of the Hollywood system. Hollywood has also been considered a transnational cinema. Classical Hollywood produced multiple language versions of some titles, often in Spanish or French. Contemporary Hollywood offshores production to Canada, Australia, and New Zealand.
A short film is any motion picture not long enough to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term.
William Harrison Hays Sr. was a United States politician, chairman of the Republican National Committee (1918–21), U.S. Postmaster General (1921–22), and, from 1922–1945, the first chairman of the Motion Picture Producers and Distributors of America (MPPDA). He became the namesake of the 1930 Motion Picture Production Code, informally referred to as the Hays Code, which spelled out a set of moral guidelines for the self-censorship of content in Hollywood cinema.
United States Conference of Catholic Bishops' Office for Film and Broadcasting was an office of the United States Conference of Catholic Bishops and is best known for the USCCB film rating, a continuation of the National Legion of Decency rating system begun in 1933 by Archbishop of Cincinnati John T. McNicholas, OP.
The National Legion of Decency, also known as the Catholic Legion of Decency, was founded in 1933 as an organization dedicated to identifying and combating objectionable content in motion pictures from the point of view of the American Catholic Church. After receiving a stamp of approval from the secular offices behind Hollywood's Production Code, films during this time period were then submitted to the National Legion of Decency to be reviewed prior to their official duplication and distribution to the general public. Condemnation by the Legion would shake a film's core for success because it meant the population of Catholics, some twenty million strong at the time, were forbidden from attending any screening of the film under pain of mortal sin. The efforts to help parishioners avoid films with objectional content backfired when it was found that it helped promote those films in heavily Catholic neighborhoods among Catholics who may have seen the listing as a suggestion. Although the Legion was often envisioned as a bureaucratic arm of the Catholic Church, it instead was little more than a loose confederation of local organizations, with each diocese appointing a local Legion director, usually a parish priest, who was responsible for Legion activities in that diocese.
Herbert George Blumer was an American sociologist whose main scholarly interests were symbolic interactionism and methods of social research. Believing that individuals create social reality through collective and individual action, he was an avid interpreter and proponent of George Herbert Mead’s social psychology, which he labelled 'symbolic interactionism'. Blumer elaborated and developed this line of thought in a series of articles, many of which were brought together in the book Symbolic Interactionism. An ongoing theme throughout his work, he argued that the creation of social reality is a continuous process. Blumer was also a vociferous critic of positivistic methodological ideas in sociology.
The National Board of Review of Motion Pictures is an organization in the United States dedicated to discussing and selecting what its members regard as the best film works of each year.
Pre-Code Hollywood refers to the brief era in the American film industry between the widespread adoption of sound in pictures in 1929 and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known as the "Hays Code", in mid-1934. Although the Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration (PCA). Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion, than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
The cinema of the Philippines began with the introduction of the first moving pictures to the country on January 1, 1897 at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere Cinematograph. While most early filmmakers and producers in the country were mostly wealthy enterprising foreigners and expatriates, on September 12, 1919, Dalagang Bukid , a movie based on a popular musical play, was the first movie made and shown by Filipino filmmaker José Nepomuceno. Dubbed as the "Father of Philippine Cinema", his work marked the start of cinema as an art form in the Philippines.
Film censorship is carried out by various countries to differing degrees, sometimes as a result of powerful or relentless lobbying by organizations or individuals. Films that are banned in a particular country change over time.
The Hong Kong motion picture rating system is a legal system of movie screening and rating. An official government agency issues ratings for any movie that will be shown in Hong Kong cinemas.
Joseph Ignatius Breen was an American film censor with the Motion Picture Producers and Distributors of America who applied the Hays Code to film production.
The Motion Picture Association of America (MPAA) is an American trade association representing the five major film studios of Hollywood, and streaming service giant, Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA), its original goal was to ensure the viability of the American film industry. In addition, the MPAA established guidelines for film content which resulted in the creation of the Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA).
Fred Astaire and Ginger Rogers were iconic dance partners who made motion pictures together from 1933 to 1949. They made a total of 10 films, nine of them with RKO Radio Pictures from 1933 to 1939, and one, The Barkleys of Broadway, with M-G-M in 1949, their only color (Technicolor) film.
Like most other developed countries, South Korea’s film industry has had a great influence on the public. As films can affect the public with their great popularity and their vivid audio-visual effect, it has such influence that alarms the government to place strict regulations which the films must follow in order to be viewed by the public. This control on the film industry and filmmakers resulted in film censorship. The censorship often changed depends on the government's attitude toward the social structure and films. Thus, the filmmakers could not criticize the government in any aspect, instead, they could only promote and support the government. Consequently, the filmmakers were not allowed to freely express their creativity as well as their ideas and thoughts, and these restrictions lead to the decline of the film industry. There are 2 major time periods where film censorship strongly impacted on the growth of the film industry in South Korea, namely, the period during Colonial Korea which was under Japanese Rule and the period when the film industry were under heavily surveillance from the new military regime.
Showmen's Trade Review was a weekly trade magazine for exhibitors and distributors of motion pictures published by Charles E. "Chick" Lewis out of offices in New York City.
Within Our Gates, also known as Deeds that Won Gallipoli, is a 1915 Australian silent film about Australia's fight with the German Empire and the Ottoman Empire during World War I, including the landing at Gaba Tepe during the Gallipoli Campaign. The story was partly based on a play The Man Who Stayed at Home.
Film censorship in the United States was a frequent feature of the industry since almost the beginning of the motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.