The House of Della Rovere was a noble family of Italy. It had humble origins in Savona, in Liguria, and acquired power and influence through nepotism and ambitious marriages arranged by two Della Rovere popes: Francesco Della Rovere, who ruled as Sixtus IV from 1471 to 1484) and his nephew Giuliano, who became Julius II in 1503. Sixtus IV built the Sistine Chapel, which is named for him. The Basilica of San Pietro in Vincoli in Rome is the family church of the Della Rovere. Members of the family were influential in the Church of Rome, and as dukes of Urbino; that title was extinguished with the death of Francesco Maria II in 1631, and the family died out with the death of his granddaughter Vittoria, Grand Duchess of Tuscany.
Pope Sixtus IV, born Francesco della Rovere, was head of the Catholic Church and ruler of the Papal States from 9 August 1471 to his death in August 1484. His accomplishments as pope included the construction of the Sistine Chapel and the creation of the Vatican Archives. A patron of the arts, he brought together the group of artists who ushered the Early Renaissance into Rome with the first masterpieces of the city's new artistic age.
Donato Bramante, born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred.
The Pazzi conspiracy was a plot by members of the Pazzi family and others to displace the Medici family as rulers of Renaissance Florence.
Filippo Juvarra was an Italian architect, scenographer, engraver and goldsmith. He was active in a late-Baroque architecture style, working primarily in Italy, Spain, and Portugal.
GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Parione is the 6th rione of Rome, identified by the initials R. VI, and belongs to the Municipio I. Its name comes from the fact that in the area there was a huge ancient wall, maybe belonging to the stadium of Domitianus; the nickname people gave to this wall was Parietone, from which the name "Parione".
Pietro Ottoboni was an Italian cardinal and grandnephew of Pope Alexander VIII, who was also born Pietro Ottoboni. He is remembered especially as a great patron of music and art. Ottoboni was the last person to hold the curial office of Cardinal-nephew, which was abolished by Alexander's successor, Pope Innocent XII, in 1692. Ottoboni '"loved pomp, prodigality, and sensual pleasure, but was in the same time kind, ready to serve and charitable".
Raffaele Sansoni Galeoti Riario was an Italian Cardinal of the Renaissance, mainly known as the constructor of the Palazzo della Cancelleria and the person who invited Michelangelo to Rome. He was a patron of the arts. He was also the first adolescent to be elevated in the College of Cardinals in the history of the Holy See.
The Minor Basilica of St. Lawrence in Damaso or simply San Lorenzo in Damaso is a parish and titular church in central Rome, Italy that is dedicated to St. Lawrence, deacon and martyr. It is incorporated into the Palazzo della Cancelleria, which enjoys the extraterritoriality of the Holy See.
The Apostolic Chancery was a dicastery of the Roman Curia at the service of the supreme pontiff of the Roman Catholic Church. The principal and presiding official was the chancellor of the Holy Roman Church who was always the cardinal-priest of the Basilica di San Lorenzo in Damaso. The principal function of the office was to collect money to maintain the Papal army and to produce documents and correspondence for the Pope. Pope Pius VII reformed the office when Emperor Napoleon I of France obviated the need for Papal armies. In the early 20th century the office collected money for missionary work. Pope Paul VI abrogated the Cancellaria Apostolica on 27 February 1973. Its obligations were transferred to the Secretariat of State.
Andrea di Cristoforo Bregno (1418–1506) was an Italian Renaissance sculptor and architect of the Early Renaissance who worked in Rome from the 1460s and died just as the High Renaissance was getting under way.
The Palazzo Corsini is a prominent late-baroque palace in Rome, erected for the Corsini family between 1730 and 1740 as an elaboration of the prior building on the site, a 15th-century villa of the Riario family, based on designs of Ferdinando Fuga. It is located in the Trastevere section of the city, and stands beside the Villa Farnesina.
Palazzo Torlonia is a 16th-century Renaissance town house in Via della Conciliazione, Rome, Italy. Built for Cardinal Adriano Castellesi da Corneto from 1496, the architect was Andrea Bregno, although others have attributed the design to Bramante.
Angelo de Rossi was an Italian sculptor. Born in Genoa, he was apprenticed to Filippo Parodi in 1680; Parodi's influence is clear in his first pre-1689 work, a Small Satyr in marble. Nearly unavoidably, he was also influenced by the work of Pierre Puget. He went to Rome in 1688, remaining there until his death; a 1692 relief of Three Men in the Fiery Furnace won first prize in all three sculpture classes at the Accademia di San Luca.
The Palazzo San Callisto is a Baroque palace in the Trastevere neighborhood of Rome and one of the extraterritorial Properties of the Holy See. The original Palazzo is located in the Piazza di Santa Maria in Trastevere, the later extensions have their entrance in Piazza di San Callisto. The entire complex is one of the areas of the Holy See regulated by the 1929 Lateran Treaty signed with the Kingdom of Italy. As such it has extraterritorial status.
The Palazzo Chigi of Ariccia was the ducal palace of the Chigi family located in the center of the town of Ariccia, near Rome, Italy.
The Palazzo Donà-Ottobon is a palace located at Calle della Madonna on the Fondamenta di San Severo, corner with Calle Larga San Lorenzo, in the Sestiere of Castello in Venice, Italy. The remains of this Venetian Gothic palace are a small corner facade, alongside a canal, with two and a half walled-up gothic arcades in the piano nobile. The portal has an equally awkward marble relief of the Virgin with St Francis, St Claire de Montefalco, and a donor of reduced size. Earlier authors do not mention this portal.
Palazzo dei Convertendi is a reconstructed Renaissance palace in Rome. It originally faced the Piazza Scossacavalli, but was demolished and rebuilt along the north side of Via della Conciliazione, the wide avenue constructed between 1936 and 1950, which links St Peter's Basilica and the Vatican City to the centre of Rome. The palace is famous as the last home of the painter Raphael, who died there in 1520.
Borgo Nuovo, originally known as via Alessandrina, also named via Recta or via Pontificum, was a road in the city of Rome, Italy, important for historical and architectural reasons. Built by Pope Alexander VI Borgia for the holy year of 1500, the road became one of the main centers of the high Renaissance in Rome. Borgo Nuovo was demolished together with the surrounding quarter in 1936–37 due to the construction of Via della Conciliazione.
