Pat Metheny

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Pat Metheny
Pat metheny orch2.jpg
Metheny in 2010
Background information
Birth namePatrick Bruce Metheny
Born (1954-08-12) August 12, 1954 (age 65)
Lee's Summit, Missouri, U.S.
Genres Jazz, jazz fusion, Latin jazz, progressive jazz
Occupation(s)Musician, composer, producer
Years active1974–present
Labels ECM, Geffen, Warner, Nonesuch
Associated acts Gary Burton, Jaco Pastorius, Pat Metheny Group, Lyle Mays, Steve Rodby, Charlie Haden, Antonio Sánchez

Patrick Bruce Metheny ( /məˈθni/ mə-THEE-nee; born August 12, 1954) is an American jazz guitarist and composer.

Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".


He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, Latin jazz, and jazz fusion. [1] Metheny has three gold albums and 20 Grammy Awards [2] [3] and is the only person to win Grammys in 10 categories. He is the brother of jazz flugelhornist Mike Metheny.

Pat Metheny Group American jazz fusion group

The Pat Metheny Group is an American jazz fusion group founded in 1977 in Missouri. The core members of the group are guitarist, composer and bandleader Pat Metheny; and keyboardist and composer Lyle Mays, who was in the group at its inception. Other long-standing members include bassist and producer Steve Rodby, who joined in 1981, and member Antonio Sanchez, who has been the group's drummer since 2002. In addition to a core quartet, the group has often been joined by a variety of other instrumentalists expanding the size to six or eight musicians.

Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes bossa nova and samba.

Jazz fusion music genre

Jazz fusion is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.


Early years and education

Metheny was born in Lee's Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter. [4] [5] Metheny's first instrument was trumpet, which he was taught by his brother, Mike. His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. Metheny's interest in guitar increased around 1964 when he saw the Beatles perform on TV. For his 12th birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4. [6]

Lees Summit, Missouri City in Missouri, United States

Lee's Summit is a city located within the counties of Jackson (primarily) and Cass in the U.S. state of Missouri. As of the 2010 census its population was about 91,364, making it the sixth-largest city in both the state and in the Kansas City Metropolitan Area.

Mike Metheny is an American jazz musician and music journalist. He is the brother of the jazz guitarist Pat Metheny.

Glenn Miller American big band musician, arranger, composer, and bandleader

Alton Glenn Miller was an American big-band trombonist, arranger, composer, and bandleader in the swing era. He was the best-selling recording artist from 1939 to 1942, leading one of the best-known big bands. Miller's recordings include "In the Mood", "Moonlight Serenade", "Pennsylvania 6-5000", "Chattanooga Choo Choo", "A String of Pearls", "At Last", "(I've Got a Gal In) Kalamazoo", "American Patrol", "Tuxedo Junction", "Elmer's Tune", and "Little Brown Jug". In just four years Glenn Miller scored 16 number-one records and 69 top ten hits—more than Elvis Presley and the Beatles did in their careers. While he was traveling to entertain U.S. troops in France during World War II, Miller's aircraft disappeared in bad weather over the English Channel.

Metheny's life changed after hearing the album Four & More by Miles Davis. Soon after, he was captivated by Wes Montgomery's album Smokin' at the Half Note which was released in 1965. He cites the Beatles, Miles Davis, and Wes Montgomery as having the biggest impact on his music. [6]

<i>Four & More</i> 1966 live album by Miles Davis

'Four' & More: Recorded Live in Concert is a live album by Miles Davis, recorded at the Philharmonic Hall of Lincoln Center, New York City, NY on February 12, 1964, but not released until 1966. Two albums were assembled from the concert recording: the up-tempo pieces were issued on this album, while My Funny Valentine consists of the slow and medium-tempo numbers.

Miles Davis American jazz musician

Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Wes Montgomery American jazz musician

John Leslie "Wes" Montgomery was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb, which granted him a distinctive sound. He often worked with his brothers Buddy and Monk and with organist Melvin Rhyne. Montgomery's recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.

When he was 15, he won a scholarship from Down Beat magazine to a one-week jazz camp where he was mentored by guitarist Attila Zoller, who then invited Metheny to New York City to see guitarist Jim Hall and bassist Ron Carter. [7]

Attila Cornelius Zoller was a jazz guitarist born in Hungary. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher.

Jim Hall (musician) American jazz guitarist, composer

James Stanley Hall was an American jazz guitarist, composer and arranger. Premier Guitar magazine stated that "It could be argued that the jazz guitar tree is rooted in four names: Django [Reinhardt], Charlie [Christian], Wes [Montgomery], and Jim [Hall]".

Ron Carter American jazz bassist, cellist, and composer

Ronald Levin Carter is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history.

While playing at a club in Kansas City, he was approached by Bill Lee, a dean at the University of Miami, and offered a scholarship. After less than a week at college, Metheny realized that playing guitar all day during his teens had left him unprepared for classes. He admitted this to Lee, who offered him a job to teach instead, as the school had recently introduced electric guitar as a course of study. [6]

William Franklin Lee III, aka Bill Lee was an American jazz pianist, composer, arranger, author, and music educator who was renowned for pioneering comprehensive music education, including jazz, at the collegiate level. He led the University of Miami School of Music and was Miami's third music dean from 1964 to 1982. In 1989 he retired from the university, but he continued to work in music education at other institutions. He was distinguished professor emeritus of music theory and composition and emeritus composer in residence. Lee was vice-president and provost at the University of Miami and president and executive director of IAJE.

University of Miami private university in Coral Gables, Florida, United States

The University of Miami is a private research university in Coral Gables, Florida. As of 2018, the university enrolls 17,331 students in 12 separate colleges/schools, including the Leonard M. Miller School of Medicine in Miami's Health District, a law school on the main campus, and the Rosenstiel School of Marine and Atmospheric Science focused on the study of oceanography and atmospheric sciences on Virginia Key, with research facilities at the Richmond Facility in southern Miami-Dade County.

He moved to Boston to teach at the Berklee College of Music with jazz vibraphonist Gary Burton [7] and established a reputation as a prodigy. [8]

Debut album

In 1974 he appeared on an album unofficially titled Jaco with pianist Paul Bley, bassist Jaco Pastorius, and drummer Bruce Ditmas for Carol Goss's Improvising Artists label. But he was unaware that he was being recorded. During the next year, he joined Gary Burton's band with guitarist Mick Goodrick.

Metheny released his debut album, Bright Size Life (ECM, 1976) with Jaco Pastorius on bass guitar and Bob Moses on drums. His next album, Watercolors (ECM, 1977), was the first time he recorded with pianist Lyle Mays, who became his most frequent collaborator. The album also featured Danny Gottlieb, who became the drummer for the first version of the Pat Metheny Group. [9] With Metheny, Mays, and Gottlieb, the fourth member was bassist Mark Egan when the album Pat Metheny Group (ECM, 1978) was released.

Pat Metheny Group

Left to right: Steve Rodby and Pat Metheny Steve Rodby and Pat Metheny.jpg
Left to right: Steve Rodby and Pat Metheny

When Pat Metheny Group (ECM, 1978) was released, the Group was a quartet comprising, besides Metheny, Danny Gottlieb on drums, Mark Egan on bass, and Lyle Mays on piano, autoharp and synthesizer. All but Egan had played on Metheny's album Watercolors (ECM, 1977), recorded a year before the first Group album. [6]

The second Group album, American Garage (ECM, 1979), reached number 1 on the Billboard Jazz chart and crossed over onto the pop charts. From 1982 to 1985, the Pat Metheny Group released Offramp (ECM, 1982), a live album, Travels (ECM, 1983), First Circle (ECM, 1984), and The Falcon and the Snowman (EMI, 1985), a soundtrack album for the movie of the same name in which they collaborated on the single "This Is Not America" with David Bowie. The song reached number 14 in the British Top 40 in 1985 and number 32 in the U.S. [10]

Offramp marked the first appearance of bassist Steve Rodby (replacing Egan) and a Brazilian guest artist, Nana Vasconcelos, on percussion and wordless vocals. On First Circle, Argentinian singer and multi-instrumentalist Pedro Aznar joined the group as drummer Paul Wertico replaced Gottlieb. Both Rodby and Wertico were members of the Simon and Bard Group at the time and had played in Simon-Bard in Chicago before joining Metheny.[ citation needed ]

First Circle was Metheny's last album with ECM; he had been a key artist for the label but left following disagreements with the label's founder, Manfred Eicher.[ citation needed ]

Still Life (Talking) (Geffen, 1987) featured new Group members trumpeter Mark Ledford, vocalist David Blamires, and percussionist Armando Marçal. Aznar returned for vocals and guitar on Letter from Home (Geffen, 1989).

During this period the Steppenwolf Theater Company of Chicago featured compositions by Metheny and Mays for their production of Lyle Kessler's play Orphans , where it has remained special optional music for all productions of the play around the world since.[ citation needed ]

Metheny then again delved into solo and band projects, and four years went by before the release of the next Group record, a live album titled The Road to You (Geffen, 1993), which featured tracks from the two Geffen studio albums among new tunes. The group integrated new instrumentation and technologies into its work, notably Mays' use of synthesizers.

Metheny and Mays themselves refer [ citation needed ] to the next three Pat Metheny Group releases as a triptych: We Live Here (Geffen, 1995), Quartet (Geffen, 1996), and Imaginary Day (Warner Bros., 1997). Moving away from the Latin style which had dominated the releases of the previous ten years, these albums included experiments with sequenced synthetic drums on one track, free-form improvisation on acoustic instruments, and symphonic signatures, blues, and sonata schemes.[ citation needed ]

With Speaking of Now (Warner Bros., 2002), new Group members were added: drummer Antonio Sánchez from Mexico City, trumpeter Cuong Vu from Vietnam, and bassist, vocalist, guitarist, and percussionist Richard Bona from Cameroon.

The Way Up (Nonesuch, 2005) consists of one 68-minute-long piece (split into four sections for CD navigation) based on a pair of three-note kernels: The opening B, A#, F# and the derived B, A, F#. On The Way Up, harmonica player Grégoire Maret from Switzerland was introduced as a new group member, while Bona contributed as a guest musician.

Side projects

Outside the Group, Metheny has shown different sides of his musical personality. He made the album Orchestrion (Nonesuch, 2010) with elaborate, custom mechanical instruments, allowing one person to compose and perform as a one-person orchestra. By contrast, his album Secret Story (Geffen, 1992) used orchestral arrangements found more often in movie soundtracks, such as his own The Falcon and the Snowman (EMI, 1985) and A Map of the World (Warner Bros., 1999). His solo acoustic guitar albums include New Chautauqua (ECM, 1979), One Quiet Night (Warner Bros., 2003), and What's It All About (Nonesuch, 2011). He explored the fringes of the avant-garde on Zero Tolerance for Silence (Geffen, 1994). This, too, was an album of solo guitar, but it was electric guitar, and to many fans and critics it was simply noise. Metheny had ventured into the avant-garde before on 80/81 (ECM, 1980), Song X (Geffen, 1986) with Ornette Coleman, and The Sign of Four with Derek Bailey (Knitting Factory Works, 1997).

In 1997, Metheny recorded with bassist Marc Johnson on Johnson's release The Sound of Summer Running (Verve, 1998). The next year, he recorded a guitar duet with Jim Hall (Telarc, 1999), whose work has strongly influenced Metheny's. He collaborated with Polish jazz and folk singer Anna Maria Jopek on Upojenie (Warner Poland, 2002) and Bruce Hornsby on Hot House (RCA, 2005).

He recorded on albums by his older brother, Mike Metheny, a jazz trumpeter, among them Day In – Night Out (1986) and Close Enough for Love (2001). [11] [12]

The long list of his collaborators includes Lyle Mays, Bill Frisell, Billy Higgins, Brad Mehldau, Charlie Haden, Chick Corea, Dave Holland, Dewey Redman, Eberhard Weber, Herbie Hancock, Jack DeJohnette, Jaco Pastorius, John Scofield, Joni Mitchell, Joshua Redman, Marc Johnson, Michael Brecker, Mick Goodrick, Roy Haynes, Steve Swallow, and Tony Williams. [13]

Unity Band

In 2012, he formed the Unity Band with Antonio Sánchez on drums, Ben Williams on bass and Chris Potter on saxophone. This ensemble toured Europe and the U.S. during the latter half of the year. In 2013, as an extension of the Unity Band project, Metheny announced the formation of the Pat Metheny Unity Group, with the addition of the Italian multi-instrumentalist Giulio Carmassi.


As a young guitarist, Metheny tried to sound like Wes Montgomery, but when he was 14 or 15, he decided it was disrespectful to imitate him. [14] In the liner notes on the 2-disc Montgomery compilation Impressions: The Verve Jazz Sides, Metheny is quoted as saying, " Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play."

Ornette Coleman's 1968 album New York Is Now! inspired Metheny to find his own direction. [15] He has recorded Coleman's compositions on a number of albums, starting with a medley of "Round Trip" and "Broadway Blues" on his debut album, Bright Size Life (1976). He worked extensively with Coleman's collaborators, such as Charlie Haden, Dewey Redman, and Billy Higgins, and he recorded the album Song X (1986) with Coleman and toured with him.

Metheny made three albums on ECM with Brazilian vocalist and percussionist Naná Vasconcelos. He lived in Brazil from the late 1980s to the early 1990s and performed with several local musicians, such as Milton Nascimento and Toninho Horta. He played with Antônio Carlos Jobim as a tribute, in a live performance in Carnegie Hall Salutes The Jazz Masters: Verve 50th Anniversary.

He is also a fan of several pop music artists, especially singer/songwriters including James Taylor (after whom he named the song "James" on Offramp); Bruce Hornsby, Cheap Trick, and Joni Mitchell, with whom he performed on her Shadows and Light (Asylum/Elektra, 1980) live tour. Metheny is also fond of Buckethead's music. He also worked with, sponsored or helped to make recordings of singer/songwriters from all over the world, such as Pedro Aznar (Argentina), Akiko Yano (Japan), David Bowie (UK), Silje Nergaard (Norway), Noa (Israel), and Anna Maria Jopek (Poland). [16]

Two of Metheny's albums, The Way Up (2005) and Orchestrion (2010), show the influence of American minimalist composer Steve Reich and use similar rhythmic figures structured around pulse. Metheny recorded Reich's composition "Electric Counterpoint" on Reich's album Different Trains (Nonesuch, 1987).


Metheny with the 42-string Pikasso MethenyPikasso.JPG
Metheny with the 42-string Pikasso


Metheny plays a custom-made 42-string Pikasso I created by Canadian luthier Linda Manzer on "Into the Dream" and on the albums Quartet (1996), Imaginary Day (1997), Jim Hall & Pat Metheny (1999), Trio → Live (Warner Bros., 2000), and the Speaking of Now Live and Imaginary Day Live DVDs. Metheny has used the guitar in his guest appearances on other artists' albums. He used the Pikasso on Metheny/Mehldau Quartet (Nonesuch, 2007), his second collaboration with pianist Brad Mehldau and his trio sidemen Larry Grenadier and Jeff Ballard; the Pikasso is featured on Metheny's composition "The Sound of Water". Manzer has made many acoustic guitars for Metheny, including a mini guitar, an acoustic sitar guitar, and the baritone guitar, which Metheny used for the recording of One Quiet Night (2003).

Guitar synthesizer

Metheny with the guitar synthesizer Pat Metheny Venice.jpg
Metheny with the guitar synthesizer

Metheny was one of the first jazz guitarists to use the Roland GR-300 Guitar Synthesizer. He commented, "you have to stop thinking about it as a guitar, because it no longer is a guitar". He approaches it as if he were a horn player, and he prefers the "high trumpet" sound of the instrument. [17] One of the "patches" that he has often used is on Roland's JV-80 "Vintage Synth" expansion card, titled "Pat's GR-300".[ citation needed ]. In addition to the Roland, he uses a Synclavier controller. [17]

Six-string and twelve-string electric

Metheny was an early proponent of the twelve-string guitar in jazz. During his 1975 tour with the Gary Burton "Quartet" (five people, including Metheny), he primarily played electric twelve-string guitar against the six-string work of resident guitarist Mick Goodrick.[ citation needed ]

Prior to Metheny, Pat Martino had used the electric twelve-string guitar on a studio album, Desperado , and John McLaughlin had used a double-neck electric guitar with the Mahavishnu Orchestra. Ralph Towner was perhaps the first[ citation needed ] to use acoustic twelve-string guitar extensively in jazz ("The Moors", from Weather Report's I Sing the Body Electric , Columbia, 1972), and Larry Coryell and Philip Catherine made extensive use of acoustic twelve string in alternate tunings at the 1975 Montreux Jazz Festival, later releasing some of the material on their 1976 Twin House album.[ citation needed ]

Metheny used a twelve-string guitar on his debut album, Bright Size Life (1976), including alternate tuning on "Sirabhorn", and on later albums ("San Lorenzo", from Pat Metheny Group and Travels).[ citation needed ]

Semi-acoustic guitars

Metheny with his Ibanez PM signature model Jazzvitoria Metheny.jpg
Metheny with his Ibanez PM signature model

At the age of 12, Metheny bought a natural finish Gibson ES-175 that he played throughout his early career, until it was retired in 1995. [18] After his first tour of Japan in 1978, he began an association with Ibanez guitars, who have since produced a range of PM signature models. [19]

Material loss

On June 25, 2019, The New York Times Magazine listed Pat Metheny among hundreds of artists whose material was reportedly destroyed in the 2008 Universal Studios fire. [20]

Awards and honors

Grammy Awards

2013 Best Jazz Instrumental Album Unity Band With the Unity Band
2012 Best New Age Album What's It All About
2008Best Jazz Instrumental Album Pilgrimage (Won as producer)
2006 Best Contemporary Jazz Album The Way Up Pat Metheny Group
2004Best New Age Album One Quiet Night
2003Best Contemporary Jazz Album Speaking of Now Pat Metheny Group
2001 Best Jazz Instrumental Solo "(Go) Get It" (Won as soloist)
2000Best Jazz Instrumental Performance Like Minds With Chick Corea, Dave Holland, Gary Burton, Roy Haynes
1999 Best Rock Instrumental Performance "The Roots of Coincidence" Pat Metheny Group
1999Best Contemporary Jazz Performance Imaginary Day Pat Metheny Group
1998Best Jazz Instrumental Performance Beyond the Missouri Sky With Charlie Haden
1996Best Contemporary Jazz Performance We Live Here Pat Metheny Group
1994Best Contemporary Jazz Performance The Road to You Pat Metheny Group
1993Best Contemporary Jazz Performance Secret Story
1991 Best Instrumental Composition "Change of Heart" (Won as composer)
1989 Best Jazz Fusion Performance Letter from Home Pat Metheny Group
1988Best Jazz Fusion Performance Still Life (Talking) Pat Metheny Group
1985Best Jazz Fusion Performance First Circle Pat Metheny Group
1984Best Jazz Fusion Performance Travels Pat Metheny Group
1983Best Jazz Fusion Performance Offramp Pat Metheny Group

Source: [25]


Further reading

Related Research Articles

Lyle Mays American jazz musician

Lyle David Mays is an American jazz pianist and composer best known as a member of the Pat Metheny Group. Metheny and Mays composed and arranged nearly all of the group's music, for which Mays has won eleven Grammy Awards.

Steve Rodby American jazz musician

Steve Rodby is an American jazz bassist and producer known for his time with the Pat Metheny Group.

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Larry Grenadier is an American jazz double bassist.

<i>Speaking of Now</i> 2002 studio album by Pat Metheny Group

Speaking of Now is an album by the Pat Metheny Group, released in 2002 by Warner Bros. In 2003 the group was awarded the Grammy Award for Best Contemporary Jazz Album.

<i>Imaginary Day</i> 1997 studio album by Pat Metheny Group

Imaginary Day is a jazz album by the Pat Metheny Group, released in 1997 by Warner Bros. Records. The album overall was strongly inspired by world music from Iran and Indonesia, and won the 1999 Grammy Award for Best Contemporary Jazz Album. The song "The Roots of Coincidence" won a Grammy award for Best Rock Instrumental Performance; critic Richard Ginnell of Allmusic described the song as a dramatic departure for the group: "[an] out-and-out rock piece with thrash metal and techno-pop episodes joined by abrupt jump cuts."

Jeff Ballard (musician) American drummer

Jeff Ballard is an American jazz drummer from Santa Cruz, California. He has played with Ray Charles and Pat Metheny and plays periodically with Chick Corea in many groups such as Origin and the Chick Corea New Trio. He also played with many New York-based jazz musicians such as Reid Anderson, Brad Mehldau, Kurt Rosenwinkel, Mark Turner, Miguel Zenon and Eli Degibri. He has also played with the Joshua Redman Elastic Band.

<i>Metheny/Mehldau</i> 2006 studio album by Pat Metheny, Brad Mehldau

Metheny Mehldau is a jazz album released in 2006 by Nonesuch Records. Most of the album is a duet between guitarist Pat Metheny and pianist Brad Mehldau. On two songs, they are accompanied by drummer Jeff Ballard and bassist Larry Grenadier.

<i>Metheny/Mehldau Quartet</i> 2007 studio album by Pat Metheny, Brad Mehldau, Jeff Ballard, Larry Grenadier

Metheny Mehldau Quartet is a jazz album by guitarist Pat Metheny and pianist Brad Mehldau, released in 2007 by Nonesuch Records.

Mark Ledford was an American trumpeter, singer, and guitarist. He was known for his multi-instrumentalism and his membership in the Pat Metheny Group.

<i>Quartet</i> (Pat Metheny album) 1996 studio album by Pat Metheny Group

Quartet (1996) is an album by the Pat Metheny Group. The album features Pat Metheny on guitar, Lyle Mays on keyboards, Steve Rodby on bass, and Paul Wertico on drums. Most of the tracks were loosely written or improvised, using several unusual instruments. The Group itself never played these songs live, though Metheny played a longer version of "When We Were Free" with his trio on the album Day Trip. "As I Am" was played during trio concerts with Michael Brecker.

<i>Jim Hall & Pat Metheny</i> 1999 studio album by Jim Hall, Pat Metheny

Jim Hall & Pat Metheny is an album by jazz guitarists Jim Hall and Pat Metheny that was released by Telarc on April 27, 1999. The album contains eleven studio recording tracks and six live tracks.

<i>Orchestrion</i> (album) 2010 studio album by Pat Metheny

Orchestrion is a studio album by jazz guitarist Pat Metheny that was released by Nonesuch Records on January 26, 2010.

<i>The Orchestrion Project</i> 2013 live album by Pat Metheny

The Orchestrion Project is an album by American guitarist Pat Metheny released as a double CD in early 2013 on the Nonesuch label following the release of a concert video with the same name in 2012. The album was recorded on tour following Orchestrion, Metheny's album from 2010 which used orchestrionic instruments.

<i>Kin</i> (Pat Metheny album) 2014 studio album by Pat Metheny Unity Group

Kin is a studio album by American jazz guitarist Pat Metheny and his Unity Group, an expanded version of 2012's Unity Band, with multi-instrumentalist Giulio Carmassi and saxophonist Chris Potter. Kin was released in February 2014 by Nonesuch Records. It was recorded in June 2013 at MSR Studios in New York.

<i>The Unity Sessions</i> 2016 live album by Pat Metheny

The Unity Sessions is an album by American jazz guitarist Pat Metheny and his Unity Band: Chris Potter on saxophone and bass clarinet, Ben Williams on bass, Giulio Carmassi on keys, and Antonio Sánchez on drums. A live album in a studio setting, it was recorded with a camera crew in a black box theatre without an audience. The recording was released on DVD and Blu-Ray disc in 2015, then as a double CD in 2016.

<i>Cuong Vu Trio Meets Pat Metheny</i> 2016 studio album by Cuong Vu Trio , and Pat Metheny

Cuong Vu Trio Meets Pat Metheny is a studio album by Vietnamese jazz trumpeter Cuong Vu and American jazz guitarist Pat Metheny, with additional musicians Stomu Takeishi on fretless five-string bass guitar, and Ted Poor on drums. The album was released on May 6, 2016 via Nonesuch label.


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