Paul Weston at Capitol Records, 1940s
|Birth name||Paul Wetstein|
|Born||March 12, 1912|
Springfield, Massachusetts, U.S.
|Died||September 20, 1996 84) (aged|
Santa Monica, California
|Genres||Jazz, easy listening, pop|
|Occupation(s)||Musician, composer, conductor, arranger, label owner|
|Labels||Capitol Columbia, Corinthian|
|Associated acts||Jonathan and Darlene Edwards|
Paul Weston (born Paul Wetstein, March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", "Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses.
Born Paul Wetstein in Springfield, Massachusetts,Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University.
At Dartmouth, he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and he did some arrangements while he recovered. Weston sold his first musical arrangements to Joe Haymes in 1934. After Haymes requested more material, Weston's music was heard by Rudy Vallée, who offered him work on his radio show. Weston met Tommy Dorsey through Haymes and in 1936 became a member of Dorsey's orchestra. Weston persuaded Dorsey to hire The Pied Pipers after hearing them in 1938, and the group toured with the bandleader.
After leaving Dorsey in 1940, Weston worked with Dinah Shore and moved to Hollywood after being offered work in films. In California he met Johnny Mercer, who invited him to write for his new label, Capitol Records. Weston became music director at Capitol, where he worked with Jo Stafford and developed the mood music genre. Stafford moved with him to Columbia Records in 1950, and the couple were married in 1952.
Weston worked extensively in television from the 1950s to the 1970s. He helped start the Grammy Awards, which were first presented in 1959. He was honored with a Grammy Trustees Award in 1971 and spent three years as music director of Disney on Parade.
Weston and Stafford developed a comedy routine in which they assumed the guise of a bad lounge act named Jonathan and Darlene Edwards. Their first album was released in 1957. In 1960, their album Jonathan and Darlene Edwards in Paris won the Grammy Award for Best Comedy Album. Weston's work in music is honored with a star on the Hollywood Walk of Fame.
Weston was born Paul Wetstein in Springfield, Massachusetts, to Paul Wetstein, a teacher,and Anna "Annie" Grady. The family moved to Pittsfield when Weston was two, and he spent his formative years in the town. His parents were both interested in music, and when Paul Sr taught at a private girls' school, he was allowed to bring the school's gramophone home over the Christmas holidays. Weston remembered hearing "Whispering Hope" on it as a child.
At age eight, he started piano lessons.He was an economics major at Dartmouth College in New Hampshire, where he graduated cum laude and Phi Beta Kappa in 1933. During his college days, Weston had his own band called "the Green Serenaders"; this allowed him to pay his own college tuition. Weston also learned how to play the clarinet so he could travel with the college band. He went to graduate school at Columbia University and was active in the Blue Lions, Columbia's dance band. In January 1934, Weston was seriously injured in a train accident. While trying to catch a train, Weston grabbed a door handle as the train sped off. He was able to hold on to the handle and was dragged two and one half miles before losing his grip. Unable to be active in a band, he started doing music arranging as a way to keep some involvement with music while convalescing. When he returned to New York in the fall of 1934, he made his first sale of his work to Joe Haymes. Haymes liked Weston's work enough to ask him to do more arrangements for his band. His medley of Anything Goes songs was heard by Rudy Vallee, who contacted him and offered Weston a job as an arranger for his Fleischmann's Hour on radio. Weston was also doing arranging for Phil Harris.
He met Tommy Dorsey through his work with Joe Haymes. Following the Dorsey Brothers split in 1935, Tommy had yet to form an orchestra; he used the Joe Haymes Orchestra for his first engagement as a solo conductor. Weston joined Dorsey as chief arranger in 1936, holding the position until 1940.He became Dinah Shore's arranger/conductor and worked freelance for the Bob Crosby Orchestra. Weston also worked with Fibber McGee and Molly and Paul Whiteman. When Bob Crosby's band was hired for his brother Bing's film, Holiday Inn , this took him to Hollywood and into film work. He changed his name from Wetstein to Weston after his arrival in California. Weston was asked to do more work for Bing Crosby and Bob Hope, and also for Betty Hutton. Subsequent films as musical director include Belle of the Yukon (1944) and Road To Utopia (1945).
Weston met Johnny Mercer while working for Paramount in 1942; Mercer, who was preparing to start Capitol Records, wanted Weston to write for his new company. Paul wrote, arranged and directed Mercer's "Strip Polka" - the first arrangement written for the new label on April 6, 1942.On August first of that year, the 1942–44 musicians' strike began. No union musicians could record for any record company, but were able to play for live engagements and radio shows; the issue which prompted the strike was regarding record companies paying royalties to musicians. Many record companies had "stockpiled" recordings of their stars prior to the strike, planning to release them over a period of time. While the older, more established record labels were able to do this, the newly formed Capitol had no opportunity to do likewise. The strike brought the new company to a standstill until Johnny Mercer began his radio show, Johnny Mercer's Music Shop , in June 1943. The radio show was meant to be a venue for Capitol's talent during the Musicians' Strike. Mercer and Capitol recording artist Jo Stafford hosted the program, with Weston and his orchestra providing the music for it. Stafford and Weston had first met in 1938, when he was working as an arranger for Tommy Dorsey; Weston was responsible for getting Stafford's group, the Pied Pipers, an audition with Dorsey for his radio show. The recording ban was lifted for Capitol in October 1943 after an agreement was reached between the Musicians' Union and the record company; Weston was then able to return to the recording studio. In 1944, he became the company's music director. When appointed, Weston was the youngest musical director for any major record company.
Besides his work at Capitol, Weston did conducting for many radio shows during this time. He worked with Duffy's Tavern , the radio shows of Joan Davis, and Your Hit Parade .Jo Stafford, who became a regular host of the Chesterfield Supper Club in 1945, returned to California permanently in November 1946. Stafford later hosted the show from Hollywood, with Weston and his orchestra. It was around this time that Weston had a new idea for recorded music that would be similar to the soundtrack of a movie. It could be an enhancement to living but subtle enough not to stifle conversation. His album Music For Dreaming was the beginning of the "Mood Music" genre. In 1950, he left Capitol for a similar position at Columbia Records; Jo Stafford also signed with Columbia at the same time. He remained active in radio, with his own The Paul Weston Show, and also in acting roles on Dear John with Irene Rich, Valiant Lady , and Cavalcade of America .
Paul Weston and Jo Stafford were married on February 26, 1952; the couple had two children, Tim (born 1952),and Amy (born 1956). Both returned to Capitol in 1961, leaving the company for Dot Records in late 1965.
In 1957 Weston was named musical director for NBC-TV, a position he held for five years,a founding member and the first president of the National Academy of Recording Arts and Sciences, and half of a recording duo that the whole country was talking about. Paul and Jo did a skit at their parties where he would play the role of a simply horrible lounge pianist and she would vocalize in off-key melodies to the tunes he tried to play.
He went public with his portion of the act at a Columbia Records convention, where it was an instant hit; the couple agreed to do some recordings, calling themselves Jonathan and Darlene Edwards.George Avakian, a Columbia Records executive, chose the name of Jonathan Edwards for Weston's act in honor of the Calvinist preacher of the same name. Weston was concerned he might not be able to fill an album with the performances of Jonathan Edwards, so he asked Stafford to help. She became Darlene Edwards, the off-key singer. It was not immediately known to the public who had really made the records; there was much speculation as to what two famous people might be behind the music, before a 1957 Time article revealed their true identities.
In 1958, the fictional couple appeared on Jack Benny's Shower of Stars , and, in 1960, on The Garry Moore Show .The couple won a Grammy Award for Best Comedy Album of 1960 for their work as the imaginary pair. While Weston was the conductor for The Danny Kaye Show, his perpetual houseguest, Jonathan Edwards, made an appearance on the program without his singing wife, Darlene. The vocal for I Love a Piano was provided by Kaye as the pair started the television show on March 25, 1964.
They continued to release Jonathan and Darlene albums for several years, and, in 1979, released a cover of The Bee Gees' "Stayin' Alive", backed with "I Am Woman".As Jonathan and Darlene Edwards, the couple released a "sing along" album which Mitch Miller believed put an end to his television show and sing-along records. Their last release, Darlene Remembers Duke, Jonathan Plays Fats , was issued in 1982.
The original idea of honoring those in the recording industry came from the Hollywood Chamber of Commerce in 1957. Their plan was to propose bronze sidewalk markers to be placed on Hollywood Boulevard (the beginning of the current Hollywood Walk of Fame).The Chamber approached local top recording company executives with the idea, asking for help with a list of those who deserved the honor. Weston was one of the men named to this committee by the Chamber. The committee executives decided all those who had sold a million records or a quarter million record albums during their careers would be candidates for the bronze star markers. As they continued their research, the men on the committee realized that many very important people in the recording industry would not qualify for this type of recognition. This realization prompted the founding of the National Academy of Recording Arts and Sciences, whose purpose was to create an award for recording artists. It became known as the Grammy, and the first awards were given in 1959. Paul Weston's dedication to music and recording was recognized with a Trustees' Award Grammy in 1971.
Weston had a long career as a musical director for television, including The Danny Kaye Show , The Jonathan Winters Show , The Jim Nabors Show and for The Bob Newhart Show , a 1961 variety show.He was also the conductor and arranger for his wife's CBS television show from 1954–55, The Jo Stafford Show . Although he did not provide the names of the programs, Weston once said conductors on live television shows, "should also receive a stuntman's check!" In 1959, Weston worked with Art Carney and Bil Baird's marionettes for an ABC television children's special, Art Carney Meets Peter and the Wolf, and was nominated for his musical contributions to the show.
Weston arranged Ella Fitzgerald's album Ella Fitzgerald Sings the Irving Berlin Songbook (1957), devoted to the music of Irving Berlin.Among songs he composed are "I Should Care" and "Day by Day", both of which were collaborations with Sammy Cahn and Axel Stordahl and were big hits for Frank Sinatra. He co-wrote "Shrimp Boats", published in 1951, which was popularized by Jo Stafford.
One of Weston's songs made the tiny town of Hana on the island of Maui a household word. While on a visit to the area, Weston needed to shop for gifts for his two children. He found himself at the Hasegawa General Store, about which he wrote "The Hasegawa General Store", based on his experiences there, which was recorded by Arthur Godfrey, Jim Nabors, and others.
Weston also wrote classical and religious music: one of his two symphonic suites, Crescent City Suite, has enjoyed many performances, in the "Crescent City", New Orleans, and elsewhere. It was composed in 1956 and performed in New Orleans at the Municipal Auditorium in 1957 with Weston conducting. There was enough interest in the composition for a version for school bands to be made available in 1959; a symphonic version was also issued.He was the author of many hymns and two Masses which were published by the Gregorian Institute of America. He founded Corinthian Records in the late 1970s, a company which started as a religious music label, but which later became the distributor for the couple's secular albums. His intention was to get the masters of both his and Stafford's recordings for later reproduction on compact disk. He spent three years as the musical director of Disney on Parade .
The couple retired from performing in the 1970s. Active for many years in charities helping the developmentally disabled, the Westons gave more of their time to these groups after their retirement. The AbilityFirst work center in Woodland Hills, California is named in Paul Weston's memory.Weston died on September 20, 1996, in Santa Monica, California, aged 84. He is buried in Holy Cross Cemetery, Culver City. In 2006, his widow, Jo Stafford donated her husband's library and her own to the University of Arizona. She died in 2008, aged 90.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violist.
Capitol Records is an American record label owned by Universal Music Group through its Capitol Music Group imprint. It was founded as the first west coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012 and was merged with the company a year later, making Capitol and the Capitol Music Group both a part of UMG. The label's iconic circular headquarters building is a recognized landmark of Hollywood, California. Capitol is well known as the U.S. record label of the Beatles, especially during the years of Beatlemania in America from 1964 to 1967.
Thomas Francis Dorsey Jr. was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. His theme song was I'm Getting Sentimental Over You. His technical skill on the trombone gave him renown among other musicians. He was the younger brother of bandleader Jimmy Dorsey. After Dorsey broke with his brother in the mid-1930s, he led an extremely popular and highly successful band from the late 1930s into the 1950s. He is best remembered for standards such as "Opus One", "Song of India", "Marie", "On Treasure Island", and his biggest hit single, "I'll Never Smile Again".
The 3rd Annual Grammy Awards were held on April 13, 1961, at Los Angeles and New York. They recognized musical accomplishments by the performers for the year 1960. Ray Charles won four awards and Bob Newhart and Henry Mancini each won three awards.
Jo Elizabeth Stafford was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the UK Singles Chart.
The Pied Pipers is an American popular singing group originally formed in the late 1930s. They had several chart hits through the 1940s, both under their own name and in association with Tommy Dorsey and with Frank Sinatra.
Axel Stordahl was an American arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age.
"Cocktails for Two" is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie Murder at the Vanities (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007.
Matthew Loveland Dennis was an American singer, pianist, band leader, arranger, and writer of music for popular songs.
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Songs of Scotland is a 1955 album by Jo Stafford. It was released on January 1, 1955 on the Columbia label and features Stafford backed by the Paul Weston Orchestra. The lyrics are all taken from traditional Scottish poetry, many from the work of Robert Burns, with the music written by Alton Rinker.
Starring Jo Stafford is a 1953 album by Jo Stafford,with Paul Weston and His Orchestra accompaniment by The Starlighters and The Pied Pipers. The album was re-released in 1997 on a CD along with Autumn in New York by EMI.
Jonathan and Darlene Edwards were a musical comedy double act developed by American conductor and arranger Paul Weston, and his wife, singer Jo Stafford. The routine was conceived in the 1950s, and involved Weston playing songs on the piano in unconventional rhythms, while Stafford sang off-key in a high pitched voice. The couple released five albums and one single as the Edwards, and their 1960 album, Jonathan and Darlene Edwards in Paris won that year's Grammy Award for Best Comedy Album.
The Jo Stafford Show is a 15-minute musical variety program which aired on CBS in prime time in the 1954–1955 television season. Jo Stafford began her solo singing career after success with the big band group known as The Pied Pipers. Arrangements for the program were handled by Stafford's husband, Paul Weston, himself a conductor and arranger at Capitol Records and Columbia Records. The series aired on Tuesday evenings at 7:45 Eastern Time after Douglas Edwards with the News and preceding the half-hour The Red Skelton Show. Singer Perry Como had a similar 15-minute program on CBS in the same time slot on Monday, Wednesday, and Friday evenings. Paul Weston wrote a special theme song for the show.
Jonathan and Darlene Edwards in Paris is a 1960 comedy album recorded by American singer Jo Stafford and her husband, pianist and bandleader Paul Weston. In character as Jonathan and Darlene Edwards, the pair put their own interpretation on popular songs including "I Love Paris" and "Paris in the Spring." The album followed a successful comedy act the couple would perform at parties during the 1950s, in which Weston would play an out of tune piano while Stafford would accompany him by singing in an off-key and high pitched voice. A joint winner of the 1961 Grammy Award for Best Comedy Album, the album garnered Stafford her only major award for her singing.
Darlene Remembers Duke, Jonathan Plays Fats is a 1982 album by Jo Stafford and Paul Weston in which they perform in character as Jonathan and Darlene Edwards. The duo put their own unique interpretation on the music of Duke Ellington and Fats Waller with Stafford singing deliberately off key, while Weston plays an out of tune piano. The album was issued by Corinthian Records (COR-117). Billboard reviewed the album when it was newly released, saying, "the sounds they achieve may well lead to another Grammy for the duo next year." Stafford and Weston, in their personas of Jonathan and Darlene Edwards, were interviewed by Los Angeles Magazine following the release of the album.
The Piano Artistry of Jonathan Edwards is a 1957 album of songs by Paul Weston and Jo Stafford in the guise of Jonathan and Darlene Edwards, a New Jersey lounge act who deliberately play the piano and sing off-key, putting their own interpretation on popular songs. Most of the tracks feature Weston's piano playing, although on four he is accompanied by Darlene. The album was released by Columbia Records in 1957. It was re-released in 1985 by Corinthian Records.
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