Peacock Throne

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Painting of the (later) Peacock Throne in the Diwan-i-Khas of the Red Fort, around 1850 Sixteen views of monuments in Delhi Peacock Throne Red Fort Delhi 1850.png
Painting of the (later) Peacock Throne in the Diwan-i-Khas of the Red Fort, around 1850

The Peacock Throne was a famous jewelled throne that was the seat of the Mughal emperors of India. It was commissioned in the early 17th century by emperor Shah Jahan and was located in the Diwan-i-Khas (Hall of Private Audiences, or Ministers' Room) in the Red Fort of Delhi. The original throne was subsequently captured and taken as a war trophy in 1739 by the Persian emperor Nadir Shah, and has been lost since. A replacement throne based on the original was commissioned afterwards and existed until the Indian Rebellion of 1857.

Throne seat of state of a potentate or dignitary

A throne is the seat of state of a potentate or dignitary, especially the seat occupied by a sovereign on state occasions; or the seat occupied by a pope or bishop on ceremonial occasions. "Throne" in an abstract sense can also refer to the monarchy or the Crown itself, an instance of metonymy, and is also used in many expressions such as "the power behind the throne". The expression "ascend (mount) the throne" takes its meaning from the steps leading up to the dais or platform, on which the throne is placed, being formerly comprised in the word's significance.

Mughal emperors Wikimedia list article

The Mughal Emperors, Moghul, from the early 16th century to the mid 19th century, built and ruled the Mughal Empire on the Indian subcontinent, mainly corresponding to the modern countries of India, Pakistan, Afghanistan and Bangladesh. The Mughals were a branch of the Timurid dynasty of Turco-Mongol origin from Central Asia. Their power rapidly dwindled during the 18th century and the last emperor was deposed in 1857, with the establishment of the British Raj. Mughal emperors were of direct descent from Timur, and also affiliated with Genghis Khan, because of Tamerlane's marriage with a Genghisid princess.

Shah Jahan 5th Mughal Emperor

Shahab-ud-din Muhammad Khurram, better known by his regnal name Shah Jahan, was the fifth Mughal emperor, who reigned from 1628 to 1658. His reign represented the height of the Mughal architecture, most notably the Taj Mahal. His relationship with his wife Mumtaz Mahal has been heavily adapted into Indian art, literature, and cinema.

Contents

History

Shah Jahan seated on a minor throne, which probably shared some stylistic elements with the Peacock Throne Shah Jahan op de pauwentroon.jpg
Shah Jahan seated on a minor throne, which probably shared some stylistic elements with the Peacock Throne

Shah Jahan ruled in what is considered the Golden Age of the vast Mughal Empire, which covered almost all of the Indian subcontinent. He ruled from the newly constructed capital of Shahjahanabad. The emperor was the focus around which everything else revolved, giving audiences and receiving petitioners. The ruler's court was to be a mirror image of paradise on earth, in the very centre of the empire; and such a ruler would be worthy of a Throne of Solomon (تخت سليمان, Takht-e-Sulaiman) to underscore his position as a just king. Just like Solomon's throne, the Peacock Throne was to be covered in gold and jewels, with steps leading up to it, with the ruler floating above ground and closer to heaven. Said Gilani and his workmen from the imperial goldsmiths' department were commissioned with the construction of this new throne. It took seven years to complete. Large amounts of solid gold, precious stones and pearls were used, creating a masterful piece of Mughal workmanship that was unsurpassed before or after its creation. It was an opulent indulgence that could only be seen by a small number of courtiers, aristocrats, and visiting dignitaries. The throne was, even by Golden Age Mughal standards, supremely extravagant, costing twice as much as the construction of the Taj Mahal. [1] [2] [3]

Golden Age far-gone period of primordial peace, harmony, stability, and prosperity, from Greek mythology

The term Golden Age comes from Greek mythology, particularly the Works and Days of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages, Gold being the first and the one during which the Golden Race of humanity lived. Those living in the first Age were ruled by Kronos, after the end of the first age was the Silver, then the Bronze, after this the Heroic age, with the fifth and current age being Iron.

Throne of Solomon Throne of King Solomon

The Throne of Solomon is the throne of King Solomon in the Hebrew Bible, and is a motif in Judaism, Christianity and Islam.

The appearance of this new throne was in stark contrast to the older throne of Jahangir, a large rectangular slab of engraved black basalt constructed in the early 1600s, used by the father of Shah Jahan.

Throne of Jahangir

The Throne of Jahangir was built by Mughal emperor Jahangir in 1602 and is located at the Diwan-i-Khas at the Red Fort in Agra.

Basalt A magnesium- and iron-rich extrusive igneous rock

Basalt is a mafic extrusive igneous rock formed from the rapid cooling of magnesium-rich and iron-rich lava exposed at or very near the surface of a terrestrial planet or a moon. More than 90% of all volcanic rock on Earth is basalt. Basalt lava has a low viscosity, due to its low silica content, resulting in rapid lava flows that can spread over great areas before cooling and solidification. Flood basalt describes the formation in a series of lava basalt flows.

The new throne was not initially given the name by which it became known. It was simply known as the "Jeweled Throne" or "Ornamented Throne" (Takht-Murassa). It received its name from later historians because of the peacock statues featured on it. [1]

The Peacock Throne was inaugurated in a triumphant ceremony on 22 March 1635, the formal seventh anniversary of Shah Jahan's accession. [4] The date was chosen by astrologers and was doubly auspicious, since it coincided exactly with Eid al-Fitr, the end of Ramadan, and Nowruz, the Persian New Year. The emperor and the court were returning from Kashmir and it was determined that the third day of Nowruz would be the most auspicious day for him to enter the capital and take his seat on the throne. [5] [6]

Eid al-Fitr, also called the "Festival of Breaking the Fast", is a religious holiday celebrated by Muslims worldwide that marks the end of Ramadan, the Islamic holy month of fasting (ṣawm). This religious Eid is the first and only day in the month of Shawwal during which Muslims are not permitted to fast. The holiday celebrates the conclusion of the 29 or 30 days of dawn-to-sunset fasting during the entire month of Ramadan. The day of Eid, therefore, falls on the first day of the month of Shawwal. The date for the start of any lunar Hijri month varies based on when the new moon is sighted by local religious authorities, so the exact day of celebration varies by locality.

Nowruz Day of new year in the Persian and Zoroastrian calendars

Nowruz is the Iranian New Year, also known as the Persian New Year, which is celebrated worldwide by various ethno-linguistic groups.

Muhammad Qudsi, the emperor's favourite poet, was chosen to compose twenty verses that were inscribed in emerald and green enamel on the throne. He praised the matchless skill of the artisans, the "heaven-depleting grandeur" of its gold and jewels, and included the date in the letters of the phrase "the throne of the just king". [1] [7]

Poet Abu-Talib Kalim was given six pieces of gold for each verse in his poem of sixty-three couplets. [8]

The master goldsmith Said Gilani was summoned by the emperor and showered with honours, including with his weight in gold coins and given the title "Peerless Master" (Bibadal Khan). Gilani produced a poem of 134 couplets, filled with chronograms, the first twelve couplets giving the date of the emperor's birth, the following thirty-two the date of his first coronation, then ninety couplets giving the date of the throne's inauguration. [8]

Towards India he turned his reins quickly and went in all glory,

Driving like the blowing wind, dapple-grey steed swift as lightning.
With bounty and liberality, he returned to the capital;
Round his stirrups were the heavens and angels round his reins.
A thousand thanks! The beauty of the world has revived
With the early glory of the throne of multi-coloured gems. [9]

After Shah Jahan's death, his son Aurangzeb, who had the regnal name of Alamgir, ascended the Peacock Throne. Aurangzeb was the last of the strong Mughal emperors. After his death, in 1707, his son Bahadur Shah I reigned from 1707–1712. Bahadur Shah I was able to keep the empire stable, by maintaining a relaxed religious policy; however, after his death the empire was in inexorable decline. A period of political instability, military defeats, and court intrigues led to a succession of weak emperors: Jahandar Shah ruled for one year from 1712–1713, Farrukhsiyar from 1713–1719, Rafi ud-Darajat and Shah Jahan II only for a couple of months in 1719. By the time Muhammad Shah came to power, Mughal power was in serious decline and the empire was vulnerable. Nevertheless, under the generous patronage of Muhammad Shah, the court at Delhi became again a beacon of the arts and culture. Administrative reforms could not however stop the later Mughal-Maratha Wars, which greatly sapped the imperial forces. It was only a question of time until forces from neighbouring Persia saw their chance to invade.

The Persian king Nader Shah seated upon the Peacock Throne with members of the court, after his victory at the Battle of Karnal Nadir Shah on the Peacock Throne after his defeat of Muhammad Shah. ca. 1850, San Diego MOA.jpg
The Persian king Nader Shah seated upon the Peacock Throne with members of the court, after his victory at the Battle of Karnal

Nader Shah's invasion of the Mughal Empire culminated in the Battle of Karnal, on 13 February 1739, and the defeat of Muhammad Shah. Nadir Shah entered Delhi and sacked the city, in the course of which tens of thousands of inhabitants were massacred. Persian troops left Delhi at the beginning of May 1739, taking with them the throne as a war trophy, their haul of treasure amounting to a large reduction in Mughal wealth and an irreplaceable loss of cultural artefacts. Among the known precious stones that Nadir Shah looted were the Akbar Shah, Great Mughal, Great Table, Koh-i-Noor, and Shah diamonds, as well as the Samarian spinel and the Timur ruby. These stones were either part of the Peacock Throne or were in possession of the Mughal emperors. The Akbar Shah Diamond was said to form one of the eyes of a peacock, [10] as did the Koh-i-Noor. [11] The Shah diamond was described by Jean-Baptiste Tavernier as being on the side of the throne. [12] Many of these stones ended up becoming part of the Persian crown jewels and, later, the British crown jewels as a result of Great Britain's colonial expansion into the region.[ citation needed ]

When Nadir Shah was assassinated by his own officers on 19 June 1747, the throne disappeared, most probably being dismantled or destroyed for its valuables, in the ensuing chaos. [13] One of the unsubstantiated rumours claimed the throne was given to the Ottoman Sultan, [14] although this could have been a minor throne produced in Persia and given as a gift. The Persian emperor Fath-Ali Shah commissioned the Sun Throne to be constructed in the early 19th century. The Sun Throne has a platform in the shape of that of the Peacock Throne. Some rumours claim that parts of the original Peacock Throne were used in its construction, although there is no evidence for that. Over time, the Sun Throne was erroneously referred to as the Peacock Throne, a term that was later appropriated by the West as a metonym for the Persian monarchy. No structural parts proven to be of the original Peacock Throne survived. Only some of diamonds and precious stones that are attributed to it have survived and re-worked.

A Sikh legend has it that a rectangular stone slab measuring 6 feet (1.8 m) by 4 feet (1.2 m) by 9 inches (230 mm) was uprooted, enchained, and brought by Jassa Singh Ramgarhia to Ramgarhia Bunga, in Amritsar, after the capture of the Red Fort by the combined Dal Khalsa forces of Jassa Singh Ahluwalia and Baghel Singh in 1783, as war booty. [15] [16] However, that this stone pedestal does indeed come from the Peacock Throne has not been independently corroborated by scientists and historians.

A replacement throne that closely resembled the original was probably constructed for the Mughal emperor, after the Persian invasion. [17] The throne was located on the eastern side of the Divan-i-Khas, towards the windows. This throne however was also lost, possibly during or after the Indian Rebellion of 1857 and the subsequent looting and partial destruction of the Red Fort by the British. [18] The marble pedestal on which it rested has survived and can still be seen today. [19] [20]

In 1908, the New York Times reported that Caspar Purdon Clarke, Director of the Metropolitan Museum of Art, obtained what was purported to be a marble leg from the pedestal of the throne. [21] Although mentioned in the 1908 annual report, the status of this pedestal leg remains unknown. [19] [22] [23] There is another marble leg in the Victoria and Albert Museum in London. Where exactly these two pedestal legs originate from, and if they are connected to the Peacock Throne at all, remains unclear.

Inspired by the legend of the throne, King Ludwig II of Bavaria installed a romanticised version of it in his Moorish Kiosk in Linderhof Palace, constructed in the 1860s.[ citation needed ]

Descriptions

The contemporary descriptions that are known today of Shah Jahan's throne are from the Mughal historians Abdul Hamid Lahori and Inayat Khan, and the French travellers François Bernier and Jean-Baptiste Tavernier. No known painting that would match their descriptions exists of the throne.

By Abdul Hamid Lahori

Abdul Hamid Lahori (d. 1654) describes, in his Padshahnama , the construction of the throne: [24]

In the course of years many valuable gems had come into the Imperial jewel-house, each one of which might serve as an ear-drop for Venus, or would adorn the girdle of the Sun. Upon the accession of the Emperor, it occurred to his mind that, in the opinion of far-seeing men, the acquisition of such rare jewels and the keeping of such wonderful brilliants can only render one service, that of adorning the throne of empire. They ought therefore, to be put to such a use, that beholders might share in and benefit by their splendour, and that Majesty might shine with increased brilliancy.

It was accordingly ordered that, in addition to the jewels in the Imperial jewel-house, rubies, garnets, diamonds, rich pearls and emeralds, to the value of 200 lacs of rupees, should be brought for the inspection of the Emperor, and that they, with some exquisite jewels of great weight, exceeding 50,000 miskals, and worth eighty-six lacs of rupees, having been carefully selected, should be handed over to Bebadal Khan, the superintendent of the goldsmith's department. There was also to be given to him one lakh of tolas of pure gold, equal to 250,000 miskals in weight and fourteen lakhs of rupees in value.

The throne was to be three gaz in length, two and a half in breadth, and five in height, and was to be set with the above-mentioned jewels. The outside of the canopy was to be of enamel work with occasional gems, the inside was to be thickly set with rubies, garnets, and other jewels, and it was to be supported by twelve emerald columns. On the top of each pillar there were to be two peacocks thick set with gems, and between each two peacocks a tree set with rubies and diamonds, emeralds and pearls. The ascent was to consist of three steps set with jewels of fine water.

This throne was completed in the course of seven years at a cost of 100 lakhs of rupees. Of the eleven jeweled recesses (takhta) formed around it for cushions, the middle one, intended for the seat of the Emperor, cost ten lakhs of rupees. Among the jewels set in this recess was a ruby worth a lac of rupees, with Shah 'Abbas, the king of Iran, had presented to the late Emperor Jahangir, who sent it to his present Majesty, the Sahib Kiran-i sani, when he accomplished the conquest of the Dakhin.

On it were engraved the names of Sahib-kiran (Timur), Mir Shah Rukh, and Mirza Ulugh Beg. When in course of time it came into the possession of Shah 'Abbas, his name was added; and when Jahangir obtained it, he added the name of himself and of his father. Now it received the addition of the name of his most gracious Majesty Shah Jahan. By command of the Emperor, the following masnawi, by Haji Muhammad Jan, the final verse of which contains the date, was placed upon the inside of the canopy in letters of green enamel.

On his return to Agra, the Emperor held a court, sat for the first time on his throne. [25]

By Inayat Khan

The following is the account given of the throne in the Shahjahannama of Inayat Khan:

The Nauroz of the year 1044 fell on the 'Id-i fitr, when His Majesty was to take his seat on the new jeweled throne. This gorgeous structure, with a canopy supported on twelve pillars, measured three yards and a half in length, two and a half in breadth, and five in height, from the flight of steps to the overhanging dome. On his Majesty's accession to the throne, he had commanded that eighty-six lakhs worth of gems and precious stones, and a diamond worth fourteen lakhs, which together make a crore of rupees as money is reckoned in Hindustan, should be used in its decoration. It was completed in seven years, and among the precious stones was a ruby worth a lakh of rupees that Shah 'Abbas Safavi had sent to the late Emperor, on which were inscribed the names of the great Timur Sahih-Kiran, etc. [26]

By François Bernier

The French physician and traveller François Bernier described, in his Travels in the Mogul Empire A.D. 1656-1668, the throne in the Diwan-i-Khas:

The King appeared seated upon his throne, at the end of the great hall, in the most magnificent attire. His vest was of white and delicately flowered satin, with a silk and gold embroidery of the finest texture. The turban, of gold cloth, had an aigrette whose base was composed of diamonds of an extraordinary size and value, besides an Oriental topaz, which may be pronounced unparalleled, exhibiting a lustre like the sun. A necklace of immense pearls, suspended from his neck, reached to the stomach, in the same manner as many of the Gentiles wear their strings of beads.

The throne was supported by six massive feet, said to be of solid gold, sprinkled over with rubies, emeralds, and diamonds. I cannot tell you with accuracy the number or value of this vast collection of precious stones, because no person may approach sufficiently near to reckon them, or judge of their water and clearness; but I can assure you that there is a confusion of diamonds, as well as other jewels, and that the throne, to the best of my recollection, is valued at four crores of Rupees. I observed elsewhere that a lakh is one hundred thousand [27] rupees, and that a crore is a hundred lakh; so that the throne is estimated at forty millions of rupees, worth sixty millions of pounds [livres] or thereabouts. It was constructed by Shah Jahan, the father of Aurangzeb, for the purpose of displaying the immense quantity of precious stones accumulated successively in the treasury from the spoils of ancient Rajas and Patans, and the annual presents to the Monarch, which every Omrah is bound to make on certain festivals. The construction and workmanship of the throne are not worthy of the materials; but two peacocks, covered with jewels and pearls, are well conceived and executed. They were made by a workman of astonishing powers, a Frenchman by birth, named..... who, after defrauding several of the Princes of Europe, by means of false gems, which he fabricated with peculiar skill, sought refuge in the Great Mogul's court, where he made his fortune.

At the foot of the throne were assembled all the Omralis, in splendid apparel, upon a platform surrounded by a silver railing, and covered by a spacious canopy of brocade with deep fringes of gold. The pillars of the hall were hung with brocades of a gold ground, and flowered satin canopies were raised over the whole expanse of the extensive apartment fastened with red silken cords, from which were suspended large tassels of silk and gold. The [28] floor was covered entirely with carpets of the richest silk, of immense length and breadth. [29]

By Jean-Baptiste Tavernier

Portrait of Jean-Baptiste Tavernier, as a traveller wearing a Mughal dress, from his Les Six Voyages, published in 1679 JB-Tavernier.jpg
Portrait of Jean-Baptiste Tavernier, as a traveller wearing a Mughal dress, from his Les Six Voyages, published in 1679

The French jeweler Jean-Baptiste Tavernier made his sixth voyage to India between 1663 and 1668. It was his great privilege to be invited to visit the court at Delhi by emperor Aurangzeb himself, where he remained as Aurangzeb's guest for two months, from 12 September 1665 to 11 November 1665.

Tavernier was invited so the emperor could inspect the jewels he had brought from the west, with the intent of purchasing them. During this visit, Tavernier not only sold several jewels to the emperor and the emperor's uncle Jafar Khan, but established a close relationship with the emperor that led to a longer stay. Tavernier was invited to stay until the conclusion of the emperor's annual birthday celebrations, during which time he had the opportunity to visit the Red Fort and inspect the Peacock Throne. He was also given the opportunity to inspect the valuable jewels and stones belonging to the emperor, but was not able to see those still kept by Aurangzeb's father Shah Jahan, who was imprisoned at Agra Fort. In January 1666, only few months after Tavernier's stay, Shah Jahan died and Aurangzeb claimed the remaining stones.

Tavernier gives a detailed description of the Peacock Throne in his book Les Six Voyages de J. B. Tavernier, which was published in 1676 in two volumes. The account of the throne appears in Chapter VIII of Volume II, in which he describes the preparations for the emperor's annual birthday festival, and also the magnificence of the court. Tavernier is considered among the least reliable from a conventionally historical perspective. [30] [31]

It should be stated that the Great Mogul has seven magnificent thrones, one wholly covered with diamonds, the others with rubies, emeralds, or pearls.

The principal throne, which is placed in the hall of the first court, is nearly of the form and size of our camp-beds; that is to say, it is about 6 feet (1.8 m) long and 4 feet (1.2 m) wide. Upon the four feet, which are very massive and from 20 inches (51 cm) to 25 inches (64 cm) high, are fixed the four bars [32] which support the base of the throne, and upon these bars are ranged twelve columns, which sustain the canopy on three sides, there not being any on that which faces the court. Both the feet and the bars, which are more than 18 inches long, are covered with gold inlaid and enriched with numerous diamonds, rubies, and emeralds.

In the middle of each bar there is a large balass ruby, cut en cabuchon, with four emeralds round it, which form a square cross. Next in succession, from one side to the other along the length of the bars there are similar crosses, arranged so that in one the ruby is in the middle of four emeralds, and in another the emerald is in the middle and four balass rubies surround it. The emeralds are table-cut, and the intervals between the rubies and emeralds are covered with diamonds, the largest of which do not exceed 10 to 12 carats in weight, all being showy stones, but very flat.

There are also in some parts pearls set in gold, and upon one of the longer sides of the throne there are four steps to ascend it. Of the three cushions or pillows which are upon the throne, that which is placed behind the King's back is large and round like one of our bolsters, and the two others that are placed at his sides are flat. There is to be seen, moreover, a sword suspended from this throne, a mace, a round shield, a bow and quiver with arrows; and all these weapons, as also the cushion and steps, both of this throne and the other six, are covered over with stones which match those with which each of the thrones is respectively enriched.

I counted the large balass rubies on the great throne, and there are about 108, all cabuchons, the least of which weighs 100 carats, but there are some which weigh apparently 200 and more. As for the emeralds, there are plenty of good colour, but they have many flaws; the largest may weigh 60 carats and the least 30 carats. I counted about 116; thus there are more emeralds than rubies.

The underside of the canopy is covered with diamonds and pearls, with a fringe of pearls all round, and above the canopy, which is a quadrangular-shaped dome, there is to be seen a peacock with elevated tail made of blue sapphires and other coloured stones, the body being of gold inlaid with precious stones, having a large ruby in front of the breast, from whence hangs a pear-shaped pearl of 50 carats or thereabouts, and of a somewhat yellow water. On both sides of [33] the peacock there is a large bouquet of the same height as the bird, and consisting of many kinds of flowers made of gold inlaid with precious stones. On the side of the throne which is opposite the court there is to be seen a jewel consisting of a diamond of from 80 to 90 carats weight, with rubies and emeralds round it, and when the King is seated he has this jewel in full view.

But that which in my opinion is the most costly thing about this magnificent throne is, that the twelve columns supporting the canopy are surrounded with beautiful rows of pearls, which are round and of fine water, and weigh from 6 to 10 carats each. At 4 feet distance from the throne there are fixed, on either side, two umbrellas, the sticks of which for 7 or 8 feet in height are covered with diamonds, rubies, and pearls. The umbrellas are of red velvet, and are embroidered and fringed all round with pearls.

This is what I have been able to observe regarding this famous throne, commenced by Tamerlane and completed by Shāhjahān; and those who keep the accounts of the King’s jewels, and of the cost of this great work, have assured me that it amounts to 107,000 lakhs of rupees, which amount to 160,500,000 livres of our money. [34]

Tavernier, however, describes seeing the throne in what is probably the Diwan-i-Am . One theory is that the throne was sometimes moved between the two halls, depending on the occasion. Tavernier also describes five other thrones in the Diwan-i-Khas.

Discrepancies between descriptions of Lahori and Tavernier

Shah Alam II seated on the throne, next to him the crown prince. Although the original Peacock Throne was lost by the time of this painting, it depicts what was either a replacement throne modelled on the original one, or painted from memories and descriptions (circa 1800) Shah Alam II (1759-1806), the blind mughal Emperor, seated on a golden throne..jpg
Shah Alam II seated on the throne, next to him the crown prince. Although the original Peacock Throne was lost by the time of this painting, it depicts what was either a replacement throne modelled on the original one, or painted from memories and descriptions (circa 1800)
Akbar II seated on the throne (circa 1811) Ghulam Murtaza Khan The Delhi Darbar of Akbar II.jpg
Akbar II seated on the throne (circa 1811)
Akbar II in durbar (holding court) in the Diwan-i Khas at the Red Fort (circa 1830) Akbar II in durbar.jpg
Akbar II in durbar (holding court) in the Diwan-i Khas at the Red Fort (circa 1830)

The descriptions of Lahori, from before 1648, and Tavernier's, published in 1676, are generally in broad agreement on the most important features of the thrones, such as its rectangular shape, standing on four legs at its corners, the 12 columns on which the canopy rests, and the type of gemstones embedded on the throne, such as balas rubies, emeralds, pearls, diamonds, and other coloured stones. There are however some significant differences between the two descriptions:

Apart from the significant differences between the two accounts given above, there are several details given in Lahori's account that are not mentioned in Tavernier's, and vice versa.

Lahori's description

Tavernier's description

Tavernier was allowed to closely inspect the throne and its jewels and wrote the most well known detailed description to date.

Later Peacock Throne

After Nadir Shah looted the original, another throne was made for the Mughal emperor. Along with the Peacock Throne, Nadir had also taken the fabulous Koh-i Noor and Darya-i Noor diamonds to Persia, where some became part of the Persian crown jewels, and others were sold to the Ottomans. The plunder taken by Nadir was so great that he stopped taxation for 3 years. The bottom half of the Peacock Throne might have been converted into the Sun Throne also a part of the Persian crown jewels. Various 19th-century Indian paintings of this later throne exist. It was located in the Diwan-i-Khas and might have been smaller in size than the original. However, the appearance would have been similar, based on either the original plans or from memory and eye-witness accounts. The replacement throne was made out of gold, or was gilded, and was studded with precious and semi-precious stones. Just like the original, it featured 12 columns. The columns carried a Bengali do-chala roof, which was graced with two peacock statues on the two ends, carrying pearl necklaces in their beaks, and two peacocks at the top, also carrying pearl necklaces in their beaks. The two lower peacocks were in the center underneath a flower bouquet made out of jewels, or under a royal umbrella. This throne was protected by a canopy made out of precious and colorful textiles, and gold and silver threads. The canopy was carried by four slender columns or beams made out of metal. Underneath the throne, colorful and precious carpets were laid out.

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Muhammad Kam Bakhsh was the youngest son of Emperor Aurangzeb, born to his concubine Udaipuri Mahal.

Iranian National Jewels

The Iranian National Jewels, originally the Iranian Crown Jewels, include elaborate crowns, thirty tiaras, and numerous aigrettes, a dozen bejeweled swords and shields, a number of unset precious gems, numerous plates and other dining services cast in precious metals and encrusted with gems, and several other more unusual items collected or worn by the Persian monarchs from the 16th century on. The collection is housed at The Treasury of National Jewels, situated inside the Central Bank of Iran on Tehran's Ferdowsi Avenue.

<i>Padshahnama</i>

The Padshahnama is a genre of works written as the official visual history of Mughal Emperor, Shah Jahan’s reign. Most significant work of this genre was written by Abdul Hamid Lahori in two volumes.

Daria-i-Noor large cut diamond, among the Iranian crown jewels

The Daria-i-Noor (Persian: دریای نور‎ which means “Sea of light” in Persian; is one of the largest cut diamonds in the world, weighing an estimated 182 carats. Its colour, pale pink, is one of the rarest to be found in diamonds. The Daria-i-Noor is in the Iranian Crown Jewels of Central Bank of Iran in Tehran.

Shah Diamond

The Shah Diamond was found at the Golconda mines in what is now Andhra Pradesh, Central India, probably in 1450, and it is currently held in the Moscow Kremlin.

Jai Singh I Maharaja of Jaipur

Mirza Raja Jai Singh was a senior general of the Mughal Empire and a ruler of the kingdom of Amer. His predecessor was Raja Bhau Singh who ruled 1614-1621 who died at Battle of Ajmer. He ruled under Jahangir.

Moti Masjid (Lahore Fort)

Moti Masjid, one of the "Pearl Mosques", is a 17th-century religious building located inside the Lahore Fort, Lahore, Punjab, Pakistan. It is a small, white marble structure built by Mughal emperor Jahangir and modified by the architects of Shah Jahan, and is among his prominent extensions to the Lahore Fort Complex. The mosque is located on the western side of Lahore Fort, closer to Alamgiri Gate, the main entrance.

Regalia of the Russian tsars

Like many other monarchies, the Russian Empire had a vast collection of regalia belonging to the Tsars. This collection is now on display in Kremlin in Moscow. The Diamond Fund maintains the security of the greater diamond masterpieces.

The Akbar Shāh, also known as the "Lustre of the Peacock Throne", is a diamond dating back to the Mughal dynasty of India. It is an irregular, pear-shaped diamond with a light green hue, weighing 73.60 carat.

Great Mogul Diamond

Great Mogul is believed to have been discovered around 1650 most probably around Kollur Mine in the Golconda region of southern India. Tavernier described the diamond as "The stone is of the same form as if one cut an egg through the middle".

Tomb of Nur Jahan

The Tomb of Nur Jahan is a 17th-century mausoleum in Lahore, Pakistan, that was built for the Mughal empress Nur Jahan. The tomb's marble was plundered during the Sikh era in 18th century for use at the Golden Temple in Amritsar. The red sandstone mausoleum, along with the nearby tomb of Jahangir, tomb of Asif Khan, and Akbari Sarai, forms part of an ensemble of Mughal monuments in Lahore's Shahdara Bagh.

Diwan-i-Am (Red Fort)

The Diwan-i-Am, or Hall of Audience, is a room in the Red Fort of Delhi where the Mughal emperor Shah Jahan (1628-1658) and his successors received members of the general public and heard their grievances.

Great Table diamond

The Great Table was a large pink diamond that had been studded in the throne of the Mughal emperor Shah Jahan. It has been described in the book of the French jeweller Jean-Baptiste Tavernier in 1642, who gave it its name.

The Mughal Empire's province Gujarat was managed by the Viceroys appointed by the emperors. On the death of the emperor Jehangir, his son Shah Jahan ascended to the throne in 1627. His Gujarat viceroy Sher Khán Túar worked for relief in 1631-31 femine in the province. Shah Jahan sent his men to expand its territories further south. Between 1632 and 1635, four viceroys were appointed due to their precious gift to the emperor and they could not manage the province well. Kolis of Kankrej in north Gujarat committed excesses and the Jam of Nawanagar did not paid the tribute. Soon Azam Khan was appointed who put the province in order by subdueing Kolis in north and Kathis in Kathiawad. He also made the Jam of Nawanagar surrender. The next viceroy Ísa Tarkhán carried out financial reforms. In 1644, the Mughal prince Aurangzeb was appointed as the viceroy who was engaged in relious disputes for destroying a Jain temple in Ahmedabad. Due to his disputes, he was replaced by Sháistah Khán who failed to subdue Kolis. So the prince Murad Bakhsh was appointed as the viceroy in 1654. He restored the disorder soon. In 1657, hearing news of Shah Jahan's severe illness, Murad Bakhsh declared himself the emperor and rebelled with his brother Aurangzeb. They defeated the Jaswant Singh and Kásam Khán, whom Sháh Jahán had appointed viceroys of Málwa and Gujarát respectively in the battle of Dharmatpur. They further went to the capital, Agra but were confronted by Dara Shikoh. They defeated him in the Battle of Samugarh (1658). Soon Aurangzed dumped and imprisoned Murad Bakhsh, confined his father and declared himself the emperor in 1658.

References

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  7. Aurang shahinshah adil (1+6+200+50+20, 300+1+5+50+300+1+5, 70+1+4+30=AH 1044)
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PD-icon.svg  This article incorporates text from a publication now in the public domain : Chisholm, Hugh, ed. (1911). "Delhi". Encyclopædia Britannica . 7 (11th ed.). Cambridge University Press. p. 955a.

Further reading

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