Peggy Hyland | |
---|---|
![]() c. 1920 | |
Born | Gladys Lucy Hutchinson 11 June 1884 |
Died | 19 September 1973 (aged 89) Tunbridge Wells, Kent, England |
Years active | 1914–1925 |
Spouse(s) | Owen Grant Evan-Thomas (m. 1914,divorced) |
Peggy Hyland (born Gladys Lucy Hutchinson; 11 June 1884 – 19 September 1973) was an English silent film actress who after a brief period on the stage had a successful career as a silent film actress, appearing in at least 40 films in Great Britain and the United States between 1914 and 1925. In 1925 she returned to Britain after making her last film following which she lived a life of obscurity.
Peggy Hyland was born Gladys Lucy Hutchinson in 1884, the daughter of Dr. Cyril George Hutchinson and Ada Slack (née Marples). She had two sisters, Edith and Hilda, and a half sister, Ethel. [1] She was educated in Britain and at convents in Europe. The first convent she attended was Seroule in Verviers, on the frontier of Belgium. It was the first town entered by the German Army in World War I.
Hyland began acting after consulting a seer who foretold great success for the diminutive English girl. Once she played in support of Cyril Maude who is known for his Grumpy and The Basker. In 1914 she married Owen Grant Evan-Thomas (1861–1942), [2] and on sailing to the United States in 1916 he was named as her next-of-kin. [3] The marriage was later dissolved.
According to an interview in the magazine The Red Letter, the first film she appeared in was The Love of an Actress in 1914, in which she is thrown into the Thames. This was followed by John Halifax, Gentleman (1915), in which she played Ursula March. [4] The same year, she appeared in Infelice, directed by L.C. MacBean and Fred Paul. In 1916, she portrayed Olette in The Sixteenth Wife and co-starred with E.H. Sothern in The Chattle. [5] In 1917, she appeared in the drama Her Right to Live as the head of a brood of orphans destined for the poorhouse.
In The Merry-Go-Round (1919), Hyland plays Gypsy/Susie Alice Pomeroy. Newspapers of the era described the romance as one of the actress' best performances. In the Debt of Honour (1918) she sacrifices her good name to shield the reputation of a U.S. Senator who has taken her into his home as an orphan.
Hyland's film credits number forty. She remained active in films until 1925. Among her many appearances are roles in The Honeypot (1920), Faith (1920), Love Maggy (1921), Shifting Sands (1923), and Forbidden Cargoes (1925). Black Shadows was a 1920 Fox Film feature in which Peggy portrayed Marjorie Langdon. The production starred Allan Roscoe and was directed by Howard M. Mitchell.
Hyland married Universal film producer Fred LeRoy Granville in Marylebone in London in March 1923. [6] [7] They later divorced. Her last film was released in 1925, [8] when she also sailed to Liverpool, having previously resided in the United States. [9] In 1948, she was living at 32 Paddington Street in London. [10]
Hyland died on 19 September 1973 in Tunbridge Wells in Kent [11] and was cremated there on 26 September 1973. [12]
Alice Joyce Brown was an American actress who appeared in more than 200 films during the 1910s and 1920s. She is known for her roles in the 1923 film The Green Goddess and its 1930 remake of the same name.
Francesca Bertini was an Italian silent film actress. She was one of the most successful silent film stars in the first quarter of the twentieth-century.
Clara Kimball Young was an American film actress, who was highly regarded and publicly popular in the early silent film era.
Lois Wilson was an American actress who worked during the silent film era. She also directed two short films and was a scenario writer.
James Gordon Edwards was a Canadian-born film director, producer, and writer who began his career as a stage actor and stage director.
Kathryn Adams, sometimes credited as Catherine Adams or Katherine Adams, was an American silent film actress.
Pauline Starke was an American silent-film actress.
Grace Darmond was a Canadian-American actress.
George Berthold Samuelson was a director and film producer.
Ann Little, also known as Anna Little, was an American film actress whose career was most prolific during the silent film era of the early 1910s through the early 1920s. Today, most of her films are lost, with only twelve known to survive.
Mary Murillo was an English actress, screenwriter, and businesswoman active during Hollywood's silent era.
Josephine Boneparte Crowell was a Canadian film actress of the silent era. She appeared in more than 90 films between 1912 and 1929.
Mathilde Brundage was an American actress. She appeared in 87 films between 1914 and 1928.
Fred LeRoy Granville was born in Warrnambool, Victoria, Australia, in 1896, and educated in New Zealand. The 1 February 1922, issue of American Cinematographer stated that he was "a bloody Britisher by birth" and "first saw the light at Worton Hall, Isleworth, Middlesex, England." Granville became interested in photography as a boy. His first experience with cinematography came in 1913 under the guidance of James Crosby at the Selig Polyscope studio in Edendale, near downtown Los Angeles. Granville photographed the documentary Rescue of the Stefansson Expedition (1914) and a number of features and serials for Universal, including Liberty, A Daughter of the USA (1916) and The Heart of Humanity (1918). He also shot several of cowboy actor Tom Mix's early Fox features. The last two films he directed were produced in France.
Manora Alice Thew was an English actress.
Emily "Emmy" Wehlen (1887–1977) was a German-born Edwardian musical comedy and silent film actress who vanished from the public eye while in her early thirties.
James Lindsay was a British actor.
The Honeypot is a 1920 British silent romance film directed by Fred LeRoy Granville and starring Peggy Hyland, Campbell Gullan and James Lindsay. It was made at Isleworth Studios. A sequel Love Maggy was released the following year.
Love Maggy is a 1921 British silent drama film directed by Fred LeRoy Granville and starring Peggy Hyland, Campbell Gullan and James Lindsay. It was made at Isleworth Studios as a sequel to the 1920 film The Honeypot.
Langford Reed was a British author, writer and collector of limericks, scriptwriter, director and actor of the silent film era.