Last updated

𐎱𐎠𐎼𐎿Pārsa (Old Persian)
تخت جمشیدTakht-e Jamshid (Persian)
Gate of All Nations, Persepolis.jpg
Ruins of the Gate of All Nations, Persepolis.
Iran location map.svg
Archaeological site icon (red).svg
Shown within Iran
Location Marvdasht, Fars Province, Iran [1]
Coordinates 29°56′04″N52°53′29″E / 29.93444°N 52.89139°E / 29.93444; 52.89139 Coordinates: 29°56′04″N52°53′29″E / 29.93444°N 52.89139°E / 29.93444; 52.89139
Builder Darius I, Xerxes I and Artaxerxes I
Material Limestone, mud-brick, cedar wood
Founded6th century BC
Periods Achaemenid Empire
Cultures Persian
Site notes
Conditionin ruins
Management Cultural Heritage, Handicrafts and Tourism Organization of Iran
Public accessopen
Architectural styles Achaemenid
Official namePersepolis
Criteriai, iii, vi
Designated1979 (3rd session)
Reference no. 114
State Party Iran
Region Asia-Pacific

Persepolis (Old Persian : 𐎱𐎠𐎼𐎿, Pārsa) was the ceremonial capital of the Achaemenid Empire (ca. 550–330 BCE). It is situated 60 km northeast of the city of Shiraz in Fars Province, Iran. The earliest remains of Persepolis date back to 515 BCE. It exemplifies the Achaemenid style of architecture. UNESCO declared the ruins of Persepolis a World Heritage Site in 1979. [2]

Achaemenid Empire first Persian Empire founded by Cyrus the Great

The Achaemenid Empire, also called the First Persian Empire, was an ancient Iranian empire based in Western Asia founded by Cyrus the Great. Ranging at its greatest extent from the Balkans and Eastern Europe proper in the west to the Indus Valley in the east, it was larger than any previous empire in history, spanning 5.5 million square kilometers. Incorporating various peoples of different origins and faiths, it is notable for its successful model of a centralised, bureaucratic administration, for building infrastructure such as road systems and a postal system, the use of an official language across its territories, and the development of civil services and a large professional army. The empire's successes inspired similar systems in later empires.

Shiraz City in Fars, Iran

Shiraz is the fifth-most-populous city of Iran and the capital of Fars Province. At the 2016 census, the population of the city was 1,869,001 and its built-up area with "Shahr-e Jadid-e Sadra" was home to 1,565,572 inhabitants. Shiraz is located in the southwest of Iran on the "Rudkhaneye Khoshk" seasonal river. It has a moderate climate and has been a regional trade center for over a thousand years. Shiraz is one of the oldest cities of ancient Persia.

Fars Province Province in Region 2, Iran

Fars Province also known as Pars or Persia in the Greek sources in historical context, is one of the thirty-one provinces of Iran and known as the cultural capital of the country. It is in the south of the country, in Iran's Region 2, and its administrative center is Shiraz. It has an area of 122,400 km². In 2011, this province had a population of 4.6 million people, of which 67.6% were registered as urban dwellers (urban/suburbs), 32.1% villagers, and 0.3% nomad tribes. The etymology of the word Persian, found in many ancient names associated with Iran, is derived from the historical importance of this region. Fars Province is the original homeland of the Persian people.



The English word Persepolis is derived from Ancient Greek : Περσέπολις, romanized: Persepolis, a compound of Pérsēs (Πέρσης) and pólis (πόλις), meaning "the Persian city" or "the city of the Persians". To the ancient Persians, the city was known as Pārsa (Old Persian : 𐎱𐎠𐎼𐎿 ), which is also the word for the region of Persia. [3] [4]

Persis Region

Persis, better known as Persia, or "Persia proper", is a region located to the southwest of modern Iran. The Persians are thought to have initially migrated either from Central Asia or, more probably, from the north through the Caucasus. They would then have migrated to the current region of Persis in the early 1st millennium BC. The country name Persia was derived directly from the Old Persian Parsa.

An inscription left in AD 311 by Sasanian prince Shapur Sakanshah, the son of Hormizd II, refers to the site as Sad-stūn, meaning "Hundred Pillars". [5] Because medieval Persians attributed the site to Jamshid, [6] an Iranian mythological king, it has been referred to as Takht-e-Jamshid (Persian : تخت جمشید , Taxt e Jamšīd; [ˌtæxtedʒæmˈʃiːd] ), literally meaning "Throne of Jamshid". Another name given to the site in the medieval period was Čehel Menār, literally meaning "Forty Minarets". [5]

Sasanian Empire last Persian empire before the rise of Islam

The Sasanian Empire, or the Neo-Persian Empire, officially known as the Empire of Iranians, was the last kingdom of the Persian Empire before the rise of Islam. Named after the House of Sasan, it ruled from 224 to 651 AD. The Sasanian Empire succeeded the Parthian Empire and was recognised as one of the leading world powers alongside its neighbouring arch-rival, the Roman-Byzantine Empire for a period of more than 400 years.

Shapur Sakanshah

Shapur "Sakanshah" was a Sasanian prince who served as the governor of Sakastan under his brother king (shah) Shapur II.

Hormizd II Sasanian king

Hormizd II was king (shah) of the Sasanian Empire. He ruled for seven years and five months, from 302 to 309. He was a son and successor of Narseh.


Persepolis is near the small river Pulvar, which flows into the Kur River.

Kor River is located in the Fars Province of Iran. The sources of the river are mostly in the Zagros Mountains near Mount Dena. It flows into the Bakhtegan Lake, which is a salt lake. The increased salinity level of the lake is due to the decrease in river flow.

As is typical of Achaemenid cities, Persepolis was built on a (partially) artificial platform. Persepolis east side at spring.jpg
As is typical of Achaemenid cities, Persepolis was built on a (partially) artificial platform.

The site includes a 125,000 square meter terrace, partly artificially constructed and partly cut out of a mountain, with its east side leaning on Rahmat Mountain. The other three sides are formed by retaining walls, which vary in height with the slope of the ground. Rising from 5–13 metres (16–43 feet) on the west side was a double stair. From there, it gently slopes to the top. To create the level terrace, depressions were filled with soil and heavy rocks, which were joined together with metal clips.

Retaining wall structure designed to restrain soil to unnatural slopes

Retaining walls are relatively rigid walls used for supporting soil laterally so that it can be retained at different levels on the two sides. Retaining walls are structures designed to restrain soil to a slope that it would not naturally keep to. They are used to bound soils between two different elevations often in areas of terrain possessing undesirable slopes or in areas where the landscape needs to be shaped severely and engineered for more specific purposes like hillside farming or roadway overpasses. A retaining wall that retains soil on the backside and water on the frontside is called a seawall or a bulkhead.


Archaeological evidence shows that the earliest remains of Persepolis date back to 515 BC. André Godard, the French archaeologist who excavated Persepolis in the early 1930s, believed that it was Cyrus the Great who chose the site of Persepolis, but that it was Darius I who built the terrace and the palaces. Inscriptions on these buildings support the belief that they were constructed by Darius.

André Godard was an archaeologist, architect and historian of French and Middle Eastern Art. He served as the director of the Iranian Archeological Service for many years.

Cyrus the Great King and founder of the Achaemenid Empire

Cyrus II of Persia, commonly known as Cyrus the Great, and also called Cyrus the Elder by the Greeks, was the founder of the Achaemenid Empire, the first Persian Empire. Under his rule, the empire embraced all the previous civilized states of the ancient Near East, expanded vastly and eventually conquered most of Western Asia and much of Central Asia. From the Mediterranean Sea and Hellespont in the west to the Indus River in the east, Cyrus the Great created the largest empire the world had yet seen. Under his successors, the empire eventually stretched at its maximum extent from parts of the Balkans and Eastern Europe proper in the west, to the Indus Valley in the east. His regal titles in full were The Great King, King of Persia, King of Anshan, King of Media, King of Babylon, King of Sumer and Akkad, and King of the Four Corners of the World. The Nabonidus Chronicle notes the change in his title from simply "King of Anshan", a city, to "King of Persia". Assyriologist François Vallat wrote that "When Astyages marched against Cyrus, Cyrus is called 'King of Anshan', but when Cyrus crosses the Tigris on his way to Lydia, he is 'King of Persia'. The coup therefore took place between these two events."

With Darius I, the scepter passed to a new branch of the royal house. Persepolis probably became the capital of Persia proper during his reign. However, the city's location in a remote and mountainous region made it an inconvenient residence for the rulers of the empire. The country's true capitals were Susa, Babylon and Ecbatana. This may be why the Greeks were not acquainted with the city until Alexander the Great took and plundered it.

General view of the ruins of Persepolis General view of the ruins of Persepolis.jpg
General view of the ruins of Persepolis
Aerial architectural plan of Persepolis. Plan of Persepolis.png
Aerial architectural plan of Persepolis.

Darius I's construction of Persepolis were carried out parallel to those of the Palace of Susa. [7] According to Gene R. Garthwaite, the Susa Palace served as Darius' model for Persepolis. [8] Darius I ordered the construction of the Apadana and the Council Hall (Tripylon or the "Triple Gate"), as well as the main imperial Treasury and its surroundings. These were completed during the reign of his son, Xerxes I. Further construction of the buildings on the terrace continued until the downfall of the Achaemenid Empire. [9] According to the Encyclopædia Britannica, the Greek historian Ctesias mentioned that Darius I's grave was in a cliff face that could be reached with an apparatus of ropes. [10]

Around 519 BC, construction of a broad stairway was begun. The stairway was initially planned to be the main entrance to the terrace 20 metres (66 feet) above the ground. The dual stairway, known as the Persepolitan Stairway, was built symmetrically on the western side of the Great Wall. The 111 steps measured 6.9 metres (23 feet) wide, with treads of 31 centimetres (12 inches) and rises of 10 centimetres (3.9 inches). Originally, the steps were believed to have been constructed to allow for nobles and royalty to ascend by horseback. New theories, however, suggest that the shallow risers allowed visiting dignitaries to maintain a regal appearance while ascending. The top of the stairways led to a small yard in the north-eastern side of the terrace, opposite the Gate of All Nations.

Grey limestone was the main building material used at Persepolis. After natural rock had been leveled and the depressions filled in, the terrace was prepared. Major tunnels for sewage were dug underground through the rock. A large elevated water storage tank was carved at the eastern foot of the mountain. Professor Olmstead suggested the cistern was constructed at the same time that construction of the towers began.

The uneven plan of the terrace, including the foundation, acted like a castle, whose angled walls enabled its defenders to target any section of the external front. Diodorus Siculus writes that Persepolis had three walls with ramparts, which all had towers to provide a protected space for the defense personnel. The first wall was 7 metres (23 feet) tall, the second, 14 metres (46 feet) and the third wall, which covered all four sides, was 27 metres (89 feet) in height, though no presence of the wall exists in modern times.


The function of Persepolis remains rather unclear. It was not one of the largest cities in Persia, let alone the rest of the empire, but appears to have been a grand ceremonial complex, that was only occupied seasonally; it is still not entirely clear where the king's private quarters actually were. Until recent challenges, most archaeologists held that it was especially used for celebrating Nowruz, the Persian New Year, held at the spring equinox, and still an important annual festivity in modern Iran. The Iranian nobility and the tributary parts of the empire came to present gifts to the king, as represented in the stairway reliefs. [11]


After invading Achaemenid Persia in 330 BC, Alexander the Great sent the main force of his army to Persepolis by the Royal Road. He stormed the "Persian Gates", a pass through modern-day Zagros Mountains. There Ariobarzanes of Persis successfully ambushed Alexander the Great's army, inflicting heavy casualties. After being held off for 30 days, Alexander the Great outflanked and destroyed the defenders. Ariobarzanes himself was killed either during the battle or during the retreat to Persepolis. Some sources indicate that the Persians were betrayed by a captured tribal chief who showed the Macedonians an alternate path that allowed them to outflank Ariobarzanes in a reversal of Thermopylae. After several months, Alexander allowed his troops to loot Persepolis.

Alexander the Great ordering Persepolis to be set on fire; Italian plate, 1534 (although it may be a depiction of the burning of Rome by Nero). Italian - Plate with Overhanging Edge - Walters 481364 - Obverse.jpg
Alexander the Great ordering Persepolis to be set on fire; Italian plate, 1534 (although it may be a depiction of the burning of Rome by Nero).

Around that time, a fire burned "the palaces" or "the palace". Scholars agree that this event, described in historic sources, occurred at the ruins that have been now re-identified as Persepolis. From Stolze's investigations, it appears that at least one of these, the castle built by Xerxes I, bears traces of having been destroyed by fire. The locality described by Diodorus Siculus after Cleitarchus corresponds in important particulars with the historic Persepolis, for example, in being supported by the mountain on the east.

It is believed that the fire which destroyed Persepolis started from Hadish Palace, which was the living quarters of Xerxes I, and spread to the rest of the city. [12] It is not clear if the fire was an accident or a deliberate act of revenge for the burning of the Acropolis of Athens during the second Persian invasion of Greece. Many historians argue that, while Alexander's army celebrated with a symposium, they decided to take revenge against the Persians. [13] If that is so, then the destruction of Persepolis could be both an accident and a case of revenge.

The Book of Arda Wiraz , a Zoroastrian work composed in the 3rd or 4th century, describes Persepolis' archives as containing "all the Avesta and Zend, written upon prepared cow-skins, and with gold ink", which were destroyed. Indeed, in his Chronology of the Ancient Nations, the native Iranian writer Biruni indicates unavailability of certain native Iranian historiographical sources in the post-Achaemenid era, especially during the Parthian Empire. He adds: "[Alexander] burned the whole of Persepolis as revenge to the Persians, because it seems the Persian King Xerxes had burnt the Greek City of Athens around 150 years ago. People say that, even at the present time, the traces of fire are visible in some places." [13] [14]

Paradoxically, the event that caused the destruction of these texts may have resulted in the preservation of the Persepolis Administrative Archives, which might otherwise have been lost over time to natural and man-made events. [15] According to archaeological evidence, the partial burning of Persepolis did not affect what are now referred to as the Persepolis Fortification Archive tablets, but rather may have caused the eventual collapse of the upper part of the northern fortification wall that preserved the tablets until their recovery by the Oriental Institute's archaeologists. [16]

A general view of Persepolis. Persepolis, Iran, 2016-09-24, DD 64-68 PAN.jpg
A general view of Persepolis.

After the fall of the Achaemenid Empire

Ruins of the Western side of the compound at Persepolis. Persepolis east side-02 at spring.jpg
Ruins of the Western side of the compound at Persepolis.

In 316 BC, Persepolis was still the capital of Persia as a province of the great Macedonian Empire (see Diod. xix, 21 seq., 46; probably after Hieronymus of Cardia, who was living about 326). The city must have gradually declined in the course of time. The lower city at the foot of the imperial city might have survived for a longer time; [17] but the ruins of the Achaemenids remained as a witness to its ancient glory. It is probable that the principal town of the country, or at least of the district, was always in this neighborhood.

About 200 BC, the city of Estakhr, five kilometers north of Persepolis, was the seat of the local governors. From there, the foundations of the second great Persian Empire were laid, and there Estakhr acquired special importance as the center of priestly wisdom and orthodoxy. The Sasanian kings have covered the face of the rocks in this neighborhood, and in part even the Achaemenid ruins, with their sculptures and inscriptions. They must themselves have been built largely there, although never on the same scale of magnificence as their ancient predecessors. The Romans knew as little about Estakhr as the Greeks had known about Persepolis, despite the fact that the Sasanians maintained relations for four hundred years, friendly or hostile, with the empire.

At the time of the Muslim invasion of Persia, Estakhr offered a desperate resistance. It was still a place of considerable importance in the first century of Islam, although its greatness was speedily eclipsed by the new metropolis of Shiraz. In the 10th century, Estakhr dwindled to insignificance, as seen from the descriptions of Estakhri, a native (c. 950), and of Al-Muqaddasi (c. 985). During the following centuries, Estakhr gradually declined, until it ceased to exist as a city.

Archaeological research

Odoric of Pordenone may have passed through Persepolis on his way to China in 1320, although he mentioned only a great, ruined city called "Comerum". [18] In 1474, Giosafat Barbaro visited the ruins of Persepolis, which he incorrectly thought were of Jewish origin. [19] Hakluyt' s Voyages included a general account of the ruins of Persepolis attributed to an English merchant who visited Iran in 1568. [20] [21] António de Gouveia from Portugal wrote about cuneiform inscriptions following his visit in 1602. His first written report on Persia, the Jornada, was published in 1606.

In 1618, García de Silva Figueroa, King Philip III of Spain's ambassador to the court of Abbas I, the Safavid monarch, was the first Western traveler to link the site known in Iran as "Chehel Minar" as the site known from Classical authors as Persepolis. [22]

Pietro Della Valle visited Persepolis in 1621, and noticed that only 25 of the 72 original columns were still standing, due to either vandalism or natural processes. [23] The Dutch traveler Cornelis de Bruijn visited Persepolis in 1704. [24]

The fruitful region was covered with villages until its frightful devastation in the 18th century; and even now it is, comparatively speaking, well cultivated. The Castle of Estakhr played a conspicuous part as a strong fortress, several times, during the Muslim period. It was the middlemost and the highest of the three steep crags which rise from the valley of the Kur, at some distance to the west or northwest of the necropolis of Naqsh-e Rustam.

The French voyagers Eugène Flandin and Pascal Coste are among the first to provide not only a literary review of the structure of Persepolis, but also to create some of the best and earliest visual depictions of its structure. In their publications in Paris, in 1881 and 1882, titled Voyages en Perse de MM. Eugene Flanin peintre et Pascal Coste architecte, the authors provided some 350 ground breaking illustrations of Persepolis. [25] French influence and interest in Persia's archaeological findings continued after the accession of Reza Shah, when André Godard became the first director of the archeological service of Iran. [26]

In the 1800s, a variety of amateur digging occurred at the site, in some cases on a large scale. [25]

The first scientific excavations at Persepolis were carried out by Ernst Herzfeld and Erich Schmidt representing the Oriental Institute of the University of Chicago. They conducted excavations for eight seasons, beginning in 1930, and included other nearby sites. [27] [28] [29] [30] [31]

Achaemenid frieze designs at Persepolis. Persian frieze designs at Persepolis.jpg
Achaemenid frieze designs at Persepolis.

Herzfeld believed that the reasons behind the construction of Persepolis were the need for a majestic atmosphere, a symbol for the empire, and to celebrate special events, especially the Nowruz . [4] For historical reasons, Persepolis was built where the Achaemenid dynasty was founded, although it was not the center of the empire at that time.

Excavations of plaque fragments hint at a scene with a contest between Herakles and Apollo, dubbed A Greek painting at Persepolis. [32]


Persepolitan architecture is noted for its use of the Persian column, which was probably based on earlier wooden columns. Architects resorted to stone only when the largest cedars of Lebanon or teak trees of India did not fulfill the required sizes. Column bases and capitals were made of stone, even on wooden shafts, but the existence of wooden capitals is probable. In 518 BC, a large number of the most experienced engineers, architects, and artists from the four corners of the universe were summoned to engage and with participation, build the first building to be a symbol of universal unity and peace and equality for thousands of years.

The buildings at Persepolis include three general groupings: military quarters, the treasury, and the reception halls and occasional houses for the King. Noted structures include the Great Stairway, the Gate of All Nations, the Apadana, the Hall of a Hundred Columns, the Tripylon Hall and the Tachara, the Hadish Palace, the Palace of Artaxerxes III, the Imperial Treasury, the Royal Stables, and the Chariot House. [33]

Ruins and remains

Reliefs of lotus flowers are frequently used on the walls and monuments at Persepolis. Lotus Achaemenid architecture.JPG
Reliefs of lotus flowers are frequently used on the walls and monuments at Persepolis.

Ruins of a number of colossal buildings exist on the terrace. All are constructed of dark-grey marble. Fifteen of their pillars stand intact. Three more pillars have been re-erected since 1970. Several of the buildings were never finished. F. Stolze has shown that some of the mason's rubbish remains.

So far, more than 30,000 inscriptions have been found from the exploration of Persepolis, which are small and concise in terms of size and text, but they are the most valuable documents of the Achaemenid period. Based on these inscriptions that are currently held in the United States most of the time indicate that during the time of Persepolis, wage earners were paid.

Since the time of Pietro Della Valle, it has been beyond dispute that these ruins represent the Persepolis captured and partly destroyed by Alexander the Great.

Behind the compound at Persepolis, there are three sepulchers hewn out of the rock in the hillside. The facades, one of which is incomplete, are richly decorated with reliefs. About 13 km NNE, on the opposite side of the Pulvar River, rises a perpendicular wall of rock, in which four similar tombs are cut at a considerable height from the bottom of the valley. Modern-day Iranians call this place Naqsh-e Rustam ("Rustam Relief"), from the Sasanian reliefs beneath the opening, which they take to be a representation of the mythical hero Rostam. It may be inferred from the sculptures that the occupants of these seven tombs were kings. An inscription on one of the tombs declares it to be that of Darius I, concerning whom Ctesias relates that his grave was in the face of a rock, and could only be reached by the use of ropes. Ctesias mentions further, with regard to a number of Persian kings, either that their remains were brought "to the Persians," or that they died there.

Gate of All Nations

The Gate of All Nations, referring to subjects of the empire, consisted of a grand hall that was a square of approximately 25 metres (82 ft) in length, with four columns and its entrance on the Western Wall. There were two more doors, one to the south which opened to the Apadana yard and the other opened onto a long road to the east. Pivoting devices found on the inner corners of all the doors indicate that they were two-leafed doors, probably made of wood and covered with sheets of ornate metal.

A pair of lamassus, bulls with the heads of bearded men, stand by the western threshold. Another pair, with wings and a Persian Head (Gopät-Shäh), stands by the eastern entrance, to reflect the power of the empire.

The name of Xerxes I was written in three languages and carved on the entrances, informing everyone that he ordered it to be built.

The Apadana Palace

Statue of a Persian Mastiff found at the Apadana, kept at the National Museum, Tehran. Persepolis - statue of a mastiff.jpg
Statue of a Persian Mastiff found at the Apadana, kept at the National Museum, Tehran.

Darius I built the greatest palace at Persepolis on the western side of platform. This palace was called the Apadana . [34] The King of Kings used it for official audiences. The work began in 518 BC, and his son, Xerxes I, completed it 30 years later. The palace had a grand hall in the shape of a square, each side 60 metres (200 ft) long with seventy-two columns, thirteen of which still stand on the enormous platform. Each column is 19 metres (62 ft) high with a square Taurus (bull) and plinth. The columns carried the weight of the vast and heavy ceiling. The tops of the columns were made from animal sculptures such as two-headed lions, eagles, human beings and cows (cows were symbols of fertility and abundance in ancient Iran). The columns were joined to each other with the help of oak and cedar beams, which were brought from Lebanon. The walls were covered with a layer of mud and stucco to a depth of 5 cm, which was used for bonding, and then covered with the greenish stucco which is found throughout the palaces.

Foundation tablets of gold and silver were found in two deposition boxes in the foundations of the Palace. They contained an inscription by Darius in Old Persian cuneiform, which describes the extent of his Empire in broad geographical terms, and is known as the DPh inscription: [35] [36]

Corner of the Apadana Darius the Great inscription.jpg
Gold foundation tablets of Darius I for the Apadana Palace, in their original stone box. The Apadana coin hoard had been deposited underneath. Circa 510 BC.
Deposition plate of Darius I in Persepolis.jpg
One of the two gold deposition plates. Two more were in silver. They all had the same trilingual inscription (DPh inscription). [37]

Darius the great king, king of kings, king of countries, son of Hystaspes, an Achaemenid. King Darius says: This is the kingdom which I hold, from the Sacae who are beyond Sogdia, to Kush, and from Sind (Old Persian: 𐏃𐎡𐎭𐎢𐎺, "Hidauv", locative of "Hiduš", i.e. "Indus valley") to Lydia (Old Persian: "Spardâ") - [this is] what Ahuramazda, the greatest of gods, bestowed upon me. May Ahuramazda protect me and my royal house!

DPh inscription of Darius I in the foundations of the Apadana Palace [38]

At the western, northern and eastern sides of the palace, there were three rectangular porticos each of which had twelve columns in two rows of six. At the south of the grand hall, a series of rooms were built for storage. Two grand Persepolitan stairways were built, symmetrical to each other and connected to the stone foundations. To protect the roof from erosion, vertical drains were built through the brick walls. In the four corners of Apadana, facing outwards, four towers were built.

The walls were tiled and decorated with pictures of lions, bulls, and flowers. Darius ordered his name and the details of his empire to be written in gold and silver on plates, which were placed in covered stone boxes in the foundations under the Four Corners of the palace. Two Persepolitan style symmetrical stairways were built on the northern and eastern sides of Apadana to compensate for a difference in level. Two other stairways stood in the middle of the building. The external front views of the palace were embossed with carvings of the Immortals, the Kings' elite guards. The northern stairway was completed during the reign of Darius I, but the other stairway was completed much later.

The reliefs on the staircases allow one to observe the people from across the empire in their traditional dress, and even the king himself, "down to the smallest detail". [39]

Apadana Palace coin hoard

Apadana hoard
KINGS of LYDIA. Time of Cyrus to Darios I. Circa 545-520 BC.jpg
Gold Croeseid minted in the time of Darius, of the type of the eight Croeseids found in the Apadana hoard, circa 545-520 BCE. Light series: 8.07 grams, Sardis mint.
Aegina Stater achaic.jpg
Type of the Aegina stater found in the Apadana hoard, 550–530 BCE. Obv: Sea turtle with large pellets down centre. Rev: incuse square punch with eight sections. [40]
THRACE, Abdera. Circa 540-35-520-15 BC.jpg
Type of the Abdera coin found in the Apadana hoard, circa 540/35-520/15 BCE. Obv: Griffin seated left, raising paw. Rev: Quadripartite incuse square. [40]

The Apadana hoard is a hoard of coins that were discovered under the stone boxes containing the foundation tablets of the Apadana Palace in Persepolis. [35] The coins were discovered in excavations in 1933 by Erich Schmidt, in two deposits, each deposit under the two deposition boxes that were found. The deposition of this hoard is dated to circa 515 BCE. [35] The coins consisted in eight gold lightweight Croeseids, a tetradrachm of Abdera, a stater of Aegina and three double-sigloi from Cyprus. [35] The Croeseids were found in very fresh condition, confirming that they had been recently minted under Achaemenid rule. [41] The deposit did not have any Darics and Sigloi, which also suggests strongly that these coins typical of Achaemenid coinage only started to be minted later, after the foundation of the Apadana Palace. [41]

The Throne Hall

Next to the Apadana, second largest building of the Terrace and the final edifices, is the Throne Hall or the Imperial Army's Hall of Honor (also called the Hundred-Columns Palace). This 70x70 square meter hall was started by Xerxes I and completed by his son Artaxerxes I by the end of the fifth century BC. Its eight stone doorways are decorated on the south and north with reliefs of throne scenes and on the east and west with scenes depicting the king in combat with monsters. Two colossal stone bulls flank the northern portico. The head of one of the bulls now resides in the Oriental Institute in Chicago. [42]

At the beginning of the reign of Xerxes I, the Throne Hall was used mainly for receptions for military commanders and representatives of all the subject nations of the empire. Later, the Throne Hall served as an imperial museum.

Other palaces and structures

Other palaces included the Tachara, which was built under Darius I, and the Imperial treasury, which was started by Darius I in 510 BC and finished by Xerxes I in 480 BC. The Hadish Palace of Xerxes I occupies the highest level of terrace and stands on the living rock. The Council Hall, the Tryplion Hall, the Palaces of D, G, H, storerooms, stables and quarters, the unfinished gateway and a few miscellaneous structures at Persepolis are located near the south-east corner of the terrace, at the foot of the mountain.


Tomb of Artaxerxes II, Persepolis. Artaxerses III tomb.jpg
Tomb of Artaxerxes II, Persepolis.

It is commonly accepted that Cyrus the Great was buried in Pasargadae, which is mentioned by Ctesias as his own city. If it is true that the body of Cambyses II was brought home "to the Persians," his burying place must be somewhere beside that of his father. Ctesias assumes that it was the custom for a king to prepare his own tomb during his lifetime. Hence, the kings buried at Naghsh-e Rostam are probably Darius I, Xerxes I, Artaxerxes I and Darius II. Xerxes II, who reigned for a very short time, could scarcely have obtained so splendid a monument, and still less could the usurper Sogdianus. The two completed graves behind the compound at Persepolis would then belong to Artaxerxes II and Artaxerxes III. The unfinished tomb, a kilometer away from the city, is debated to who it belongs. [43] It is perhaps that of Artaxerxes IV, who reigned at the longest two years, or, if not his, then that of Darius III (Codomannus), who is one of those whose bodies are said to have been brought "to the Persians." Since Alexander the Great is said to have buried Darius III at Persepolis, then it is likely the unfinished tomb is his.

Another small group of ruins in the same style is found at the village of Haji Abad, on the Pulvar River, a good hour's walk above Persepolis. These formed a single building, which was still intact 900 years ago, and was used as the mosque of the then-existing city of Estakhr.

Ancient texts

Babylonian version of an inscription of Xerxes I, the "XPc inscription". Cuneiform inscriptions from Persepolis by Nickmard Khoey.jpg
Babylonian version of an inscription of Xerxes I, the "XPc inscription".

The relevant passages from ancient scholars on the subject are set out below:

(Diod. 17.70.1-73.2) 17.70 (1) Persepolis was the capital of the Persian kingdom. Alexander described it to the Macedonians as the most hateful of the cities of Asia, and gave it over to his soldiers to plunder, all but the palaces. (2) It was the richest city under the sun, and the private houses had been furnished with every sort of wealth over the years. The Macedonians raced into it, slaughtering all the men whom they met and plundering the residences; many of the houses belonged to the common people and were abundantly supplied with furniture and wearing apparel of every kind....
72 (1) Alexander held games in honor of his victories. He performed costly sacrifices to the gods and entertained his friends bountifully. While they were feasting and the drinking was far advanced, as they began to be drunken, a madness took possession of the minds of the intoxicated guests. (2) At this point, one of the women present, Thais by name and Attic by origin, said that for Alexander it would be the finest of all his feats in Asia if he joined them in a triumphal procession, set fire to the palaces, and permitted women's hands in a minute to extinguish the famed accomplishments of the Persians. (3) This was said to men who were still young and giddy with wine, and so, as would be expected, someone shouted out to form up and to light torches, and urged all to take vengeance for the destruction of the Greek temples. (4) Others took up the cry and said that this was a deed worthy of Alexander alone. When the king had caught fire at their words, all leaped up from their couches and passed the word along to form a victory procession [epinikion komon] in honor of Dionysius.
(5) Promptly, many torches were gathered. Female musicians were present at the banquet, so the king led them all out for the komos to the sound of voices and flutes and pipes, Thais the courtesan leading the whole performance. (6) She was the first, after the king, to hurl her blazing torch into the palace. As the others all did the same, immediately the entire palace area was consumed, so great was the conflagration. It was most remarkable that the impious act of Xerxes, king of the Persians, against the acropolis at Athens should have been repaid in kind after many years by one woman, a citizen of the land which had suffered it, and in sport.
(Curt. 5.6.1-7.12) 5.6 (1) On the following day, the king called together the leaders of his forces and informed them that "no city was more mischievous to the Greeks than the seat of the ancient kings of Persia . . . by its destruction they ought to offer sacrifice to the spirits of their forefathers."...
7 (1) But Alexander's great mental endowments, that noble disposition, in which he surpassed all kings, that intrepidity in encountering dangers, his promptness in forming and carrying out plans, his good faith towards those who submitted to him, merciful treatment of his prisoners, temperance even in lawful and usual pleasures, were sullied by an excessive love of wine. (2) At the very time when his enemy and his rival for a throne was preparing to renew the war, when those whom he had conquered were but lately subdued and were hostile to the new rule, he took part in prolonged banquets at which women were present, not indeed those whom it would be a crime to violate, but, to be sure, harlots who were accustomed to live with armed men with more licence than was fitting.
(3) One of these, Thais by name, herself also drunken, declared that the king would win most favor among all the Greeks, if he should order the palace of the Persians to be set on fire; that this was expected by those whose cities the barbarians had destroyed. (4) When a drunken strumpet had given her opinion on a matter of such moment, one or two, themselves also loaded with wine, agreed. The king, too, more greedy for wine than able to carry it, cried: "Why do we not, then, avenge Greece and apply torches to the city?" (5) All had become heated with wine, and so they arose when drunk to fire the city which they had spared when armed. The king was the first to throw a firebrand upon the palace, then the guests and the servants and courtesans. The palace had been built largely of cedar, which quickly took fire and spread the conflagration widely. (6) When the army, which was encamped not far from the city, saw the fire, thinking it accidental, they rushed to bear aid. (7) But when they came to the vestibule of the palace, they saw the king himself piling on firebrands. Therefore, they left the water which they had brought, and they too began to throw dry wood upon the burning building.
(8) Such was the end of the capital of the entire Orient... .
(10) The Macedonians were ashamed that so renowned a city had been destroyed by their king in a drunken revel; therefore the act was taken as earnest, and they forced themselves to believe that it was right that it should be wiped out in exactly that manner.
(Cleitarchus, FGrHist. 137, F. 11 (= Athenaeus 13. 576d-e))
And did not Alexander the Great have with him Thais, the Athenian hetaira? Cleitarchus speaks of her as having been the cause for the burning of the palace at Persepolis. After Alexander's death, this same Thais was married to Ptolemy, the first king of Egypt.

There is, however, one formidable difficulty. Diodorus Siculus says that the rock at the back of the palace containing the royal sepulchers is so steep that the bodies could be raised to their last resting-place only by mechanical appliances. This is not true of the graves behind the compound, to which, as F. Stolze expressly observes, one can easily ride up. On the other hand, it is strictly true of the graves at Naqsh-e Rustam. Stolze accordingly started the theory that the royal castle of Persepolis stood close by Naqsh-e Rustam, and has sunk in course of time to shapeless heaps of earth, under which the remains may be concealed.

Modern events

In 1971, Persepolis was the main staging ground for the 2,500 Year Celebration of the Persian Empire under the reign of the Pahlavi dynasty. It included delegations from foreign nations in an attempt to advance the Iranian culture and history.

The controversy of the Sivand Dam

Construction of the Sivand Dam, named after the nearby town of Sivand, began on 19 September 2006. Despite 10 years of planning, Iran's Cultural Heritage Organization was not aware of the broad areas of flooding during much of this time, [45] and there is growing concern about the effects the dam will have on the surrounding areas of Persepolis.

Many archaeologists[ who? ] worry that the dam's placement between the ruins of Pasargadae and Persepolis will flood both. Engineers involved with the construction deny this claim, stating that it is impossible, because both sites sit well above the planned waterline. Of the two sites, Pasargadae is considered the more threatened.

Archaeologists are also concerned that an increase in humidity caused by the lake will speed Pasargadae's gradual destruction. However, experts from the Ministry of Energy believe this would be negated by controlling the water level of the dam reservoir.

Museums (outside Iran) that display material from Persepolis

One bas-relief from Persepolis is in the Fitzwilliam Museum in Cambridge, England. [46] The largest collection of reliefs is at the British Museum, sourced from multiple British travellers who worked in Iran in the nineteenth century. [47] The Persepolis bull at the Oriental Institute is one of the university's most prized treasures, part of the division of finds from the excavations of the 1930s. New York City's Metropolitan Museum houses objects from Persepolis, [48] as does the Museum of Archaeology and Anthropology of the University of Pennsylvania. [49] The Museum of Fine Arts of Lyon [50] and the Louvre of Paris hold objects from Persepolis as well. A bas-relief of a soldier that had been looted from the excavations in 1935-36 and later purchased by the Montreal Museum of Fine Arts was repatriated to Iran in 2018, after being offered for sale in London and New York. [51]

Aerial views

See also


1. ^ Eternally fighting bull (personifying the moon), and a lion (personifying the sun) representing the spring.
2. ^ Known as XPc (Xerxes Persepolis c), from the portico of the Tachara.

Related Research Articles

Xerxes I Ancient Persian king

Xerxes I, called Xerxes the Great, was the fifth king of kings of the Achaemenid dynasty of Persia. Like his predecessor Darius I, he ruled the empire at its territorial apex. He ruled from 486 BC until his assassination in 465 BC at the hands of Artabanus, the commander of the royal bodyguard.

Darius the Great 3rd king of the Persian Achaemenid Empire (550–486 BC)

Darius the Great or Darius I was the fourth Persian king of the Achaemenid Empire. He ruled the empire at its peak, when it included much of West Asia, the Caucasus, parts of the Balkans, most of the Black Sea coastal regions, parts of the North Caucasus, Central Asia, as far as the Indus Valley in the far east and portions of north and northeast Africa including Egypt (Mudrâya), eastern Libya, and coastal Sudan.

Artaxerxes III Archaemenid king

Artaxerxes III Ochus of Persia was the eleventh emperor of the Achaemenid Empire, as well as the first Pharaoh of the 31st dynasty of Egypt. He was the son and successor of Artaxerxes II and was succeeded by his son, Arses of Persia. His reign coincided with the reign of Philip II in Macedon and Nectanebo II in Egypt.

Persian column type of column developed in ancient Persia

Persian columns or Persepolitan columns are the distinctive form of column developed in the Achaemenid architecture of ancient Persia, probably beginning shortly before 500 BCE. They are mainly known from Persepolis, where the massive main columns have a base, fluted shaft, and a double-animal capital, most with bulls. Achaemenid palaces had enormous hypostyle halls called apadana, which were supported inside by several rows of columns. The Throne Hall or "Hall of a Hundred Columns" at Persepolis, measuring 70 x 70 metres was built by the Achaemenid king Artaxerxes I. The Apadana hall is even larger. These often included a throne for the king and were used for grand ceremonial assemblies; the largest at Persepolis and Susa could fit ten thousand people at a time.

Naqsh-e Rostam necropolis in Iran

Naqsh-e Rostam is an ancient necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran, with a group of ancient Iranian rock reliefs cut into the cliff, from both the Achaemenid and Sassanid periods. It lies a few hundred meters from Naqsh-e Rajab, with a further four Sassanid rock reliefs, three celebrating kings and one a high priest.

Apadana large hypostyle hall, the best known examples being the great audience hall and portico at Persepolis and the palace of Susa

Apadana is a large hypostyle hall, best said the great audience hall and portico at Persepolis and the palace of Susa. The Persepolis Apadana belongs to the oldest building phase of the city of Persepolis, the first half of the 6th century BC, as part of the original design by Darius the Great. Its construction completed by Xerxes I. Modern scholarships "demonstrates the metaphorical nature of the Apadana reliefs as idealised social orders".

Achaemenid coinage aspect of history

Coins of the Achaemenid Empire were issued from 520 BCE-450 BCE to 330 BCE. The Persian daric was the first gold coin which, along with a similar silver coin, the siglos, represented the bimetallic monetary standard of the Achaemenid Persian Empire which has continued till today. It seems that before then, a continuation of Lydian coinage under Persian rule was highly likely. Achaemenid coinage includes the official imperial issues, as well as coins issued by the Achaemenid governors (Satraps), such as those stationed in ancient Asia Minor.

Bardak Siah Palace

Bardak Siah Palace is the name of the site of an ancient Achaemenid Persian palace situated in the ancient city of Temukan near the township of Borazjan in the northern part of Bushehr Province of Iran. The site was unearthed in 1977 by Iranian archeologists headed by Ehsan Yaghmai

Tushpa human settlement

Tushpa was the 9th-century BC capital of Urartu, later becoming known as Van which is derived from Biainili the native name of Urartu. The ancient ruins are located just west of Van and east of Lake Van in the Van Province of Turkey. In 2016 it was inscribed in the Tentative list of World Heritage Sites in Turkey.

Achaemenid architecture Historical architecture style

Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation, temples made for worship and social gatherings, and mausoleums erected in honor of fallen kings. The quintessential feature of Persian architecture was its eclectic nature with elements of Assyrian, Egyptian, Median and Asiatic Greek all incorporated, yet producing a unique Persian identity seen in the finished product. Achaemenid architecture is academically classified under Persian architecture in terms of its style and design.

Tachara antic palace in Persepolis

The Tachara, or the Tachar Château, also referred to as the Palace of Darius the Great, was the exclusive building of Darius I at Persepolis, Iran. It is located 70 km northeast of the modern city of Shiraz in Fars Province.

Tomb of Darius the Great Place

The tomb of Darius the Great is one of the four tombs of Achaemenid kings at the historical site of Naqsh-e Rustam located about 12 km northwest of Persepolis, Iran. They are all at a considerable height above the ground.

Gate of All Nations Gate of Xerxes

The Gate of All Nations also known as the Gate of Xerxes, is located in the ruins of the ancient city of Persepolis, Iran.

Achaemenid conquest of the Indus Valley Military conquest

The Achaemenid conquest of the Indus Valley refers to the Achaemenid military conquest and occupation of the territories of the North-western regions of the Indian subcontinent, from the 6th to 4th centuries BC. The conquest of the areas as far as the Indus river is often dated to the time of Cyrus the Great, in the period between 550-539 BCE. The first secure epigraphic evidence, given by the Behistun Inscription inscription, gives a date before or about 518 BCE. Achaemenid penetration into the area of the Indian subcontinent occurred in stages, starting from northern parts of the River Indus and moving southward. These areas of the Indus valley became formal Achaemenid satrapies as mentioned in several Achaemenid inscriptions. The Achaemenid occupation of the Indus Valley ended with the Indian campaign of Alexander the Great circa 323 BCE. The Achaemenid occupation, although less successful than that of the later Greeks, Sakas or Kushans, had the effect of acquainting India to the outer world.

Palace of Darius in Susa antic palace in Suse

The Palace of Darius in Susa was a palace complex in Susa, Iran, a capital of the Achaemenid Empire. The construction was conducted parallel to that of Persepolis. Man-power and raw materials from various parts of the empire contributed to its construction. It was once destroyed by fire and was partially restored later. Little has remained from this important complex.

Apadana hoard Hoard of coins from Persepolis

The Apadana hoard is a hoard of coins that were discovered under the stone boxes containing the foundation tablets of the Apadana Palace in Persepolis. The coins were discovered in excavations in 1933 by Erich Schmidt, in two deposits, each deposit under the two deposition boxes that were found. The deposition of this hoard, which was visibly part of the foundation ritual of the Apadana, is dated to circa 515 BCE.

Xerxes Is inscription at Van

Xerxes I's inscription at Van, also known as the XV inscription, is a trilingual cuneiform inscription of the Achaemenid King Xerxes I. It is located on the southern slope of a mountain adjacent to the Van Fortress, near Lake Van in present-day Turkey. When inscribed it was located in the Achaemenid province of Armenia. The inscription is inscribed on a smoothed section of the rock face near the fortress, approximately 20 metres above the ground. The niche was originally carved out by Xerxes' father, King Darius, but he left the surface blank.

Pharnaces (son of Arsames) politician

Pharnaces Ι was a son of Arsames. He was a younger brother of Hystaspes, and therefore an uncle of Achaemenid Emperor Darius I, son of Hystaspes. He was the founder of the Pharnacid dynasty that ruled over Hellespontine Phrygia.

Battle of Shahriar and Lion

Battle of Shahriar(Achaemenid king)and Lion, "Confrontation between Shahriar and Lion" or "Shah's battle with lion", winged ox, Griffin, and winged lion refers to rock carvings in three palaces of Persepolis, especially the Palace of 100 Columns, which belongs to the transition period of the warrior-ship community in the era of Darius I until the no-war time of Xerxes I were made to represent him as a constructive and disciplinary king.


Wikisource-logo.svg This article incorporates text from a publication now in the public domain : Chisholm, Hugh, ed. (1911). "Persepolis". Encyclopædia Britannica (11th ed.). Cambridge University Press.

  1. Google maps. "Location of Persepolis". Google Maps. Retrieved 24 September 2013.
  2. UNESCO World Heritage Centre (2006). "Pasargadae" . Retrieved 26 December 2010.
  3. Bailey, H.W. (1996) "Khotanese Saka Literature", in Ehsan Yarshater (ed), The Cambridge History of Iran, Vol III: The Seleucid, Parthian, and Sasanian Periods, Part 2 (reprint edition), Cambridge: Cambridge University Press, p. 1230.
  4. 1 2 Michael Woods, Mary B. Woods (2008). Seven Wonders of the Ancient Middle East. Twenty-First Century Books. pp. 26–8. ISBN   9780822575733.
  5. 1 2 Shahbazi, A. Shapur; Bosworth, C. Edmund (15 December 1990). "CAPITAL CITIES – Encyclopaedia Iranica". Encyclopædia Iranica. IV. pp. 768–774.
  6. Holland, Tom (August 2012). In the Shadow of the Sword. Little, Brown. pp. 118–122. ISBN   978-1408700075.
  7. Perrot, Jean (2013). The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia. I.B.Tauris. p. 423. ISBN   9781848856219.
  8. Garthwaite, Gene R. (2008). The Persians. John Wiley & Sons. p. 50. ISBN   9781405144001.
  9. 2002. Guaitoli. M.T., & Rambaldi, S. Lost Cities from the Ancient World. White Star, spa. (2006 version published by Barnes & Noble. Darius I founded Persepolis in 500 BC as the residence and ceremonial center of his dynasty. p. 164
  10. "Persepolis". Encyclopedia Britannica.
  11. Mousavi, Ali, Persepolis: Discovery and Afterlife of a World Wonder, p. 53, 2012, Walter de Gruyter, ISBN   1614510334, 9781614510338, google books
  12. "Persepolis". Archived from the original on 5 February 2015. Retrieved 2 January 2015.
  13. 1 2 Sachau, C. Edward (2004). The Chronology of Ancient Nations. Kessinger Publishing. p. 484. ISBN   978-0-7661-8908-9. p. 127
  14. Al-Beruni and Persepolis. Acta Iranica. 1. Leiden. 1974. pp. 137–150. ISBN   978-90-04-03900-1.
  15. Wiesehöfer 10-11.
  16. Henkelman 2008:Ch 2.
  17. "Persepolis". Wondermondo. 13 February 2012.
  18. Mousavi, Ali (19 April 2012). Persepolis: Discovery and Afterlife of a World Wonder. Walter de Gruyter. ISBN   9781614510338.
  19. Murray, Hugh (1820). Historical account of discoveries and travels in Asia. Edinburgh: A. Constable and Co. p. 15.
  20. "Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation, by Richard Hakluyt : chapter11". Retrieved 3 July 2019.
  21. Tuplin, Christopher (31 December 2007). Persian Responses: Political and Cultural Interaction with(in) the Achaemenid Empire. ISD LLC. ISBN   9781910589465.
  22. C. Wade Meade (1974). Road to Babylon: Development of U.S. Assyriology. Brill Archive. pp. 5–7. ISBN   978-9004038585.
  23. M. H. Aminisam (2007). تخت جمشيد (Persepolis). AuthorHouse. pp. 79–81. ISBN   9781463462529.
  24. Ali Mousavi (2012). Persepolis: Discovery and Afterlife of a World Wonder. Walter de Gruyter. pp. 104–7. ISBN   9781614510284.
  25. 1 2 Ali Mousavi, Persepolis in Retrospect: Histories of Discovery and Archaeological Exploration at the ruins of ancient Passch, Ars Orientalis, vol. 32, pp. 209-251, 2002
  26. "GODARD, ANDRÉ – Encyclopaedia Iranica". Retrieved 3 July 2019.
  27. Ernst E Herzfeld, A New Inscription of Xerxes from Persepolis, Studies in Ancient Oriental Civilization, vol. 5, 1932
  28. Erich F Schmidt, Persepolis I: Structures, Reliefs, Inscriptions, Oriental Institute Publications, vol. 68, 1953
  29. Erich F Schmidt, Persepolis II: Contents of the Treasury and Other Discoveries, Oriental Institute Publications, vol. 69, 1957
  30. Erich F Schmidt, Persepolis III: The Royal Tombs and Other Monuments, Oriental Institute Publications, vol. 70, 1970
  31. Erich F Schmidt, The Treasury of Persepolis and Other Discoveries in the Homeland of the Achaemenians, Oriental Institute Communications, vol. 21, 1939
  32. Roaf, Michael; Boardman, John (1980). "A Greek painting at Persepolis". The Journal of Hellenic Studies. 100: 204–206. doi:10.2307/630751. JSTOR   630751.
  33. Pierre Briant (2002). From Cyrus to Alexander: A History of the Persian Empire. Eisenbrauns. pp. 256–8. ISBN   9781575061207.
  34. Penelope Hobhouse (2004). The Gardens of Persia. Kales Press. pp. 177–8. ISBN   9780967007663.
  35. 1 2 3 4 Zournatzi, Antigoni (2003). "THE APADANA COIN HOARDS, DARIUS I, AND THE WEST". American Journal of Numismatics (1989-). 15: 1–28. JSTOR   43580364.
  36. Persepolis : discovery and afterlife of a world wonder. 2012. pp. 171–181.
  37. DPh - Livius.
  38. DPh inscription, also Photographs of one of the gold plaques
  39. Garthwaite, Gene R. (2008). The Persians. John Wiley & Sons. p. 50. ISBN   9781405144001.
  40. 1 2 Zournatzi, Antigoni (2003). "THE APADANA COIN HOARDS, DARIUS I, AND THE WEST". American Journal of Numismatics (1989-). 15: 1–28. JSTOR   43580364.
  41. 1 2 Fisher, William Bayne; Gershevitch, I.; Boyle, John Andrew; Yarshater, Ehsan; Frye, Richard Nelson (1968). The Cambridge History of Iran. Cambridge University Press. p. 617. ISBN   9780521200912.
  42. "Oriental Institute Highlights". 19 February 2007. Retrieved 30 December 2012.
  43. Potts, Daniel T (21 May 2012). A Companion to the Archaeology of the Ancient Near East. ISBN   9781405189880.
  44. XPc inscription
  45. Vidal, John (23 December 2004). "Dam is threat to Iran's heritage". the Guardian. Retrieved 10 June 2018.
  46. A Persepolis Relief in the Fitzwilliam Museum, Cambridge. Richard Nicholls and Michael Roaf. Iran, Vol. 15, (1977), pp. 146-152. Published by: British Institute of Persian Studies.
  47. Allen, Lindsay (1 January 2013). ""Come Then Ye Classic Thieves of Each Degree": The Social Context of the Persepolis Diaspora in the Early Nineteenth Century". Iran. 51 (1): 207–234. doi:10.1080/05786967.2013.11834730. ISSN   0578-6967.
  48. Harper, Prudence O., Barbara A. Porter, Oscar White Muscarella, Holly Pittman, and Ira Spar. "Ancient Near Eastern Art." The Metropolitan Museum of Art Bulletin, v. 41, no. 4 (Spring, 1984).
  49. Relief said to be from Persepolis. Penn Museum Collections.
  50. ‹See Tfd› (in French) Musée des Beaux-Arts de Lyon website
  51. Mashberg, Tom (23 July 2018). "Judge Orders Return of Ancient Limestone Relief to Iran". The New York Times. ISSN   0362-4331 . Retrieved 3 July 2019.

Further reading