Peter Bogdanovich

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Peter Bogdanovich

Peter Bogdanovich, director.jpg
Bogdanovich in 1973
Born(1939-07-30)July 30, 1939
DiedJanuary 6, 2022(2022-01-06) (aged 82)
  • Film director
  • actor
  • writer
  • film producer
Years active1958–2022
(m. 1962;div. 1971)

Louise Stratten
(m. 1988;div. 2001)

Peter Bogdanovich ComSE (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. He started his career as a film critic for Film Culture and Esquire before becoming a film director in the New Hollywood movement. He received accolades including a BAFTA Awards and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards.


Bogdanovich worked as a film journalist until he was hired to work on Roger Corman's The Wild Angels (1966). His credited feature film debut came with Targets (1968), before his career breakthrough with the coming-of-age drama The Last Picture Show (1971) which earned him Academy Award nominations for Best Director and Best Adapted Screenplay, and the acclaimed films What's Up, Doc? (1972) and Paper Moon (1973). [2] [3] Other films include They All Laughed (1981), Mask (1985), Noises Off (1992), The Cat's Meow (2001), and She's Funny That Way (2014).

As an actor, he was known for his roles in HBO series The Sopranos and Orson Welles's last film, The Other Side of the Wind (2018), which he also helped finish. [4] He received a Grammy Award for Best Music Film for directing the Tom Petty documentary Runnin' Down a Dream (2007).

An accomplished film historian, he directed documentaries such as Directed by John Ford (1971) and The Great Buster: A Celebration (2018). He also published over ten books, some of which include in-depth interviews with friends Howard Hawks and Alfred Hitchcock. Bogdanovich's works have been cited as important influences by many major filmmakers. [5]

Early life

Peter Bogdanovich was born in Kingston, New York, the son of Herma (née Robinson) and Borislav Bogdanovich, a pianist and painter. [6] [7] His mother was of Austrian Jewish descent and his father was a Serb. Bogdanovich was fluent in Serbian, having learned it before English. [8] [9] He had an older brother who died in an accident in 1938, at eighteen months of age, after a pot of boiling soup fell on him, though Bogdanovich did not learn about his brother until he was seven and did not know the circumstances of his death until he was an adult. [10] His parents both arrived in the U.S. in May 1939 on visitors' visas, along with his mother's immediate family, three months before the onset of World War II. [7] [11] In 1952, when he was twelve, Bogdanovich began keeping a record of every film he saw on index cards, complete with reviews; he continued to do so until 1970. [12] [13] He saw up to four hundred films a year. [14] He graduated from New York City's Collegiate School in 1957 and studied acting at the Stella Adler Conservatory. [8]



In the early 1960s, Bogdanovich was known as a film programmer at the Museum of Modern Art in New York City, where he programmed influential retrospectives and wrote monographs for the films of Orson Welles, John Ford, Howard Hawks, and Alfred Hitchcock. [8] [15] Bogdanovich also brought attention to Allan Dwan, a pioneer of American film who had fallen into obscurity by then, in a 1971 retrospective Dwan attended. [16] [17] He also programmed for New Yorker Theater. [8]

Before becoming a director, he wrote for Esquire , The Saturday Evening Post , and Cahiers du Cinéma as a film critic. [8] [15] These articles were collected in Pieces of Time (1973). [18]

In 1966, following the example of Cahiers du Cinéma critics François Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer, who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich decided to become a director. Encouraged by director Frank Tashlin, whom he would interview in his book Who the Devil Made It, Bogdanovich headed for Los Angeles with his wife Polly Platt and in so doing, left his rent unpaid. [19] [20]

Intent on breaking into the industry, Bogdanovich would ask publicists for movie premiere and industry party invitations. At one screening, Bogdanovich was viewing a film and director Roger Corman was sitting behind him. The two struck up a conversation when Corman mentioned he liked a cinema piece Bogdanovich wrote for Esquire. Corman offered him a directing job, which Bogdanovich accepted immediately. He worked with Corman on Targets , which starred Boris Karloff, and Voyage to the Planet of Prehistoric Women , under the pseudonym Derek Thomas. Bogdanovich later said of the Corman school of filmmaking, "I went from getting the laundry to directing the picture in three weeks. Altogether, I worked 22 weeks – preproduction, shooting, second unit, cutting, dubbing – I haven't learned as much since." [21]


Returning to journalism, Bogdanovich struck up a lifelong friendship with Orson Welles while interviewing him on the set of Mike Nichols's Catch-22 . Bogdanovich played a major role in reviving Welles and his career with his writings on the actor-director, including his book This is Orson Welles . In the early 1970s, when Welles was having financial problems, Bogdanovich let him stay at his Bel Air mansion for a couple of years. [8]

In 1970, Bogdanovich was commissioned by the American Film Institute to direct a documentary about John Ford for their tribute, Directed by John Ford . The resulting film included candid interviews with John Wayne, James Stewart, and Henry Fonda, and was narrated by Orson Welles. Out of circulation for years due to licensing issues, Bogdanovich and TCM released it in 2006, re-edited it to make it "faster and more incisive", with additional interviews with Clint Eastwood, Walter Hill, Harry Carey Jr., Martin Scorsese, Steven Spielberg, and others. [22]

Much of the inspiration that led Bogdanovich to his cinematic creations came from early viewings of the film Citizen Kane . In an interview with Robert K. Elder, author of The Film That Changed My Life , Bogdanovich explains his appreciation of Orson Welles's work:

It's just not like any other movie you know. It's the first modern film: fragmented, not told straight ahead, jumping around. It anticipates everything that's being done now, and which is thought to be so modern. It's all become really decadent now, but it was certainly fresh then. [23]

The 32-year-old Bogdanovich was hailed by critics as a "Wellesian" wunderkind when his best-received film, The Last Picture Show , was released in 1971. The film earned eight Academy Award nominations, including Best Director, and won two statues, for Cloris Leachman and Ben Johnson in the supporting acting categories. Bogdanovich co-wrote the screenplay with Larry McMurtry, and it won the 1971 BAFTA award for Best Screenplay. Bogdanovich cast the 21-year-old model Cybill Shepherd in a major role in the film and fell in love with her, an affair leading to his divorce from Polly Platt, his longtime artistic collaborator and the mother of his two daughters. [24]

Bogdanovich followed up The Last Picture Show with the screwball comedy What's Up, Doc? , starring Barbra Streisand and Ryan O'Neal. [8] Bogdanovich then formed The Directors Company with Francis Ford Coppola and William Friedkin and co-owned by Paramount Pictures. [25] Paramount allowed the directors to make a minimum of twelve films with a budget of $3 million each. It was through this entity that Bogdanovich's Paper Moon was produced. [26]

Paper Moon, a Depression-era comedy starring Ryan O'Neal that won his 10-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved the high-water mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more pictures, Coppola's The Conversation (1974, which was nominated for Best Picture in 1974 alongside The Godfather Part II ), and Bogdanovich's Cybill Shepherd-starring Daisy Miller , which had a lackluster critical reception and was a disappointment at the box office. [8] The partners of The Directors Company all went their separate ways after the production of Daisy Miller. [25]

Bogdanovich's next effort, At Long Last Love , was a musical starring Shepherd and Burt Reynolds. Both that and his next film, Nickelodeon , were critical and box-office disasters, [8] severely damaging his standing in the film community. Reflecting upon his recent career, Bogdanovich said in 1976, "I was dumb. I made a lot of mistakes." [27]

In 1975, he sued Universal for breaching a contract to produce and direct Bugsy. [28] He then took a few years off, then returned to directing with a lower-budgeted film, Saint Jack , which was filmed in Singapore and starred Ben Gazzarra in the title role. [29] The film earned critical praise, although was not a box-office hit. [30] The making of this film marked the end of his romantic relationship with Cybill Shepherd. [31]


Bogdanovich's next film was the romantic comedy They All Laughed which featured Dorothy Stratten, a former model and Playboy Playmate of the Month for August 1979 and Playmate of the Year in 1980, [32] who began a romantic relationship with Bogdanovich. Bogdanovich took over distribution of They All Laughed himself. He later blamed this for why he had to file for bankruptcy in 1985. [33] He declared he had a monthly income of $75,000 and monthly expenses of $200,000. [34]

Stratten was murdered by her estranged husband shortly after filming completed. [24] Following her death, Bogdanovich began writing The Killing of the Unicorn – Dorothy Stratten 1960–1980 , a memoir detailing the relationship between Bogdanovich and Stratten, the making of They All Laughed and Stratten's murder. Bogdanovich says he wrote the book for himself, "I wanted to understand what happened to her. I felt I couldn't move forward with my life, creative or otherwise until I did." Bogdanovich says the book was meant to be delivered to William Morrow in August 1982 "but new facts kept coming to light and so it was delayed. I did more and more rewriting. In all, I suppose, I wrote the book five times." The book was eventually published in 1984. [35]

Teresa Carpenter's "Death of a Playmate" article about Dorothy Stratten's murder was published in The Village Voice and won the 1981 Pulitzer Prize, and while Bogdanovich did not criticize Carpenter's article in his book, she had lambasted both Bogdanovich and Playboy mogul Hugh Hefner, claiming that Stratten was a victim of them as much as of her husband, Paul Snider, who killed her and himself. [8] Carpenter's article served as the basis of Bob Fosse's film Star 80 . Bogdanovich opposed the production and refused to allow the film to use his name. He was portrayed as the fictional "Aram Nicholas", and he threatened litigation if he found the character objectionable. [36]

Hefner retaliated by accusing Bogdanovich of seducing Stratten's younger sister Louise, shortly after the murder, when she was 13. Bogdanovich vehemently denied the accusation. On December 30, 1988, the 49-year-old Bogdanovich married 20-year-old Louise, sparking a tabloid frenzy. [8] [37] The couple divorced in 2001. [38]

In 1984, John Cassavetes called Bogdanovich to the set of his film Love Streams to direct a scene. [39]

Bogdanovich returned to directing officially with Mask , released in 1985 to critical acclaim. Mask was released with a song score by Bob Seger against Bogdanovich's wishes (he favored Bruce Springsteen). A director's cut of the film, slightly longer and with Springsteen's songs, was belatedly released on DVD in 2004. [40] [41]

Bogdanovich directed the comedy Illegally Yours in 1988, a film he later disowned.


In 1990, Bogdanovich adapted Larry McMurtry's novel Texasville, a sequel to The Last Picture Show, into a film. It is set 33 years after the events of The Last Picture Show , and Jeff Bridges and Cybill Shepherd both reprised their roles as Duane and Jacy. It was a critical and box office disappointment relative to the first film. [24] Bogdanovich often complained that the version of Texasville that was released was not the film he had intended. His cut of Texasville was later released on LaserDisc, and the theatrical cut was released on DVD by MGM in 2005. [42] After the release of Texasville, Bogdanovich revisited The Last Picture Show and produced a modified director's cut for Criterion which includes seven minutes of previously unseen footage and re-edited scenes. [43]

In 1991, Bogdanovich developed an alternative calendar, titled A Year and a Day: Goddess Engagement Calendar. The calendar consisted of 13 months of 28 days and a bonus day to equal 365 days. Each month was named after a different species of tree. [44] Bogdanovich attributed his inspiration for the calendar to the works of Robert Graves. [45]

Bogdanovich directed two more theatrical films in 1992 and 1993, but neither of these films recaptured the success of his early career. One, Noises Off , based on the Michael Frayn play, [24] while another, The Thing Called Love , is better known as one of River Phoenix's last roles before his death. In the mid-90s, Bogdanovich began to work in television, directing films such as To Sir, with Love II . [46] In 1997, he declared bankruptcy again. [47] Drawing from his encyclopedic knowledge of film history, he authored several critically lauded books, including Peter Bogdanovich's Movie of the Week, which offered the lifelong cinephile's commentary on 52 of his favorite films, and Who The Devil Made It: Conversations with Legendary Film Directors and Who the Hell's in It: Conversations with Hollywood's Legendary Actors, both based on interviews with directors and actors. [8]


In 2001, Bogdanovich resurfaced with The Cat's Meow . Returning once again to a reworking of the past, this time the alleged killing of director Thomas Ince by William Randolph Hearst. The film was a modest critical success but made little money at the box-office. Bogdanovich said that he was told the story of the alleged Ince murder by Welles, who in turn said he heard it from writer Charles Lederer. [48]

In addition to directing some television work, Bogdanovich returned to acting with a recurring guest role on the cable television series The Sopranos , playing Dr. Melfi's psychotherapist, [8] also later directing a fifth-season episode. He had a voice role, as Bart Simpson's therapist's analyst in an episode of The Simpsons , [49] and appeared as himself in the "Robots Versus Wrestlers" episode of How I Met Your Mother . [50] Quentin Tarantino cast Bogdanovich as a disc jockey in Kill Bill: Volume 1 and Kill Bill: Volume 2 . "Quentin knows, because he's such a movie buff, that when you hear a disc jockey's voice in my pictures, it's always me, sometimes doing different voices", said Bogdanovich. "So he called me and he said, 'I stole your voice from The Last Picture Show for the rough cut, but I need you to come down and do that voice again for my picture ... '" [51] He hosted The Essentials on Turner Classic Movies, but was replaced in May 2006 by TCM host Robert Osborne and film critic Molly Haskell. Bogdanovich hosted introductions to movies on Criterion Collection DVDs, and had a supporting role in Out of Order . [52]

In 2006, Bogdanovich joined forces with ClickStar, where he hosted a classic film channel, Peter Bogdanovich's Golden Age of Movies. Bogdanovich also wrote a blog for the site. [53] In 2003, he appeared in the BBC documentary Easy Riders, Raging Bulls , and in 2006 he appeared in the documentary Wanderlust . The following year, Bogdanovich was presented with an award for outstanding contribution to film preservation by the International Federation of Film Archives (FIAF) at the Toronto International Film Festival. [54]


In 2010, Bogdanovich joined the directing faculty at the School of Filmmaking at the University of North Carolina School of the Arts. On April 17, 2010, he was awarded the Master of Cinema Award at the 12th Annual RiverRun International Film Festival. In 2011, he was given the Auteur Award by the International Press Academy, which is awarded to filmmakers whose singular vision and unique artistic control over the elements of production give a personal and signature style to their films. [55]

In 2012, Bogdanovich made news with an essay in The Hollywood Reporter , published in the aftermath of the Aurora, Colorado theater shooting, in which he argued against excessive violence in the movies:

Today, there's a general numbing of the audience. There's too much murder and killing. You make people insensitive by showing it all the time. The body count in pictures is huge. It numbs the audience into thinking it's not so terrible. Back in the '70s, I asked Orson Welles what he thought was happening to pictures, and he said, 'We're brutalizing the audience. We're going to end up like the Roman circus, live at the Coliseum.' The respect for human life seems to be eroding. [56]

In 2014, Bogdanovich's last narrative film, She's Funny That Way , was released in theaters and on-demand, followed by the documentary, The Great Buster: A Celebration in 2018. [57] In 2018, Orson Welles' long-delayed film The Other Side of the Wind , which was filmed in the 1970s and featured a prominent supporting role by Boganovich, who had long hoped to complete it, was released by Netflix to critical acclaim. [58]


He collaborated with Turner Classic Movies, and TCM host Ben Mankiewicz, to create a documentary podcast about his life, which premiered in 2020. [59] [60]

In 2020, a copy of Bogdanovich's original cut of She's Funny That Way , originally titled Squirrels to the Nuts, was found on eBay. [61] In the wake of Bogdanovich's death in January 2022, the cut was shown at New York's Museum of Modern Art beginning on March 28, 2022. [62]

Weeks before his death in January 2022, Bogdanovich collaborated with Kim Basinger to create LIT Project 2: Flux, a first of its kind short film made available on the Ethereum blockchain as a non-fungible token. The project was scheduled to be released on January 25, 2022. [63]

Death and legacy

Bogdanovich died from complications of Parkinson's disease at his home in Los Angeles on January 6, 2022, at the age of 82. [12] [64] Since his death, many directors, actors, and other public figures paid tribute to him, including Martin Scorsese, Francis Ford Coppola, Jennifer Aniston, [65] Barbra Streisand, Cher, William Friedkin, Guillermo del Toro, James Gunn, Ellen Burstyn, Laura Dern, Joe Dante, Bryan Adams, Ben Stiller, Jeff Bridges, Michael Imperioli, [66] Paul Feig and Viola Davis. [67] [68] Peter Bradshaw of The Guardian described him as "a loving cineaste and fearless genius of cinema." [69] The New York Times described Bogdanovich as "[a genius] of the Hollywood system who, with great success and frustration, worked to transform it in the same era." [70]

His work has been cited as an influence by such filmmakers as Quentin Tarantino, [71] David Fincher, [72] Sofia Coppola, [73] Wes Anderson, Noah Baumbach, [74] Edgar Wright, [75] M. Night Shyamalan, [76] David O. Russell, [77] James Mangold, [78] Rian Johnson, [79] [80] and the Safdie brothers. [81]


As director

Feature films

1968 Voyage to the Planet of Prehistoric Women YesNoNoCredited as "Derek Thomas"
Targets YesYesYesStory co-written with Polly Platt; also editor (uncredited)
1971 The Last Picture Show YesYesNoCo-written with Larry McMurtry; also co-editor (uncredited)
1972 What's Up, Doc? YesStoryYes
1973 Paper Moon YesNoYes
1974 Daisy Miller YesNoYes
1975 At Long Last Love YesYesYes
1976 Nickelodeon YesYesNoCo-written with W. D. Richter
1979 Saint Jack YesYesNoCo-written with Howard Sackler and Paul Theroux
1981 They All Laughed YesYesNoAdditional dialogue by Blaine Novak
1985 Mask YesNoNo
1988 Illegally Yours YesNoYes
1990 Texasville YesYesYes
1992 Noises Off YesNoExecutive
1993 The Thing Called Love YesNoNo
2001 The Cat's Meow YesNoNo
2014 She's Funny That Way YesYesNoCo-written with Louise Stratten

Documentary films

1971 Directed by John Ford YesYesNo
2007 Runnin' Down a Dream YesNoNo
2018 The Great Buster: A Celebration YesYesYes


1995 Picture Windows Episode: "Song of Songs" (S1 E2)
Fallen Angels Episode: "A Dime a Dance" (S2 E3)
ProwlerTV pilot
1996 To Sir, with Love II Made-for-television film
1997 The Price of Heaven Made-for-television film
Rescuers: Stories of Courage: Two Women Made-for-television film
1998 Naked City: A Killer Christmas Made-for-television film
1999 A Saintly Switch Made-for-television film
2004 The Mystery of Natalie Wood Made-for-television film
The Sopranos Episode: "Sentimental Education" (S5 E6)
Hustle Made-for-television film

As actor


1968 Targets Sammy Michaels [82]
Voyage to the Planet of Prehistoric Women Narrator [83]
1971 The Last Picture Show Disc Jockey [42]
1977 Opening Night Himself [84]
1979 Saint Jack Eddie Schuman
1981 They All Laughed Disk Jockey [85]
1997 Highball Frank [86]
Mr. Jealousy Howard Poke [52]
1998 54 Elaine's Patron [87]
Lick the Star The PrincipalShort films [88]
1999Claire Makes It BigArturo Mulligan [89]
Coming Soon Bartholomew [90]
2001 Festival in Cannes Milo [91]
2003 Kill Bill: Volume 1 Disc Jockey [51]
2004 Kill Bill: Volume 2 Disc Jockey [51]
The Definition of InsanityPeter Bogdanovich [92]
2006 Infamous Bennett Cerf [93]
2007 Dedication Roger Spade [94] [95]
The Dukes Lou [96]
The Fifth Patient Edward Birani [97]
Broken English Iriving Mann [98] [99]
The DoormanPeter [100]
2008 Humboldt County Professor Hadley [101]
2010 Abandoned Markus Bensley [102]
Queen of the Lot Pedja Sapir [103]
2013 Don't Let Me Go Man [104]
Cold Turkey Poppy [105]
Are You Here Judge Harlan Plath [106]
2014 While We're Young Speaker [107]
The Tell-Tale Heart The Old Man [108]
2015 Pearly Gates Marty [109]
2016 Durant's Never Closes George [110]
Between Us George [111]
Six LA Love StoriesDuane Crawford [112]
2018 Los Angeles Overnight Vedor Ph.D. [113]
The Other Side of the Wind Brooks OtterlakeShot between 1970 and 1976 [114]
The Great Buster: A Celebration NarratorDocumentary film [115]
Reborn Himself [116]
2019 The Creatress Theo Mencken [117]
It Chapter Two Peter – Director [60]
2020Willie and MeCharley [31]


1987 Moonlighting HimselfEpisode: "The Straight Poop" (S3 E9) [118]
1993 Northern Exposure HimselfEpisode: "Rosebud" (S5 E7) [119]
1995 Cybill HimselfEpisode: "See Jeff Jump, Jump, Jeff, Jump!" (S1 E7) [120]
Picture Windows LuccaEpisode: "Song of Songs" (E2) [121] [122]
1997 Bella Mafia Vito GiancamoMade-for-television film [123]
2000 Rated X Film ProfessorMade-for-television film [124]
2000–2007 The Sopranos Elliot Kupferberg Episode: "Toodle-Fucking-Oo" (S2 E3) [60]
Episode: "Big Girls Don't Cry" (S2 E5)
Episode: "From Where to Eternity" (S2 E9)
Episode: "House Arrest" (S2 E11)
Episode: "Employee of the Month" (S3 E4)
Episode: "He Is Risen" (S3 E8)
Episode: "The Weight" (S4 E4)
Episode: "Calling All Cars" (S4 E11)
Episode: "Two Tonys" (S5 E1)
Episode: "All Happy Families..." (S5 E4)
Episode: "Johnny Cakes" (S6 E8)
Episode: "Stage 5" (S6 E14)
Episode: "The Second Coming" (S6 E19)
Episode: "The Blue Comet" (S6 E20)
2003 Out of Order ZachEpisode: "Pilot: Part One" (E1) [52]
Episode: "Pilot: Part Two" (E2)
Episode: "The Art of Loss" (E3)
Episode: "Losing My Religion" (E4)
Episode: "Follow the Rat" (E5)
Episode: "Put Me In Order" (E6)
2004 8 Simple Rules Dr. LohrEpisode: "Daddy's Girl" (S2 E16) [125] [118]
2005–2007 Law & Order: Criminal Intent George MerrittEpisode: "Sex Club" (S4 E14)
Episode: "Bombshell" (S6 E20)
2007 The Simpsons PsychologistEpisode: "Yokel Chords" (S18 E14)
2010 How I Met Your Mother HimselfEpisode: "Robots Versus Wrestlers" (S5 E22) [60]
2011 Rizzoli & Isles Arnold WhistlerEpisode: "Burning Down the House" (S2 E15) [52]
2014 The Good Wife HimselfEpisode: "Goliath and David" (S5 E11) [60]
2016 Documentary Now! HimselfEpisode: "Mr. Runner Up: My Life as an Oscar Bridesmaid, Part 1" (S2 E6) [87]
2017–2019 Get Shorty Giustino MoreweatherEpisode: "Turnaround" (S1 E9) [60]
Episode: "Selenite" (S2 E3)
Episode: "What To Do When You Land" (S3 E1)
Episode: "Strong Move" (S3 E3)

Music videos

2012"Constant Conversations" Passion Pit [126]



Audio commentaries, intros, etc.

TitleCreditFound onRef.
Targets Commentary & video introductionParamount Widescreen Collection [144]
The Last Picture Show 1991 commentary with actors Cybill Shepherd, Randy Quaid, Cloris Leachman and Frank Marshall Criterion laserdisc [145]
2009 solo commentarySony Pictures [146]
What's Up, Doc? CommentaryWarner Home Video [147]
Paper Moon CommentaryWarner Home Video [148]
Daisy Miller Commentary & video introductionParamount Widescreen Collection [149]
Nickelodeon CommentarySony Pictures [146]
Saint Jack Commentary [150]
They All Laughed Commentary & 2006 interview with filmmaker Wes Anderson HBO Video [151]
Mask Commentary & 2004 conversationUniversal [152]
The Thing Called Love CommentaryParamount Widescreen Collection [153]
The Cat's Meow CommentaryLionsgate Home Entertainment [154]
"Sentimental Education"CommentaryHBO Video [155]
She's Funny That Way Commentary with co-writer/producer Louise StrattenLionsgate Home Entertainment [156]
A Safe Place 1971 archival video interviewCriterion [157]
Bringing Up Baby CommentaryWarner Home Video [158]
Citizen Kane CommentaryWarner Home Video [159]
Clash by Night Commentary with audio interview excerpts of director Fritz Lang Warner Home Video [160]
El Dorado CommentaryParamount Centennial Collection [161]
F for Fake Video introductionCriterion [162]
Five Easy Pieces 2009 interviews from the documentary BBStoryCriterion [163]
Frances Ha 2013 conversation with filmmaker Noah Baumbach Criterion [164]
French Cancan Video introductionCriterion [165]
Fury Commentary with audio interview excerpts of director Fritz LangWarner Home Video [166]
La Bête Humaine 2004 interviewCriterion [167]
The Lady Eve 2001 video introduction & 2020 conversation with director Preston Sturges's biographer and son Tom Sturges and other participantsCriterion [168]
The Lady from Shanghai CommentaryColumbia Classics [169]
Land of the Pharaohs Commentary with audio interview excerpts of director Howard Hawks Warner Home Video [170]
The Lodger: A Story of the London Fog Audio interview excerpts with director Alfred Hitchcock from 1963 and 1972Criterion [171]
The Magnificent Ambersons 1978 archival interview with director Orson Welles Criterion [172]
Make Way for Tomorrow 2009 interviewCriterion [173]
The Man Who Shot Liberty Valance Commentary with audio interview excerpts of director John Ford and co-star James Stewart Paramount Centennial Collection [161]
Notorious 2009 interviews from the documentary Once Upon a Time... NotoriousCriterion [174]
Only Angels Have Wings 1972 archival audio excerpts with director Howard HawksCriterion [175]
Othello 1995 audio commentary with Orson Welles scholar Myron MeiselCriterion laserdisc [176]
Red River 2014 interview & 1972 archival audio excerpts with director Howard HawksCriterion [177]
The Rules of the Game Reading commentary written by film scholar Alexander SesonskeCriterion [178]
The Searchers CommentaryWarner Home Video [179]
"The Sopranos"Commentary with Sopranos creator David Chase HBO Video [180]
Stagecoach Video appreciationCriterion [181]
Strangers on a Train Commentary with Psycho screenwriter Joseph Stefano and other participantsWarner Home Video [182]
The Third Man Video introductionCriterion [183]
To Catch a Thief Commentary with film historian Laurent Bouzereau Paramount Collectors Edition [184]
Trouble in Paradise Video introductionCriterion [185]

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<i>Star 80</i> 1983 film by Bob Fosse

Star 80 is a 1983 American biographical drama film written and directed by Bob Fosse. It was adapted from the Pulitzer Prize-winning Village Voice article "Death of a Playmate" by Teresa Carpenter and is based on Canadian Playboy model Dorothy Stratten, who was murdered by her husband Paul Snider in 1980. The film’s title is taken from one of Snider's vanity license plates.

<span class="mw-page-title-main">Frank Marshall (filmmaker)</span> American film producer and director

Frank Wilton Marshall is an American film producer and director. He often collaborates with his wife, film producer Kathleen Kennedy. With Kennedy and Steven Spielberg, he was one of the founders of Amblin Entertainment. In 1991, he founded, with Kennedy, The Kennedy/Marshall Company, a film production company which has a contract with Amblin Partners. Since May 2012, with Kennedy taking on the role of President of Lucasfilm, Marshall has been Kennedy/Marshall's sole principal. Marshall has consistently collaborated with directors Spielberg, Paul Greengrass, and Peter Bogdanovich. He received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences in 2018, awarded to "creative producers, whose bodies of work reflect a consistently high quality of motion picture production."

<i>They All Laughed</i> 1981 film by Peter Bogdanovich

They All Laughed is a 1981 American romantic comedy film directed by Peter Bogdanovich and starring Audrey Hepburn, Ben Gazzara, John Ritter, Colleen Camp, Patti Hansen, and Dorothy Stratten. The film was based on a screenplay by Bogdanovich and Blaine Novak. It takes its name from the George and Ira Gershwin song of the same name.

Oja Kodar is a Croatian actress, screenwriter and director known as Orson Welles's romantic partner during the later years of his life.

<i>Mr. Arkadin</i> 1955 film by Orson Welles

Mr. Arkadin, known in Britain as Confidential Report, is a French-Spanish-Swiss coproduction film, written and directed by Orson Welles and shot in several Spanish locations, including Costa Brava, Segovia, Valladolid and Madrid. Filming took place throughout Europe in 1954, and scenes shot outside Spain include locations in London, Munich, Paris, the French Riviera and at the Château de Chillon in Switzerland.

<i>Nickelodeon</i> (film) 1976 film by Peter Bogdanovich

Nickelodeon is a 1976 comedy film directed by Peter Bogdanovich, and stars Ryan O'Neal, Burt Reynolds and Tatum O'Neal. According to Bogdanovich, the film was based on true stories told to him by silent film directors Allan Dwan and Raoul Walsh. It was entered into the 27th Berlin International Film Festival.

<i>Easy Riders, Raging Bulls</i> Book by Peter Biskind

Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N Roll Generation Saved Hollywood is a book by Peter Biskind, published by Simon & Schuster in 1998. Easy Riders, Raging Bulls is about the 1960s and 1970s Hollywood, a period of American film known for the production of such films such as The Godfather,The Godfather Part II,The French Connection,Chinatown,Taxi Driver,Jaws,Star Wars,The Exorcist, and The Last Picture Show. The title is taken from films which bookend the era: Easy Rider (1969) and Raging Bull (1980). The book follows Hollywood on the brink of the Vietnam War, when a group of young Hollywood film directors known as the "movie brats" are making their names. It begins in the 1960s and ends in the 1980s.

<i>The Other Side of the Wind</i> 2018 film

The Other Side of the Wind is a 2018 satirical drama film, directed, co-written, co-produced and co-edited by Orson Welles, and posthumously released in 2018 after 48 years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar.

Mary Marr "Polly" Platt was an American film producer, production designer and screenwriter. She was the first female art director accepted into Hollywood's Art Director's Guild. In addition to her credited work, she was known as mentor as well as an uncredited collaborator and networker. In the case of the latter, she is credited with contributing to the success of ex-husband and director Peter Bogdanovich's early films; mentoring then, first-time director and writer Cameron Crowe, and discovering actors including Cybill Shepherd, Tatum O'Neal, Owen Wilson, Luke Wilson and director Wes Anderson. Platt also suggested that director James L. Brooks meet artist and illustrator Matt Groening. Their subsequent meeting eventually resulted in the satiric animated television series The Simpsons.

<i>Illegally Yours</i> 1988 film by Peter Bogdanovich

Illegally Yours is a 1988 American comedy film set in St. Augustine, Florida where a series of comic mishaps take place involving a blackmailer, a corpse, an incriminating audiotape, an innocent woman who accidentally picks up the tape, and a pair of teenage blackmail victims. The film was directed by Peter Bogdanovich with Rob Lowe starring as Richard Dice, the college dropout who came back home to get his act together. The film's theme song was performed by Johnny Cash.

<i>Daisy Miller</i> (film) 1974 film by Peter Bogdanovich

Daisy Miller is a 1974 American drama film produced and directed by Peter Bogdanovich, and starring Cybill Shepherd in the title role. The screenplay by Frederic Raphael is based on the 1878 novella of the same title by Henry James. The lavish period costumes and sets were done by Ferdinando Scarfiotti, Mariolina Bono and John Furniss.

<i>Directed by John Ford</i> 1971 film by Peter Bogdanovich

Directed by John Ford is a documentary film directed by Peter Bogdanovich. Originally released in 1971, it covers the life and career of film director John Ford.

<i>Shes Funny That Way</i> (film) 2014 American film by Peter Bogdanovich

She's Funny That Way is a 2014 screwball comedy film directed by Peter Bogdanovich and co-written with Louise Stratten. It stars Owen Wilson, Imogen Poots, Kathryn Hahn, Will Forte, Rhys Ifans, and Jennifer Aniston. It marked the first feature film Bogdanovich directed in 13 years since The Cat's Meow and the final non-documentary feature he directed before his death in 2022.

<span class="mw-page-title-main">Laurent Bouzereau</span> French director and filmmaker

Laurent Bouzereau is a French-American documentary filmmaker, producer, and author.

Beatrice Giuditta Welles is an American former child actress, known for her roles in the film Chimes at Midnight (1966) and the documentary travelogue In the Land of Don Quixote (1964). The daughter of American filmmaker Orson Welles and Italian actress Paola Mori, she is a former model, radio and TV personality, founder of a cosmetics line and designer of handbags and jewelry.


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General sources