Philip Dunne (writer)

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Philip Dunne
Philip Dunne (1961)
Philip Ives Dunne

February 11, 1908 (1908-02-11)
DiedJune 2, 1992 (1992-06-03) (aged 84)
Occupation screenwriter, film director and producer

Philip Ives Dunne (February 11, 1908 – June 2, 1992) was a Hollywood screenwriter, film director and producer, who worked prolifically from 1932 until 1965. He spent the majority of his career at 20th Century Fox crafting well regarded romantic and historical dramas, usually adapted from another medium. Dunne was a leading Screen Writers Guild organizer and was politically active during the "Hollywood Blacklist" episode of the 1940s-1950s. He is best known for the films How Green Was My Valley (1941), The Ghost and Mrs. Muir (1947), The Robe (1953) and The Agony and the Ecstasy (1965). [1]

Screenwriter writer who writes for TV, films, comics and games

A screenplay writer, scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based.

Film director Person who controls the artistic and dramatic aspects of a film production

A film director is a person who directs the making of a film. A film director controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the technical crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film.

A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script; coordinating writing, directing, and editing; and arranging financing.


Dunne received two Academy Award nominations for screenwriting: How Green Was My Valley (1941) and David and Bathsheba (1951). He also received a Golden Globe nomination for his 1965 screen adaptation of Irving Stone's novel The Agony and the Ecstasy , as well as several peer awards from the Writers Guild of America (WGA), including the Laurel Award for Screenwriting Achievement.

<i>Academy Awards</i> American awards given annually for excellence in cinematic achievements

The Academy Awards, also officially and popularly known as the Oscars, are awards for artistic and technical merit in the film industry. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette, officially called the "Academy Award of Merit", although more commonly referred to by its nickname "Oscar".

<i>How Green Was My Valley</i> (film) 1941 film by John Ford

How Green Was My Valley is a 1941 drama film directed by John Ford. The film, based on the 1939 novel of the same name by Richard Llewellyn, was produced by Darryl F. Zanuck and scripted by Philip Dunne. The movie features Walter Pidgeon, Maureen O'Hara, Anna Lee, Donald Crisp, and Roddy McDowall. It was nominated for ten Academy Awards, famously beating Citizen Kane for Best Picture along with winning Best Director, Best Cinematography, and Best Supporting Actor.

<i>The Agony and the Ecstasy</i> (film) 1965 film by Carol Reed

The Agony and the Ecstasy is a 1965 American film directed by Carol Reed, starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II. The film was partly based on Irving Stone's biographical novel The Agony and the Ecstasy. This film deals with the conflicts of Michelangelo and Pope Julius II during the painting of the Sistine Chapel's ceiling. It also features a soundtrack co-written by prolific composers Alex North and Jerry Goldsmith.

Many notable directors worked with Dunne's screenplays, including Carol Reed, John Ford, Jacques Tourneur, Elia Kazan, Otto Preminger, Joseph L. Mankiewicz, and Michael Curtiz, among others.

Carol Reed English film director

Sir Carol Reed was an English film director best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968). For Oliver!, he received the Academy Award for Best Director.

John Ford American film director

John Ford was an American film director. He is renowned both for Westerns such as Stagecoach (1939), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), as well as adaptations of classic 20th-century American novels such as the film The Grapes of Wrath (1940). His four Academy Awards for Best Director remain a record. One of the films for which he won the award, How Green Was My Valley, also won Best Picture.

Jacques Tourneur French-American film director

Jacques Tourneur was a French film director known for the classic film noir Out of the Past and a series of low-budget horror films he made for RKO Studios, including Cat People, I Walked with a Zombie and The Leopard Man. He is also known for directing Night of the Demon, which was released by Columbia Pictures. While in Hollywood, he was usually addressed by his anglicized name "Jack Turner", a literal and phonetic translation of his name in English.


Early Life

Philip Dunne's star on the Hollywood Walk of Fame. PhilipDunneStar.JPG
Philip Dunne's star on the Hollywood Walk of Fame.

Dunne was born in New York City, the son of Chicago syndicated columnist and humorist Finley Peter Dunne and Margaret Ives (Abbott) Dunne, a champion golfer and the daughter of the Chicago Tribune's book reviewer and novelist, Mary Ives Abbott.

New York City Largest city in the United States

The City of New York, usually called either New York City (NYC) or simply New York (NY), is the most populous city in the United States. With an estimated 2018 population of 8,398,748 distributed over a land area of about 302.6 square miles (784 km2), New York is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 19,979,477 people in its 2018 Metropolitan Statistical Area and 22,679,948 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural, financial, and media capital of the world, and exerts a significant impact upon commerce, entertainment, research, technology, education, politics, tourism, art, fashion, and sports. The city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.

Chicago City in Illinois, United States

Chicago, officially the City of Chicago) is the most populous city in Illinois, as well as the third most populous city in the United States. With an estimated population of 2,705,994 (2018), it is the most populous city in the Midwest. Chicago is the principal city of the Chicago metropolitan area, often referred to as Chicagoland, and the county seat of Cook County, the second most populous county in the United States. The metropolitan area, at nearly 10 million people, is the third-largest in the United States.

Finley Peter Dunne author

Finley Peter Dunne was an American humorist and writer from Chicago. In 1898 Dunne published Mr. Dooley in Peace and in War, a collection of his nationally syndicated Mr. Dooley sketches. Speaking with the thick verbiage and accent of an Irish immigrant from County Roscommon, the fictional Mr. Dooley expounded upon political and social issues of the day from his South Side Chicago Irish pub. Dunne's sly humor and political acumen won the support of President Theodore Roosevelt, a frequent target of Mr. Dooley's barbs. Dunne's sketches became so popular and such a litmus test of public opinion that they were read each week at White House cabinet meetings.

Although a Roman Catholic, he attended Middlesex School (1920–1925) and Harvard University (1925–1929). Immediately after graduation, he boarded a train for Hollywood for his health and to seek work. [2]

Middlesex School

Middlesex School is a coeducational, non-sectarian, day and boarding independent secondary school for grades 9-12 located in Concord, Massachusetts. It was founded as an all-boys school in 1901 by a Roxbury Latin School alumnus, Frederick Winsor, who headed the school until 1937. Middlesex began admitting girls in 1974. The school is a member of the prestigious Independent School League and is one of five schools collectively known as St. Grottlesex.

Harvard University Private research university in Cambridge, Massachusetts, United States

Harvard University is a private Ivy League research university in Cambridge, Massachusetts, with about 6,700 undergraduate students and about 15,250 postgraduate students. Established in 1636 and named for its first benefactor, clergyman John Harvard, Harvard is the United States' oldest institution of higher learning. Its history, influence, and wealth have made it one of the most prestigious universities in the world.

First Screenplays

Dunne was not initially interested in working in the film industry but that is the first place he got a job. Via a recommendation from a friend of his brother's he obtained work at Fox as a reader at $35 a week. [2] Also among readers at the time was Leonard Spigelglass. Dunne later recalled:

We got nothing but the worst stuff; all the good books and plays went through the New York readers’ department. We got the pathetic originals written by out-of-work screenwriters. I kept seeing ways that I thought I could improve them. I’d write a synopsis, and I’d make it better. I couldn’t help it. It would be an obvious thing that the guy had missed. And when you learn to synopsize a story, you learn to construct it. At the same time, I was moonlighting writing short stories, so all these things came together.” [3]

In 1931, Dunne was fired from Fox after less than a year at the studio in a cost-cutting move. He was briefly under contract at MGM, writing a comedy for them, but was unhappy with his work and resigned after hanging in his first draft. This script was subsequently filmed as Student Tour (1934), which Dunne never saw. [4] [5]

Dunne aso worked uncredited on Me and My Gal (1932).

Edward Small

The first important screenplay of Dunne's career was The Count of Monte Cristo (1934), produced by Edward Small. Dunne was brought on to the project after the novel had been distilled to a treatment by director Rowland V. Lee and Dan Totheroh, and Dunne helped finesse the script into scenes and did the dialogue. Dunne later credited Lee as an important mentor for him. [6]

Small kept Dunne on to work on the script for The Melody Lingers On (1935). [7] He was also credited for Helldorado (1935), the latter at Fox for Jesse Lasky, another early mentor.

He did some minor uncredited work on Under Pressure (1935) and Magnificent Obsession (1935).

Dunne received a lot of acclaim for his adaptation of The Last of the Mohicans (1936) for Small which he wrote with John L. Balderstone. Dunne claimed the script was hurt by later rewrites from another writer, but the script, rather than the original novel, formed the basis of the 1992 film version. [8]

For Universal he wrote Breezing Home (1937) which he later said was the first of what he considered only four original screenplays he would write in his career. [9]

20th Century Fox

After working for various studios, he moved to 20th Century Fox in 1937, where he would remain for 25 years (excepting 4 years civilian war service during World War II), scripting 36 films in total and directing 10. He also produced several of his later films.

His first assignment at Fox was Lancer Spy (1937), with George Sanders. He then did three films in collaboration with Julien Josephson which established him as one of the leading writers at the studio: Suez (1938), Stanley and Livingstone (1939), and The Rains Came (1939).

Alone Dunne wrote Swanee River (1939), and Johnny Apollo (1940) (rewriting Rowland Brown's draft).

He wrote How Green Was My Valley (1941) originally developed with William Wyler then taken over by John Ford. [10] He also wrote Son of Fury: The Story of Benjamin Blake (1942).

World War Two

From 1942 to 1945, Dunne was the Chief of Production for the Motion Picture Bureau, U.S. Office of War Information, Overseas Branch. He wrote films such as Salute to France (1943). [2]

Notably, he produced the non-fiction short The Town (1944), directed by Josef von Sternberg, which has received some critical acclaim. [11]

Post War Career

Dunne returned to Fox after the war and quickly re-established himself as one of the studio's leading writers with credits including The Late George Apley (1947), and The Ghost and Mrs. Muir (1947).

He wrote Forever Amber (1947) in collaboration with Ring Lardner Jr and wrote Escape (1948) and The Luck of the Irish (1948). He revised Dudley Nichols' script for Pinky (1949). [4]

In 1949 he and Otto Preminger were working on a film The Far East Story which was never made. [12]

Dunne moved into spectacles with David and Bathsheba (1951), based on the story in the Bible but which Dunne considered his second "original". It was a huge hit. Zanuck put Dunne on Queen of Sheba but it was never made. [13]

He also wrote Anne of the Indies (1951) and Lydia Bailey (1952).


Dunne turned producer with Way of a Gaucho (1952) which he also wrote. [14] [15] As a writer only he worked on The Robe (1953), the first movie in CinemaScope and a huge success. Dunne had enjoyed writing David and Bathsheba but said working on The Robe was "a chore" which he only did "as a favor to Zanuck". [16]

He was announced for a film The Story of Jezebel which was not made. Dunne wrote the sequel to The Robe, Demetrius and the Gladiators (1954), his third original, which was also a hit.

However another spectacle Dunne wrote (from a draft by Casey Robinson]]), The Egyptian (1954), was a boxoffice disappointment. Dunne says he acted as an unofficial producer on this film. [17]


Dunne was assigned to produce Prince of Players (1955) from a script by Moss Hart. When he could not find a director he was happy with, Darryl F. Zanuck suggested Dunne to do the job himself. [18] [19]

Dunne later said "I started directing too late and, no question, at the wrong time. Twentieth Century Fox, the studio system, were falling apart. The boat had sailed." [20]

Dunne wrote, produced and directed The View from Pompey's Head (1955). He wrote and directed Hilda Crane (1956). That was produced by Herbert Swope who also produced Three Brave Men (1957) which Dunne wrote and directed. [21]

He directed and did some writing on In Love and War (1958), a war time drama, featuring many of the studio's young contract players. Edward Anhalt wrote it and Jerry Wald produced. [22]

Dunne wrote and directed two films for producer Charles Brackett: Ten North Frederick (1958) with Gary Cooper, and Blue Denim (1959).

Later Films

In 1961, he directed Wild in the Country , starring Elvis Presley, from a screenplay by Clifford Odets and produced by Wald.

In 1962, he directed Lisa , based on the novel The Inspector by Jan de Hartog and featuring Stephen Boyd and Dolores Hart, which was nominated for a Golden Globe for Best Picture - Drama. Dunne did not wrote it. [23] [6]

Dunne worked on The Agony and the Ecstasy (1965) as a writer only. [24] Although based on a novel by Irving Stone, Dunne later said he considered this an original. "I called it Quirt and Flagg in the Sistine Chapel," he said later. [25]

He wrote and directed Blindfold (1966), at Universal. It was his last feature. He was reportedly working on an adaptation of The Consort a novel by Anthony Hextall Smith, but it was never made. [26]

The 1992 film The Last of the Mohicans , directed by Michael Mann and starring Daniel Day-Lewis, was based on Dunne's 1936 screenplay of the Fenimore Cooper novel.

Other writing

In addition to screenwriting, Dunne wrote syndicated newspaper articles and was a contributor to The New Yorker and The Atlantic Monthly magazines.

He wrote speeches for various Democratic politicians such as Adlai Stevenson. [4]

He also wrote a stage play, Mr. Dooley's America (1976), based on his father's humor, and another, Politics (1980).

His books include Mr Dooley Remembers (1963) and Take Two: A Life in Movies and Politics (1980). His short stories appeared in the New Yorker and his essays were regular features of Time Magazine , the Los Angeles Times , and the Harvard Review . [27]


He was a winner of the Laurel Award (1962) and the Valentine Davies Award (1974).

The week before he died he was awarded a lifetime achievement award by the Writers Guild. [4]

Dunne has a star on the Hollywood Walk of Fame, in front of 6725 Hollywood Boulevard, just west of Las Palmas Ave.


Dunne was a co-founder of the Screen Writers Guild and served as vice-president of its successor, the Writers Guild of America, from 1938 to 1940. He later served on the Board of Governors of the Academy of Motion Picture Arts and Sciences (AMPAS) from 1946 to 1948.

Before World War II, he was a member of the Committee to Defend America by Aiding the Allies, a group founded in May 1940 that advocated military materiel aid to Britain as the best way to keep the United States out of the war.

Philip Dunne and the Hollywood Blacklist

Dunne was a key participant in the Hollywood Blacklist episode of the 1940s and 1950s. In 1947 he co-founded the Committee for the First Amendment with John Huston and William Wyler in response to hearings held by the House Un-American Activities Committee (HUAC). Dunne, Huston, and Wyler, along with fellow members Humphrey Bogart, Lauren Bacall, Danny Kaye, and Gene Kelly, appeared before HUAC in Washington, D.C. in October 1947, protesting HUAC's activities and methods. Dunne was never subpoenaed or blacklisted himself, nor was he accused of any Communist Party affiliations. [28]

As a writer and director, Dunne frequently worked with others who either were, had been, or would become blacklisted, including Ring Lardner Jr., Clifford Odets, Albert Maltz, and Marsha Hunt. Additionally, Dunne was a character witness for Dalton Trumbo at the latter's trial for contempt of Congress.

The original credits for The Robe (1953) gave Dunne the sole screenplay credit, when in fact Hollywood Ten member Albert Maltz had made significant contributions. In 1997, the WGA restored full writing credits to blacklisted writers whose names were left out of films they worked on. The following is from the WGA's "Blacklisted Writers Receive Credit" press release of April 2, 1997:

In the case of The Robe there was an extraordinary amount of information gathered to indicate that Maltz was entitled to shared screenplay credit. In addition, Philip Dunne did not believe he deserved sole screenplay credit but it was not until many years later that he learned that a blacklisted writer had worked on the project. Amanda Dunne, Philip's widow, confirms that Philip would have been happy to share screenplay credit with Maltz.

Dunne's political stance was decidedly liberal and reformist, but he was also determinedly anti-Communist. His involvement in the Committee for the First Amendment can arguably be read as just that—support for Constitutional free speech against a government entity (HUAC) that, to Dunne, seemed determined to usurp those rights. At various times dating to before the Second World War, he clashed with fellow members of the Screen Writers Guild who he felt were "pro-Stalin" Communists. Dunne's anti-Communist leanings would seem to be verified by his uninterrupted employment as a screenwriter on major Hollywood productions throughout the blacklist period, despite his quite vocal denunciation of HUAC.

Personal life

Dunne married the former Amanda Duff (1914-2006) on July 13, 1939. [29] They had three children, Miranda, Philippa, and Jessica.

In 1980, he published his memoirs, Take Two: A Life in Movies and Politics.

Dunne died of cancer on June 2, 1992, in Malibu, California, aged 84.


Selected filmography

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  1. MOVIES: PHILIP DUNNE: A CHAPTER FROM A CINEMATIC LIFE Dunne, Philip. Los Angeles Times 21 Dec 1980: s58.
  2. 1 2 3 Philip Dunne;Obituary The Times; London (UK) [London (UK)]08 June 1992.
  3. McGilligan p 156
  4. 1 2 3 4 Philip Dunne, Writer-Director Who Opposed Blacklists, Dies: [Home Edition] Folkart, Burt A. Los Angeles Times 4 June 1992: 1.
  5. Server p 96
  6. 1 2 DIRECTORS CHIDED FOR FILM WRITING: Philip Dunne Urges That Scenarists Be on Sets Best-Known Scripts Used One Line By MURRAY SCHUMACH New York Times 3 Apr 1962: 43.
  7. Server p 96
  8. Server p 96
  9. McGilligan p 156
  10. How Collaborative Was Their Project Movies: Philip Dunne, screenwriter for `How Green Was My Valley," recalls conflicts and compromises with director John Ford and producer Darryl Zanuck.: [Home Edition] Champlin, Charles. Los Angeles Times 2 Apr 1991: 5.
  11. Screenwriter Philip Dunne, 84; founded guild, fought blacklist:Boston Globe 9 June 1992: 95.
  12. 'SWORD IN DESERT' TO STAR ANDREWS: Paul Christian's Illness Causes Change in the Cast of U-I Film About Palestine By THOMAS F. BRADY New York Times 28 Feb 1949: 16.
  13. ZANUCK WILL FILM 'QUEEN OF SHEBA': Success of Fox's 'David and Bathsheba' Has Researchers at Studio Reading Bible By THOMAS M. PRYOR New York Times 17 Sep 1951: 17.
  14. BY WAY OF REPORT: The South American Way At Fox--Disney Docket CRYSTAL GAZER: AGENDA: OF GANDHI: By HOWARD THOMPSON. New York Times 26 Aug 1951: X5.
  15. Drama: Dore Schary Picture List Rated Notable Los Angeles Times 26 Jan 1951: A8.
  16. McGilligan p 164
  17. McGilligan p 164
  18. OF PICTURES AND PEOPLE: Blueprint for 'Prince of Players' -- A Chinese 'G. W. T. W.' -- Other Items By HOWARD THOMPSON. New York Times 18 July 1954: X5.
  19. Screenwriter---an Unsung Hero With Plenty of Ideas Thomas, Kevin. Los Angeles Times 08 June 1966: d11.
  20. Lee Server, Screenwriter: Words Become Pictures, 1987 p 109
  21. Joi Lansing Now Invited to England Los Angeles Times 9 Apr 1956: B9.
  22. Philip Dunne, 84, Screenwriter And an Opponent of Blacklisting Rule, Sheila. New York Times4 June 1992: B.12.
  23. Piped Theater TV Called Death Knell: Philip Dunne Survives 25 Years of Shake-ups at Fox Scheuer, Philip K. Los Angeles Times 5 Mar 1962: C15.
  24. FOX STUDIO BACK IN PRODUCTION: Film Work Resumes After Long Inactivity Film Set for Spring Other Scripts Prepared By MURRAY SCHUMACH Special to The New York Times. New York Times 14 Feb 1963: 5.
  25. McGilligan p156
  26. Dunne: writer who directs: Urgent advice By Kimmis Hendrick. The Christian Science Monitor 10 June 1966: 4.
  27. A Wide Angle on Hollywood TAKE TWO: A Life in Movies and Politics, By Philip Dunne (Limelight Editions: $17.95, paper; 405 pp.): [Home Edition] Freeman, David. Los Angeles Times (pre-1997 Fulltext); Los Angeles, Calif. [Los Angeles, Calif]03 May 1992: 2.
  28. Noted screenwriter Philip Dunne, 84 Chicago Tribune 5 June 1992: A8.
  29. Philip Dunne Weds Miss Duff New York Times (1923-Current file); New York, N.Y. [New York, N.Y]16 July 1939: 32.