Philip the Good

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Philip the Good
Philip the good.jpg
Philip, wearing the collar of firesteels of the Order of the Golden Fleece he instituted, copy of a Rogier van der Weyden of c. 1450
Duke of Burgundy
Reign10 September 1419 – 15 June 1467
Predecessor John the Fearless
Successor Charles the Bold
Born31 July 1396
Dijon, Duchy of Burgundy
Died15 June 1467(1467-06-15) (aged 70)
Bruges, Flanders, Burgundian Netherlands
Burial
Spouse
Issue
among others
House Valois-Burgundy
Father John the Fearless
Mother Margaret of Bavaria

Philip III (French : Philippe le Bon; Dutch : Filips de Goede; 31 July 1396 in Dijon – 15 June 1467 in Bruges) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts.

Contents

Philip is known for his administrative reforms, his patronage of Flemish artists such as Jan van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an important role in the history of the Low Countries.

He was married three times, and had three sons, only one of whom reached adulthood. He had 24 documented mistresses and fathered at least 18 illegitimate children.

Early life

Philip of Valois-Burgundy was born on 31 July 1396 in Dijon, France as the fourth child and first son of John, Count of Nevers (later Duke of Burgundy known as "John the Fearless"; 1371–1419) and his wife and consort, born Margaret of Bavaria (1363–1424). [1] He was a great-grandson of John II, King of France (1319–1364), and a first cousin once removed of the then-ruling king, Charles VI (1368–1422). His father succeeded Philip's grandfather, Philip II ("Philip the Bold", 1342–1404) as Duke of Burgundy in 1404. [2] On 28 January 1405, at the age of 8, Philip was created Count of Charolais as an appanage and was probably engaged to his second cousin, 9-year-old Michelle of France (1395–1422), daughter of King Charles VI on the same day. They were married in June 1409. [3]

Early rule and alliance with England

In 1419, at the age of 24, Philip became duke of Burgundy and count of Flanders, Artois and Franche-Comté upon the assassination of John the Fearless, his father. [4] Philip accused Charles, the Dauphin of France and Philip's brother-in-law, of planning the murder, which took place during a meeting between John and Charles at Montereau. Because of this, he continued to prosecute the Armagnac–Burgundian Civil War, which in turn became entangled in the larger Hundred Years' War. In 1420, Philip allied himself with Henry V of England under the Treaty of Troyes. In 1423, the marriage of Philip's sister Anne to John, Duke of Bedford, regent for Henry VI of England, strengthened the English alliance.[ citation needed ]

On 23 May 1430, Philip's troops under the Count of Ligny captured Joan of Arc at Compiègne, [5] and later sold her to the English, [6] who orchestrated a heresy trial against her conducted by pro-Burgundian clerics, after which she was burnt at the stake. Despite this action against Joan of Arc, Philip's alliance with England was broken in 1435 when he signed the Treaty of Arras, which completely revoked the Treaty of Troyes and recognised Charles VII as king of France. Philip signed the treaty for a variety of reasons, one of which may have been a desire to be recognised as the preeminent duke in France.

This action would prove a poor decision in the long term; Charles VII and his successors saw the Burgundian State as a serious impediment to the expansion of royal authority in France, and for this reason they would permanently try to undermine Burgundy, so as to subordinate it to French sovereignty. [7] Philip's defection to the French would prove not only catastrophic to the dual monarchy of England and France, but to his own domains as well, subordinating them to a powerful centralised Valois monarchy.

He then attacked Calais, a strategic possession of the English, but the alliance with Charles was broken in 1439. Philip supported the revolt of the French nobles the following year (an event known as the Praguerie) and offered shelter to the Dauphin Louis, who had rebelled against his father Charles VII.[ citation needed ]

Geographic expansion

Philip was generally preoccupied with matters in his own territories and was seldom involved directly in the Hundred Years' War between England and France, although he did play a role during a number of periods, such as the campaign against Compiègne during which his troops captured Joan of Arc. In 1429, he incorporated Namur into Burgundian territory (by purchase, from John III, Marquis of Namur) and Hainault and Holland, Friesland and Zeeland in 1432 with the defeat of Jacqueline, Countess of Hainault, in the last episode of the Hook and Cod wars. He inherited the Duchies of Brabant and Limburg and the Margraviate of Antwerp in 1430 on the death of his cousin Philip of Saint-Pol and purchased Luxembourg in 1443 from Elisabeth of Bohemia, Duchess of Luxembourg.

In 1456, Philip also managed to ensure his illegitimate son David was elected Bishop of Utrecht and his nephew Louis de Bourbon elected Prince-Bishop of Liège. It is not surprising that in 1435 Philip began to style himself the "Grand Duke of the West".

In 1463, Philip gave up some of his territory to Louis XI of France. That year he also created an Estates-General for the Netherlands based on the French model. The first meeting of the Estates-General was to obtain a loan for a war against France and to ensure support for the succession of his son Charles I to his now vast dominions.

In 1465 and 1467, Philip crushed two rebellions in Liège before dying a few weeks later in Bruges after the latter insurrection.

Court life and patron of the arts

Rogier van der Weyden miniature 1447-48. Philip dresses his best, in an extravagant chaperon, to be presented with a History of Hainault by the author, Jean Wauquelin, flanked by his son Charles and his chancellor Nicolas Rolin. Rogier van der Weyden - Presentation Miniature, Chroniques de Hainaut KBR 9242.jpg
Rogier van der Weyden miniature 1447–48. Philip dresses his best, in an extravagant chaperon, to be presented with a History of Hainault by the author, Jean Wauquelin, flanked by his son Charles and his chancellor Nicolas Rolin.

Philip's court can only be described as extravagant. Despite the flourishing bourgeois culture of Burgundy, with which the ducal court kept in close touch, he and the aristocrats who formed most of his inner circle retained a world-view dominated by the ideas and traditions of chivalry. He declined membership in the Order of the Garter in 1422, which would have been considered an act of treason against the king of France, his feudal overlord. Instead, he created his own Order of the Golden Fleece, based on the Knights of the Round Table and the myth of Jason, in 1430. In time his order would become the most prestigious and historic of all knightly orders of chivalry in all of Europe.

Philip had no fixed capital (seat of government) and moved the court between various palaces, the main urban ones being in Brussels, Bruges, and Lille. He held grand feasts and other festivities, and the knights of his Order frequently travelled throughout his territory to participate in tournaments. In 1454, Philip planned a crusade against the Ottoman Empire, launching it at the Feast of the Pheasant, but this plan never materialized. In a period from 1444 to 1446, he is estimated to have spent a sum equivalent to 2% of Burgundy's main income in the recette génerale, with a single Italian supplier of silk and cloth of gold, Giovanni di Arrigo Arnolfini. [8]

Portrait of Isabella of Portugal from the workshop of Rogier van der Weyden, c. 1445-1450 Rogier van der Weyden (workshop of) - Portrait of Isabella of Portugal.jpg
Portrait of Isabella of Portugal from the workshop of Rogier van der Weyden, c. 1445–1450

Philip's court was regarded as the most splendid in Europe by his contemporaries, and it became the accepted leader of taste and fashion, which probably helped the Burgundian economy considerably, as Burgundian (usually Flemish) luxury products became sought by the elites across Europe. During his reign, for example, the richest English commissioners of illuminated manuscripts moved away from English and Parisian products to those of the Netherlands, as did other foreign buyers. Philip himself is estimated to have added six hundred manuscripts to the ducal collection, making him by a considerable margin the most important literary patron of the period. [9] Jean Miélot, one of his secretaries, translated into French such works as Giovanni Boccaccio's Genealogia Deorum Gentilium which is good example of the sophistication of Philip's court.

Philip was also a considerable patron of other arts, aside from literature. He commissioned many tapestries (which he tended to prefer over oil paintings), pieces from goldsmiths, jewellery, and other works of art, including numerous mechanical automata and fountains at the Chauteau of Hesdin. [10] It was also during his reign that the Burgundian chapel became the musical centre of Europe, with the activity of the Burgundian School of composers and singers. Esteemed composers such as Gilles Binchois, Robert Morton, and later Guillaume Dufay were all part of Philip's court chapel.

In 1428, van Eyck travelled to Portugal to paint a portrait of the daughter of King John I, the Infanta Isabella, personally for Philip in advance of their marriage. With help from more experienced Portuguese shipbuilders, Philip established a shipyard in Bruges, which helped commerce flourish.

Rogier van der Weyden painted his portrait twice on panel, of which only copies survive, wearing the collar of the Order of the Golden Fleece. The only original van der Weyden of Philip to survive is a superb miniature from a manuscript (above right). [9] The painter Hugo van der Goes of the Early Netherlandish school is credited with creating paintings for the church where Philip's funeral was held.

Family and issue

Marriages and legitimate children

Philip married his second cousin Michelle of France (1395–1422) in June 1409, when he was 13 and she was 15. She was a daughter of Charles VI, King of France (1368–1422) and his wife and consort, Isabeau of Bavaria (circa 1370–1435). They had one daughter, Agnes, who died in infancy, and Michelle died on 8 July 1422. On 30 November 1424 in Moulins-Engelbert, Philip married the widow of his late paternal uncle, Philip II, Count of Nevers (1389–1415), Bonne of Artois (1396 – 17 September 1425). She was the daughter of Philip of Artois, Count of Eu (1358–1397) and his wife, Marie of Berry, suo jure Duchess of Auvergne (circa 1375–1434). Bonne died within a year of the wedding, and the couple had no children. [3]

On 7 January 1430 in Bruges, Philip married his third wife, Infanta Isabella of Portugal (21 February 1397 – 17 December 1471), daughter of John I, King of Portugal (1357–1433) and his wife, Philippa of Lancaster (1360–1415) after a proxy marriage the year before. This marriage produced three sons, only one of whom reached adulthood: [11]

Mistresses and illegitimate children

Philip had 24 documented mistresses and fathered at least 18 illegitimate children.

Ancestry

Honours

Refused honours

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References

  1. Vaughan 2005, p. 2.
  2. Vaughan 2005, pp. 4, 6.
  3. 1 2 Vaughan 2004, p. 8.
  4. Vaughan 2004, p. 1.
  5. Vale 1974, p. 58.
  6. Gillespie 2017, p. 15.
  7. Vaughan 2004, pp. 125–126.
  8. Campbell 1998.
  9. 1 2 Kren & McKendrick 2003, p. 68.
  10. Truitt (21 November 2016). Medieval Robots. Mechanism, Magic, Nature, and Art. University of Pennsylvania Press. p. 131. ISBN   9780812223576.
  11. Vaughan 2004, p. 132.
  12. Blockmans & Prevenier 1999, p. 73.
  13. Vaughan 2004, p. 196.
  14. Vaughan 2004, p. 321.
  15. 1 2 Vaughan 2004, p. 134.
  16. Vaughan 2004, p. 227.
  17. Putnam 1908, pp. 69–71.
  18. 1 2 3 Vaughan 2004, p. 135.
  19. Defoort, Hendrik (2002). "Abbot Raphael de Mercatellis". Mmmonk (Medieval Monastic Manuscripts – Open – Network – Knowledge). Bruges Public Library, Ghent University Library, Major Seminary Ten Duinen in Bruges and Ghent Diocese. Retrieved 19 December 2022.
  20. Damen & Brown-Grant 2022, p. 265.
  21. de Sousa, Antonio Caetano (1735). Historia genealogica da casa real portugueza (in Portuguese). Lisbon: Lisboa Occidental. p. 147.

Sources


Further reading

Philip the Good
Cadet branch of the House of Valois
Born: 31 July 1396 Died: 15 June 1467
Regnal titles
Preceded by Duke of Burgundy
Count of Artois and Flanders
Count Palatine of Burgundy

1419–1467
Succeeded by
Count of Charolais
1405–1433
Preceded by Margrave of Namur
1429–1467
Preceded by Duke of Brabant, Limburg and Lothier
1430–1467
Preceded by Count of Hainaut, Holland and Zeeland
1432–1467
Preceded by Duke of Luxemburg
1443–1467