The Pinacoteca e Museo Civico di Volterra (Picture Gallery and Civic Museum of Volterra) is located in the Palazzo Minucci-Solaini on via de' Sarti #1 in the town of Volterra, province of Pisa, region of Tuscany, Italy.
The Pinacoteca e Museo Civico di Volterra (Picture Gallery and Civic Museum of Volterra) is located in the Palazzo Minucci-Solaini on via de' Sarti #1 in the town of Volterra, province of Pisa, region of Tuscany, Italy.
The core of the collection was assembled in the second half of the 19th-century by the local superintendent of art and art historian, Corrado Ricci. He assembled local works, many from suppressed churches and monasteries, for public display. Initially the collection was displayed in the Palazzo dei Priori, with an inauguration of the displays in 1905. The Gallery was closed during the second world war until 1948.
In 1981, a display of works at the Palazzo Minucci-Solaini, induced the authorities to create a new museum at this site, inaugurated in 1982. This palazzo was built in late-1400s, with the design traditionally attributed to Antonio da San Gallo il Vecchio.
Among the works in the museum
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Duccio di Buoninsegna, commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
Luca Signorelli was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works.
Taddeo di Bartolo, also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. His biography appears in the Vite of Giorgio Vasari, who claims that Taddeo was the uncle of Domenico di Bartolo.
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, built in the 15th century, was until recently thought to have a 19th-century neo-medieval façade based on the city's Palazzo Pubblico; however, restoration in 2022 revealed that it is mostly original.
The Portrait of a Man is a painting by the Italian Renaissance artist Luca Signorelli, dated to c. 1492 and housed in the Gemäldegalerie, Berlin.
The Virgin Enthroned with Saints is a painting by the Italian Renaissance artist Luca Signorelli, dated to 1491 and housed in the Pinacoteca Comunale of Volterra, central Italy.
The Palazzo Pretorio is a historical building in Prato, Tuscany, Italy. It was the old city hall, standing in front of the current Palazzo Comunale. It now accommodates the Civic Museum of Prato, which was reopened in September 2013.
The Pinacoteca Comunale ofCittà di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form.
Jacopo di Michele, also called Jacopo Gera, Iacopo di Michele, or Gera da Pisa is a 14th-century painter, active mainly in Pisa and elsewhere in Tuscany, in a Gothic style. His activity is documented from 1361 to 1395. He is the brother of Getto di Jacopo
Antonio da Faenza was an Italian painter and architect active in Emilia-Romagna and Marche, active in a Renaissance style. The documentation on Antonio da Faenza is confused because, different authors have referred to him by various names including:
The Museo Civico di Montepulciano, also known as the Museo Civico Pinacoteca Crociani, is the town or comune art gallery and museum. It is housed in the medieval Palazzo Neri Orselli, a 14th-century structure located on Via Ricci #10, corner with Via Talosa, in the center of the town of Montepulciano, in the Province of Siena, region of Tuscany, Italy. The museum was founded in 1954.
Annunciation is a 1491 tempera on panel painting by Luca Signorelli, signed by the artist. It is now in the Pinacoteca e museo civico in Volterra.
Christ in Glory with Four Saints and a Donor is a c.1492 tempera on panel painting by Domenico Ghirlandaio and his studio.