Lachit Borphukan was an Ahom Borphukan, primarily known for commanding the Ahom Army and the victory in the Battle of Saraighat (1671) that thwarted an invasion by the vastly superior Mughal Forces under the command of Ramsingh I. He died about a year later in April 1672.
Bhupen Hazarika was an Indian playback singer, lyricist, musician, poet, actor, artist, editor, filmmaker, professor and politician from Assam, widely known as Sudha Kontho. His songs were written and sung mainly in the Assamese language by himself, are marked by humanity and universal brotherhood and have been translated and sung in many languages, most notably in Bengali and Hindi.
There were three Burmese invasions of Assam between 1817 and 1826, during which time the Kingdom of Assam came under the control of Burma from 1821 to 1825. Locally, this period, called the manor din by the people of Assam, and is remembered with horror. The sharp drop in population due both to depredations as well emigrations left the erstwhile kingdom in shambles. It was the climactic period of the Ahom kingdom. The British, who were earlier reluctant to colonise Assam, came into direct contact with a belligerent Burmese occupying force. Following the First Anglo-Burmese War they annexed Assam and took Manipur as a subsidiary state.
Assamese cinema, is an Indian film industry of Assamese-language. It is based in Assam, India. The industry was born in 1935 when Jyoti Prasad Agarwala released his movie Joymoti. Since then the Assamese cinema has developed a slow-paced, sensitive style. In beginning the industry were called Jollywood, named for Agarwala's Jyoti Chitraban Film Studio.
Jayanta Hazarika was an Indian singer and composer associated with Assamese music. He wrote lyrics for a few songs and composed music for several movies. He was the younger brother of Bhupen Hazarika.
Phani Sarma (1910–1970) was an Indian theatre actor, playwright, film actor and director. Beginning as a stage actor, he appeared in the first film ever made in Assamese cinema, Joymati, in 1935. Sarma was conferred with the title "Natasurya" for his contribution towards Assamese drama.
Indramalati is a 1939 film directed by the Assamese poet Jyotiprasad Agarwala.
Era Bator Sur is a 1956 Assamese film directed by Bhupen Hazarika and produced by BP Films. The film was choreographed by Priyambada Patel.
Prof Bhabananda Deka was a pioneer Assam economist and author who conducted novel research on the economy of the far eastern part of India. He was also a leading Indian-Assamese litterateur of the famed 'Awahon-Ramdhenu Era' of Assamese literature during the mid-20th century. He was the author of a total of 115 English and Assamese books including textbooks on a range of fifteen subjects including economics, ancient Assamese literature, philosophy, education, religion, mythology, archaeology, tribal study, poetry, drama, memoirs, civics, political science, biographies; he also edited books and journals. He also authored a variety of research papers and articles about the state of Assam, a state in the north-eastern part of India. He pioneered the writing of books on Economics in Assamese. His Assamese book Axomor Arthaneeti was the first ever research-based comprehensive book on Assam Economics, which was published for the first time in 1963. He was conferred with the honorary title of 'Asom Ratna' -- 'Jewel of Assam' by the intellectuals of Assam on 19 August 2007 at a public meet held under the presidency of Prof. (Dr) Satyendra Narayan Goswami.
Sudingphaa also, Chandrakanta Singha, was a Tungkhungia king of the Ahom dynasty, who ruled at the climactic of the Ahom kingdom. His reign witnessed the invasion of Burmese on Assam and its subsequent occupation by British East India Company. He was installed as King twice. His first reign ended when Ruchinath Burhagohain deposed him and installed Purandar Singha in his stead. His second reign ended with his defeat at the hands of the invading Burmese army. He continued his militant efforts to regain his kingdom as well as to keep Purandar Singha at bay. Finally he submitted himself to Burmese who induced him to believe that they will make him king. Instead he was seized and placed in confinement at Rangpur. After the defeat of Burmese in the First Anglo-Burmese War and subsequent peace Treaty of Yandabo on 24 February 1826 CE, Assam passed into the hand of British. Most of the members of Ahom Royal family were granted pensions. Chandrakanta Singha received a pension of 500 rupees. He first lived in Kaliabor and later on at Guwahati. He visited Calcutta in order to request the restoration of his kingdom but in vain. He died in 1839 CE soon after his return to Guwahati.
Literature from North East India (Assamese: উত্তৰ-পূৱ ভাৰতৰ সাহিত্য is literature in the languages of North East India and the body of work by English-language writers from this region. North East India is an under-represented region in many ways. The troubled political climate, the beautiful landscape and the confluence of various ethnic groups perhaps have given rise to a body of writing that is completely different from Indian English literature. North-East India was a colonial construct and continues to be one by virtue of having a historically difficult relationship with the Indian nation state.
Nipon Goswami was an Indian actor and theatre artist associated with Assamese-language films. He was one of the veteran actors of Assamese Film Industry. He started his acting career as a stage actor and later established himself as a film actor. His most notable for his work in the 1969 film Dr. Bezbarua as well as Piyoli Phukan, Tumi Aahibaane and Aparoopa.
Jogeswar Singha was installed as the king of Ahom kingdom in 1821 CE, by the Burmese. He was more or less a puppet in the hands of the Burmese, who held the real power of administration. His reign witnessed Burmese atrocities on the people of Assam and the attempts made by Chandrakanta Singha and Purandar Singha to expel Burmese invaders. Historians dispute regarding the date of his deposition from the throne, as some historians claimed that he was deposed by his Burmese masters, after they secured complete victory over the forces of Chandrakanta Singha in 1822 CE, while some sources claimed that he remained as a puppet ruler till termination of Burmese rule in Assam by British East India Company, in 1825 CE, during First Anglo-Burmese War.
The Prag Cine Awards 2013 ceremony, presented by the Prag Network, honored the actors, technical achievements, and films censored in 2012 from Assam and took place on April 14, 2013, at the GMCH Auditorium in Guwahati, India. Bollywood director Kalpana Lajmi, actors Pooja Bhatt, Adil Hussain were present at the event while veteran Assamese actor Pranjal Saikia and Zerifa Wahid hosted the show.
The most significant and a landmark development in the cultural life of Assam was the establishment of the Baan Stage (old) or Baan theatre, the first modern Assamese theatre hall at Tezpur in 1906. The Baan Stage gave a platform for development of the Socio-Cultural scene of Assam. The great cultural trio Rupkonwar Jyoti Prasad Agarwala, Kalaguru Bishnu Prasad Rabha and Nata Surya Phani Sarma blossomed here. Phani Sarma along with Bishnu Rabha directed the most successful Assamese movie Siraj.
Poley Poley Urey Mon is a 2011 Indian Assamese language drama film directed by Timothy Das Hanche, produced by Phukan Konwar, Purnananda Gogoi and Beauty Baruah under the banner Hills Motion Pictures Association of Diphu. The casts of the movie are Nipon Goswami, Moloya Goswami, Barsha Rani Bishaya, Gayatri Mahanta, Ravi Sarma, Rimpi Das, Parineeta Borthakur, Tarun Arora, Mahika Sharma etc. Bollywood actor Raza Murad and former Assam CM Tarun Gogoi also performed a cameo in this movie.
Surjya Kanta Hazarika is an Assamese litterateur, an eminent scholar, author, publisher, playwright, lyricist, composer, cultural activist, feature film and documentary maker, social worker and philanthropist. Hazarika is a recipient of the Padma Shri Award in 2008 for his contribution to Literature & Education. He is the current president of Asam Sahitya Sabha.
Sudakshina Sarma was an Indian Assamese language singer and musician. In a career spanning over seven decades, Sarma recorded songs in a variety of genres across Assamese music spanning both classical and modern including Borgeet, Kamrupi Lokgeet, and Goalpariya Lokogeet. She also popularized Jyoti Sangeet, songs written by Assamese writer and lyricist Jyoti Prasad Agarwala and also Rabindra Sangeet.
