|Bishop of Rome|
|Diocese||Diocese of Rome|
|Papacy began||7 April 1655|
|Papacy ended||22 May 1667|
|Consecration||1 July 1635|
by Miguel Juan Balaguer Camarasa
|Created cardinal||19 February 1652|
by Innocent X
|Birth name||Fabio Chigi|
|Born||13 February 1599|
Siena, Grand Duchy of Tuscany
|Died||22 May 1667 68) (aged|
Rome, Papal States
|Motto||Montium custos ("Mountain guardian")|
|Coat of arms|
|Other popes named Alexander|
Pope Alexander VII (13 February 1599 –22 May 1667), born Fabio Chigi, was head of the Catholic Church and ruler of the Papal States from 7 April 1655 to his death in 1667.
He began his career as a vice-papal legate, and he held various diplomatic positions in the Holy See. He was ordained as a priest in 1634, and he became bishop of Nardo in 1635. He was later transferred in 1652, and he became bishop of Imola. Pope Innocent X made him secretary of state in 1651, and in 1652, he was appointed a cardinal.
Early in his papacy, Alexander, who was seen as an anti-nepotist at the time of his election, lived simply; later, however, he gave jobs to his relatives, who eventually took over his administration.
His administration worked to support the Jesuits. However, his administration's relations with France were strained due to his frictions with French diplomats.
Alexander was interested in architecture and supported various urban projects in Rome. He also wrote poetry and patronized artists who expanded the decoration of churches. His theological writings included discussions of heliocentrism and the Immaculate Conception.
Born in Siena, a member of the illustrious banking family of Chigi and a great-nephew of Pope Paul V (1605–1621),Fabio Chigi was privately tutored and eventually received doctorates of philosophy, law, and theology from the University of Siena.
Fabio's elder brother, Mario, married Berenice, the daughter of Tiberio della Ciala, producing four children, of whom two survived: Agnes and Flavio. Flavio (1631–1693) was created cardinal by his uncle on 9 April 1657. His brother, Augusto Chigi (1595–1651), married Olimpia della Ciaia (1614–1640) and continued the family line as the parents of Agostino Chigi, Prince Farnese. Fabio's sister Onorata Mignanelli married Firmano Bichi; their son Antonio was named Bishop of Montalcino (1652–1656) and then of Osimo (1656–1659), and was named a cardinal (in pectore) by his uncle, Alexander VII, on 9 April 1657. The appointment was made public on 10 November 1659.Another of his nephews was Giovanni Bichi, whom he appointed Admiral of the Papal Navy.
In 1627 he began his apprenticeship as vice-papal legate at Ferrara, and on recommendations from two cardinals he was appointed Inquisitor of Malta.
Chigi was ordained a priest in December 1634. He was appointed Referendarius utriusque signaturae, which made him a prelate and gave him the right to practice before the Roman courts. On 8 January 1635, Chigi was named Bishop of Nardò in southern Italy and consecrated on 1 July 1635by Miguel Juan Balaguer Camarasa, Bishop of Malta. On 13 May 1652 he was transferred to the Bishopric of Imola.
Bishop Chigi was named nuncio in Cologne (1639–1651) on 11 June 1639. There, he supported Urban VIII's condemnation of the heretical book Augustinus by Cornelius Jansen, Bishop of Ypres, in the papal Bull In eminenti of 1642.
Though expected to take part in the negotiations which led in 1648 to the Peace of Westphalia, Bishop Chigi (and other Catholic delegates) declined to deliberate with persons whom the Catholic Church considered heretics. Negotiations therefore took place in two cities, Osnabrück and Münster in Westphalia, with intermediaries travelling back and forth between the Protestant and the Catholic delegates. Chigi, of course, protested on behalf of the Papacy, when the treaties were finally completed, against the Treaty of Westphalia once the instruments were finally completed.Pope Innocent himself stated that the Peace "is null, void, invalid, unjust, damnable, reprobate, inane, empty of meaning and effect for all time." The Peace ended the Thirty Years' War (1618–1648) and established the balance of European power that lasted until the wars of the French Revolution (1789).
Pope Innocent X (1644–1655) recalled Chigi to Rome. In December 1651 Pope Innocent named Cardinal Chigi Secretary of State.He was created cardinal by Innocent X in the Consistory of 19 February 1652, and on 12 March was granted the title of Cardinal-Priest of Santa Maria del Popolo.
|Papal styles of|
Pope Alexander VII
|Reference style||His Holiness|
|Spoken style||Sanct(issim)e Pater|
|Religious style||Holy Father|
When Innocent X died on 1 January 1655, Cardinal Chigi was elected pope after eighty days in the conclave, on 7 April 1655, taking the name of Alexander VII.
The conclave believed he was strongly opposed to the nepotism that had been a feature of previous popes. In the first year of his reign, Alexander VII lived simply and forbade his relations even to visit Rome, but in the consistory of 24 April 1656 Pope Alexander announced that his brother and nephews would be coming to assist him in Rome. His nephew, Cardinal Flavio Chigi assumed the position of cardinal-nephew. The administration was given largely into the hands of his relatives, [ example needed ] and princely palaces and estates suitable to the Chigi of Siena.[ citation needed ] Cardinal Flavio began work on the Villa Chigi-Versaglia at Formello in 1664.and nepotism became as thoroughly entrenched as it ever had been in the Baroque Papacy: he gave them the best-paid civil and ecclesiastical offices,
A number of pontifs are renowned for their urban planning in the city of Rome—for example, Pope Julius II and Pope Sixtus V—but Alexander VII's numerous urban interventions were not only diverse in scope and scale but demonstrated a consistent planning and architectural vision that the glorification and embellishment of the city, ancient and modern, sacred and secular, should be governed by order and decorum.
Central to Alexander's urbanism was the idea of teatro or urban theatrewhereby his urban interventions became the grand settings or showpieces appropriate to the dignity of Rome and the Head of the Catholic Church. Therefore, and although the scales are vastly different, the small Santa Maria della Pace and its piazza are as much a teatro as the imposing monumental colonnade that forms Piazza San Pietro in front of St. Peter's Basilica.
The various urban and architectural projects carried out during Alexander's reign were recorded in engravings by Giovanni Battista Falda and the first volume was published in 1665. The volumes were published by Giovanni Giacomo de Rossi under the title Il Nuovo Teatro delle fabriche et edificij in prospettiva di Roma moderna sotto il felice pontificato di N.S. Alessandro VII.A rival publication documenting these projects was published by Rossi's cousin Giovanni Battista de Rossi who employed the young Flemish architectural draughtsman Lieven Cruyl to produce drawings of Rome, 10 of which were published in 1666 under the title Prospectus Locorum Urbis Romae Insignium.
His preferred architect was the sculptor and architect Gianlorenzo Berninibut he also gave architectural commissions to the painter and architect Pietro da Cortona. Of the three leading architects of the Roman High Baroque, only Francesco Borromini fared not so well under Alexander; this may be because he thought Borromini's architectural forms willful but also Borromini could be notoriously difficult. Nonetheless, Alexander's family heraldic emblems of the mons or mountains with stars and oak leaves, adorn Borromini's church of Sant'Ivo alla Sapienza and many other works of his reign.
Alexander took a keen personal interest in his urban and architectural projects and made notes of these in his diaries.His projects in Rome included: the church and piazza at Santa Maria della Pace; the Via del Corso, Piazza Colonna and associated buildings; reworking of the Porta del Popolo, the Piazza del Popolo and Santa Maria del Popolo; Piazza San Pietro, the Scala Regia and interior embellishments in the Vatican Palace and St. Peter's; Sant'Andrea al Quirinale; part of the Palazzo del Quirinale; the arsenal at Civitavecchia, the obelisk and elephant in Piazza della Minerva; and the Palazzo Chigi. The Palazzo Chigi in Rome is not to be confused with the Palazzo Chigi in S. Quirico d'Orcia in Tuscany, or the Palazzo Chigi di Formello.
Before being elected as Pontiff, Chigi served as Inquisitor on the Island of Malta where he resided mostly at the Inquisitor's Palace in Birgu (alias Città Vittoriosa). At that time Malta was a fiefdom of the Knights Hospitallers of the Sovereign Order of Saint John of Jerusalem, Knights of Malta.
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The conversion of Queen Christina of Sweden (1632–1654) occurred during Alexander VII's reign. After her abdication the queen came to reside in Rome, where she was confirmed in her baptism by the Pope, in whom she found a generous friend and benefactor, on Christmas Day, 1655.
In foreign policy his instincts were not as humanist or as successful. Alexander VII's pontificate was shadowed by continual friction with Cardinal Mazarin, adviser to Louis XIV of France (1643–1715), who had opposed him during the negotiations that led to the Peace of Westphalia and who defended the prerogatives of the Gallican Church. During the conclave, he had been hostile to Chigi's election, but was in the end compelled to accept him as a compromise. However, he prevented Louis XIV from sending the usual embassy of obedience to Alexander VII, and, while he lived, he foiled the appointment of a French ambassador to Rome, diplomatic affairs being meantime conducted by cardinal protectors, generally personal enemies of the Pope. In 1662, the equally hostile Duc de Crequi was made ambassador. By his abuse of the traditional right of asylum granted to ambassadorial precincts in Rome, he precipitated a quarrel between France and the papacy, which resulted in Alexander VII's temporary loss of Avignon and his forced acceptance of the humiliating treaty of Pisa in 1664.
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Alexander VII favored the Spanish in their claims against Portugal, which had reestablished its traditional independence in 1640. His pontificate was also marked by protracted controversies with Portugal.
Alexander VII favoured the Jesuits. When the Venetians called for help in Crete against the Ottoman Turks, the Pope extracted in return a promise that the Jesuits should be permitted back in Venetian territory, from which they had been expelled in 1606. He also continued to take the Jesuit part in their conflict with the Jansenists, whose condemnation he had vigorously supported as advisor to Pope Innocent X. The French Jansenists professed that the propositions condemned in 1653 were not in fact to be found in Augustinus, written by Cornelius Jansen. Alexander VII confirmed that they were too, by the bull Ad Sanctam Beati Petri Sedem (16 October 1656) declaring that five propositions extracted by a group of theologians from the Sorbonne out of Jansen's work, mostly concerning grace and the fallen nature of man, were heretical, including the proposition according to which to say "that Christ died, or shed His blood for all men" would be a semipelagian error. He also sent to France his famous "formulary", that was to be signed by all the clergy as a means of detecting and extirpating Jansenism and which inflamed public opinion, leading to Blaise Pascal's defense of Jansenism.
Alexander VII disliked the business of state, preferring literature and philosophy; a collection of his Latin poems appeared at Paris in 1656 under the title Philomathi Labores Juveniles. He also encouraged architecture, and the general improvement of Rome, where houses were razed to straighten and widen streets and where he had the opportunity to be a great patron for Gian Lorenzo Bernini: the decorations of the church of Santa Maria del Popolo, titular churches for several of the Chigi cardinals, the Scala Regia, the Chair of St. Peter in the Vatican Basilica. In particular, he sponsored Bernini's construction of the beautiful colonnade in the piazza of St. Peter's Basilica.
Alexander VII wrote one of the most authoritative documents related to the heliocentrism issue. He published his Index Librorum Prohibitorum Alexandri VII Pontificis Maximi jussu editus which presented anew the contents of the Index of Forbidden Books which had condemned the works of Copernicus and Galileo. According to Rev. William Roberts, he prefaced this with the bull Speculatores Domus Israel (1592), stating his reasons: "in order that the whole history of each case may be known." 'For this purpose,' the Pontiff stated, 'we have caused the Tridentine and Clementine Indices to be added to this general Index, and also all the relevant decrees up to the present time, that have been issued since the Index of our predecessor Clement, that nothing profitable to the faithful interested in such matters might seem omitted."Among those included were the previous decrees placing various heliocentric works on the Index ("...which we will should be considered as though it were inserted in these presents, together with all, and singular, the things contained therein...") and using his Apostolic authority he bound the faithful to its contents ("...and approve with Apostolic authority by the tenor of these presents, and: command and enjoin all persons everywhere to yield this Index a constant and complete obedience...") Thus, Alexander turned definitively against the heliocentric view of the solar system. After Alexander VII's pontificate, the Index underwent a number of revisions. "In 1758 the general prohibition against works advocating heliocentrism was removed from the Index of prohibited books, although the specific ban on uncensored versions of the Dialogue and Copernicus's De Revolutionibus remained. All traces of official opposition to heliocentrism by the church disappeared in 1835 when these works were finally dropped from the Index". The Index was abolished entirely in 1966.
Alexander VII's Apostolic Constitution, Sollicitudo omnium ecclesiarum (8 December 1661),laid out the doctrine of the Immaculate Conception of the Blessed Virgin Mary in terms almost identical to those utilized by Pope Pius IX when he issued his infallible definition Ineffabilis Deus. Pius IX cites Alexander VII's bull in his footnote 11.
Alexander VII died at age 66 from kidney failure. He kept his coffin in his bedroom, and a skull (carved by famed sculptor Bernini) on his writing table, because he was always aware that he would someday die. A seventeenth-century pamphlet credited to Ayres, titled A short Account of the Life and Death of Pope Alexander VII, contains many fascinating details about Alexander's passing. According to this pamphlet, Alexander, although bedridden, wanted to celebrate the Passion to ready himself for his impending death. Neither his surgeon nor his confessor was able to persuade him to save his strength. He blessed the large crowd of people on Easter, the last time they would ever see him alive.
A precise and detailed account of the pope's last days is given in the Diary of the principal Master of Ceremonies, Msgr. Fulvio Servantio, an official eyewitness to all the proceedings.
|A short Account of the Life and Death of Pope Alexander VII|
Alexander VII died in 1667 and was memorialised in a spectacular tomb by Bernini. It is famous for the skeleton holding a gilded hourglass, just above the doors. He was succeeded by Pope Clement IX (1667–69).
The poet John Flowre wrote a poem about the tomb of Pope Alexander (in 1667).
Francesco Borromini, byname of Francesco Castelli, was an Italian architect born in the modern Swiss canton of Ticino who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque architecture.
Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful...." In addition, he was a painter and a man of the theater: he wrote, directed and acted in plays, for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.
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The Congregation for the Evangelization of Peoples is a congregation of the Roman Curia of the Catholic Church in Rome, responsible for missionary work and related activities. It is also known by its former title, the Sacred Congregation for the Propagation of the Faith, or simply the Propaganda Fide.
St. Peter's Square is a large plaza located directly in front of St. Peter's Basilica in the Vatican City, the papal enclave inside Rome, directly west of the neighborhood (rione) of Borgo. Both the square and the basilica are named after Saint Peter, an apostle of Jesus considered by Catholics to be the first Pope.
Palazzo Pamphilj, also spelled Palazzo Pamphili, is a palace facing onto the Piazza Navona in Rome. It was built between 1644 and 1650.
The Palazzo Barberini is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.
Sant'Agnese in Agone is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini.
The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.
Carlo Fontana was an Italian architect originating from today's Canton Ticino, who was in part responsible for the classicizing direction taken by Late Baroque Roman architecture.
Chigi is a Roman princely family of Sienese extraction descended from the counts of Ardenghesca, which possessed castles in the Maremma, southern Tuscany. The earliest authentic mention of them is in the 13th century, with one Alemanno, counsellor of the Republic of Siena.
The Via del Corso is a main street in the historical centre of Rome. It is straight in an area otherwise characterized by narrow meandering alleys and small piazzas. Considered a wide street in ancient times, the Corso is approximately 10 metres wide, and it only has room for two lanes of traffic and two narrow sidewalks. The northern portion of the street is a pedestrian area. The length of the street is roughly 1.5 kilometres.
Antonio Barberini was an Italian Catholic cardinal, Archbishop of Reims, military leader, patron of the arts and a prominent member of the House of Barberini. As one of the cardinal-nephews of Pope Urban VIII and a supporter of France, he played a significant role at a number of the papal conclaves of the 17th century. With his brothers Cardinal Francesco Barberini and Taddeo Barberini he helped to shape politics, religion, art and music of 17th century Italy. He is sometimes referred to as Antonio the Younger or Antonio Barberini iuniore to distinguish him from his uncle Antonio Marcello Barberini.
The Squadrone Volante was a 17th-century group of independent and liberal cardinals within the College of Cardinals of the Roman Catholic Church. It attempted to influence the outcome of a number of papal conclaves.
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The 1667 papal conclave was convened on the death of Pope Alexander VII and ended with the election of Giulio Rospigliosi as Pope Clement IX. The conclave was dominated by factions loyal to the cardinal nephews of Alexander VII and Urban VIII. It saw the continued existence of the Squadrone Volante, or Flying Squadron, that had emerged in the 1655 conclave. The conclave also saw Spain and France, the two largest Catholic powers at the time, both support Rospigliosi's election as pope. Ultimately, Rospigliosi's election was achieved when the French ambassador bribed Flavio Chigi, Alexander's nephew, to support Rospigliosi. Following the conclave all the parties believed they had elected the pope that they had wanted.
The Palazzo di Propaganda Fide is a palace located in Rome, designed by Gian Lorenzo Bernini, then Francesco Borromini. Since 1626, it has housed the Congregation for the Evangelization of Peoples and since 1929 is an extraterritorial property of the Holy See.
Flavio Chigi was an Italian Catholic Cardinal and Duke of Ariccia. He was Cardinal-Nephew to Pope Alexander VII and became a powerful political force inside the Roman Catholic Church during the latter half of the 17th century.
Elephant and Obelisk is a statue of an elephant carrying an obelisk, designed by the Italian artist Gian Lorenzo Bernini. It was unveiled in 1667 in the Piazza della Minerva in Rome, adjacent to the church of Santa Maria sopra Minerva, where it stands today.
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|Catholic Church titles|
Girolamo de Franchis
| Bishop of Nardò |
Calanio della Ciaja
| Apostolic Nuncio to Germany |
Giovanni Giacomo Panciroli
| Cardinal Secretary of State |
| Cardinal-Priest of Santa Maria del Popolo |
Giangiacomo Teodoro Trivulzio
Marco Antonio Coccini
| Archbishop of Imola |
Giovanni Stefano Donghi
| Pope |
7 April 1655 – 22 May 1667