|Bishop of Rome|
|Papacy began||13 October 1534|
|Papacy ended||10 November 1549|
|Ordination||26 June 1519|
|Consecration||2 July 1519|
by Leo X
|Created cardinal||20 September 1493 |
by Alexander VI
|Birth name||Alessandro Farnese|
|Born||29 February 1468|
Canino, Lazio, Papal States
|Died||10 November 1549 81) (aged|
Rome, Papal States
|Buried||St. Peter's Basilica|
|Partner||Silvia Ruffini (mistress)|
|Children|| Pier Luigi II Farnese |
|Coat of arms|
|Other popes named Paul|
|Papal styles of|
Pope Paul III
|Reference style||His Holiness|
|Spoken style||Your Holiness|
|Religious style||Holy Father|
Pope Paul III (Latin : Paulus III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in 1549.
He came to the papal throne in an era following the sack of Rome in 1527 and rife with uncertainties in the Catholic Church following the Protestant Reformation. His pontificate initiated the Counter-Reformation with the Council of Trent in 1545, as well as the Wars of religion with Emperor Charles V's military campaigns against the Protestants in Germany. He recognized new Catholic religious orders and societies such as the Jesuits, the Barnabites, and the Congregation of the Oratory. His efforts were distracted by nepotism to advance the power and fortunes of his family, including his illegitimate son Pier Luigi Farnese.
Paul III was a significant patron of artists including Michelangelo, and it is to him that Nicolaus Copernicus dedicated his heliocentric treatise.
Born in 1468 at Canino, Latium (then part of the Papal States), Alessandro Farnese was the oldest son of Pier Luigi I Farnese, Signore di Montalto (1435–1487) and his wife Giovanna Caetani,a member of the Caetani family which had also produced Pope Boniface VIII. The Farnese family had prospered over the centuries but it was Alessandro's ascendency to the papacy and his dedication to family interests which brought about the most significant increase in the family's wealth and power.
Alessandro was given a humanist education at the University of Pisa and the court of Lorenzo de' Medici.Initially trained as an apostolic notary, he joined the Roman Curia in 1491 and in 1493 Pope Alexander VI appointed him Cardinal-Deacon of Santi Cosma e Damiano . Farnese's sister, Giulia, was reputedly a mistress of Alexander VI, and might have been instrumental in securing this appointment for her brother. For this reason, he was sometimes mockingly referred to as the "Borgia brother-in-law," just as Giulia was mocked as "the Bride of Christ."
As a young cleric, Alessandro lived a notably dissolute life, taking a mistress, Silvia Ruffini, and having three sons and two daughters with her, including Pier Luigi II Farnese, whom he created Duke of Parma, as well as Ranuccio Farnese and Costanza Farnese.Another epithet leveled at him was "Cardinal Fregnese" (translated as Cardinal Cunt).
As Bishop of Parma, he came under the influence of his vicar-general, Bartolomeo Guidiccioni. This led to the future pope breaking off the relationship with his mistress and committing himself to reform in his Parma diocese.Under Pope Clement VII (1523–34) he became Cardinal Bishop of Ostia and Dean of the College of Cardinals, and on the death of Clement VII in 1534, was elected as Pope Paul III.
The elevation to the cardinalate of his grandsons, Alessandro Farnese, aged fourteen, and Guido Ascanio Sforza, aged sixteen, displeased the reform party and drew a protest from the emperor, but this was forgiven when, shortly after, he introduced into the Sacred College Reginald Pole, Gasparo Contarini, Jacopo Sadoleto, and Giovanni Pietro Caraffa,who became Pope Paul IV.
The fourth pope during the period of the Protestant Reformation, Paul III became the first to take active reform measures in response to Protestantism.Soon after his elevation, 2 June 1536, Paul III summoned a general council to meet at Mantua in the following May; but the opposition of the Protestant princes and the refusal of the Duke of Mantua to assume the responsibility of maintaining order frustrated the project. Paul III first deferred for a year and then discarded the whole project.
In 1536, Paul III invited a committee of nine eminent prelates, distinguished by learning and piety alike, to report on the reformation and rebuilding of the Church. In 1537 they produced the celebrated Consilium de emendenda ecclesia ,exposing gross abuses in the Roman Curia, the church administration, and public worship; and proffering bold proposals aimed at abolishing such abuses. The report was widely printed, and the Pope was in earnest when he took up the problem of reform. He clearly perceived that Emperor Charles V would not rest until the problems were grappled with in earnest.
But to the Protestants the report seemed far from thorough; Martin Luther had his edition (1538) prefaced with a vignette showing the cardinals cleaning the Augean stable of the Roman Church with foxtails instead of brooms. In the end, no results followed from the committee's recommendations.
As a consequence of the extensive campaign against "idolatry" in England, culminating with the dismantling of the shrine of St. Thomas Becket at Canterbury, the Pope excommunicated Henry VIII on 17 December 1538 and issued an interdict.
In 1534 a decision by Paul III favoured the activity of merchants of all nationalities and religions from the Levant and allowed them to settle with their families in Ancona, which had become part of the Papal States under his predecessor Clement VII - a decision which helped make Ancona a prosperous trading city for centuries to come. A Venetian travelling through Ancona in 1535 recorded that the city was "full of merchants from every nation and mostly Greeks and Turks." In the second half of the 16th century, the presence of Greek and other merchants from the Ottoman Empire declined after a series of restrictive measures taken by the Italian authorities and the pope.
Around this time, family complications arose. In order to vest his grandson Ottavio Farnese with the dukedom of Camerino, Paul forcibly wrested the same from the duke of Urbino (1540). He also incurred virtual war with his own subjects and vassals by the imposition of burdensome taxes. Perugia, renouncing its obedience, was besieged by Paul's son, Pier Luigi, and forfeited its freedom entirely on its surrender. The burghers of Colonna were duly vanquished, and Ascanio was banished (1541). After this the time seemed ripe for annihilating heresy.
In 1540, the Church officially recognized the new society forming about Ignatius of Loyola, which became the Society of Jesus.In 1542, a second stage in the process of Counter-Reformation was marked by the institution, or reorganization, of the Congregation of the Holy Office of the Inquisition.
On another side, the Emperor was insisting that Rome should forward his designs towards a peaceable recovery of the German Protestants. Accordingly, the Pope despatched Giovanni Morone (not yet a cardinal) as nuncio to Hagenau and Worms in 1540; and in 1541 Cardinal Gasparo Contarini took part in the adjustment proceedings at the Conference of Regensburg. It was Contarini who proposed the famous formula "by faith alone are we justified," which did not, however, supersede the Roman Catholic doctrine of good works. At Rome, this definition was rejected in the consistory of 27 May, and Luther declared that he could accept it only provided the opposers would admit that this formula constituted a change of doctrine.
Yet, even after the Regensburg Conference had proved fruitless, the Emperor insisted on a still larger council, with the final result being the Council of Trent, which was finally convoked on 15 March 1545, under the bull Laetare Hierusalem.
Meanwhile, after the peace of Crespy (September 1544), Emperor Charles V (1519–56) began to put down Protestantism by force. Pending the Diet of Worms in 1545, the Emperor concluded a covenant of joint action with the papal legate Cardinal Alessandro Farnese, with Paul III agreeing to aid in the projected war against the German Protestant princes and estates. This prompt acquiescence was probably grounded on personal motives: since the Emperor was preoccupied in Germany, the moment now seemed opportune for the Pope to acquire for his son Pier Luigi the duchies of Parma and Piacenza. Although these belonged to the Papal States, Paul III planned to overcome the reluctance of the cardinals by exchanging these papal duchies for the less valuable domains of Camerino and Nepi. The Emperor agreed, welcoming the prospect of 12,000 infantry, 500 cavalry, and considerable funds from the Pope.
In Germany the campaign began in the west, where Archbishop of Cologne Hermann of Wied had converted to Protestantism in 1542. Emperor Charles began open warfare against the Protestant princes, estates, and cities allied in the Schmalkaldic League (see Philip of Hesse). Hermann was excommunicated on 16 April 1546, and was compelled by the Emperor to abdicate in February 1547. By the close of 1546, Charles V had subjugated South Germany. The victory at the Battle of Mühlberg, on 24 April 1547, established his imperial sovereignty everywhere in Germany, and the two leaders of the League were captured. The Emperor declared the Augsburg Interim as a magnanimous compromise with the defeated schismatics.
Although the Emperor had subdued the German Protestant armies, he had failed to support the Pope's territorial ambitions for his son Pier Luigi, and relations between them cooled. The situation came to a total rupture when the imperial vice-regent, Ferrante Gonzaga, forcibly expelled Pier Luigi.
In 1547 the Pope's son was assassinated at Piacenza, and Paul III placed some of the blame on the emperor. In the same year, however, and after the death of Francis I of France (1515–47) deprived the Pope of a potential ally, the stress of circumstances compelled him to accept the ecclesiastical measures in the Emperor's Interim.
With reference to the assassinated prince's inheritance, the restitution of which Paul III demanded ostensibly in the name of the Church, the Pope's design was thwarted by the Emperor, who refused to surrender Piacenza, and by Pier Luigi's heir in Parma, Ottavio Farnese.
In consequence of a violent altercation on this account with Cardinal Farnese, Paul III, at the age of eighty-one years, became so overwrought that an attack of sickness ensued from which he died, 10 November 1549.
Paul III proved unable to suppress the Protestant Reformation, although it was during his pontificate that the foundation was laid for the Counter-Reformation. He decreed the second and final excommunication of Henry VIII of England in December 1538. His efforts in Parma led to the War of Parma two years after his death.
In May–June 1537 Paul issued the bull Sublimis Deus (also known as Unigenitus and Veritas ipsa), described by Prein (2008) as the "Magna Carta" for the human rights of the indigenous peoples of the Americas in its declaration that "the Indians were human beings and they were not to be robbed of their freedom or possessions". The subsequent implementing document Pastorale officium declared automatic excommunication for anyone who failed to abide by the new ruling.
However, it met with strong opposition from the Council of The West Indies and the Crown, which declared that it violated their patronato rights, and the Pope annulled the orders the following year with the document Non Indecens Videtur.Stogre (1992) notes that Sublimis Deus is not present in Denzinger, the authoritative compendium of official Catholic teachings, and Davis (1988) asserts it was annulled due to a dispute with the Spanish crown. However, the original bull continued to circulate and be quoted by las Casas and others who supported Indian rights.
According to Falkowski (2002) Sublimis Deus had the effect of revoking the bull of Alexander VI, Inter caetera , but still leaving the colonizers the duty of converting the native people.Father Gustavo Gutierrez describes it as "the most important papal document relating to the condition of native Indians and that it was addressed to all Christians". Maxwell (1975) notes that the bull did not change the traditional teaching that the enslavement of Indians was permissible if they were considered "enemies of Christendom", as this would be considered by the Church as a "just war". He further argues that the Indian nations had every right to self-defence. Stark (2003) describes the bull as "magnificent" and believes that it was long forgotten due to the neglect of Protestant historians. Falola notes that the bull related to the native populations of the New World and did not condemn the transatlantic slave trade stimulated by the Spanish monarchy and the Holy Roman Emperor.
In 1545, Paul repealed an ancient law that allowed slaves to claim their freedom under the Emperor's statue on Rome's Capitoline Hill, in view of the number of homeless people and tramps in the city.The decree included those who had become Christians after their enslavement and those born to Christian slaves. The right of inhabitants of Rome to publicly buy and sell slaves of both sexes was affirmed. Stogre (1992) asserts that the lifting of restrictions was due to a shortage of slaves in Rome. In 1548, Paul authorized the purchase and possession of Muslim slaves in the Papal states.
Also in 1537, Paul issued the bull, Altitudo divini consilii. The bull discusses evangelization and conversion, including the proper way to apply the sacraments, in particular baptism. This was especially important in the early days of colonial rule, when hundreds and sometimes thousands of indigenous people were baptized every day. One interesting aspect of this bull is its discussion of how to deal with local practices, for example, polygamy. After their conversion, polygamous men had to marry their first wife, but if they could not remember which wife was the first, they then "could choose among the wives the one they preferred."
Arguably the most significant artistic work produced during Paul's reign was the Last Judgement by Michelangelo in the Sistine Chapel of the Vatican Palace. Although the work was commissioned by Paul III's predecessor, Pope Clement VII, following the latter's death in 1534 Paul renewed the commission and oversaw its completion in 1541.
As a cardinal, Alessandro had begun construction of the Palazzo Farnese in central Rome, and its planned size and magnificence increased upon his election to the papacy. The palace was initially designed by the architect Antonio da Sangallo the Younger, received further architectural refinement from Michelangelo, and was completed by Giacomo della Porta. Like other Farnese family buildings, the imposing palace proclaims the family's power and wealth, similarly to Alessandro's Villa Farnese at Caprarola. In 1546, after the death of Sangallo, Paul appointed the elderly Michelangelo to take supervision of the building of St. Peter's Basilica. Paul also commissioned Michelangelo to paint the 'Crucifixion of St. Peter' and the 'Conversion of St. Paul' (1542–50), his last frescoes, in the Pauline Chapel of the Vatican.
Paul III's artistic and architectural commissions were numerous and varied. The Venetian artist Titian painted a portrait of the Pope in 1543, and in 1546 the well-known portrait of Paul III with his grandsons Cardinal Alessandro Farnese and Ottavio Farnese, Duke of Parma. Both are now in the Capodimonte Museum, Naples. The military fortifications in Rome and the Papal States were strengthened during his reign.He had Michelangelo relocate the ancient bronze of the Emperor Marcus Aurelius to the Capitoline Hill, where it became the centerpiece to the Piazza del Campidoglio.
Paul III's bronze tomb, executed by Guglielmo della Porta, is in St. Peter's.
Stendhal's novel La Chartreuse de Parme was inspired by an inauthentic Italian account of the dissolute youth of Alessandro Farnese.
The character of Pope Paul III, played by Peter O'Toole in the Showtime series The Tudors , is loosely inspired by him. The young Alessandro Farnese is played by Diarmuid Noyes in the StudioCanal serial Borgia , and Cyron Melville in Showtime's The Borgias . His image is portrayed in a parody of the Sgt Pepper's Lonely Hearts Club Band Album cover, placed inside of the Frank Zappa Mothers of Invention We're Only In It For the Money album.
Pope Clement VII, born Giulio de' Medici, was head of the Catholic Church and ruler of the Papal States from 19 November 1523 to his death on 25 September 1534. “The most unfortunate of the popes,” Clement VII's reign was marked by a rapid succession of political, military, and religious struggles—many long in the making—which had far-reaching consequences for Christianity and world politics.
Pope Julius III, born Giovanni Maria Ciocchi del Monte, was head of the Catholic Church and ruler of the Papal States from 7 February 1550 to his death in 1555.
Pope Paul IV, C.R., born Gian Pietro Carafa, was head of the Catholic Church and ruler of the Papal States from 23 May 1555 to his death in 1559. While serving as papal nuncio in Spain, he developed an anti-Spanish outlook that later coloured his papacy. A part of the Papal States was invaded by Spain during his papacy and in response to this, he called for a French military intervention. To avoid a conflict at the same time of the Italian War of 1551–1559, the Papacy and Spain reached a compromise with the Treaty of Cave: French and Spanish forces left the Papal States and the Pope adopted a neutral stance between France and Spain.
Ottavio Farnese reigned as Duke of Parma and Piacenza from 1547 until his death and Duke of Castro from 1545 to 1547 and from 1553 until his death.
Pier Luigi Farnese was the first Duke of Castro from 1537 to 1545 and the first Duke of Parma and Piacenza from 1545 to 1547.
Ranuccio Farnese was an Italian prelate, who was Cardinal of Santa Lucia in Selci from 1545 to his death in 1565.
Ranuccio II Farnese was the sixth Duke of Parma and Piacenza from 1646 until his death nearly 50 years later and Duke of Castro from 1646 until 1649.
Castro was an ancient city on the west side of Lake Bolsena in the present-day comune of Ischia di Castro, northern Lazio, Italy. It was destroyed at the conclusion of the Wars of Castro in the 17th century.
The Wars of Castro were a series of conflicts during the mid-17th century revolving around the ancient city of Castro, which eventually resulted in the city's destruction on 2 September 1649. The conflict was a result of a power struggle between the papacy – represented by members of two deeply entrenched Roman families and their popes, the Barberini and Pope Urban VIII and the Pamphili and Pope Innocent X – and the Farnese dukes of Parma, who controlled Castro and its surrounding territories as the Duchy of Castro.
The Farnese family was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family.
Alessandro Farnese, an Italian cardinal and diplomat and a great collector and patron of the arts, was the grandson of Pope Paul III, and the son of Pier Luigi Farnese, Duke of Parma, who was murdered in 1547. He should not be confused with his nephew, Alessandro Farnese, Governor of the Spanish Netherlands, grandson of Emperor Charles V and great-grandson of Pope Paul III.
Sublimis Deus is a bull promulgated by Pope Paul III on June 2, 1537, which forbids the enslavement of the indigenous peoples of the Americas and all other people. It goes on to state that the Indians are fully rational human beings who have rights to freedom and private property, even if they are heathen. Another related document is the ecclesiastical letter Pastorale officium, issued May 29, 1537, and usually seen as a companion document to Sublimis Deus.
Giulia Farnese was mistress to Pope Alexander VI, and the sister of Pope Paul III. She was known as Giulia la bella, meaning "Julia the beautiful" in Italian. Giulia comes from the noble Farnese family, who were prominent leaders in the Italian regions Parma and Piacenza.
Pope Paul III and His Grandsons is a painting in oil on canvas by Titian, housed in the Museo di Capodimonte, Naples. It was commissioned by the Farnese family and painted during Titian's visit to Rome between autumn 1545 and June 1546. It depicts the scabrous relationship between Pope Paul III and his grandsons, Ottavio and Alessandro Farnese. Ottavio is shown in the act of kneeling, to his left; Alessandro, wearing a cardinal's dress, stands behind him to his right. The painting explores the effects of ageing and the manoeuvring behind succession; Paul was at the time in his late seventies and ruling in an uncertain political climate as Charles V, Holy Roman Emperor came into ascendancy.
Farnese may refer to:
The 1549–1550 papal conclave, convened after the death of Pope Paul III and eventually elected Giovanni Del Monte to the papacy as Pope Julius III. It was the second-longest papal conclave of the 16th century, and the largest papal conclave in history in terms of the number of cardinal electors. The cardinal electors were roughly divided between the factions of Henry II of France, Charles V, Holy Roman Emperor, and Alessandro Farnese, the cardinal-nephew of Paul III.
Gerolama Orsini (1504–1569) sometimes Girolama Orsini was a member of the House of Orsini and the wife of Pier Luigi Farnese, Duke of Parma. She was the Duchess of Parma by marriage.
Pietro Bertani (1501–1558) was an Italian Roman Catholic bishop and cardinal.
Girolamo di Corregio (1511–1572) was an Italian Roman Catholic cardinal and bishop.
Silvia Ruffini was a 16th-century Italian noble woman and mistress of Cardinal Alessandro Farnese ; she was the mother of his four children.
|Wikimedia Commons has media related to Paulus III .|
|Catholic Church titles|
Philippe de Luxembourg
| Cardinal-bishop of Frascati |
François Guillaume de Castelnau-Clermont-Ludève
| Cardinal-bishop of Palestrina |
Antonio Maria Ciocchi del Monte
| Cardinal-bishop of Sabina |
| Cardinal-bishop of Porto |
Antonio Maria Ciocchi del Monte
| Cardinal-bishop of Ostia |
| Dean of the College of Cardinals |
| Pope |
13 October 1534 – 10 November 1549