Portrait of Giacomo di Andrea Dolfin

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Portrait of Giacomo Dolfin
Giacomo Dolfin (Tiziano).jpg
Artist Titian
Yearc.1531–1532
Medium Oil on canvas
Dimensions104.9 cm× 90.9 cm(41.3 in× 35.8 in)
Location Los Angeles County Museum of Art, Los Angeles

Portrait of Giacomo di Andrea Dolfin, formerly known only as Portrait of a Man, is an oil painting by the Venetian master Titian, made about 1531. [1] It is part of the collection of the Los Angeles County Museum of Art, though not currently on display. [1]

Contents

Subject

The sitter was identified as Giacomo di Andrea Dolfin by Charles Hope in 1982, [2] based on the partially legible inscription on the letter held in the subject's right hand, which is addressed to himself. [3] Philip Conisbee, in 1991, gave the following decipherment: "Al Cl … mo Giacomo delfin / M ... co D ... Prvi / a Vrcinovi [or Venezia]". [3] Dolfin is probably being referred to as provveditore at Orzinuovi, which position he is known to have occupied in 1531 and 1532. [3] [4] Titian shows him garbed in the costly burgundy robes of a Venetian magistrate. [3]

History

Copy

Venetian Nobleman
Titian - Portrait of a Venetian Gentleman painted over a copy of Giacomo Dolfin.jpg
Artist Titian
Yearafter 1530
Medium Oil on canvas
Dimensions108.0 cm× 91.4 cm(42.5 in× 36.0 in)
Location Norton Simon Museum, Pasadena
AccessionF.1965.1.065.P

There is an old copy of the painting in the collection of the Norton Simon Museum, Pasadena, entitled Portrait of a Venetian Nobleman, which is thought to be either a studio version or a later copy by Titian himself. [6] As revealed by x-ray analysis, the copy was painted over another fully finished and cut-down portrait of a bearded, seated figure which was probably by another hand (perhaps Leandro Bassano). [6]

The painting was acquired by Joseph Duveen in 1928 and published in a German catalogue by Wilhelm Suida in 1939. [7] It includes a type of cloth hanging or unfolded curtain behind the figure of Dolfin. The same type of cloth hanging was once in the original portrait but proved to be a later addition and was removed during a conservation effort in 1980. [3]

Provenance

See also

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References

  1. 1 2 LACMA Collections.
  2. Hope 1982, pp. 158.
  3. 1 2 3 4 5 6 7 8 Marandel 2019, p. 43.
  4. Hope 1982, pp. 160.
  5. Vasari 1915, ix. p. 176.
  6. 1 2 3 Norton Simon Museum.
  7. Suida 1939, pl. CXCV.

Sources