Shankar performing at Woodstock in 1969
|Birth name||Ravindra Shankar Chowdhury|
|Born||7 April 1920|
Benares, Benares State, British India
(now Varanasi, Uttar Pradesh, Republic of India)
|Died||11 December 2012 92) (aged|
San Diego, California, United States
|Genres||Indian classical music|
|Member of Parliament Rajya Sabha|
12 May 1986 –11 May 1992
Ravi Shankar [ˈrobi ˈʃɔŋkor] ; born Robindro Shaunkor Chowdhury, spelled Ravindra Shankar Chowdhury in Sanskrit; 7 April 1920 –11 December 2012), whose name is often preceded by the title Pandit (Master) and "Sitar maestro", was an Indian musician and a composer of Hindustani classical music. He was the best-known proponent of the sitar in the second half of the 20th century and influenced many other musicians throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999.(Bengali pronunciation:
Shankar was born to a Bengali Brahmin familyin India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.
In 1956, Shankar began to tour Europe and the Americas playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and Beatles guitarist George Harrison. His influence on the latter helped popularize the use of Indian instruments in Western pop music in the latter half of the 1960s. Shankar engaged Western music by writing compositions for sitar and orchestra, and toured the world in the 1970s and 1980s. From 1986 to 1992, he served as a nominated member of Rajya Sabha, the upper chamber of the Parliament of India. He continued to perform until the end of his life.
Shankar was born on 7 April 1920 in Benares, then the capital of the eponymous princely state, in a Bengali family, as the youngest of seven brothers.His father, Shyam Shankar Chowdhury, was a Middle Temple barrister and scholar from East Bengal (now Bangladesh). A respected statesman, lawyer and politician, he served for several years as dewan (Prime minister) of Jhalawar, Rajasthan, and used the Sanskrit spelling of the family name and removed its last part. Shyam was married to Hemangini Devi who hailed from a small village named Nasrathpur in Mardah block of Ghazipur district, near Benares and her father was a prosperous landlord. Shyam later worked as a lawyer in London, England, and there he married a second time while Devi raised Shankar in Benares, and did not meet his son until he was eight years old. Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun". Shankar had five siblings: Uday (who became a famous choreographer and dancer), Rajendra, Debendra and Bhupendra. Shankar attended the Bengalitola High School in Benares between 1927 and 1928.
At the age of 10, after spending his first decade in Benares, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments. Uday's dance group travelled Europe and the United States in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, cinema and became acquainted with Western customs. Shankar heard Allauddin Khan—the lead musician at the court of the princely state of Maihar—play at a music conference in December 1934 in Calcutta, and Uday convinced the Maharaja of Maihar H.H Maharaja Brijnath singh Judev in 1935 to allow Khan to become his group's soloist for a tour of Europe. Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.
Shankar's parents had died by the time he returned from the Europe tour, and touring the West had become difficult because of political conflicts that would lead to World War II.Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system. Khan was a rigorous teacher and Shankar had training on sitar and surbahar , learned ragas and the musical styles dhrupad , dhamar , and khyal , and was taught the techniques of the instruments rudra veena , rubab , and sursingar . He often studied with Khan's children Ali Akbar Khan and Annapurna Devi. Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod .
Shankar completed his training in 1944.He moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946. Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25. He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 – January 1956. Shankar founded the Indian National Orchestra at AIR and composed for it; in his compositions he combined Western and classical Indian instrumentation. Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed. He was music director for several Hindi movies including Godaan and Anuradha.
V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.
Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956. In 1958, Shankar participated in the celebrations of the 10th anniversary of the United Nations and UNESCO music festival in Paris. From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films. Shankar founded the Kinnara School of Music in Mumbai in 1962.
Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label. 's pop LPs chart in the US, which remains the highest placing he achieved on that chart.The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of the Beatles. In 1967, Shankar performed a well-received set at the Monterey Pop Festival. While complementary of the talents of several of the rock artists at the festival, he said he was "horrified" to see Jimi Hendrix set fire to his guitar on stage: "That was too much for me. In our culture, we have such respect for musical instruments, they are like part of God." Shankar's live album from Monterey peaked at number 43 on Billboard
Shankar won a Grammy Award for Best Chamber Music Performance for West Meets East , a collaboration with Yehudi Menuhin.He opened a Western branch of the Kinnara School of Music in Los Angeles, in May 1967, and published an autobiography, My Music, My Life, in 1968. In 1968, he composed the score for the film Charly .
He performed at the Woodstock Festival in August 1969, and found he disliked the venue.In the late 1960s, Shankar distanced himself from the hippie movement and drug culture: He explained during an interview:
It makes me feel rather hurt when I see the association of drugs with our music. The music to us is religion. The quickest way to reach godliness is through music. I don't like the association of one bad thing with the music.
In October 1970, Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music. [ citation needed ] Although interest in Indian music had decreased in the early 1970s, the live album from the concert became one of the best-selling recordings to feature the genre and won Shankar a second Grammy Award.In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar. Concerto for Sitar & Orchestra was performed with André Previn as conductor and Shankar playing the sitar. Shankar performed at the Concert for Bangladesh in August 1971, held at Madison Square Garden in New York. After the musicians had tuned up on stage for over a minute, the crowd of rock-music fans broke into applause, to which the amused Shankar responded, "If you like our tuning so much, I hope you will enjoy the playing more."
music editor, Washington Post
Shankar's demanding tour schedule weakened his health, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.The touring band visited the White House on invitation of John Gardner Ford, son of US President Gerald Ford. Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981. Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi .
He performed in Moscow in 1988, and had first been there to play in 1954.His 1988 concert was performed with 140 musicians, including the Russian Folk Ensemble and members of the Moscow Philharmonic, along with his own group of Indian musicians.
He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 – 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.Shankar composed the dance drama Ghanashyam in 1989. His liberal views on musical co-operation led him to contemporary composer Philip Glass, with whom he released an album, Passages , in 1990, in a project initiated by Peter Baumann of the band Tangerine Dream.
Because of the positive response to Shankar's 1996 career compilation In Celebration , Shankar wrote a second autobiography, Raga Mala .He performed in between 25 and 40 concerts every year during the late 1990s. Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regents' Professor at University of California, San Diego.
He performed with Anoushka for the BBC in 1997 at the Symphony Hall, Birmingham England.In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002. After George Harrison's death in 2001, Mr. Shankar performed at the Concert for George, a celebration of Harrison's music staged at the Royal Albert Hall in London in 2002.
In June 2008, Shankar played what was billed as his last European concert,but his 2011 tour included dates in the United Kingdom.
On 1 July 2010, at the Southbank Centre's Royal Festival Hall, London, England, Anoushka Shankar, on sitar, performed with the London Philharmonic Orchestra, conducted by David Murphy what was billed the first Symphony by Ravi Shankar.
Beatles guitarist George Harrison, who was first introduced to Shankar's music by American singers Roger McGuinn and David Crosby, 113 who were big fans of Shankar, became influenced by Shankar's music. He went on to help popularize Shankar and use of Indian instruments in pop music throughout the 1960s. Olivia Harrison explains::
When George heard Indian music, that really was the trigger, it was like a bell that went off in his head. It not only awakened a desire to hear more music, but also to understand what was going on in Indian philosophy. It was a unique diversion. 114:
Harrison became interested in Indian classical music, bought a sitar and used it to record the song "Norwegian Wood (This Bird Has Flown)".In 1968, he went to India to take lessons from Shankar, some of which were captured on film. This led to Indian music being used by other musicians and created the raga rock trend. As the sitar and Indian music grew in popularity, groups such as The Rolling Stones, The Animals and The Byrds began using it in some of their songs. The influence even extended to blues musicians such as Michael Bloomfield, who created a raga-influenced improvisation number, "East-West" (Bloomfield scholars have cited its working title as "The Raga" when Bloomfield and his collaborator Nick Gravenites began to develop the idea) for the Butterfield Blues Band in 1966.
Patti Boyd :119
Harrison met Shankar in London in June 1966 and visited India later that year for six weeks to study sitar under Shankar in Srinagar.During the visit, a documentary film about Shankar named Raga was shot by Howard Worth and released in 1971. Shankar's association with Harrison greatly increased Shankar's popularity, and decades later Ken Hunt of AllMusic wrote that Shankar had become "the most famous Indian musician on the planet" by 1966.
George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated.During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India. Shankar wrote a second autobiography, Raga Mala , with Harrison as editor.
Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.His performances begin with solo alap , jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style. Shankar often closed his performances with a piece inspired by the light-classical thumri genre.
Shankar has been considered one of the top sitar players of the second half of the 20th century.He popularised performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that used quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string. Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles. Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages. Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music. Shankar promoted the jugalbandi duet concert style and claims to have introduced new ragas Tilak Shyam, Nat Bhairav and Bairagi .
Shankar married Allauddin Khan's daughter Annapurna Devi (Roshanara Khan) in 1941 and their son, Shubhendra Shankar, was born in 1942.He separated from Devi during 1962 and continued a relationship with Kamala Shastri, a dancer, that had begun in the late 1940s.
An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.He separated from Shastri in 1981 and lived with Jones until 1986.
An affair with Sukanya Rajan, whom he had known since the 1970s,led to the birth of their daughter Anoushka Shankar in 1981. In 1989, he married Sukanya Rajan at Chilkur Temple in Hyderabad.
Shankar's son, Shubhendra "Shubho" Shankar, often accompanied him on tours.He could play the sitar and surbahar, but elected not to pursue a solo career. Shubhendra died of pneumonia in 1992.
Ananda Shankar, the experimental fusion musician, is his nephew.
Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003.Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003. Anoushka and her father were both nominated for Best World Music Album at the 2013 Grammy Awards for separate albums.
Shankar was a Hindu,and a devotee of the Hindu god Hanuman. He was also an "ardent" devotee of the revered Bengali Hindu saint, Sri Anandamayi Ma. Shankar used to visit Anandamayi Ma frequently and performed for her on various occasions. Shankar wrote of his hometown, Benares (Varanasi), and his initial encounter with "Ma":
"Varanasi is the eternal abode of Lord Shiva, and one of my favorite temples is that of Lord Hanuman, the monkey god. The city is also where one of the miracles that have happened in my life took place: I met Ma Anandamayi, a great spiritual soul. Seeing the beauty of her face and mind, I became her ardent devotee. Sitting at home now in Encinitas, in Southern California, at the age of 88, surrounded by the beautiful greens, multi-colored flowers, blue sky, clean air, and the Pacific Ocean, I often reminisce about all the wonderful places I have seen in the world. I cherish the memories of Paris, New York, and a few other places. But Varanasi seems to be etched in my heart!"
In his later years, Shankar became a vegetarian.He wore a large diamond ring which he said was "manifested" by Sathya Sai Baba. He lived with Sukanya in Encinitas, California.
Shankar performed his final concert, with daughter Anoushka, on 4 November 2012 at the Terrace Theater in Long Beach, California.
On 9 December 2012, Shankar was admitted to Scripps Memorial Hospital in La Jolla, San Diego, California after complaining of breathing difficulties. He died on 11 December 2012 at around 16:30 PST after undergoing heart valve replacement surgery.
The Swara Samrat festival , organized on 5–6 January 2013 and dedicated to Ravi Shankar and Ali Akbar Khan, included performances by such musicians as Shivkumar Sharma, Birju Maharaj, Hariprasad Chaurasia, Zakir Hussain, and Girija Devi.
Ali Akbar Khan was an Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, he also composed numerous classical ragas and film scores. He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the United States and is now based in San Rafael, California, with a branch in Basel, Switzerland.
Anoushka Shankar is a Bengali sitar player and composer. Her father is Ravi Shankar, her mother is Sukanya Rajan. She is the half-sister of Norah Jones.
Raga is a 1971 documentary film about the life and music of Indian sitarist Ravi Shankar, produced and directed by Howard Worth. It includes scenes featuring Western musicians Yehudi Menuhin and George Harrison, as well as footage of Shankar returning to Maihar in central India, where as a young man he trained under the mentorship of Allauddin Khan. The film also features a portion of Shankar and tabla player Alla Rakha's acclaimed performance at the 1967 Monterey Pop Festival.
"Marwa Blues" is an instrumental by English rock musician George Harrison. It was released on his final studio album, Brainwashed, in November 2002, a year after his death, and subsequently on a single as the B-side of "Any Road". The song is a slide guitar instrumental and named after Raga Marwa, an Indian classical raga traditionally played at sunset. "Marwa Blues" won the 2004 Grammy Award for Best Pop Instrumental Performance. Along with "Any Road" and the Brainwashed track "Rising Sun", it was also included on the 2009 compilation album Let It Roll: Songs by George Harrison.
Full Circle: Carnegie Hall 2000 is a live album by Indian musician and composer Ravi Shankar, released in 2001 through the record label Angel Records. Recorded at Carnegie Hall in October 2000 as part of a tour with Shankar's daughter Anoushka, the album contains five tracks and presents two ragas. The concert occurred sixty-two years after Shankar's first performance at Carnegie Hall and commemorated his eightieth birthday; the album was his first live recording in nearly twenty years. Full Circle was produced by Hans Wendl, mastered by Scott Hull, and mixed and engineered by Tom Lazarus. Featured are performances by Tanmoy Bose and Bickram Ghosh on tabla, and Anoushka and Ravi on sitar.
Ravi Shankar's Music Festival from India was an Indian classical music revue led by sitarist and composer Ravi Shankar intended for Western concert audiences and performed in 1974. Its presentation was the first project undertaken by the Material World Charitable Foundation, set up the previous year by ex-Beatle George Harrison. Long a champion of Indian music, Harrison also produced an eponymous studio album by the Music Festival orchestra, which was released in 1976 on his Dark Horse record label. Both the CD format of the Ravi Shankar's Music Festival from India album and a DVD of their performance at the Royal Albert Hall in London were issued for the first time on the 2010 Shankar–Harrison box set Collaborations.
In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated jugalbandi (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
"I Am Missing You" is a song by Indian musician Ravi Shankar, sung by his sister-in-law Lakshmi Shankar and released as the lead single from his 1974 album Shankar Family & Friends. The song is a rare Shankar composition in the Western pop genre, with English lyrics, and was written as a love song to the Hindu god Krishna. The recording was produced and arranged by George Harrison, in a style similar to Phil Spector's signature sound, and it was the first single issued on Harrison's Dark Horse record label. Other contributing musicians include Tom Scott, Nicky Hopkins, Billy Preston, Ringo Starr and Jim Keltner. A second version appears on Shankar Family & Friends, titled "I Am Missing You (Reprise)", featuring an arrangement closer to a folk ballad.
Chants of India is an album by Indian musician Ravi Shankar released in 1997 on Angel Records. Produced by his friend and sometime collaborator George Harrison, the album consists of Vedic and other Hindu sacred prayers set to music, marking a departure from Shankar's more familiar work in the field of Hindustani classical music. The lyrical themes of the recorded chants are peace and harmony among nature and all creatures. Sessions for the album took place in the Indian city of Madras and at Harrison's home in Henley-on-Thames, Oxfordshire, following his work on The Beatles' Anthology (1995). Anoushka Shankar, John Barham, Bikram Ghosh, Tarun Bhatacharaya and Ronu Majumdar are among the many musicians who contributed to the recording.
Joi Bangla is an EP by Indian sitar virtuoso Ravi Shankar, issued in August 1971 on Apple Records. The recording was produced by George Harrison and its release marked the first in a series of occasional collaborations between the two musicians that lasted until the Chants of India album in 1997. Shankar recorded the EP in Los Angeles, to help raise international awareness of the plight faced by refugees of the Bangladesh Liberation War, in advance of his and Harrison's Concert for Bangladesh shows at Madison Square Garden, New York. Side one of the disc consists of two vocal compositions sung in Bengali, of which the title track was a message of unity to the newly independent nation, formerly known as East Pakistan. The third selection is a duet by Shankar and sarodya Ali Akbar Khan, supported by Alla Rakha on tabla, a performance that presaged their opening set at the Concert for Bangladesh.
Music of India: Morning and Evening Ragas is the debut album by Indian sarod master Ali Akbar Khan, released in 1955. Issued on Angel Records, it is considered a landmark recording, being the first album of Indian classical music ever released.
Kamala Chakravarty is an Indian classical musician and former dancer, known for her association with sitar maestro Ravi Shankar. From 1967 until the late 1970s, she accompanied Shankar, in the role of tambura player and singer, in a number of acclaimed performances, including the Monterey International Pop Festival (1967), his Human Rights Day duet with violinist Yehudi Menuhin (1967), the Concert for Bangladesh (1971) and the Music Festival from India (1974). She also lived with Shankar as his wife from 1967 to 1981, during which he was still married to musician and teacher Annapurna Devi.
The Asian Music Circle was an organisation founded in London, England, in 1946, that promoted Indian and other Asian styles of music, dance and culture in the West. The AMC is credited with having facilitated the assimilation of the Indian subcontinent's artistic traditions into mainstream British culture. Founded by Indian writer and former political activist Ayana Angadi and his English wife, Patricia Fell-Clarke, a painter and later a novelist, the organisation was run from their family home in the north London suburb of Finchley.
Tana Mana is an album by Indian musician Ravi Shankar, originally credited to "the Ravi Shankar Project" and released in 1987. The album is an experimental work by Shankar, mixing traditional instrumentation with 1980s electronic music and sampling technology. Shankar recorded much of Tana Mana in 1983 with sound effects innovator Frank Serafine, but it remained unreleased until Peter Baumann, head of new age record label Private Music, became attached to the project. The album title translates to mean "body and mind".
Ravi Shankar: In Celebration is a compilation box set by Indian classical musician and composer Ravi Shankar, released in 1996 on Angel Records in conjunction with Dark Horse Records. The four discs cover Shankar's international career, from the 1950s to the mid 1990s, and include recordings originally released on the World Pacific, HMV, Angel, Apple, Dark Horse and Private Music record labels. Shankar's friend George Harrison compiled and co-produced the set, which was issued as part of year-long celebrations for Shankar's 75th birthday.
Collaborations is a four-disc compilation box set by Indian classical musician Ravi Shankar and former Beatle George Harrison. Released in October 2010 on Dark Horse Records, it compiles two studio albums originally issued on that label – the long-unavailable Shankar Family & Friends (1974) and Ravi Shankar's Music Festival from India (1976) – and Chants of India, first issued on Angel Records in 1997. Although all three albums were originally Shankar releases, for which Harrison served in the role of music producer and guest musician, both Shankar and Harrison are credited as artists on the box set. Each of the collaborative projects represents a departure from Shankar's more typical work as a sitarist and performer of Hindustani classical ragas, with the box set showcasing his forays into, variously, jazz and rock, Indian folk and orchestral ensembles, and devotional music.
Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
Concerto for Sitar & Orchestra is a studio album by Indian musician and composer Ravi Shankar with the London Symphony Orchestra (LSO) conducted by André Previn. It was premiered at London's Royal Festival Hall on 28 January 1971, and subsequently released in Britain and America.
The Kinnara School of Music was a music school founded in Bombay, India, in 1962 by Indian classical musician Ravi Shankar. With his increased popularity and influence in the West, he opened a second branch of the school in Los Angeles in May 1967. Shankar's concept for Kinnara was to further the strict guru–shishya tradition of musical education that he had experienced under his teacher, Allauddin Khan, in the 1940s. The Bombay centre staged productions of orchestral works by Shankar, including Nava Rasa Ranga.
Shambhu Das is an Indian classical musician and educator. He is best known for his long association with Ravi Shankar, on whose behalf Das has acted as an ambassador for Indian music in Canada since the early 1970s, and his friendship with George Harrison of the Beatles, whom Das helped teach sitar in 1966. His assistance in Harrison's immersion in Indian culture helped inspire the Beatles' career direction and, due to the band's popularity and influence, the direction of the 1960s counterculture. In 1970, Das established the Indian Music Department at Toronto's York University, where he taught for four years.
Mr. Shankar died in San Diego, at a hospital near his home. He had been treated for upper-respiratory and heart ailments in the last year and underwent heart-valve replacement surgery last Thursday, his family said. ...