Raymond Chandler

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Raymond Chandler
Raymond Chandler (Lady in the Lake portrait, 1943).jpg
Chandler c. 1943
BornRaymond Thornton Chandler
(1888-07-23)July 23, 1888
Chicago, Illinois, U.S.
DiedMarch 26, 1959(1959-03-26) (aged 70)
La Jolla, California, U.S.
Resting place Mount Hope Cemetery, San Diego, U.S.
OccupationNovelist
NationalityAmerican (1888–1907, 1956–1959)
British (1907–1956)
Period1933–1959
Genre Crime fiction, suspense, hardboiled
Spouse
Cissy Pascal
(m. 1924;died 1954)

Raymond Thornton Chandler (July 23, 1888 – March 26, 1959) was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep , was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America. [1]

Contents

Chandler had an immense stylistic influence on American popular literature. He is considered to be a founder of the hard-boiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective". Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.

At least three of Chandler's novels have been regarded as masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye was praised in an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery". Chandler's reputation has grown in recent years. [2]

Biography

Early life

A blue plaque marks the house in Cathedral Square where Chandler stayed in Waterford, Ireland. Raymond Chandler house, Waterford.jpg
A blue plaque marks the house in Cathedral Square where Chandler stayed in Waterford, Ireland.

Chandler was born in 1888 in Chicago, the son of Florence Dart (Thornton) and Maurice Benjamin Chandler. [3] He spent his early years in Plattsmouth, Nebraska, living with his mother and father near his cousins and his aunt (his mother's sister) and uncle. [4] Chandler's father, an alcoholic civil engineer who worked for the railway, abandoned the family. To obtain the best possible education for Ray, his mother, originally from Ireland, moved them to the area of Upper Norwood in what is now the London Borough of Croydon [5] in 1900. [6] Another uncle, a successful lawyer in Waterford, Ireland, reluctantly supported them [7] while they lived with Chandler's maternal grandmother. Raymond was a first cousin to the actor Max Adrian, a founder member of the Royal Shakespeare Company; Max's mother Mabel was a sister of Florence Thornton. Chandler was classically educated at Dulwich College, London (a public school whose alumni include the authors P. G. Wodehouse [7] and C. S. Forester). He spent some of his childhood summers in Waterford with his mother's family. [8] He did not go to university, instead spending time in Paris and Munich improving his foreign language skills. In 1907, he was naturalized as a British subject in order to take the civil service examination, which he passed. He then took an Admiralty job, lasting just over a year. His first poem was published during that time.

Chandler disliked the servility of the civil service and resigned, to the consternation of his family, and became a reporter for the Daily Express and the Bristol Western Gazette newspapers. He was unsuccessful as a journalist, but he published reviews and continued writing romantic poetry. An encounter with the slightly older Richard Barham Middleton is said to have influenced him into postponing his career as writer. "I met... also a young, bearded, and sad-eyed man called Richard Middleton. ... Shortly afterwards he committed suicide in Antwerp, a suicide of despair, I should say. The incident made a great impression on me, because Middleton struck me as having far more talent than I was ever likely to possess; and if he couldn't make a go of it, it wasn't very likely that I could." Accounting for that time he said, "Of course in those days as now there were...clever young men who made a decent living as freelances for the numerous literary weeklies", but "I was distinctly not a clever young man. Nor was I at all a happy young man." [9]

In 1912, he borrowed money from his Waterford uncle, who expected it to be repaid with interest, and returned to America, visiting his aunt and uncle before settling in San Francisco for a time, where he took a correspondence course in bookkeeping, finishing ahead of schedule. His mother joined him there in late 1912. Encouraged by Chandler's attorney/oilman friend Warren Lloyd, they moved to Los Angeles in 1913, [10] where he strung tennis rackets, picked fruit and endured a time of scrimping and saving. He found steady employment with the Los Angeles Creamery. In 1917, he traveled to Vancouver where in August he enlisted in the Canadian Expeditionary Force. He saw combat in the trenches in France with the Gordon Highlanders, was twice hospitalized with Spanish flu during the pandemic [11] and was undergoing flight training in the fledgling Royal Air Force (RAF) when the war ended. [7]

After the armistice, he returned to Los Angeles by way of Canada, and soon began a love affair with Pearl Eugenie ("Cissy") Pascal, a married woman 18 years his senior and the stepmother of Gordon Pascal, with whom Chandler had enlisted. [7] Cissy amicably divorced her husband, Julian, in 1920, but Chandler's mother disapproved of the relationship and refused to sanction the marriage. For the next four years Chandler supported both his mother and Cissy. After the death of Florence Chandler on September 26, 1923, he was free to marry Cissy. They were married on February 6, 1924. [7] [12] Having begun in 1922 as a bookkeeper and auditor, Chandler was by 1931 a highly paid vice president of the Dabney Oil Syndicate, but his alcoholism, absenteeism, promiscuity with female employees, and threatened suicides [7] contributed to his dismissal a year later.

As a writer

In straitened financial circumstances during the Great Depression, Chandler turned to his latent writing talent to earn a living, teaching himself to write pulp fiction by studying the Perry Mason stories of Erle Stanley Gardner. Chandler's first professional work, "Blackmailers Don't Shoot", was published in Black Mask magazine in 1933. According to genre historian Herbert Ruhm, "Chandler, who worked slowly and painstakingly, revising again and again, had taken five months to write the story. Erle Stanley Gardner could turn out a pulp story in three or four daysand turned out an estimated one thousand." [13]

His first novel, The Big Sleep , was published in 1939, featuring the detective Philip Marlowe, speaking in the first person. In 1950, Chandler described in a letter to his English publisher, Hamish Hamilton, why he began reading pulp magazines and later wrote for them:

Wandering up and down the Pacific Coast in an automobile I began to read pulp magazines, because they were cheap enough to throw away and because I never had at any time any taste for the kind of thing which is known as women's magazines. This was in the great days of the Black Mask (if I may call them great days) and it struck me that some of the writing was pretty forceful and honest, even though it had its crude aspect. I decided that this might be a good way to try to learn to write fiction and get paid a small amount of money at the same time. I spent five months over an 18,000 word novelette and sold it for $180. After that I never looked back, although I had a good many uneasy periods looking forward. [14]

His second Marlowe novel, Farewell, My Lovely (1940), became the basis for three movie versions adapted by other screenwriters, including the 1944 film Murder My Sweet , which marked the screen debut of the Marlowe character, played by Dick Powell (whose depiction of Marlowe Chandler reportedly applauded). Literary success and film adaptations led to a demand for Chandler himself as a screenwriter. He and Billy Wilder co-wrote Double Indemnity (1944), based on James M. Cain's novel of the same title. The noir screenplay was nominated for an Academy Award. Said Wilder, "I would just guide the structure and I would also do a lot of the dialogue, and he (Chandler) would then comprehend and start constructing too." Wilder acknowledged that the dialogue which makes the film so memorable was largely Chandler's.

Chandler's only produced original screenplay was The Blue Dahlia (1946). He had not written a denouement for the script and, according to producer John Houseman, Chandler agreed to complete the script only if drunk and attended by round-the-clock secretaries and drivers, which Houseman agreed to. The script gained Chandler's second Academy Award nomination for screenplay.

Chandler collaborated on the screenplay of Alfred Hitchcock's Strangers on a Train (1951), an ironic murder story based on Patricia Highsmith's novel, which he thought implausible. Chandler clashed with Hitchcock to such an extent that they stopped talking, especially after Hitchcock heard Chandler had referred to him as "that fat bastard". Hitchcock reportedly made a show of throwing Chandler's two draft screenplays into the studio trash can while holding his nose, but Chandler retained the lead screenwriting credit along with Czenzi Ormonde.

In 1946 the Chandlers moved to La Jolla, California, an affluent coastal neighborhood of San Diego, where Chandler wrote two more Philip Marlowe novels, The Long Goodbye and his last completed work, Playback. The latter was derived from an unproduced courtroom drama screenplay he had written for Universal Studios.

Four chapters of a novel, unfinished at his death, were transformed into a final Philip Marlowe novel, Poodle Springs , by the mystery writer and Chandler admirer Robert B. Parker, in 1989. Parker shares the authorship with Chandler. Parker subsequently wrote a sequel to The Big Sleep entitled Perchance to Dream , which was salted with quotes from the original novel. Chandler's final Marlowe short story, circa 1957, was entitled "The Pencil". It later provided the basis of an episode of the HBO miniseries (1983–86), Philip Marlowe, Private Eye , starring Powers Boothe as Marlowe.

In 2014, "The Princess and the Pedlar" (1917), a previously unknown comic operetta, with libretto by Chandler and music by Julian Pascal, was discovered [15] among the uncatalogued holdings of the Library of Congress. The work was never published or produced. It has been dismissed by the Raymond Chandler estate as "no more than… a curiosity." [16] A small team under the direction of the actor and director Paul Sand is seeking permission to produce the operetta in Los Angeles.

Later life and death

Cissy Chandler died in 1954, after a long illness. Heartbroken and drunk, Chandler neglected to inter her cremated remains, and they sat for 57 years in a storage locker in the basement of Cypress View Mausoleum.

After Cissy's death, Chandler's loneliness worsened his propensity for clinical depression; he returned to drinking alcohol, never quitting it for long, and the quality and quantity of his writing suffered. [7] In 1955, he attempted suicide. In The Long Embrace: Raymond Chandler and the Woman He Loved, Judith Freeman says it was "a cry for help," given that he called the police beforehand, saying he planned to kill himself. Chandler's personal and professional life were both helped and complicated by the women to whom he was attracted—notably Helga Greene, his literary agent; Jean Fracasse, his secretary; Sonia Orwell (George Orwell's widow); and Natasha Spender (Stephen Spender's wife). Chandler regained his U.S. citizenship in 1956, while retaining his British rights too.

After a respite in England, he returned to La Jolla. He died at Scripps Memorial Hospital of pneumonial peripheral vascular shock and prerenal uremia (according to the death certificate) in 1959. Helga Greene inherited Chandler's $60,000 estate, after prevailing in a 1960 lawsuit filed by Fracasse contesting Chandler's holographic codicil to his will.

Chandler is buried at Mount Hope Cemetery, in San Diego, California. As Frank MacShane noted in his biography, The Life of Raymond Chandler, Chandler wished to be cremated and placed next to Cissy in Cypress View Mausoleum. Instead, he was buried in Mount Hope, because he had left no funeral or burial instructions. [17]

In 2010, Chandler historian Loren Latker, with the assistance of attorney Aissa Wayne (daughter of John Wayne), brought a petition to disinter Cissy's remains and reinter them with Chandler in Mount Hope. After a hearing in September 2010 in San Diego Superior Court, Judge Richard S. Whitney entered an order granting Latker's request. [18]

On February 14, 2011, Cissy's ashes were conveyed from Cypress View to Mount Hope and interred under a new grave marker above Chandler's, as they had wished. [19] About 100 people attended the ceremony, which included readings by the Rev. Randal Gardner, Powers Boothe, Judith Freeman and Aissa Wayne. The shared gravestone reads, "Dead men are heavier than broken hearts", a quotation from The Big Sleep. Chandler's original gravestone, placed by Jean Fracasse and her children, is still at the head of his grave; the new one is at the foot.

Views on pulp fiction

In his introduction to Trouble Is My Business (1950), a collection of four of his short stories, Chandler provided insight on the formula for the detective story and how the pulp magazines differed from previous detective stories:

The emotional basis of the standard detective story was and had always been that murder will out and justice will be done. Its technical basis was the relative insignificance of everything except the final denouement. What led up to that was more or less passage work. The denouement would justify everything. The technical basis of the Black Mask type of story on the other hand was that the scene outranked the plot, in the sense that a good plot was one which made good scenes. The ideal mystery was one you would read if the end was missing. We who tried to write it had the same point of view as the film makers. When I first went to Hollywood a very intelligent producer told me that you couldn't make a successful motion picture from a mystery story, because the whole point was a disclosure that took a few seconds of screen time while the audience was reaching for its hat. He was wrong, but only because he was thinking of the wrong kind of mystery.

Chandler also described the struggle that writers of pulp fiction had in following the formula demanded by the editors of the pulp magazines:

As I look back on my stories it would be absurd if I did not wish they had been better. But if they had been much better they would not have been published. If the formula had been a little less rigid, more of the writing of that time might have survived. Some of us tried pretty hard to break out of the formula, but we usually got caught and sent back. To exceed the limits of a formula without destroying it is the dream of every magazine writer who is not a hopeless hack. [20]

Critical reception

Critics and writers, including W. H. Auden, Evelyn Waugh and Ian Fleming, greatly admired Chandler's prose. [7] In a radio discussion with Chandler, Fleming said that Chandler offered "some of the finest dialogue written in any prose today". [21] Contemporary mystery writer Paul Levine has described Chandler's style as the "literary equivalent of a quick punch to the gut." [22] Chandler's swift-moving, hardboiled style was inspired mostly by Dashiell Hammett, but his sharp and lyrical similes are original: "The muzzle of the Luger looked like the mouth of the Second Street tunnel"; "He had a heart as big as one of Mae West's hips"; "Dead men are heavier than broken hearts"; "I went back to the seasteps and moved down them as cautiously as a cat on a wet floor." Chandler's writing redefined the private eye fiction genre, led to the coining of the adjective "Chandleresque," and inevitably became the subject of parody and pastiche. Yet the detective Philip Marlowe is not a stereotypical tough guy, but a complex, sometimes sentimental man with few friends, who attended university, who speaks some Spanish and sometimes admires Mexicans, and who is a student of chess and classical music. He is a man who refuses a prospective client's fee for a job he considers unethical.

The high regard in which Chandler is generally held today is in contrast to the critical sniping that stung the author during his lifetime. In a March 1942 letter to Blanche Knopf, published in Selected Letters of Raymond Chandler, he wrote, "The thing that rather gets me down is that when I write something that is tough and fast and full of mayhem and murder, I get panned for being tough and fast and full of mayhem and murder, and then when I try to tone down a bit and develop the mental and emotional side of a situation, I get panned for leaving out what I was panned for putting in the first time."

Although his work enjoys general acclaim today, Chandler has been criticized for certain aspects of his writing. The Washington Post reviewer Patrick Anderson described his plots as "rambling at best and incoherent at worst" (notoriously, even Chandler did not know who murdered the chauffeur in The Big Sleep ) and criticized Chandler's treatment of black, female, and homosexual characters, calling him a "rather nasty man at times". [23] Anderson nevertheless praised Chandler as "probably the most lyrical of the major crime writers". [24]

Chandler's short stories and novels are evocatively written, conveying the time, place and ambiance of Los Angeles and environs in the 1930s and 1940s. [7] The places are real, if pseudonymous: Bay City is Santa Monica, Gray Lake is Silver Lake, and Idle Valley a synthesis of wealthy San Fernando Valley communities.

Playback is the only one of his novels not to have been cinematically adapted. Arguably the most notable adaptation is The Big Sleep (1946), by Howard Hawks, with Humphrey Bogart as Philip Marlowe. William Faulkner was a co-writer of the screenplay. Chandler's few screenwriting efforts and the cinematic adaptation of his novels proved stylistically and thematically influential on the American film noir genre. Notable for its revised take on both the Marlowe character, transplanting the novel to the 1970s, is Robert Altman's 1973 neo-noir adaptation of The Long Goodbye .

Chandler was also a perceptive critic of detective fiction; his essay "The Simple Art of Murder" is the canonical essay in the field.

In the 11th issue of the influential Cyberpunk fanzine Cheap Truth , Vincent Omniaveritas conducted a fictitious interview with Chandler. The interview opines that Chandler's views towards the potential for respectability in pulp and genre fiction could also be applied to Science Fiction, specifically the Cyberpunk movement. [25] It also derides Chandler's now-famous 1953 caricature of pulp Science Fiction. [26] In the 2012 documentary, The Doors: Mr. Mojo Risin'- The Story Of L.A. Woman, keyboardist, Ray Manzarek describes Jim Morrison's lyrics to L.A. Woman, “Another lost angel in the city of night.” “The lyrics were so good. So Raymond Chandler, so Nathanael West, so 1930's, 40's, dark seemy side of Los Angeles. A place where Jim would easily go”.

In season 4, episode 18 of the sitcom Friends, during a debate over whether or not to name one of Phoebe's triplets "Chandler" or "Joey," Joey challenges Chandler to "name one famous person named Chandler." Chandler replies with "Raymond Chandler," to which Joey responds, "Someone you didn't make up!"

Works

Related Research Articles

<i>The Big Sleep</i> Novel by Raymond Chandler

The Big Sleep (1939) is a hardboiled crime novel by Raymond Chandler, the first to feature the detective Philip Marlowe. It has been adapted for film twice, in 1946 and again in 1978. The story is set in Los Angeles

Dashiell Hammett American writer

Samuel Dashiell Hammett was an American author of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the enduring characters he created are Sam Spade, Nick and Nora Charles, and the Continental Op.

Philip Marlowe fictional character created by Raymond Chandler

Philip Marlowe is a fictional character created by Raymond Chandler. Marlowe first appeared under that name in The Big Sleep, published in 1939. Chandler's early short stories, published in pulp magazines like Black Mask and Dime Detective, featured similar characters with names like "Carmady" and "John Dalmas".

<i>Black Mask</i> (magazine) American magazine

Black Mask was a pulp magazine first published in April 1920 by the journalist H. L. Mencken and the drama critic George Jean Nathan. The magazine was one of several money-making publishing ventures to support the prestigious literary magazine The Smart Set, which Mencken edited, and which had operated at a loss since at least 1917. Under their editorial hand, the magazine was not exclusively a publisher of crime fiction, offering, according to the magazine, "the best stories available of adventure, the best mystery and detective stories, the best romances, the best love stories, and the best stories of the occult." The magazine's first editor was Florence Osborne.

<i>The Long Goodbye</i> (novel) novel by Raymond Chandler

The Long Goodbye is a novel by Raymond Chandler, published in 1953, his sixth novel featuring the private investigator Philip Marlowe. Some critics consider it inferior to The Big Sleep or Farewell, My Lovely, but others rank it as the best of his work. Chandler, in a letter to a friend, called the novel "my best book".

Sam Spade fictional private detective

Sam Spade is a fictional character and the protagonist of Dashiell Hammett's 1930 novel, The Maltese Falcon. Spade also appeared in four lesser-known short stories by Hammett.

Mystery film Sub-genre of crime film

A mystery film is a genre of film that revolves around the solution of a problem or a crime. It focuses on the efforts of the detective, private investigator or amateur sleuth to solve the mysterious circumstances of an issue by means of clues, investigation, and clever deduction.

Ross Macdonald novelist

Ross Macdonald is the main pseudonym that was used by the American-Canadian writer of crime fiction Kenneth Millar. He is best known for his series of hardboiled novels set in Southern California and featuring private detective Lew Archer.

<i>The Simple Art of Murder</i> book by Raymond Chandler

The Simple Art of Murder is hard-boiled detective fiction author Raymond Chandler's critical essay, a magazine article, and his collection of short stories. The essay was first published in The Atlantic Monthly in December 1944 and a revised version was included in Howard Haycraft's anthology The Art of the Mystery Story. The magazine article which is more a history of Chandler's writings has little to do with the essay and appeared in the Saturday Review of Literature, April 15, 1950. The essay, somewhat rewritten, served to introduce the collection The Simple Art of Murder, 1950, which contained eight of Chandler's early stories pre-dating his first novel, The Big Sleep.

Hardboiled Literary genre

Hardboiled fiction is a literary genre that shares some of its characters and settings with crime fiction. The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Philip Marlowe, Mike Hammer, Sam Spade, Lew Archer, and The Continental Op.

<i>Death Is a Lonely Business</i> novel by Ray Bradbury

Death Is a Lonely Business is a mystery novel by American writer Ray Bradbury, published in 1985. The story, set in 1949, is about a series of murders that happen in Venice, California, then a declining seaside community in Los Angeles where Bradbury lived from 1942 to 1950. The main character and narrator is a sensitive, modest writer, with a girlfriend studying in Mexico City. In the course of the story he meets Elmo Crumley, a detective who helps him solve the mystery behind all the semi-murders occurring among a series of eccentric characters in the forgotten town.

<i>The Lady in the Lake</i> novel by Raymond Chandler

The Lady in the Lake is a 1943 detective novel by Raymond Chandler featuring the Los Angeles private investigator Philip Marlowe. Notable for its removal of Marlowe from his usual Los Angeles environs for much of the book, the novel's complicated plot initially deals with the case of a missing woman in a small mountain town some 80 miles (130 km) from the city. The book was written shortly after the attack on Pearl Harbor and makes several references to America's recent involvement in World War II.

<i>The Glass Key</i> novel by Dashiell Hammett

The Glass Key is a novel by American writer Dashiell Hammett. It was first published as a serial in Black Mask magazine in 1930, then was collected in 1931. It tells the story of a gambler and racketeer, Ned Beaumont, whose devotion to Paul Madvig, a crooked political boss, leads him to investigate the murder of a local senator's son as a potential gang war brews. Hammett dedicated the novel to his onetime lover Nell Martin.

<i>The Little Sister</i> novel by Raymond Chandler

The Little Sister is a 1949 novel by Raymond Chandler, his fifth featuring the private investigator Philip Marlowe. The story is set in Los Angeles in the late 1940s. The novel centres on the younger sister of a Hollywood starlet and has several scenes involving the film industry. It was partly inspired by Chandler's experience working as a screenwriter in Hollywood and his low opinion of the industry and most of the people in it. The book was first published in the UK in June 1949 and was released in the United States three months later.

Vincent Calvino is a fictional Bangkok-based private eye created by Christopher G. Moore in the Vincent Calvino Private Eye series. Vincent Calvino first appeared in 1992 in Spirit House, the first novel in the series. His latest appearance is in "Jumpers", the 16th novel in the series published in October 2016. “Hewn from the hard-boiled Dashiell Hammett/Raymond Chandler model, Calvino is a tough, somewhat tarnished hero with a heart of gold.”—Mark Schreiber, The Japan Times.

<i>Pulp</i> (novel) novel by Charles Bukowski

Pulp is the last completed novel by Los Angeles poet and writer Charles Bukowski. It was published in 1994, shortly before Bukowski's death. He began writing it in 1991 and encountered several problems during its creation. He fell ill during the spring of 1993, only three-quarters of the way through Pulp.

Raymond Chandler (1888–1959) was an American-British novelist and screenwriter. He was born in Chicago, Illinois and lived in the US until he was seven, when his parents separated and his Anglo-Irish mother brought him to live near London; he was educated at Dulwich College from 1900. After working briefly for the British Civil Service, he became a part-time teacher at Dulwich, supplementing his income as a journalist and writer—mostly for The Westminster Gazette and The Academy. His output—consisting largely of poems and essays—was not to his taste, and the critic Paul Bishop considers the work as "lifeless", while Contemporary Authors describes it as "lofty in subject and mawkish in tone". Chandler returned to the US in 1912 where he trained to become an accountant in Los Angeles. In 1917 he enlisted in the Canadian Expeditionary Force, saw combat in the trenches in France where he was wounded, and was undergoing flight training in the fledgling Royal Air Force when the war ended.

George Caryl Sims, better known by his pen names Paul Cain and Peter Ruric, was an American pulp fiction author and screenwriter. He is best known for his novel Fast One, which is considered to be a landmark of the pulp fiction genre and was called the "high point in the ultra hard-boiled manner" by Raymond Chandler.

<i>Perchance to Dream</i> (novel) novel by Robert B. Parker

Perchance to Dream is a detective crime novel by Robert B. Parker, written as an authorized sequel to The Big Sleep by Raymond Chandler. Following his post-mortem collaboration with Chandler on Poodle Springs, this 1991 release is the second and final Philip Marlowe novel written by Parker.

Stephen Gould Fisher was an American author best known for his pulp stories, novels and screenplays. He is one of the few pulp authors to go on to enjoy success as both an author in "slick" magazines, such as the Saturday Evening Post, and as an in-demand writer in Hollywood.

References

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  14. Chandler, Raymond (1969). p. vii.
  15. Weinman, Sarah (December 2, 2014), "Unpublished Raymond Chandler Work Discovered in Library of Congress", The Guardian, London, archived from the original on December 2, 2014
  16. Cooper, Kim. "Goblin Wine". Archived from the original on December 2, 2014. Retrieved December 30, 2014.
  17. Hiney (1997). pp. 275–276.
  18. Bell, Diane (2010-09-08). "Ashes of Chandler's wife to join him for eternity". SignOnSanDiego.com. Retrieved 2011-11-26.
  19. Bell, Diane (2011-02-14). "Raymond Chandler and His Wife, Cissy, Are Finally Reunited". SignOnSanDiego.com. Retrieved 2011-11-26.
  20. Chandler (1950), pp. viii–ix.
  21. "Archive – James Bond – Ian Fleming and Raymond Chandler". BBC . Retrieved 2016-02-20.
  22. Paul Levine (2014-12-16). "Hard-Boiled Dialogue: From Philip Marlowe to Jake Lassiter". Paul-levine.com. Retrieved 2016-02-20.
  23. Woods, Paula L. (March 11, 2007) "Criminal Minds," The Los Angeles Times. Retrieved on September 8, 2017. Sante, Luc. "Rising Crime." The New York Times, The New York Times, February 17, 2007, www.nytimes.com/2007/02/18/books/review/Sante.t.html?mcubz=3.
  24. Butki, Scott. (August 2, 2007) "An Interview With Patrick Anderson, Author of The Triumph of the Thriller: How Cops, Crooks, and Cannibals Captured Popular Fiction, Part Two," Blog Critics. Retrieved on September 8, 2017.
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Sources

Further reading