William Weaks Morris was an American writer and editor born in Jackson, Mississippi, though his family later moved to Yazoo City, Mississippi, which he immortalized in his works of prose. Morris' trademark was his lyrical prose style and reflections on the American South, particularly the Mississippi Delta. In 1967 he became the youngest editor of Harper's Magazine. He wrote several works of fiction and nonfiction, including his seminal book North Toward Home, as well as My Dog Skip.
Anni Albers was a German textile artist and printmaker credited with blurring the lines between traditional craft and art.
Besides surface qualities, such as rough and smooth, dull and shiny, hard and soft, textiles also includes colour, and, as the dominating element, texture, which is the result of the construction of weaves. Like any craft it may end in producing useful objects, or it may rise to the level of art.
Harry Sternberg (1904–2001), was an American painter, printmaker and educator. He taught at the Art Students League of New York, from 1933 to c. 1966.
June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.
Eleanore Mikus was an American artist who began painting in the late 1950s in the Abstract Expressionist mode. By the early 1960s, she was creating monochromatic paintings with geometric patterns that according to Luis Camnitzer, “could be seen as conforming to the Minimalist aesthetic of the era while emphatically contradicting that style’s emotional distance and coldness.” In 1969, she began painting simple, cartoon-like images in bold, colorful strokes that anticipated Neo-Expressionism of the early 1980s. In the mid-1980s, Mikus resumed creating her abstract works. Since 1961, she has also been creating works of folded paper in which the “folds” make lines or textures that become integral to the material itself.
Willie Cole is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks.
William Henry Gerdts Jr. was an American art historian and professor of Art History at the CUNY Graduate Center. Gerdts was the author of over twenty-five books on American art. An expert in American Impressionism, he was also well known for his work on nineteenth-century American still life painting.
Tamarind Institute is a lithography workshop created in 1960 as a division of the University of New Mexico in Albuquerque, NM, United States. It began as Tamarind Lithography Workshop, a California non-profit corporation founded by June Wayne on Tamarind Avenue in Los Angeles in 1960. Both the current Institute and the original Lithography Workshop are referred to informally as "Tamarind."
Liliana Porter is an Argentine contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Louise Kramer was an American artist who was known for working in a wide range of media, from printmaking to drawing, sculpture, and site-specific installation.
Margo Humphrey is an American printmaker, illustrator and art teacher. She earned a Master of Fine Arts degree from Stanford after earning a Bachelor of Fine Arts degree at the California College of Arts and Crafts in printmaking. She has traveled in Africa, Brazil, the Caribbean, and Europe and has taught in Fiji, Nigeria, Uganda, and the University of Maryland. As a printmaker, she is known for her "bold, expressive use of color and freedom of form", creating works that are "engaging, exuberant and alive." Her work is considered to be "in the forefront of contemporary printmaking."
Jolán Gross-Bettelheim was a Hungarian artist who lived and worked in the United States from 1925 to 1956, before returning to Hungary.
Willie Birch is an American visual artist who works in a variety of mediums including drawing, painting, and sculpture. Birch was born in New Orleans, and currently lives and works in New Orleans. He completed his BA at Southern University in New Orleans, and received an MFA from Maryland Institute College of Art in Baltimore, Maryland.
Sylvia Wald was an American visual artist. Born in Philadelphia and educated at Moore Institute of Art, she began as a painter in the style of the American social realist school, before turning to Abstract Expressionism through her pioneering work in silk screening and sculptural collage. She has been noted for her "wide range of expression, diversity of media and technical excellence."
Carole Marie Byard was an American visual artist, illustrator, and photographer. She was an award-winning illustrator of children's books, and the recipient of a Caldecott Honor, as well as multiple Coretta Scott King Awards.
Alma Lucile Land Lacy was an American painter and printmaker.
Bertha Mae Landers (1911–1996) was an American painter and printmaker.
William Thacker McBride Jr. was an African-American artist, designer and collector. McBride began his career in the 1930s in the circles of black art collectives and artistic opportunities afforded by the Works Progress Administration. He would ultimately leave his mark in Chicago as a driving force behind the South Side Community Art Center. McBride distinguished himself as a teacher, as a cultural and political activist, and as a collector of African art and artwork by black artists of his generation.
This is a timeline of 20th Century printmaking in America.
