Fleming in 2009
Renée Lynn Fleming
February 14, 1959
Indiana, Pennsylvania, U.S.
|Residence||New York City|
|Occupation||Singer (lyric soprano) and Arts advocate|
(m. 1989;div. 2000)
Tim Jessell(m. 2011)
Renée Lynn Fleming (born February 14, 1959) is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions.Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. She has also sung and recorded lieder, chansons , jazz, musical theatre, and indie rock. She speaks fluent German and French, along with limited Italian. Her signature roles include Countess Almaviva in Mozart's Le nozze di Figaro , Desdemona in Verdi's Otello , Violetta in Verdi's La traviata , the title role in Dvořák's Rusalka , the title role in Massenet's Manon , the title role in Massenet's Thaïs , the title role in Richard Strauss's Arabella , the Marschallin in Der Rosenkavalier , and the Countess in Capriccio .
A soprano[soˈpraːno] is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano.
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full.
The word coloratura is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare. When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and 19th centuries, with runs, trills, wide leaps, or similar virtuoso-like material. Its instrumental equivalent is ornamentation. It is also now widely used to refer to passages of such music, operatic roles in which such music plays a prominent part, and singers of these roles.
A National Medal of Arts, Richard Tucker Award, and Fulbright Lifetime Achievement Medal winner, she regularly performs in opera houses and concert halls worldwide. She is the only classical singer ever to have performed the U.S. National Anthem at the Super Bowl. In 2010, she took the title of 'Creative Consultant' to the Lyric Opera of Chicago, the first person to hold such a title with the company.
The Super Bowl is the annual championship game of the National Football League (NFL) where the champion of the National Football Conference (NFC) competes against the champion of the American Football Conference (AFC). The game is the culmination of a regular season that begins in the late summer of the previous calendar year. Normally, Roman numerals are used to identify each game, rather than the year in which it is held. For example, Super Bowl I was played on January 15, 1967, following the 1966 regular season. The sole exception to this naming convention tradition occurred with Super Bowl 50, which was played on February 7, 2016, following the 2015 regular season, and the following year, the nomenclature returned to Roman numerals for Super Bowl LI, following the 2016 regular season. The upcoming Super Bowl is Super Bowl LIV, scheduled for February 2, 2020, following the 2019 regular season.
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicolà Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.
Conductor Sir Georg Solti said of Fleming, "In my long life, I have met maybe two sopranos with this quality of singing; the other was Renata Tebaldi."
Sir Georg Solti, was a Hungarian-born orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics, and being of Jewish background he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.
Renata Ersilia Clotilde Tebaldi was an Italian lirico-spinto soprano popular in the post-war period. Among the most beloved opera singers, she has been said to have possessed one of the most beautiful voices of the 20th century, a voice that was focused primarily on the verismo roles of the lyric and dramatic repertoires.
A daughter of two music teachers, Fleming was born on February 14, 1959, in Indiana, Pennsylvania, and grew up in Churchville, New York. She has great-grandparents who were born in Prague and later emigrated to the US. [ citation needed ]Fleming attended Churchville-Chili High School under the tutelage of Rob Goodling who taught orchestra, chorus, voice, theory/composition, and music history.
Indiana is a borough in and the county seat of Indiana County in the U.S. Commonwealth of Pennsylvania. The population was 13,975 at the 2010 census, and since 2013 has been part of the Pittsburgh metropolitan area after being a long time part of the Pittsburgh Media Market. Indiana is also the principal city of the Indiana, PA Micropolitan Statistical Area.
Churchville is a village in Monroe County, New York. According to the 2010 census, the population is 1,961. The village is named after Samuel Church, an early settler.
Prague is the capital and largest city in the Czech Republic, the 14th largest city in the European Union and the historical capital of Bohemia. Situated in the northwest of Czechia on the Vltava river, Prague is home to about 1.3 million people, while its metropolitan area is estimated to have a population of 2.6 million. The city has a temperate climate, with warm summers and chilly winters.
[ citation needed ]
Patricia Misslin is an American voice teacher and singer.
The Crane School of Music is located in Potsdam, New York, and is one of three schools which make up the State University of New York (SUNY) at Potsdam.
The State University of New York at Potsdam, also known as SUNY Potsdam, or, colloquially, Potsdam, is a public college in the village of Potsdam in St. Lawrence County, in the U.S. state of New York. Founded in 1816, it is among the oldest colleges in the United States. It is composed of the College of Arts & Sciences,the School of Business, the School of Education and Professional Studies, and the Crane School of Music.
[ citation needed ]
The Aspen Music Festival and School (AMFS) is a classical music festival held annually in Aspen, Colorado. It is noted both for its concert programming and the musical training it offers to mostly young-adult music students. Founded in 1949, the typical eight-week summer season includes more than 400 classical music events—including concerts by five orchestras, solo and chamber music performances, fully staged opera productions, master classes, lectures, and children's programming—and brings in 70,000 audience members. In the winter, the AMFS presents a small series of recitals and Metropolitan Opera Live in HD screenings.
Jan (Janice) DeGaetani was an American mezzo-soprano known for her performances of contemporary classical vocal compositions.
Transformations is a chamber opera in two acts by the American composer Conrad Susa with a libretto of ten poems by Anne Sexton from her 1971 book Transformations, a collection of confessional poetry based on stories by the Brothers Grimm. Commissioned by Minnesota Opera, the work, which is described by its composer as "An Entertainment in 2 Acts", had its world premiere on 5 May 1973 at the Cedar Village Theater in Minneapolis, Minnesota. Anne Sexton, who had worked closely with Susa on the libretto, was in the audience. It went on to become one of the most frequently performed operas by an American composer with its chamber opera format of eight singers and an instrumental ensemble of eight musicians making it particularly popular with smaller opera companies and conservatories. The 2006 revival production of Transformations at the Wexford Opera Festival won the Irish Times Theatre Award for Best Opera Production.
She won a Fulbright Scholarship, which enabled her to work in Europe with Arleen Augér and Elisabeth Schwarzkopf.[ citation needed ] She then sang at jazz clubs to pay for further studies at the Juilliard School. While at Juilliard she sang in roles with the Juilliard Opera Center, appearing as Musetta in Puccini's La bohème and the Wife in Menotti's Tamu-Tamu , among others. Her voice teacher at Juilliard was Beverley Peck Johnson.
Fleming began performing professionally in smaller concerts and with small opera companies while still a graduate student at Juilliard. She sang frequently in the Musica Viva concert series sponsored by the New York Unitarian Church of All Souls during the 1980s.In 1984 she sang nine songs by Hugo Wolf in the world premiere of Eliot Feld's ballet Adieu, which she again performed in 1987 and 1989 at the Joyce Theater. In 1986 she sang her first major operatic role, Konstanze in Die Entführung aus dem Serail , at the Salzburger Landestheater. Two years later she portrayed Thalie, Clarine and La Folie in Jean-Philippe Rameau's Platée with the Piccolo Teatro Dell Opera.
Her major break came in 1988 when she won the Metropolitan Opera Auditions at age 29. That same year she sang the Countess in The Marriage of Figaro in her debut with Houston Grand Opera. She reprised the role the following year in her debut at the Spoleto Festival.Also in 1989, Fleming made her debut with the New York City Opera as Mimì in La bohème under conductor Chris Nance and her debut with The Royal Opera, London, as Dircé in Cherubini's Médée . She also was awarded a Richard Tucker Career Grant and won the George London Competition.
In 1990 she was once again honored by the Richard Tucker Music Foundation but this time with the highly coveted Richard Tucker Award.That same year she made her debut with Seattle Opera in her first portrayal of the title role in Rusalka , a role that she has since recorded and reprised at many of the world's great opera houses. She also sang for the 50th anniversary of the American Ballet Theatre in their production of Eliot Feld's Les Noces and returned to the New York City Opera to sing both the Countess in Le nozze di Figaro and Micaela in Bizet's Carmen . She sang the title role in the U.S. premiere presentation of Donizetti's 1841 opera Maria Padilla with Opera Omaha. In addition, she sang the title role in Donizetti's Lucrezia Borgia with the Opera Orchestra of New York.
Fleming made her Metropolitan Opera and San Francisco Opera debut portraying Countess Almaviva in Le nozze di Figaro in 1991. She was originally not scheduled to make her Met debut until the following season, but stepped in to replace Felicity Lott who had become ill.She returned to the Met later that year to sing Rosina in the world premiere of John Corigliano's The Ghosts of Versailles . Continuing her progress, she made her Carnegie Hall debut performing music by Ravel with the New York City Opera Orchestra, sang Rusalka with Houston Grand Opera, and made her debut at the Tanglewood Music Festival as Ilia in Mozart's Idomeneo with Seiji Ozawa and the Boston Symphony Orchestra.
1992 saw Fleming making her debut with Grand Théâtre de Genève as Fiordiligi in Mozart's Così fan tutte ,and she sang the role of Anna in Boieldieu's La dame blanche at Carnegie Hall with the Opera Orchestra of New York and the role of Fortuna in Mozart's Il sogno di Scipione at Alice Tully Hall, as part of Lincoln Center's Festival of Mozart Operas in Concert.
Fleming sang the role of Alaide in Bellini's La straniera in a concert performance by the Opera Orchestra of New York; made her debut at the Rossini Opera Festival in the title role of Rossini's Armida ; and debuted with the Lyric Opera of Chicago in the title role of Carlisle Floyd's Susannah .
She also gave her New York City solo recital debut at Alice Tully Hall to great acclaim,sang her first Pamina in Mozart's The Magic Flute at the Metropolitan Opera, and performed Alban Berg's "Three Excerpts from Wozzeck and the "Lulu Suite" with the Metropolitan Opera Orchestra under James Levine.
The same season saw her singing in the world premiere of Joan Tower's Fanfare with Pinchas Zukerman and the Aspen Chamber Symphonyand in the world premiere of John Kander's Letter From Sullivan Ballou at the Richard Tucker Awards ceremony.
In June 1993, the American soprano Arleen Auger died, a victim of cancer. Fleming performed some recital pieces during Auger's funeral in Frank E. Campbell Funeral Chapel in New York City.
During the 1993/1994 season, Fleming sang her first Desdemona in Verdi's Otello and her first Ellen Orford in Britten's Peter Grimes , both with the Metropolitan Opera.During the following summer, she made her debut at the Glyndebourne Festival as the Countess in Le nozze di Figaro. In addition, she performed the role of Madame de Tourvel in the world premiere of Conrad Susa's The Dangerous Liaisons . The 1994/1995 San Francisco Opera's season included her Salome in Massenet's Hérodiade .
In 1995 Fleming portrayed the Marschallin in Der Rosenkavalier with Houston Grand Opera; sang in Salomé in Massenet's Hérodiade with the Opera Orchestra of New York at Carnegie Hall;and sang Rusalka with the San Francisco Opera. Fiordiligi in Così fan tutte with Solti at Royal Festival Hall in London followed, as did a lauded recital at the Morgan Library.
A highlight of 1996 was her signing of an exclusive recording contract with the London/Decca label, making her the first American singer in 31 years to do so, the last having been Marilyn Horne.
The title role in Rossini's Armida at the Pesaro Festival in Italy also came in 1996. Fiordiligi in Così fan tutte at the Met followed, as did the soprano solo in the Verdi Requiem with the Metropolitan Opera Orchestra at Carnegie Hall.Her debut in the role of Marguerite in Gounod's Faust came with Chicago Lyric Opera, and she sang the role of Donna Anna in Mozart's Don Giovanni with the Paris Opera at the reopening of the Palais Garnier with Sir Georg Solti.
Solti chose Fleming to be the first recipient of his "Solti Prize", an award given to an outstanding younger singer, and given by the "Académie du disque lyrique" in a ceremony equivalent to the Grammy Awards.That year, Fleming debuted at the Bayreuth Festival as Eva in Wagner's Meistersinger . Her other performances included recitals at the Edinburgh International Festival and at Alice Tully Hall.
Her first Manon at the Opéra Bastille received glowing reviews [ citation needed ] in 1997. At the Bastille, she also reprised the Marschallin in Der Rosenkavalier as well as singing Marguerite in Faust and Rusalka at the Met.
Two concert performances occurred: first with the New York Philharmonic, first under Zubin Mehta performing a selection of opera arias; the second singing Mozart's Exsultate, jubilate and three songs of Richard Strauss with Kurt Masur. She appeared at the Ravinia Festival with the Chicago Symphony Orchestra and performed Samuel Barber's Knoxville: Summer of 1915 with the Orchestra of St. Luke's under André Previn. She gave recitals as well at notable venues such as the Salzburg Festival.
Two title roles were offered to Fleming in 1998. These were Richard Strauss' Arabella with Houston Grand Opera and Carlisle Floyd's Susannah . Also, there was Countess Almaviva in a landmark production of Le nozze di Figaro at the Met which also starred Cecilia Bartoli, Susanne Mentzer, Dwayne Croft, Danielle de Niese, and Bryn Terfel and which was broadcast on PBS' Great Performances .She made her Carnegie Hall recital debut and sang Richard Strauss's Four Last Songs with Claudio Abbado and the Gustav Mahler Youth Orchestra at the Salzburg Festival. and later with the Berlin Philharmonic.
She originated the roles of Blanche DuBois in the world première André Previn's A Streetcar Named Desire with the San Francisco Opera in September 1998.
1999 brought appearances at the Bavarian State Opera as the Marschallin in Der Rosenkavalier and she returned to Carnegie Hall to great success with a concert of German lieder. She also performed in recital with André Previn and made her debut at the Schleswig-Holstein Festival.Fleming's CD, The Beautiful Voice, won her a Grammy Award that year.
Performances of two new title roles were given: Handel's Alcina with Les Arts Florissants and conductor William Christie and with the Lyric Opera of Chicagoand Charpentier's Louise with San Francisco Opera and Théâtre du Capitole. Fleming closed out the year by performing for President Bill Clinton at the White House for a Christmas celebration.
In 2000, Fleming appeared at the Metropolitan Opera, San Francisco Opera and at Covent Garden as the Marschallin in Der Rosenkavalier and sang the title role in Donizetti's Lucrezia Borgia with the Opera Orchestra of New York.
She appeared as Donna Anna in Mozart's Don Giovanni at the Salzburg Festival and at the Met. She performed with the Orchestra of St. Luke's, under Mark Elder as part of the PBS series Live From Lincoln Center and with the Boston Symphony Orchestra in Haydn's Creation under James Levine.In June of that year she sang at the installation of New York Archbishop Edward Egan.
As Desdemona in Otello she opened the 2001/02 Lyric Opera of Chicago season, Manon with the Paris Opera, the Marschallin with both the San Francisco Opera and the Met, and Arabella at both the Bavarian State Opera and the Met. She also sang in Verdi's Requiem twice, once with the London Symphony Orchestra and once with the New York Philharmonic. Fleming also sang at World Trade Center site shortly after the September 11 attacks.
Taking a rather different approach, in 2002 Fleming provided the vocals for Howard Shore's soundtrack for The Lord of the Rings: The Return of the King soundtrack. Her singing can be found in the songs "The End of All Things", "Twilight and Shadow" and "The Return of the King" (Original Soundtrack) and "The Grace Of Undómiel", "Mount Doom", "The Eagles" and "The Fellowship Reunited" (The Complete Recordings). She also sang in several concerts in the United Kingdom with Bryn Terfel and gave the most extensive recital tour of her career, singing in dozens of recitals with accompanist Jean-Yves Thibaudet throughout the United States, Europe, Australia, and Asia. In addition, she portrayed the role of Rusalka with Opéra Bastille and Imogene in Bellini's Il pirata with Théâtre du Châtelet in Paris.
Her career at the Metropolitan Opera continued in 2003 with Imogene and Violetta in La traviata . She sang the title role in Massenet's Thaïs with the Lyric Opera of Chicago, in addition to Rusalka at Covent Garden and another Violetta with Houston Grand Opera. A reprise of Blanche in Previn's A Streetcar Named Desire took place at the Barbican Centre in London.
Met performances continued in 2004, with Fleming portraying Rodelinda in Handel's opera and reprises of Rusalka and Violetta at the Met. She also sang her first Gräfin (Countess) in Capriccio at the Palais Garnier and performed in concerts with the Chicago Symphony Orchestra, the Philadelphia Orchestra, the Boston Symphony Orchestra, the Los Angeles Philharmonic, and the Toronto Symphony Orchestra among others. Recitals were given in Spain, Switzerland, Germany, Canada, and the United States and performed in several concerts with Elton John at Radio City Music Hall.
Massenet's Manon at the Met, Desdemona in Verdi's Otello at Covent Garden, and Thaïs in Vienna were part of her 2005 repertoire, in addition to concerts with the Berlin Philharmonic, the London Symphony Orchestra, the Baltimore Symphony Orchestra, the New Jersey Symphony, the Rochester Philharmonic, and the Mormon Tabernacle Choir among several other ensembles.
In 2006, Fleming performed a solo concert at the Lyric Opera of Chicago with Sir Andrew Davis, sang Violetta in La traviata with Los Angeles Opera; returned to the Met to sing both Manon and Rodelinda; and took up Violetta in the Met's touring production to Japan. Several recitals and concerts throughout the United States, Italy, Russia, Sweden and Austria took place, the latter being a celebration of Mozart's 250th Birthday with the Vienna Philharmonic which was broadcast live internationally.She also recorded song cycles with pianist Brad Mehldau, which were released as Love Sublime .
Violetta reappeared the following year in Chicago; Tatyana in Eugene Onegin and Violetta were given at the Metropolitan Opera; her Arabella was seen at the Zurich Opera, as was Thaïs at the Théâtre du Châtelet, The Royal Opera, London, Vienna State Opera, and the Liceu, Barcelona. Performances with over a dozen orchestras, including the Monte-Carlo Philharmonic Orchestra, the National Symphony Orchestra, the Vancouver Symphony, the Boston Symphony, the San Francisco Symphony, the China Philharmonic Orchestra, the Los Angeles Philharmonic, and the Baton Rouge Symphony Orchestra where she appeared as a Pennington Great Performers series artist. Additionally, Fleming appeared at numerous music festivals, including the Salzburg Festival and the Lincoln Center Festival and she gave recitals throughout Southeast Asia, Germany, and Switzerland.
The 2008/09 season resulted in Fleming singing Desdemona and Thais at the Metropolitan Opera, the Gräfin in Capriccio at the Vienna State Opera, Tatyana at the Tanglewood Music Festival, and Lucrezia Borgiaat the Washington National Opera.
In 2009, Fleming premiered the complete version of Le temps l'horloge by Henri Dutilleux. She sang Violetta at Covent Garden and Rusalka at the Metropolitan Opera, the Marschallin at the Baden-Baden Festival, the Théâtre des Champs-Élysées and the Metropolitan Opera. She sang a variety of short pieces at Napa Valley's Festival del Sole in California.
During the 2009/2010 Metropolitan Opera season, Fleming sang in Mary Zimmerman's new production of Rossini's Armida , in the first-ever production of the opera by the company. She returned to that role during the Met's 2010/2011 season, along with the Gräfin in Capriccio.
In an April 15, 2010, Wall Street Journal article, Fleming talked about her view of the battle between opera traditionalists and those who want to reinterpret the standards, siding – with some reservations – with the latter:
She said her "classic" image meant that she was unlikely to be asked to perform in such productions. In the same interview, Fleming explained her increasing preference for performing in concerts, rather than opera productions, and said, having learned more than 50 operas, that she is unlikely to learn many more.
At the Last Night of the Proms in London in 2010, Fleming performed songs by Richard Strauss, Dvořák and Smetana. That November, the Charlie Haden Quartet West released the jazz CD Sophisticated Ladies in which Fleming was a guest vocalist on the song "A Love Like This" by Ned Washington and Victor Young while in December, the Board of Directors of Lyric Opera of Chicago announced that Fleming has been named Creative Consultant, a first in the company’s history.
On June 18, 2014, Fleming performed as a guest of honour at Tokyo Global Concert at New National Theatre, Tokyo. It was her third visit to Japan after the previous one eight years ago. Roberto Abbado conducted Tokyo City Philharmonic Orchestra in the concert.
On May 13, 2017, Fleming performed the role of the Marschallin in Der Rosenkavalier for the last time at the Metropolitan Opera.Fleming sang the role of Nettie Fowler in a 2018 Broadway revival of Carousel at the Imperial Theatre, earning her a Tony nomination. In April, 2019, Fleming appeared opposite actor Ben Whishaw in "Norma Jeane Baker of Troy', the inaugural production in the Griffin Theater at The Shed (Hudson Yards).
Fleming has been married twice. Fleming married actor Rick Ross in 1989, and their marriage produced two daughters. The couple divorced in 2000.On September 3, 2011, Fleming married tax lawyer Tim Jessell, whom she met on a blind date set up by author Ann Patchett.
Fleming has released a number of music recordings on the Decca label. In 2000 she was a guest artist alongside the cellist Julian Lloyd Webber and the violinist Gil Shaham on the album Two Worlds by Dave Grusin and Lee Ritenour. She recorded a jazz album in 2005 entitled Haunted Heart. She appears on the soundtrack of the 2003 film The Lord of the Rings: The Return of the King in which she sings in the fictional language Sindarin. Renée Fleming recorded the duet "O soave fanciulla" with Michael Bolton. Her album Dark Hope , released in June 2010, features covers of songs by Leonard Cohen, Band of Horses, Jefferson Airplane and others.Fleming appears on the soundtrack of the 2011 Steven Spielberg animated film The Adventures of Tintin: The Secret of the Unicorn as the singing voice of opera diva Bianca Castafiore, singing Juliette's waltz from Gounod's Romeo et Juliette. She recorded Alexandre Desplat's theme song "Still Dream" for the 2012 DreamWorks animated feature, Rise of the Guardians . Fleming features in the song "You'll Never Know" of the soundtrack of the 2017 film The Shape of Water . Fleming provided the singing voice of Roxann Coss, the American opera diva played by Julianne Moore, in the 2018 film Bel Canto (film).
Fleming appeared on the children's show Sesame Street singing a lively rendition of "Caro nome" from Rigoletto , replacing the traditional Italian text with lyrics intended to aid children learning to count. She performed several times on Garrison Keillor's public radio program A Prairie Home Companion .[ citation needed ]
Fleming appeared as a "Special Guest Vocalist" on Joe Jackson's 1994 album Night Music on the song "Lullaby". On November 18, 2005, Fleming appeared as guest on the BBC Radio 4 radio programme Desert Island Discs ; her favourite was Joni Mitchell's 1971 song "River".
Fleming performed "I'll Be Home For Christmas" on ABC's The View on December 18, 2008. She performed on January 18, 2009, at We Are One: The Obama Inaugural Celebration at the Lincoln Memorial, singing the Rodgers and Hammerstein classic "You'll Never Walk Alone" with the combined choirs of the United States Naval Academy. She had performed the same song at the Concert for America, which marked the first anniversary of 9/11.
Fleming was featured on the first episode of the second season of HBO Masterclass . She led a master class in which she taught and mentored four aspiring college-aged singers. She was featured on Charlie Haden's Sophisticated Ladies (EmArcy, 2010) singing "a Love Like This". On Good Morning America on June 8, 2010, Fleming performed a cover of Muse's "Endlessly" from their album Absolution .
On March 20, 2011, Fleming appeared in Grand Finale concert of the YouTube Symphony Orchestra with the Sydney Children's Choir, performing Mozart's "Caro bell'idol mio" K562, under the baton of Michael Tilson Thomas.In less than one week, the concert had 33 million online views.
On June 4, 2012, she performed at the Queen Elizabeth II Diamond Jubilee Concert in front of and on the balcony of Buckingham Palace.
On September 26, 2013, Fleming sang the Top 10 List ("Top 10 Opera Lyrics") on CBS's Late Show with David Letterman .
In July 2014, Fleming played the role of an opera diva in a new comedy by Joe DiPietro, Living on Love directed by Kathleen Marshall, at the Williamstown Theatre Festival; Fleming made her Broadway debut in this play at the Longacre Theatre in April 2015.
On February 2, 2014, Fleming was the first opera singer to perform "The Star-Spangled Banner" as part of the Super Bowl XLVIII pre-game ceremonies, performing to a standing ovation and helping to propel the Fox Network to the highest ratings of any television program in the network's history. It also built up what was then the largest audience in the history of American television,until it was eclipsed by NBC's airing of Super Bowl XLIX the following year.
On September 1, 2018, Fleming sang "Danny Boy" at the funeral service for Senator John McCain held at the Washington National Cathedral.
|1978||Laurie Moss||Aaron Copland||The Tender Land||Crane School of Music – SUNY Potsdam|
|1979||Alison||Gustav Holst||The Wandering Scholar||Crane School of Music – SUNY Potsdam|
|1980||Elsie Maynard||Gilbert and Sullivan||The Yeomen of the Guard||Crane School of Music – SUNY Potsdam|
|1981||Zerlina||Mozart||Don Giovanni||Eastman School of Music|
|1983||Anne Sexton||Conrad Susa||Transformations||Aspen Music Festival and School|
|1984||Countess Almaviva||Mozart||The Marriage of Figaro||Aspen Music Festival and School|
|1983||Musetta||Puccini||La bohème||Juilliard Opera Center|
|1986||Konstanze||Mozart||Die Entführung aus dem Serail||Salzburger Landestheater|
|1986||Belle Fezziwig & Laundress,|
Martha Cratchit, Rosie
|Thea Musgrave||A Christmas Carol||Virginia Opera|
|1987||the Wife||Menotti||Tamu-Tamu||Juilliard Opera Center|
|1987||Anne||Stravinsky||The Rake's Progress||Aspen Music Festival and School|
|1988||Thalie, Clarine, La Folie||Jean-Philippe Rameau||Platée||Piccolo Teatro Dell Opera|
|1988||Pamina||Mozart||The Magic Flute||Virginia Opera|
|1989||Mimì||Puccini||La bohème||New York City Opera|
|1989||Dircé||Cherubini||Médée||Royal Opera House, Covent Garden|
|1989||Imogene||Bellini||Il pirata||Opera Orchestra of New York|
|1990||Micaëla||Bizet||Carmen||New York City Opera|
|1990||Lucrezia Borgia||Donizetti||Lucrezia Borgia||Opera Orchestra of New York|
|1990||Maria Padilla||Donizetti||Maria Padilla||Opera Omaha|
|1991||Rosina||Corigliano||The Ghosts of Versailles||Metropolitan Opera|
|1991||Ilia||Mozart||Idomeneo||Tanglewood Music Festival|
|1991||Amina||Bellini||La sonnambula||Carnegie Hall|
|1991||Thaïs||Massenet||Thaïs||Washington Concert Opera|
|1991||Sandrina||Mozart||La finta giardiniera||Paris, Salle Pleyel|
|1992||La Contessa di Folleville||Rossini||Il viaggio a Reims||Royal Opera House, Covent Garden|
|1992||Fiordiligi||Mozart||Così fan tutte||Grand Théâtre de Genève|
|1992||Anna||Boieldieu||La dame blanche||Carnegie Hall|
|1992||Fortuna||Mozart||Il sogno di Scipione||Alice Tully Hall, Lincoln Center|
|1992||Tatyana||Tchaikovsky||Eugene Onegin||Dallas Opera|
|1993||Armida||Rossini||Armida||Pesaro, Rossini Festival|
|1993||Donna Elvira||Mozart||Don Giovanni||Teatro alla Scala|
|1993||Alaide||Bellini||La straniera||Carnegie Hall|
|1993||Susannah||Floyd||Susannah||Lyric Opera of Chicago|
|1993||Lulu||Alban Berg||Symphonic Pieces from Lulu||Metropolitan Concert/Gala at Ann Arbor, Michigan|
|1993||Jenůfa||Leoš Janáček||Jenůfa||Dallas Opera|
|1994||Ellen Orford||Britten||Peter Grimes||Metropolitan Opera|
|1994||Madame de Tourvel||Conrad Susa||The Dangerous Liaisons||San Francisco Opera|
|1994||Salome||Massenet||Hérodiade||San Francisco Opera|
|1994||Rosmonda Clifford||Donizetti||Rosmonda d'Inghilterra||London|
|1995||Marschallin||R. Strauss||Der Rosenkavalier||Houston Grand Opera|
|1995||Amelia||Verdi||Simone Boccanegra||Royal Opera at Covent Garden|
|1996||Marguerite||Gounod||Faust||Lyric Opera of Chicago|
|1996||Donna Anna||Mozart||Don Giovanni||Opéra national de Paris|
|1996||Eva||Wagner||Die Meistersinger von Nürnberg||Bayreuth Festival|
|1998||Arabella||R. Strauss||Arabella||Houston Grand Opera|
|1998||Blanche DuBois||André Previn||A Streetcar Named Desire||San Francisco Opera|
|1998||Gabriel / Eva||Joseph Haydn||Die Schöpfung||Tanglewood Music Festival|
|1999||Alcina||Handel||Alcina||Opéra national de Paris|
|1999||Louise||Charpentier||Louise||San Francisco Opera|
|2003||Violetta||Verdi||La traviata||Houston Grand Opera|
|2004||Gräfin||R. Strauss||Capriccio||Palais Garnier|
|2005||Daphne||R. Strauss||Daphne||University of Michigan|
|2010||Hanna Glawari||Lehár||The Merry Widow||Semperoper|
|2012||Ariadne||R. Strauss||Ariadne auf Naxos||Baden-Baden|
|2018||Nettie Fowler||Rodgers and Hammerstein||Carousel||Imperial Theatre, Broadway (Tony nomination)|
Dame Kiri Janette Te Kanawa is a New Zealand soprano. She has a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced".
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s until her eventual dismissal from the Metropolitan Opera in 1994. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
Jessye Mae Norman is an American opera singer and recitalist. A dramatic soprano, Norman is associated in particular with the Wagnerian repertoire, and with the roles of Sieglinde, Ariadne, Alceste, and Leonore. Norman has been inducted into the Georgia Music Hall of Fame and is a Spingarn Medalist. Apart from receiving several honorary doctorates and other awards, she has also received the Grammy Lifetime Achievement Award, the National Medal of Arts, and is a member of the British Royal Academy of Music.
Thomas Walter Hampson is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings.
Elisabeth Sara “Elly” Ameling is a Dutch soprano, now retired, who was particularly known internationally for lieder recitals and for singing works by Johann Sebastian Bach. Performing with notable pianists and ensembles around the globe, she was awarded honours and recording prizes.
Helen Jeanette Donath is an American soprano with a career spanning fifty years.
Susanna Phillips (Huntington) is an American singer who has sung leading lyric soprano roles at leading American and international opera houses.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Dame Gwyneth Jones, is a Welsh operatic dramatic soprano.
Elizabeth Harwood was an English lyric soprano. After a music school, she enjoyed an operatic career lasting for over two decades and worked with such conductors as Colin Davis and Herbert von Karajan. She was one of the few English singers of her generation to be invited to sing in productions at the Salzburg Festival and La Scala, Milan, as well as at the Metropolitan Opera.
Alessandra Marc is an American dramatic soprano who has appeared at many of the world's opera houses and orchestras. Marc is particularly known for her interpretations of the works of Richard Strauss, Richard Wagner, Giuseppe Verdi, music of the Second Viennese School, and the title role in Puccini's Turandot.
Judith Raskin was an American lyric soprano, renowned for her fine voice as well as her acting.
Joyce Arleen Auger was an American soprano, admired for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Gluck, and Mozart.
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
Claire Watson was an American soprano, particularly associated with Mozart and Richard Strauss roles.
Joyce DiDonato is an American operatic lyric-coloratura mezzo-soprano notable for her interpretations of the works of Handel, Mozart, and Rossini.
Meagan Miller is an American soprano with an active international career in opera, recital and concert.
Dawn Kotoski is an American operatic soprano who has a substantial international opera career. She began her career at the Metropolitan Opera in New York City during the late 1980s singing lighter lyric soprano and soubrette roles. She joined the Vienna State Opera for the 1993–1994 season and since then her career has been centered mostly in Europe. She is the wife of tenor Neil Shicoff.
Hanna-Elisabeth Müller is a German soprano in opera, concert and recitals.
Camellia Johnson was an American concert and opera singer. She began her career performing works from the mezzo-soprano repertoire, but after encouragement from the staff at the Metropolitan Opera retrained her voice as a soprano. She successfully made that transition after winning the Young Concert Artists competition in 1993. She went on to perform as a leading soprano with orchestras and opera companies internationally.
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