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Return of the DJ, Vol. 1 is a 1995 compilation released by Bomb Hip-Hop Records. This project was the first all dj/all scratching (turntablist) album ever released. It has been re-released in 1997 with new album artwork, Return of the DJ, Vol. 1 compilation and a collection of beats for DJ's ('Peanut Butter Breaks'). Return of the DJ is known as the first all-DJ album, helping to start the careers of turntablists such as DJ Q-bert, Cut Chemist, DJ Z-Trip, and others. [1]
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
Richard Quitevis known by his stage name DJ Qbert or Qbert, is a Filipino American turntablist and composer who has heavily influenced the History of DJing. He was awarded America's Best DJ in 2010, was DMC USA Champion 1991 (solo) and achieved titles as DMC World Champion in 1992 and 1993.
Lucas MacFadden, better known as Cut Chemist, is an American DJ and record producer. He is a former member of Jurassic 5 and Ozomatli. He has collaborated with DJ Shadow on a number of projects.

Scratch is a 2001 documentary film, directed and edited by Doug Pray. The film explores the world of the hip-hop DJ from the birth of hip-hop when pioneering DJs began extending breaks on records, to the invention of scratching and beat juggling, to the more recent explosion of turntablism. Throughout the documentary, many artists explain how they were introduced to hip-hop while providing stories of their personal experiences.
Stones Throw Records is an American independent record label based in Los Angeles, California. Under the direction of founder Peanut Butter Wolf, Stones Throw has released music ranging from hip hop to experimental psychedelic rock. LA Weekly deemed the label an "eternally evolving experiment" in celebration of its 20th anniversary.
The Beat Junkies is an American hip hop crew of DJs specializing in turntablism.
Michael Schwartz, better known by his stage name Mix Master Mike, is an American turntablist best known for his work with Beastie Boys.

Brainfreeze is a live DJ mix album by American producers DJ Shadow and Cut Chemist, released "sometime" in 1999. The two tracks of the album are uninterrupted recordings from a live performance where they sampled hit funk, soul, rock and jazz singles from 45 rpm vinyl records. This type of recording was pioneered by the duo Double Dee and Steinski through their "Lessons".
Noisy Stylus is a turntablist group from Cologne, Germany. It was founded in 1997 and consists of four DJs: Adlib, Tre Styles, Tobeyer and Dynamike.

Dr. Octagonecologyst is the debut solo studio album by American rapper and Ultramagnetic MCs member Kool Keith, released under the alias Dr. Octagon. Originally titled Dr. Octagon, it was released on May 7, 1996, on Bulk Recordings in the United States and Mo' Wax in the United Kingdom. The album was reissued with a different track listing by DreamWorks Records in 1997 under the title Dr. Octagonecologyst. The album was produced by Dan "The Automator" Nakamura and featured the work of turntablist DJ Qbert. KutMasta Kurt provided additional production work. The artwork for Dr. Octagonecologyst was drawn by Brian "Pushead" Schroeder.

My Vinyl Weighs a Ton is the debut studio album by American hip hop producer and DJ Peanut Butter Wolf. It was released in 1999 on his own record label, Stones Throw Records, in conjunction with Copasetik Records. It peaked at number 44 on the UK Independent Albums Chart. On the week of March 1, 1999, it reached number 1 on the KTUH Top 30 chart.
Turntablist Transcription Methodology, or TTM, is a notation system for scratching and turntablism. The system was founded by John Carluccio in 1997. A booklet detailing the system was written and published by John Carluccio, industrial designer Ethan Imboden and Raymond Pirtle in 2000. It is an intuitive graphical representation of the movement of a record whilst performing with a turntable, and was originally documented in a booklet form for distribution used by turntablists around the world.
Anthony Williams, better known as Roc Raida or Grandmaster Roc Raida, was an American DJ, turntablist and producer. He was also a member of the DJ group the X-Ecutioners.

Scratch is the soundtrack to the 2001 documentary Scratch directed by Doug Pray. Scratch examines cultural and historical perspectives on the birth and evolution of hip-hop disc jockeys (DJs), scratching and turntablism and includes interviews with some of hip-hop's most famous and respected DJs.
The San Francisco-based Bomb Hip-Hop Records has evolved since its humble beginnings in 1991 as a hip-hop publication to "one of the fifteen independent labels that matter" according to Rolling Stone. Bomb’s Return of the DJ series was ranked by Spin Magazine as #25 in their “The 90 Greatest Albums of the 90’s”. Having been credited with the revival of the D.J. as an artist in their own right for the Return of the DJ series, featured in the movie Scratch, the label is also known for spotlighting hip-hop from around the world. With a total of 77 releases to date, some of the artists that have appeared on releases from Bomb Hip-Hop include Dilated Peoples, Blackalicious, J-Live, Cut Chemist from Jurassic 5, Qbert, DJ Craze, Z-Trip, Rob Swift & Roc Raida from X-ecutioners, Noisy Stylus, Mr. Dibbs of Atmosphere, DJ Honda, DJ Format, Peanut Butter Wolf, Swollen Members, Defari, Paul Nice and AG of D.I.T.C., Jedi Mind Tricks, Mystik Journeymen, Kid Koala and Mixmaster Mike of the Beastie Boys.
Badmeaningood Vol.4 is a compilation of tracks chosen and mixed by British turntablists Scratch Perverts. The album was released by Whoa Music & Ultimate Dilemma, an independent record label which was part of the NewsCorp Music Group before it was absorbed into A&E Records in 2003. The series was started by the author A. W. Wilde.

Instrumentalyst (Octagon Beats) is a remix album by American emcee Keith Thornton, credited under the title Dr. Octagon. Released in 1996, it is the instrumental version of Dr. Octagonecologyst. It is Thornton's second album under the Dr. Octagon alias. Instrumentalyst (Octagon Beats) was produced by Dan "The Automator" Nakamura and featured the work of turntablist DJ Qbert. KutMasta Kurt provided additional production work. The artwork was drawn by Brian "Pushead" Schroeder.
DJ Damage is an Australian hip hop DJ and turntablist from Brisbane, Australia. He started in hip hop culture via breaking and buying records in 1983. DJ Damage was in Brisbane mid 90s hip hop group Towering Inferno, and a member of the Big Rigs six turntable DJ team from the same period. DJ Damage is currently a member of The Optimen. He was a member of the turntablist crew the Terntable Jediz. He is also a member of the Brisbane new jazz and funk band Step It Up.
Joshua Paul Davis, better known by his stage name DJ Shadow, is an American DJ and record producer. His debut studio album, Endtroducing....., was released in 1996. He is known for layered production that uses numerous samples, often from obscure sources, to create new compositions and whose music was described in Allmusic as having "revolutionized hip-hop".