Richard Savage (poet)

Last updated

Richard Savage
Richard Savage - a romance of real life (1844) (14796074993).jpg
Illustration from Richard Savage: A Romance of Real Life by Charles Whitehead
Bornc. 1697
Died1 August 1743 (aged 46)
OccupationPoet, satirist
Relatives Richard Savage, 4th Earl Rivers (father, disputed)
Anne Gerard, Countess of Macclesfield (mother, disputed)

Richard Savage (c. 1697 – 1 August 1743) was an English poet. He is best known as the subject of Samuel Johnson's Life of Savage , originally published anonymously in 1744, which is based on one of the most elaborate of Johnson's Lives of the English Poets .



Early life

Title page of Life of Mr Richard Savage An Account of the Life of Mr Richard Savage by Samuel Johnson title page 1744.jpg
Title page of Life of Mr Richard Savage

What is known about Savage's early life mostly comes from Johnson's Life of Savage. However, such information is not entirely trustworthy, since Johnson did not feel the need to thoroughly investigate Savage's past. Johnson relied almost solely on books, papers and magazines that publisher Edward Cave retrieved for him from The Gentleman's Magazine 's archives. [1]

In 1698 Charles Gerard, 2nd Earl of Macclesfield, obtained a divorce from his wife, Anne, daughter of Sir Richard Mason. Shortly afterwards she married Colonel Henry Brett. Lady Macclesfield had two children by Richard Savage, 4th Earl Rivers, [2] the second of whom was born at Fox Court, Holborn, on 16 January 1697, and christened two days later at St Andrew, Holborn, as Richard Smith. Six months later the child was placed with nurse Anne Portlock in Covent Garden. Nothing more is positively known of him, but Savage later claimed to be this child. He stated that he had been cared for by Lady Mason, his grandmother, who had put him in a school near St Albans, and by his godmother, one Mrs Lloyd. He said he had been pursued by the relentless hostility of his mother, by then Mrs Brett, who had prevented Lord Rivers from leaving £6,000 to him, had tried to have him abducted to the West Indies and then apprenticed him as a shoemaker in Holborn. Savage claimed to have discovered his true identity in 1714, through reading some letters by Mrs Lloyd. [3] The first recorded occurrence of his name dates back to 1715, when he identified himself as "Mr. Savage, natural son to the late Earl Rivers" after being arrested for possessing a censored political pamphlet. He continued to use this name afterwards and gave further details of his parentage in Jacob's Poetical Register. [4]

Early career

Savage's first certain work was a poem satirizing Bishop Hoadly, entitled The Convocation, or The Battle of Pamphlets (1717), which he afterwards tried to suppress. He adapted from a Spanish comedy, Love in a Veil , [5] (acted 1718, printed 1719), which gained him the friendship of Sir Richard Steele, who became his first patron, and of Robert Wilks. With Steele, however, he soon quarrelled. In 1723 he played without success in the title role of his tragedy, Sir Thomas Overbury (1723), which nonetheless provided him a considerable amount of notoriety.

By that time, Savage's story had become well known among literary circles, and he appeared lightly disguised in Eliza Haywood's novel Memoirs of a Certain Island Adjacent to the Kingdom of Utopia (1725). Haywood, an actress and best-selling novelist whose works were often a cause of scandal, purportedly had a romantic relationship with Savage, with whom she was rumored to have had a son. Savage actively participated with Haywood in the era's propensity for satire and praised her in several works, such as his prefatory poem for Haywood's Love in Excess. The two later quarrelled, and Savage satirized her in scathing terms in Authors of the Town (1725) and in An Author to be Let (1730), in which he referred to her as a "cast-off Dame" who "Writes Scandal in Romance." [6] Haywood was also lampooned as nothing more than a literary prostitute in Alexander Pope's The Dunciad , for which Savage was one of the chief sources of petty gossip about the "dunces" of Grub Street portrayed in the satire. [7]

In 1724 Savage was taken up by writer Aaron Hill, thus becoming part of a circle known as the "Hillarian Group", which included several young poets such as John Dyer and James Thomson. Hill promoted their work in the bi-weekly magazine The Plain Dealer. Savage's relationship with Hill, which developed over a period of ten years, proved instrumental in providing him the most important contacts in his career and, above all, in launching a persistent campaign to extort recognition and money from Mrs Brett.

Savage's Miscellaneous Poems were published by subscription in 1726. Savage openly exposed the story of his birth in the Preface, and made repeated oblique references to his mother and his status of abandoned genius in many of the poems. [8] Mrs Brett reportedly paid him money to suppress the Poems, either to soothe him or to silence him.

1727 trial

Gentlemen of the Jury, you are to consider, that Mr. Savage is a very great Man, a much greater Man than you or I, Gentlemen of the Jury; that he wears very fine Clothes, much finer Clothes than you or I, Gentlemen of the Jury; that he has abundance of Money in his Pocket, much more Money than you or I, Gentlemen of the Jury; but, Gentlemen of the Jury, is it not a very hard Case, Gentlemen of the Jury, that Mr. Savage should therefore kill you or me, Gentlemen of the Jury? [9]

Judge Page's speech to the Jury as reported in Johnson's Life of Mr. Richard Savage

On the night of 20 November 1727, Savage ran into two acquaintances, James Gregory and William Merchant. After staying out drinking until past midnight, they demanded a room at Robinson's coffeehouse near Charing Cross. Merchant, not being satisfied with being told to wait for a party of guests to depart, started a brawl in which Savage, amid the chaos, apparently stabbed and mortally wounded one James Sinclair, as well as injuring a maid. [10] The following day, all three were committed in Newgate Prison, where they assured themselves that they would be charged with manslaughter, since no premeditation was involved in Sinclair's death. However, on 6 December, when they appeared at court at the Old Bailey, they were charged with murder. Sinclair's friends and the employees of Robinson's coffeehouse, moreover, proved pitiless in their testimony for the prosecution. A Mr. Nuttal, although not having seen Savage inflict the wound, suggested Sinclair had already surrendered when Savage attacked him, while Mr Limery, another of Sinclair's friends, saw Savage physically attack but reported that Sinclair still had his sword in hand. [11] Further statements by Nuttal and Jane Leader, an employee at Robinson's, clearly established that in his final dying words Sinclair explicitly identified Savage as the man who stabbed him. [12] The defence, on the other hand, tried to establish Savage's innocence by stressing the ill reputation of the Coffeehouse, by claiming that Savage acted in self-defence, and by insisting on the trustfulness and considerable social standing of the accused. The judge, Francis Page, was not impressed by their attempts, and in a speech filled with sarcastic comments made it clear to the jury what verdict he was expected to see delivered. [13] At the end of an exceptionally long trial lasting eight hours, the jury found Savage and Gregory guilty of murder, and Merchant of manslaughter.

Savage's and Merchant's friends and acquaintances solicited a pardon from the Crown, as was customary following a death sentence. These did not include Savage's mother, who not only maintained her lifelong hostility towards her supposed son, but also recounted an earlier incident in which Savage had broken into her house in one of his repeated attempts at reconciliation and, according to her, had instead attempted to murder her. Poet and playwright Charles Beckingham wrote a defensive pamphlet called The Life of Mr. Richard Savage, and even Lord Tyrconnel, Mrs Brett's own nephew, petitioned to the king and queen for a pardon. Savage eventually escaped the death penalty by the intercession of the Countess of Hertford, [14] who appealed to Queen Caroline.

Subsequent fame and decline

This Performance was always considered by himself as his Master-piece, and Mr. Pope, when he was asked his Opinion of it, told him, that he read it once over, and was not displeased with it, that it gave him more Pleasure at the second Perusal, and delighted him still more at the third. It has been generally objected to the Wanderer, that the Disposition of the Parts is irregular, that the Design is obscure, and the Plan perplexed, that the Images, however beautiful, succeed each other without Order [...] This Criticism is universal, and therefore it is reasonable to believe it at least in a great Degree just; but Mr. Savage was always of a contrary Opinion; he thought his Drift could only be missed by Negligence or Stupidity, and that the whole Plan was regular, and the Parts distinct. [15]

Savage about the criticism of The Wanderer

Savage's conviction for murder and the subsequent pardon gained him a considerable amount of fame, and his story was sought over by booksellers and discussed in salons and coffeehouses, along with the behaviour of Mrs Brett. His newfound fame prompted him to publish in 1728 a confessional poem titled The Bastard, which made explicit mention of Mrs Brett, his trial and the pardon by the queen, and discarded his previous image of "poor poet" in favour of a celebration of his own genius. [16] In 1729 Savage published The Wanderer, perhaps his best known work to date, a long narrative poem which showed the influence of James Thomson's The Seasons . Savage himself considered the poem to be his masterpiece.

The turn of Savage's fortunes was also the result of a renewed campaign against his mother, which granted him in 1729 a fixed pension of the considerable amount of £200 per annum. Savage apparently obtained this through repeated extortion, as Johnson recounts that he "threatened to harass her [Mrs. Brett] with Lampoons, and to publish a copious Narrative of her Conduct, unless she consented to purchase an Exemption from Infamy, by allowing him a Pension." Thanks to this pension, Savage now bordered on opulence, along with an apartment in Arlington Street, and free supplies of wine and books, all at the expense of Lord Tyrconnel. [17]

Paradoxically, at the height of his popular fame, Savage was bound by his deal with Mrs Brett and Lord Tyrconnel to remain silent as a poet until 1735, except for an unusual arrangement with Queen Caroline to become a "Volunteer Laureate" which granted him from 1732 a further pension of £50 per annum until the queen's death. [18] The deal with Lord Tyrconnel also seemed to oblige Savage to dismiss his previous penchant for scandal in order to become a respectable member of society as his new patron was. The relationship between the two seemed genuinely based on Tyrconnel sympathy and admiration of Savage as a poet, and it was Tyrconnel himself who promoted him to the queen as a candidate for the laureateship. [19] Savage's literary inactivity (interrupted only by his occasional poems to the queen and to Robert Walpole, which he unsuccessfully tried to win as a patron) ultimately seemed to irritate Lord Tyrconnel, and by 1735 their relationship had deteriorated to the point that Lord Tyrconnel forbade him to continue living in his apartment in Arlington Street and stopped providing him his pension. [20] Now reduced to poverty, Savage became a frequent target for a growing number of satires and attacks, but began publishing again for Cave's The Gentleman's Magazine . [21]

Friendship with Samuel Johnson and final years

Plaque on the wall of the old site of Bristol Newgate Prison Plaque on Site of Newgate Jail - now The Galleries Shopping Centre (9211254196).jpg
Plaque on the wall of the old site of Bristol Newgate Prison

It is not clear when Savage befriended writer Samuel Johnson, but it seems to have occurred in the latter years of the 1730s. [22] How their friendship began is equally unclear, but Johnson relates having often accompanied Savage on his nighttime wanderings about London, where he witnessed the poet's poverty and frequent occurrences of public humiliation. These encounters provided much of the material for the Life of Savage . [23] Johnson was fascinated by the independence, and the spirit of protest and outrage in Savage's character. He was also aware of the instability of mind which prevented Savage taking positive control of his life. [24] To this day, the nature of this relationship between the two men has been under scholarly debate, with potential homosexual elements having been suggested to have been at play. [25]

In the meantime, Savage's financial situation worsened to the point that he had virtually no income. To save him from poverty, his longtime friend Alexander Pope launched a campaign involving several of his philanthropic acquaintances, including Ralph Allen, James Thomson and David Mallet. The purpose of this was to send Savage to Wales, where he could live with an annual allowance of £50. [26] Pope also tried to push Savage into writing a letter to Sir William Leman, Mrs Brett's legitimate daughter's husband, begging him to intervene on his behalf with Lord Tyrconnel. Savage refused outright, a decision which was applauded by Johnson, since he considered the scheme to send Savage to Wales equivalent to exile. [27]

Savage did eventually leave London in July 1739, thus breaking up his friendship with Johnson, with whom he had become a close literary ally. By spending his entire allowance as soon as he received it, Savage quickly alienated all his benefactors except Pope. When in Wales, Savage lived in Swansea, then in England at Bristol, where he completed a new version of Sir Thomas Overbury. Harassed by creditors and abandoned by friends, Savage reverted to a nocturnal existence.

On the night of 10 January 1743, Savage was arrested for a debt of eight pounds and confined in the debtors' section of the Bristol Newgate Prison. He died there on 1 August 1743, probably from liver failure brought on by drinking. [28]


Savage's parentage, while the subject of some dispute, is central to his legend. Besides the story related by Johnson, a romantic account of Savage's origin and early life, for which he supplied the material, also appeared in Jacob's Poetical Register [4] in 1719. Despite Savage's persistent claims that Mrs Brett was his mother, she never acknowledged him as such. She claimed that both the children she had by the Earl Rivers died shortly after birth, and that the boy was buried in St Paul's, Covent Garden, with the name of Richard Portlock. Lady Macclesfield's claims, however, are not incontrovertible, firstly because the boy buried as Richard Portlock may have been the son of nurse Ann Portlock (who Mrs Brett stated had named the baby); secondly, because of the yearly pension of £200 Savage began receiving in 1729 by Lord Tyrconnel who, being Mrs Brett's nephew, seemed to recognize him to some degree. [29]

Savage's statements about his parentage, on the other hand, were not corroborated by the depositions of the witnesses in the Macclesfield divorce case, and Mrs Brett always maintained that he was an impostor. He was wrong in the date of his birth and, moreover, the godmother of Lady Macclesfield's son was Dorothy Ousley, not Mrs Lloyd. There is nothing to show that Mrs Brett was the cruel and vindictive woman he describes her to be. Discrepancies in Savage's story made James Boswell suspicious, but the matter was thoroughly investigated for the first time by William Moy Thomas, who published the results of his research in Notes and Queries . [30] However, Clarence Tracy, in his seminal biography The Artificial Bastard did give weight to Savage's claims. In Richard Holmes' Dr. Johnson and Mr. Savage the author, though not in complete agreement, did not discount Tracy's bias.

Savage was also the subject of the play Richard Savage by J. M. Barrie and H. B. Marriott Watson. It premiered at London's Criterion Theatre in 1891 but was critically panned and performed only once. The Savage Club in London is named after him. [31]

Notable works

Theatrical works


Collected editions

  • The Poetical Works of Richard Savage (1962) ed. by Clarence Tracy


  1. Holmes 1993 , p. 53
  2. "Brett [née Mason], Anne [other married name Anne Gerard, countess of Macclesfield] (1667/8–1753), courtier | Oxford Dictionary of National Biography" . Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004. doi:10.1093/ref:odnb/70843 . Retrieved 3 March 2019.(Subscription or UK public library membership required.)
  3. Preface to Miscellaneous Poems, 1726.
  4. 1 2 Jacob 1719 , pp. 297–98
  5. Savage, Richard (1719). Love in a veil. A comedy. As it is acted at the Theatre Royal, Drury Lane, by his Majesties servants. London: E. Curll.
  6. Bocchicchio & Saxton 2000 , pp. 6–7
  7. Holmes 1993 , p. 87
  8. Holmes 1993 , p. 79
  9. Johnson 1971, p. 34
  10. Johnson 1971 , p. 31
  11. Hitchcock & Shoemaker 2007 , pp. 224–225
  12. Hitchcock & Shoemaker 2007 , pp. 225–226
  13. Johnson 1971 , pp. 34–35
  14. Hitchcock & Shoemaker 2007 , pp. 231–232
  15. Johnson 1971, p. 53
  16. Holmes 1993 , p. 133
  17. Johnson 1971 , p. 44
  18. Holmes 1993 , p. 139
  19. Holmes 1993 , p. 146
  20. Holmes 1993 , p. 159
  21. Holmes 1993 , p. 163
  22. Holmes 1993 , p. 174
  23. Johnson 1971 , p. 104
  24. Holmes 1993 , p. 191
  25. Holmes, Richard (1993). Dr Johnson & Mr Savage (Harper Perennial 2005 ed.). Hodder & Stoughton. p. 193. ISBN   978-0-00-720455-7.
  26. Holmes 1993 , p. 197
  27. Holmes 1993 , p. 203
  28. Holmes 1993 , p. 226
  29. Holmes 1993 , p. 234
  30. Thomas 1858 , p. 361
  31. Halliday, Andrew (1867). Savage Club Papers. London: Tinsley Brothers. pp. 12–16. Retrieved 13 October 2014.

Related Research Articles

<span class="mw-page-title-main">Alexander Pope</span> English poet (1688–1744)

Alexander Pope was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including The Rape of the Lock, The Dunciad, and An Essay on Criticism, and for his translations of Homer.

<span class="mw-page-title-main">Edward Young</span> English poet

Edward Young was an English poet, best remembered for Night-Thoughts, a series of philosophical writings in blank verse, reflecting his state of mind following several bereavements. It was one of the most popular poems of the century, influencing Goethe and Edmund Burke, among many others, with its notable illustrations by William Blake.

<span class="mw-page-title-main">Thomas Campbell (poet)</span> 18th/19th-century Scottish poet

Thomas Campbell was a Scottish poet. He was a founder and the first President of the Clarence Club and a co-founder of the Literary Association of the Friends of Poland; he was also one of the initiators of a plan to found what became University College London. In 1799 he wrote "The Pleasures of Hope", a traditional 18th-century didactic poem in heroic couplets. He also produced several patriotic war songs—"Ye Mariners of England", "The Soldier's Dream", "Hohenlinden" and, in 1801, "The Battle of the Baltic", but was no less at home in delicate lyrics such as "At Love's Beginning".

<span class="mw-page-title-main">James Thomson (poet, born 1700)</span> Scottish poet (1700–1748)

James Thomson was a Scottish poet and playwright, known for his poems The Seasons and The Castle of Indolence, and for the lyrics of "Rule, Britannia!"

<span class="mw-page-title-main">John Dyer</span> Welsh Church of England cleric, poet and painter

John Dyer was a painter and Welsh poet who became a priest in the Church of England. He was most recognised for Grongar Hill, one of six early poems featured in a 1726 miscellany. Longer works published later include the less successful genre poems, The Ruins of Rome (1740) and The Fleece (1757). His work has always been more anthologised than published in separate editions, but his talent was later recognised by William Wordsworth among others.

<span class="mw-page-title-main">Richard Savage, 4th Earl Rivers</span> English nobleman and soldier

General Richard Savage, 4th Earl Rivers PC was an English nobleman and soldier who was a senior Army officer in the English and then British Army. The second son of Thomas Savage, 3rd Earl Rivers and his first wife Elizabeth Scrope, Savage was styled Viscount Colchester after the death of his elder brother Thomas in 1680, he was designated by that title until he succeeded to the peerage upon the death of his father, the 3rd Earl, in 1694. Savage served as Master-General of the Ordnance and Constable of the Tower, and was briefly commander-in-chief of the forces in lieu of James Butler, 2nd Duke of Ormonde until his death in 1712.

Charles Gerard, 2nd Earl of Macclesfield was an English peer, soldier and MP.

<span class="mw-page-title-main">Christopher Smart</span> English poet

Christopher Smart was an English poet. He was a major contributor to two popular magazines, The Midwife and The Student, and a friend to influential cultural icons like Samuel Johnson and Henry Fielding. Smart, a high church Anglican, was widely known throughout London.

<span class="mw-page-title-main">Theophilus Cibber</span> 18th-century English actor, playwright, and author

Theophilus Cibber was an English actor, playwright, author, and son of the actor-manager Colley Cibber.

<span class="mw-page-title-main">William Johnson Cory</span> English educator and poet (1823–1892)

William Johnson Cory, born William Johnson, was an English educator and poet. He was dismissed from his post at Eton for encouraging a culture of intimacy, possibly non-sexual, between teachers and pupils. He is widely known for his English version of the elegy Heraclitus by Callimachus.

<i>Lives of the Most Eminent English Poets</i> 1779–81 book by Samuel Johnson

Lives of the Most Eminent English Poets (1779–81), alternatively known by the shorter title Lives of the Poets, is a work by Samuel Johnson comprising short biographies and critical appraisals of 52 poets, most of whom lived during the eighteenth century. These were arranged, approximately, by date of death.

<span class="mw-page-title-main">Percival Stockdale</span>

Percival Stockdale (1736–1811) was an English poet, writer and reformer, active especially in opposing slavery.

<span class="mw-page-title-main">The Adventure of the Veiled Lodger</span> Short story by Arthur Conan Doyle

"The Adventure of the Veiled Lodger" (1927), one of the 56 Sherlock Holmes short stories written by British author Sir Arthur Conan Doyle, is one of 12 stories in the cycle collected as The Case-Book of Sherlock Holmes.

<span class="mw-page-title-main">John Brownlow, 1st Viscount Tyrconnel</span>

John Brownlow, 1st Viscount Tyrconnel, KB, known as Sir John Brownlow, 5th Baronet, from 1701 to 1718, of Belton House near Grantham in Lincolnshire, was a British politician who sat in the House of Commons from 1713 to 1741.

<span class="mw-page-title-main">Sir William Brownlow, 4th Baronet</span>

Sir William Brownlow, 4th Baronet of Belton House near Grantham in Lincolnshire, was an English Member of Parliament.

<span class="mw-page-title-main">Richard Holmes (biographer)</span> British author and academic

Richard Gordon Heath Holmes, OBE, FRSL, FBA is a British author and academic best known for his biographical studies of major figures of British and French Romanticism.

<span class="mw-page-title-main">Early life of Samuel Johnson</span> Life of the English author (1709–1784)

Samuel Johnson was an English author born in Lichfield, Staffordshire. He was a sickly infant who early on began to exhibit the tics that would influence how people viewed him in his later years. From childhood he displayed great intelligence and an eagerness for learning, but his early years were dominated by his family's financial strain and his efforts to establish himself as a school teacher.

Sonnets on Eminent Characters or Sonnets on Eminent Contemporaries is an 11-part sonnet series created by Samuel Taylor Coleridge and printed in the Morning Chronicle between 1 December 1794 and 31 January 1795. Although Coleridge promised to have at least 16 poems within the series, only one addition poem, "To Lord Stanhope", was published.

<span class="mw-page-title-main">To Mrs Siddons</span>

"To Mrs Siddons" was written by Samuel Taylor Coleridge and published in the 29 December 1794 Morning Chronicle as part of the Sonnets on Eminent Characters series. It describes Sarah Siddons, an actress Coleridge became fond of during his visits to London during college. The poem celebrates watching Siddons perform her various roles on stage. The actual authorship of the poem is uncertain, since it was attributed to Charles Lamb in various works. It is possible that Lamb and Coleridge worked on the poem together, and, if so, it would be one of Lamb's earliest works.

Henry Brett was an English man about town, an army officer and Tory politician. He was involved in the theatrical world, and an associate of the playwrights Joseph Addison and Richard Steele.


See also