| Editor-in-Chiefs | Mika Antić |
|---|---|
| Categories | Music magazine |
| Publisher | Dnevnik |
| Founded | 1962 |
| First issue | October 1, 1962 |
| Final issue | August 1965 |
| Country | Yugoslavia |
| Language | Serbian |
Ritam (Serbian Cyrillic : Ритам, trans. Rhythm ) was a Yugoslav music magazine. Prior to the appearance of Ritam, there were Yugoslav magazines dedicated to jazz, [1] but Ritam, founded in 1962, was the first Yugoslav magazine which dealt with jazz as well as rock and pop music, thus paving the way for Yugoslav rock magazines like Džuboks and Pop Express . [2] [3]
Ritam magazine was founded in 1962 by publisher Dnevnik from Novi Sad. [4] It was dedicated to jazz and popular music. [4] The editor-in-chief was poet Miroslav "Mika" Antić. [4] The first issue was released on October 1, 1962. [4] The price of an issue was 50 dinars. [4] Before August 1965, which was when the last issue was published, 39 issues have been released in total. [4]

Crni Biseri were a Yugoslav rock band formed in Belgrade in 1963. The band were one of the pioneers of the Yugoslav rock scene.

Siluete were a Serbian and Yugoslav rock band formed in Belgrade in 1961. They were one of the pioneers of the Yugoslav rock scene.
Samonikli were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band made a number of recordings for Yugoslav radio and television and are notable as one of the pioneers of the Yugoslav rock scene.

Iskre were a Yugoslav rock band formed in Belgrade in 1961. Iskre were one of Yugoslavia's earliest rock bands and are notable for being one of the pioneers of the Yugoslav rock scene.
Elipse were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.

Tomi Sovilj i Njegove Siluete were a Yugoslav beat group formed in Belgrade in 1964. They were one of the pioneers of the Yugoslav rock scene.

Sanjalice were a Yugoslav rock band formed in Belgrade in 1964. Sanjalice are notable for being one of the pioneers of the Yugoslav rock scene, as well as one of the first Yugoslav all-female bands.

Zlatni Dečaci were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.
Gitarijada was a musical festival held in Belgrade, Serbia, at the time part of Socialist Federal Republic of Yugoslavia. The first edition of the festival was held in 1966, and second and the last in 1967. The festival was one of the first rock festivals in Yugoslavia and considered one of the most notable events in the early days of Yugoslav rock music.
Bele Vrane were a Yugoslav rock band formed in Ljubljana in 1966.
Parada ritma, also known as Vatromet ritma, was a series of concerts held in SFR Yugoslavia during 1964 and 1965. The first concert in the series is notable as the first rock festival in Yugoslavia and arguably the first rock festival in a communist country.
Plamenih 5 were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band are notable as one of the pioneers of the Yugoslav rock scene.
Bijele Strijele were a Yugoslav rock band formed in Zagreb in 1961. They were one of the pioneers of the Yugoslav rock scene.

Biseri were a Yugoslav rock band formed in Zagreb in 1965.
Crveni Koralji were a Croatian and Yugoslav rock band formed in Zagreb in 1962. They were one of the pioneers of the Yugoslav rock scene.
Delfini were a Yugoslav band formed in Split in 1963. They were one of the pioneers of the Yugoslav rock scene.
Delfini were a Yugoslav rock band formed in Zagreb in 1963. They are notable as one of the pioneers of the Yugoslav rock scene.

Dinamiti were a Yugoslav rock band formed in Osijek in 1963. They were one of the pioneers of the Yugoslav rock scene.
Kameleoni were a Yugoslav rock band formed in Kopar in 1965. They were one of the pioneers of the Yugoslav rock scene.

O'Hara, also known as O'Hare were a Yugoslav rock band formed in Zagreb in 1966. Although short-lived, the group was a prominent act of the 1960s Yugoslav rock scene, and, although they were not among the earliest Yugoslav rock bands, O'Hara–as other Yugoslav 1960s rock bands–played a pioneering role in the history of Yugoslav rock.