Roberto Bompiani (February 10, 1821 – January 19, 1908) was an Italian painter and sculptor.
Italy, officially the Italian Republic, is a country in Europe. Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates San Marino and Vatican City. Italy covers an area of 301,340 km2 (116,350 sq mi) and has a largely temperate seasonal and Mediterranean climate. With around 61 million inhabitants, it is the fourth-most populous EU member state and the most populous country in Southern Europe.
Bompiani was born in Rome. By the age of fifteen, he had enrolled at the Accademia di San Luca in Rome, where in 1836 he shared a first prize with fellow student in design, Angelo Valeriani. By 1839, he was able to win prizes both in sculpture and painting at the Accademia. He was remarkably prolific, especially as a painter. He is particularly known for paintings of scenes from Ancient Rome, for which he gained the nickname "the Italian Bouguereau".
Rome is the capital city and a special comune of Italy. Rome also serves as the capital of the Lazio region. With 2,872,800 residents in 1,285 km2 (496.1 sq mi), it is also the country's most populated comune. It is the fourth-most populous city in the European Union by population within city limits. It is the centre of the Metropolitan City of Rome, which has a population of 4,355,725 residents, thus making it the most populous metropolitan city in Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber. The Vatican City is an independent country inside the city boundaries of Rome, the only existing example of a country within a city: for this reason Rome has been often defined as capital of two states.
The Accademia di San Luca, was founded in 1577 as an association of artists in Rome, with the purpose of elevating the work of "artists", which included painters, sculptors and architects, above that of mere craftsmen. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named after Saint Luke the evangelist who, legend has it, made a portrait of the Virgin Mary, and thus became the patron saint of painters' guilds.
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown.
Among his sculptural works, almost all from 1865–1870, are Sappho (Palazzo Castellani, Rome), Ruth, and the statuettes Amore che cerca chi deve ferire and Alexander tames Bucephalus.
Among his paintings are a Portrait of Queen Margherita (1878) at the Palazzo di Montecitorio; Portraits of the Borghese family; Portrait of Signora Liverani (1866, Galleria Nazionale d'Arte Moderna, Rome); Portrait of Marchese Ferrajoli; Portrait of his wife (1873); Diana and Actaeon; Dance and Tragedy for the Theater of Santiago de Chile; and two canvases for a church in Santiago: Ascencion of the Virgin and Crown of Thorns. He also painted frescoes in San Lorenzo in Lucina; frescoes in Santa Maria in Trastevere: San Romano Martyr; and the fresco on the portico of the Cemetery of Campo Verano: Moses' Curse: Death of the First-born of Egypt.
The Minor Basilica of St. Lawrence in Lucina is a Roman Catholic parish, titular church, and minor basilica in central Rome, Italy. The basilica is located in Piazza di San Lorenzo in Lucina in the Rione Colonna, circa two blocks behind the Palazzo Montecitorio, proximate to the Via del Corso.
The Basilica of Santa Maria in Trastevere ; English: Our Lady in Trastevere) is a titular minor basilica in the Trastevere district of Rome, and one of the oldest churches of Rome. The basic floor plan and wall structure of the church date back to the 340s, and much of the structure to 1140-43. The first sanctuary was built in 221 and 227 by Pope Callixtus I and later completed by Pope Julius I. The church has large areas of important mosaics from the late 13th century by Pietro Cavallini.
The Campo Verano is a cemetery in Rome, Italy, founded in the early 19th century. The cemetery is currently divided into sections: the Jewish cemetery, the Catholic cemetery, and the monument to the victims of World War I.
At the Centennial Exhibition in 1876 in Philadelphia, Bompiani exhibited a Roman girl placing garlands on the bust of his father and the Suonatore di Tibia (Flutist). These were the first of his popular Pompeian works. He painted Catullus at the banks of the Tiber, l'Affissatore pompeiano, the Triclinium, and a partita a gli astragali.
Philadelphia, sometimes known colloquially as Philly, is the largest city in the U.S. state and Commonwealth of Pennsylvania, and the sixth-most populous U.S. city, with a 2017 census-estimated population of 1,580,863. Since 1854, the city has been coterminous with Philadelphia County, the most populous county in Pennsylvania and the urban core of the eighth-largest U.S. metropolitan statistical area, with over 6 million residents as of 2017. Philadelphia is also the economic and cultural anchor of the greater Delaware Valley, located along the lower Delaware and Schuylkill Rivers, within the Northeast megalopolis. The Delaware Valley's population of 7.2 million ranks it as the eighth-largest combined statistical area in the United States.
He exhibited at the Mostra internazionale of Vienna where he won an award for his portrait of Giovanni Battista Canevari (1872), that now hangs at the Accademia di San Luca.
He rose to become professor and president of the Accademia di San Luca in Rome.Both his son, Augusto Bompiani, and his daughter, Clelia Bompiani, were also painters.
Augusto Bompiani was an Italian painter, mainly of landscapes including figures, in both oil and watercolors.
Clelia Bompiani-Battaglia was an Italian painter. She was a pupil of her father, Roberto Bompiani, and of the professors in the Accademia di San Luca. The following paintings in watercolor established her reputation as an artist: Confidential Communication ( ; the Fortune-Teller ; A Public Copyist ; and The Wooing. Along with Alceste Campriani, Ada Negri, Juana Romani, and Erminia de Sanctis, Bompiani is named as one of Italy's best modern painters.
Tommaso Laureti, often called Tommaso Laureti Siciliano, was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism.
Francesco Cozza was an Italian painter of the Baroque period.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Giuseppe Nicola Nasini was an Italian painter of the Baroque period, active in Rome and Tuscany.
Amos Cassiòli was an Italian painter, of battle scenes, historical canvases and portraits. He worked in a Purismo style.
Nicolò Barabino (1831–1891) was an Italian academic painter of religious and historical subjects, active in Florence and Genoa.
Francesco Podesti was an Italian painter, active in a Romantic style. He was prolific in his large canvases on historical subjects. He is best known for his fresco work, including those in the Hall of the Immacolata in the Vatican Museum.
Annibale Angelini was an Italian painter and scenographer.
Antonino Bonaccorsi also called il Chiaro was an Italian painter.
Matteo Tassi was an Italian painter, best known for his decorative frescoes and restorations.
Vincenzo Volpe was an Italian painter. From 1874 to 1890, he painted mostly genre scenes. From 1891 to 1896, he concentrated on religious art, then returned to genre works and portraits.
Salvatore Postiglione was an Italian painter, mainly of portraits, and historic and genre subjects, in a Realist style.
Ponziano Loverini was an Italian painter, known primarily for his canvases and frescoes of sacred subjects.
Pietro Gaudenzi was an Italian painter.
Cesare Viazzi was an Italian painter.
Domenico Marchiori was an Italian painter. He was attracted to Neo-Pompeian subject matter.
Gregorio Mariani was an Italian painter, mainly of genre and costume genre subjects in oil and watercolor, in addition to portraits. He is no best known for his engravings about Roman antiquities.
Pietro Angeletti was an Italian painter in a Neoclassical style.
Gaetano Capone was an Italian painter, mostly depicting landscapes and genre subjects.
|This article about an Italian painter born in the 19th century is a stub. You can help Wikipedia by expanding it.|