Roland D. Reed | |
---|---|
Born | July 7, 1894 |
Died | July 15, 1972 Los Angeles, California, United States |
Occupation(s) | Editor, producer, director |
Years active | 1923-1963 (film) |
Roland D. Reed (July 7, 1894–July 15, 1972) was an American film editor, producer and director. [1] He worked on many films for the low-budget Chesterfield Pictures and later started Roland Reed Productions, Inc. that shut down in November 1956. In addition to TV series, Reed made industrial and Christian films as well as television commercials that were filmed at Hal Roach Studios. [2]
The son of Daniel Morton Reed and Ella G. Hulse, Roland Daniel Reed was born in Middletown, New York. He had three wives, Laura Muzzio (1913). Dorothy Venita Smith (1930) and Dorothy Belle Eddy (1935).
Rex Lloyd Lease was an American actor. He appeared in over 300 films, mainly in Poverty Row Westerns.
Reliable Pictures was an American film production and distribution company which operated from 1933 until 1937. Established by Harry S. Webb and Bernard B. Ray, it was a low-budget Poverty Row outfit that primarily specialized in Westerns. After its demise, the company's studios were taken over by Monogram Pictures.
Albert Herman (1887–1958) was an American actor, screenwriter and film director. Herman was a prolific director, working mainly on low-budget movies for companies such as Producers Releasing Corporation. He is sometimes credited as Al Herman.
George R. Batcheller (1892–1938) was an American film producer. He ran the low-budget studio Chesterfield Pictures in the 1930s.
M. A. Anderson was an American cinematographer. He worked for the Poverty Row studio Chesterfield Pictures during the 1930s.
Robert Emmett Tansey was an American actor, screenwriter, film producer and director. He was active in cinema in various roles from the 1910s to the 1950s. He was credited under at least 15 pseudonyms, such as Charles Anders, John Foster, Al Lane or Frank Simpson. Tansey died in Hollywood at age 53.
Ralph M. Like (1894–1955) was an American film producer. He was involved with several independent film companies producing low-budget releases on Poverty Row. In 1932 he established Mayfair Pictures. Other companies he was involved with were Action Pictures and Progressive Pictures. After his studios folded in 1934, he produced only one further film You Can't Beat the Law for Monogram in 1943. Like also worked as a sound engineer at some of the major studios.
Fanchon Royer (1902–1986) was an American film producer, active during the 1930s. She was one of the few woman producers in Hollywood during the era, associated with low-budget independent studios such as Mayfair Pictures.
Manhattan Butterfly is a 1935 American crime film directed by Lewis D. Collins and starring Dorothy Granger, William Bakewell and Kenneth Thomson.
Dwight Caldwell (1902–1981) was an American film editor. He worked on more than a hundred productions, including several serials, mainly at Majestic Pictures and Columbia Pictures.
Phil Goldstone (1893–1963) was a Polish-born American film producer and director. He was also a real estate developer in Palm Springs. Goldstone was involved with low-budget Poverty Row companies such as Majestic Pictures.
William M. Pizor (1890–1959) was a pioneering film producer who also had a distribution company, Imperial Distributing Corporation. He was also president of production company Imperial Pictures. His son Irwin Pizor succeeded him in the film business.
Barry Barringer (1888–1938) was an American screenwriter. He also directed three films during the silent era. He generally worked for low-budget Poverty Row companies.
Fred Bain (1895–1965) was an American film editor. A prolific worker, he edited over a hundred and seventy films, mainly westerns and action films, and also directed three. He worked at a variety of low-budget studios including Reliable Pictures, Grand National and Monogram Pictures. He was sometimes credited as Frederick Bain.
James Diamond (1894–1936) was an American cinematographer active during the silent and early sound eras. Much of his work during the 1930s was for lower-budget Poverty Row companies.
Michael L. Simmons (1896–1980) was an American screenwriter and novelist. The 1933 film The Bowery was based on his novel Chuck Connors.
Charles R. Condon (1894–1960) was an American screenwriter. He worked on films and a number of serials at a variety of studios including Columbia, Warner Brothers and Universal Pictures.
Brydon Baker (1898–1973) was an American cinematographer. During the 1930s he worked on Poverty Row, generally on westerns.
Fred Preble (1893–1953) was an American art director who designed the sets on well over a hundred film productions. He worked for a variety of production companies, including the studios Monogram and PRC.
Tony Martinelli was an American film editor who worked prolifically in American film and television for several decades. He was employed for many years by Republic Pictures. He was also with Universal Pictures.