This is a list of the notable roles played by the French actress Sarah Bernhardt, including both stage roles and early motion pictures, [1] [2] with the year of the first performance [3] [4] . Roles first performed by Bernhardt are noted as premieres.
ill. | Year | Play | Author | Role | Theatre | Note |
---|---|---|---|---|---|---|
1858 | Tobias Regains His Sight | Mère Sainte-Thérèse | The angel Raphael | Convent at Grand-champs, Versailles | Performed in honour of the archbishop of Paris on his visit to the convent where Sarah was a pupil. | |
1861 | Les Enfants d'Edouard | Casimir Delavigne | Edouard V | Théâtre de la Tour d'Auvergne, Paris | male role | |
1861 | Les Premières Armes de Richelieu | Jean-François Bayard / Dumanoir | Richelieu | Théâtre de la Tour d'Auvergne, Paris | male role | |
1862 | Iphigénie | Racine | title role | Comédie Française | ||
1862 | Valérie | Eugene Scribe / Mélesville | title role | Comédie Française | ||
1862 | Les Femmes Savantes | Molière | Henriette | Comédie Française | ||
1862 | L'Etourdi | Molière | Hippolyte | Comédie Française | ||
1863 | Le Père de la Debutante | Emmanuel Théaulon and Jean-François Bayard | Anita | Gymnase | 1863, 23 June [5] | |
1863 | Le Démon du Jeu | Théodore Barrière and Henri Crisafulli | Amélie de Villefontaine | Gymnase | premiere 1863, 16 July [6] | |
1863 | Un Soufflet n'est Jamais Perdu | Jean-François Bayard | Jeannette | Gymnase | ||
1863 | La Maison sans Enfants | Dumanoir | Madame de Rives | Gymnase | ||
1863 | L'Etourneau | Jean-François Bayard and Léon Laya | Anita | Gymnase | ||
1863 | Le Premier Pas (fr) | Eugène Labiche & Raimond Deslandes | Clémence | Gymnase | ||
1864 | Un Mari qui Lance sa Femme (fr) | Eugène Labiche & Raimond Deslandes | Princesse Douchinka, later Mme Dieudonné | Gymnase | 1864, 23 April [7] | |
1865 | La Biche aux Bois (fr) | Brothers Charles-Théodore and Hippolyte Cogniard (frères Cogniard) with music by Auguste Pilati [8] | Princess Désirée | Théâtre Porte Sainte-Martin | Sarah not mentioned in the first cast [9] . | |
1866 | Le Jeu de l'Amour et du Hasard | Marivaux | Silvia | Théâtre de l'Odéon, Paris | ||
1866 | Phèdre | Racine | Aricie | Théâtre de l'Odéon | ||
1867 | Les Femmes Savantes | Molière | Armande | Théâtre de l'Odéon | Same play, other role, other theatre 7 years later | |
1867 | Aux Arrêts | Edmond de Boissière | Amélie | Théâtre de l'Odéon | 1867, 27 February [10] | |
1867 | Britannicus | Racine | Albine | Théâtre de l'Odéon | ||
Junie | ||||||
1867 | Le Malade Imaginaire | Molière | Angélique | Théâtre de l'Odéon | ||
1867 | Le Legs (The Legacy) (fr) | Marivaux | Hortense | Théâtre de l'Odéon | ||
1867 | Athalie | Racine | Zarcharie | Théâtre de l'Odéon | male role | |
1867 | Le Testament de César Girodot | Alexandre Belot and Edmond Villetard | Hortense | Théâtre de l'Odéon | ||
1867 | Le Marquis de Villemer | George Sand | Baronne d'Arglade | Théâtre de l'Odéon | ||
1867 | François le Champi | George Sand | Mariette | Théâtre de l'Odéon | ||
1868 | Kean, ou Désordre et génie | Alexander Dumas père, Théaulon de Lambert and Frédéric de Courcy | Anna Damby | Théâtre de l'Odéon | 1868, 17 February [11] | |
1868 | Le Roi Lear | Shakespeare | Cordelia | Théâtre de l'Odéon | 1868, 6 April [12] | |
1867 | Le Drame de la Rue de la Paix | Adolphe Belot | Julia Vidal | Théâtre de l'Odéon | 1868, 5 November [13] | |
1868 | La Loterie du Marriage | Jules Barbier | Laure Dufour | Théâtre de l'Odéon | premiere | |
1869 | La Gloire de Molière | Théodore de Banville | Théâtre de l'Odéon | |||
1869 | Le Passant | François Coppée | Zanetto | Théâtre de l'Odéon | Premiere 1869, 14 January [14] male role | |
1869 | Le Bâtard | Alfred Touroude | Jeanne | Théâtre de l'Odéon | Premiere 1869, 18 September [15] | |
1870 | L'Affranchi | Latour de Saint-Ybars | Bérénice | Théâtre de l'Odéon | premiere | |
1870 | L'Autre | George Sand | Hélène de Mérangis | Théâtre de l'Odéon | Premiere 1870, 25 February [16] | |
1871 | Jean-Marie | André Theuriet | Thérése | Théâtre de l'Odéon | premiere | |
1871 | Fais ce que dois | François Coppée | Marthe | Théâtre de l'Odéon | 1871, 21 October [17] | |
1871 | La Baronne | Édouard Foussier and Charles Edmond | Geneviève | Théâtre de l'Odéon | 1871, 23 November [18] | |
1871 | L’Article 47 | Adolphe Belot | Cora | Théâtre de l'Ambigu-Comique | 1871, 20 October [19] | |
1872 | Mademoiselle Aïssé | Louis Bouilhet | title role | Théâtre de l'Odéon | premiere | |
1872 | Ruy Blas | Victor Hugo | La reine | Théâtre de l'Odéon | 1872, 24 February [20] | |
1872 | Mademoiselle de Belle-Isle | Alexander Dumas pere | Gabrielle de Belle-Isle | Comédie-Française | Premiere 1872, 6 November [21] | |
1872 | Le Cid | Corneille | Chimène | |||
1872 | Britannicus | Racine | Junie | Comédie-Française | Same play and role 5 years later in other theatre. 1872, 14 December [22] | |
1873 | Le Mariage de Figaro | Beaumarchais | Chérubin | Comédie-Française | 1873, 30 January [23] Male role | |
1873 | Mademoiselle de la Seiglière (fr) | Jules Sandeau | Hélène | Comédie-Française | ||
1873 | Dalila | Octave Feuillet | Leonora, Princess Falconieri | Comédie-Française | 1873, 28 March [24] | |
1873 | L'Absent | Eugène Manuel | Mistress Douglas | Comédie-Française | premiere | |
1873 | Chez l'Avocat | Paul Ferrier | Marthe | Comédie-Française | premiere | |
1873 | Andromaque | Racine | Comédie-Française | |||
1874 | Le Péril dan la Demeure | Octave Feuillet | Caroline de la Roseraie | Comédie-Française | ||
1874 | Le Sphinx | Octave Feuillet | Berthe de Savigny | Comédie-Française | Premiere 1874, 23 March [25] | |
1874 | La Belle Paule | Louis Denayrousse | Henri de Ligniville | Comédie-Française | premiere male role | |
1874 | Zaire | Voltaire | Zaire | Comédie-Française | 1874, 6 August [26] | |
1874 | Phèdre | Racine | Aricie | Comédie-Française | Same play and role in other theatre 6 years later. | |
title role | Same play but main role. 1874, 21 December [27] | |||||
1875 | La Fille de Roland | Henri de Bornier | Berthe | Comédie-Française | 1875, 15 February [28] | |
1875 | Gabrielle | Emile Augier | title role | Comédie-Française | May [29] | |
1875 | L'Oiseau bleu | Pierre Elzéar | Jeanne | Hôtel de Luynes | 1875, 20 May [30] | |
1876 | L'Étrangère | Alexandre Dumas fils | Mistress Clarkson | Comédie-Française | 1876, 14 February [31] | |
1876 | La Nuit de Mai | Alfred de Musset | Muse | |||
1876 | Rome vaincue | Alexandre Parodi | Posthumia | Comédie-Française | premiere 1876, 27 September [32] | |
1877 | Hernani | Victor Hugo | Doña Sol | Comédie-Française | 1877, 21 November [33] | |
1878 | Othello | Shakespeare | Desdemona | |||
1878 | Amphytrion | Molière | Alcméne | Comédie-Française | ||
1879 | Mithridate | Racine | Monime | |||
1879 | Ruy Blas | Victor Hugo | La reine | Comédie-Française | Same role 7 years later in other theatre. 1879, 4 April [34] | |
1880 | L'Aventurière | Emile Augier | Dona Clorinde | |||
1880 | Le Sphinx | Octave Feuillet | Blanche de Chelles | Same play 6 years later but other role. | ||
1880 | Adrienne Lecouvreur | Eugene Scribe and Ernest Legouvé | title role | In USA: November 8, 1880, Booth's Theatre (NY) [35] | ||
1880 | Froufrou | Henri Meilhac and Ludovic Halévy | Gilberte | |||
1880 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | |||
1881 | La Princesse Georges | Alexandre Dumas fils | Sévérine | |||
1882 | Les Faux Ménages | Édouard Pailleron | Esther | Lyon | ||
1882 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre de la Gaîté (Paris) | Same role 2 years later. 1882, 26 May [36] | |
1882 | Fédora | Victorien Sardou | Fedora Romazoff | Vaudeville, Paris | Premiere 1882, 12 December [37] | |
1883 | Pierrot Assassin | Jean Richepin | Pierrot | Palais du Trocadéro, Paris | 1883, 28 April [38] male role | |
1883 | Froufrou | Henri Meilhac and Ludovic Halévy | Gilberte | Théâtre Porte Sainte-Martin | Same play and role 3 years later. 1883, 17 September [39] | |
1883 | Nana-Sahib | Jean Richepin | Djamma | Théâtre Porte Sainte-Martin | Premiere 1883, 20 December [40] | |
1884 | Macbeth | Shakespeare, adaptation by Jean Richepin | Lady Macbeth | Théâtre Porte Sainte-Martin | 1884, 21 May [41] | |
1884 | Théodora | Victorien Sardou | title role | Théâtre Porte Sainte-Martin | Premiere 1884, 26 December [42] | |
1885 | Marion De Lorme | Victor Hugo | title role | Théâtre Porte Sainte-Martin | 1885, 30 December [43] | |
1886 | La Tragique Histoire d'Hamlet, prince de Danemark | Shakespeare | Ophelia | Théâtre Porte Sainte-Martin | ||
1886 | La Maitre des Forges | Georges Ohnet | Claire de Beaulieu | premiere one act | ||
1886 | L'Aveu | Sarah Bernhardt | Comtesse Marthe de Rocca | |||
1887 | La Tosca | Victorien Sardou | Floria Tosca | Théâtre de la Renaissance | Premiere 1887, 3 March [44] | |
Théâtre Porte Sainte-Martin | 1887, 24 November [44] | |||||
1888 | Francillon | Alexandre Dumas, fils | Francine de Riverolles | Lyceum, London | ||
1889 | Léna | Pierre Berton & F. C. Philipps | Léna Despart | Théâtres des Variétés, Paris | Premiere 1889, 16 April [45] | |
1890 | Jeanne d'Arc | Jules Barbier, incidental music by Charles Gounod | title role | Théâtre Porte Sainte-Martin | 1890, 3 January [46] | |
1890 | Cléopâtre | Victorien Sardou and Émile Moreau | title role | Théâtre Porte Sainte-Martin | Premiere 1890, 23 October [47] | |
1890 | La Passion | Edmond Haraucourt, music by J.S. Bach | Cirque d'Hiver, Paris | |||
1891 | Gringoie | Théodore de Banville | title role | |||
1891 | La Dame de Chalant | Giuseppe Giacosa | la Comtesse | Cincinnati | 1891, 16 October [48] | |
1891 | La Fille à Blanchard | Albert Darmont and Alfred Humblot | Pauline | Sydney (Australia) | 1891, 25 July [49] | |
1892 | Léah [50] [51] | Albert Darmont | title role | Boston | 1892, 8 January [52] | |
1892 | On ne badine pas avec l'amour (fr) | Alfred de Musset | Camille | New York | ||
1892 | Pauline Blanchard | Albert Darmont & Alfred Humbolt | title role | The Royal English Opera house, London | Year before as "La Fille à Blanchard". 1892, 16 June | |
CANCELED | 1892 | Salome | Oscar Wilde | title role | The Royal English Opera house, London | CANCELED |
1893 | Les Rois | Jules Lemaitre | Princess Wilhelmine | Théâtre de la Renaissance | 1893, 6 November [53] | |
1893 | Phèdre | Racine | title role | Théâtre de la Renaissance | Same role in other theatre 19 years later. 1893, 19 November [54] | |
1894 | Izéyl | Armand Silvestre and Eugène Morand | title role | Théâtre de la Renaissance | premiere | |
1894 | Fédora | Victorien Sardou | Fedora Romazoff | Théâtre de la Renaissance | Same play and role 12 years later in other theatre. 1894, 3 April [57] | |
1894 | Jean-Marie | André Theuriet | Thérése | Théâtre de la Renaissance | Same play and role 23 years later in other theatre. 1894, 9 Juny [58] | |
1894 | La Femme de Claude | Alexandre Dumas fils | Césarine | Théâtre de la Renaissance | ||
1894 | Gismonda | Victorien Sardou | Gismonda, duchesse d'Athène | Théâtre de la Renaissance | Premiere 1894, 31 October [59] | |
1895 | Magda | Hermann Sudermann | title role | Théâtre de la Renaissance | ||
1895 | La Princesse Lointaine | Edmond Rostand | Mélissinde, princesse d'Orient, comtesse de Tripoli | Théâtre de la Renaissance | Premiere 1895, 5 April [60] | |
1896 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre de la Renaissance | Same role 14 years later in other theatre. 1896, 30 September [61] | |
1896 | Lorenzaccio | Alfred de Musset | title role | Théâtre de la Renaissance | Premiere 1896, 30 December [62] male role | |
1897 | Spiritisme | Victorien Sardou | Simone | Théâtre de la Renaissance | Premiere 1897, 8 February [63] | |
1897 | La Samaritaine (fr) | Edmond Rostand | Photine | Théâtre de la Renaissance | 1897, 14 April [64] | |
1897 | Les Mauvais Bergers | Octave Mirbeau | Madeleine | Théâtre de la Renaissance | ||
1898 | La Ville Morte (it) | Gabriele d'Annunzio | Anne | Théâtre de la Renaissance | Premiere 1898, 21 January [65] | |
1898 | Lysiane | Romain Coolus | Lysiane de La Lauraye | Théâtre de la Renaissance | Premiere 1898, 20 April [66] | |
1898 | Médée | Catulle Mendès | title role | Théâtre de la Renaissance | 1898, 28 October [67] | |
1898 | Phèdre | Racine | title role | Théâtre de la Renaissance | Reprise 5 years later. 1898, 20 November [68] | |
1899 | Dalila | Octave Feuillet | Leonora, Princess Falconieri | Théâtre Sarah Bernhardt, Paris | Same play and rol2 26 years later in own theatre. 1899, 8 March [69] | |
1899 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre Sarah Bernhardt | Same role 3 years later in own theatre. 1899, 9 April [70] | |
1899 | La Tragique Histoire d'Hamlet, prince de Danemark | Shakespeare, adapted by Marcel Schwob and Eugene Morand | title role | Théâtre Sarah Bernhardt | Same play 13 years later, other role. Male role In USA: 1900 [71] Filmed scenes: Hamlet (1900). | |
1899 | La Tosca | Victorien Sardou | Floria Tosca | Théâtre Sarah Bernhardt | Same play and role 12 years later in own theatre. 1899, 21 January [44] | |
1900 | L'Aiglon | Edmond Rostand | Duc de Reichstadt | Théâtre Sarah Bernhardt | Premiere 1900, 15 March [72] Male role In USA: 1900, November 26 [73] | |
1900 | L'Etincelle | Édouard Pailleron | Léonie de Rénat | Théâtre Sarah Bernhardt | ||
1900 | Cyrano de Bergerac | Edmond Rostand | Roxane | New York | Nov 26, 1900, Garden Theatre [74] | |
1901 | La Pluie et le beau Temps | Léon Gozlan | Baroness | |||
1901 | Les Precieuses Ridicules | Moliere | Madelon | |||
1902 | Théodora | Victorien Sardou | title role | Théâtre Sarah Bernhardt | Same role 18 years later in own theatre. 1902, 7 January [42] | |
1902 | Phèdre | Racine | title role | Théâtre Sarah Bernhardt | Same role 4 years later in own theatre. 1902, 6 February [54] | |
1902 | Magda | Hermann Sudermann | title role | Théâtre Sarah Bernhardt | Same role 7 years later in own theatre. 1902, 20 February [75] | |
1902 | Jean-Marie | André Theuriet | Thérése | Théâtre Sarah Bernhardt | Same play and role 8 years later in own theatre. 1902, 6 March [58] | |
1902 | La Samaritaine | Edmond Rostand | Photine | Théâtre Sarah Bernhardt | Same play and role 5 years later in own theatre. 1902, 20 March [64] | |
1902 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre Sarah Bernhardt | Reprise 3 years later. 1902, 7 June [70] | |
1902 | Francesca da Rimini | Francis Marion Crawford, trad. by Marcel Schwob | title role | Théâtre Sarah Bernhardt | 1902, 22 April [76] | |
1902 | Sapho | Alphonse Daudet | Fanny Legrand | |||
1902 | Théroigne de Méricourt (fr) | Paul Hervieu | title role | Théâtre Sarah Bernhardt | 1902, 23 December [77] | |
1902 | Fédora | Victorien Sardou | Fedora Romazoff | Théâtre Sarah Bernhardt | Same play and role 8 years later in own theatre. 1902, 19 November [57] | |
1903 | Andromaque | Racine | role of Hermione, then the role of Andromaque | Théâtre Sarah Bernhardt | Same play 30 years later. 1903, 7 February [78] | |
1903 | La Dame aux Camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre Sarah Bernhardt | Reprise 1 year later. 1903, 10 February [70] . Filmed in 1911. | |
1903 | La Samaritaine | Edmond Rostand | Photine | Théâtre Sarah Bernhardt | Reprise 1 year later. 1903, 25 February [64] | |
1903 | Circé | Charles Richet, music by Raoul Brunel | title role | Monte-Carlo | ||
1903 | Bohèmos | Miguel Zamacoïs | Monte-Carlo | |||
1903 | Werther | Goethe, adaptation by Pierre Decourcelle | title role | Théâtre Sarah Bernhardt | Premiere 1903, 6 March [79] Male role | |
1903 | Plus que Reine | Emile de Bergerat | Joséphine de Beauharnais | Théâtre Sarah Bernhardt | ||
1903 | La Légende du Coeur | Jean Aicard | Cabestaing, troubadour | Théâtre antigue d'Orange | 1903, 13 July [80] Male role | |
1903 | Jeanne Wedekind | Félix Philippi, adaptation by Luigi Krauss | title role | Théâtre Sarah Bernhardt | premiere 1903, 5 November [81] | |
1903 | La Tosca | Victorien Sardou | Floria Tosca | Théâtre Sarah Bernhardt | Reprise 4 years later. 1903, 11 November [44] Filmed in 1908. | |
1903 | La Sorcière | Victorien Sardou | Zoraya | Théâtre Sarah Bernhardt | premiere 1903, 15 December [82] | |
1904 | Le Festin de la Mort | Antoine de Castellane | Mme. Maujourdain | Théâtre Sarah Bernhardt | premiere 1904, 14 January [83] | |
1904 | Varennes | Henri Lavedan and Georges LeNôtre | Marie Antoinette | Théâtre Sarah Bernhardt | premiere | |
1905 | Angelo, tyran de Padoue | Victor Hugo | La Tisbé | Théâtre Sarah Bernhardt | 1905, 7 February [84] | |
1905 | Esther | Racine | Le roi Assuérus | Théâtre Sarah Bernhardt | 1905, 8 April [85] male role | |
1905 | Pelléas et Mélisande | Maurice Maeterlinck | Pelléas | Vaudeville Theatre (London) | 1902, 2 July [86] male role | |
1905 | Adrienne Lecouvreur | Eugene Scribe and Ernest Legouvé, adapted by Sarah Bernhardt | title role | Same play 25 years later, with new version of text made by Sarah herself | ||
1906 | La Vierge d'Avila | Catulle Mendès | soeur Theresa | Théâtre Sarah Bernhardt | 1906, 10 November [87] | |
1907 | Les Bouffons | Miguel Zamacoïs | René dit Jacasse | Théâtre Sarah Bernhardt | 1907, January 25 [88] Male role | |
1907 | Adrienne Lecouvreur | Eugene Scribe and Ernest Legouvé, adapted by Sarah Bernhardt | title role | Théâtre Sarah Bernhardt | Reprise 2 years later. 1907, 7 April [89] Filmed in 1912 | |
1907 | Le Vert-Galant | Émile Moreau | La Reine Margot | Théâtre Sarah Bernhardt | ||
1907 | Le Réveil (fr) | Paul Hervieu | Thérèze de Mégée | Théâtre - Français, London | ||
1907 | La Belle au Bois Dormant | Jean Richepin and Henri Cain | Le poète Landry, le prince Landry (Prince Charmant) | Théâtre Sarah Bernhardt | 1907, 24 December [90] Male role | |
1908 | Le Courtisane de Corinthe | Paul Bilhaud and Michel Carré | Cléonice | Théâtre Sarah Bernhardt | premiere 1908, 8 April [91] | |
1908 | La Passé | Georges de Porto-Riche | Dominique Brienne | Théâtre Sarah Bernhardt | ||
1909 | La Nuit de Mai | Alfred de Musset | Poet | Comédie Française | Same play 33 year later, but other role. 1909, 5 May [92] Male role | |
1909 | Cyrano de Bergerac | Edmond Rostand | title role | (scenes from) Same play 9 years later but other role. Male role | ||
1909 | La Fille de Rubenstein (??) | Remon (??) | Théâtre Sarah Bernhardt | |||
1909 | Le Procès de Jeanne d'Arc | Émile Moreau | Jeanne d'Arc | Théâtre Sarah Bernhardt | premiere 1909, 25 November [93] In USA: 1910 [94] | |
1909 | La Tosca | Victorien Sardou | Floria Tosca | Théâtre Sarah Bernhardt | Reprise 6 years later. 1909, 8 May [44] | |
1910 | La Beffa | Book by Sem Benelli; adapted by Jean Richepin | Gianetto Malespini | Théâtre Sarah Bernhardt | 1910, 2 March [95] Male role In USA: December 1910 [96] | |
1910 | La Femme X | Alexandre Bisson | Jacqueline Fleuriot | Théâtre Sarah Bernhardt | In USA: December 1910 [97] | |
1910 | Judas | John Wesley De Kay | title role | The Globe Theatre, New York | Male role Premiere in USA: Dec 24, 1910 [98] | |
? | Soeur Béatrice (Sister Beatrice) | Maurice Maeterlinck | In USA: 1911 [99] | |||
1911 | Lucrèce Borgia | Victor Hugo | title role | Théâtre Sarah Bernhardt | 1911, 23 November [100] | |
1911 | Tartuffe | Molière | Dorine | Théâtre Sarah Bernhardt | ||
1912 | La Reine Elizabeth | Emlie Moreau | title role | Théâtre Sarah Bernhardt | Premiere. 1912, 11 April [101] Filmed: Les Amours de la reine Élisabeth (1912) | |
1912 | Une nuit de Noel sous la Terreur | Maurice Bernhard t and Henri Cain | Marion | Théâtre Sarah Bernhardt | Premiere 1912, 21 November [102] | |
1912 | La Dame aux camélias | Alexandre Dumas fils | Marguerite Gautier | Théâtre Nouveau de Belleville (Paris) | Reprise 9 years later. 1912, 11 September [103] | |
1913 | Jeanne Doré (fr) | Tristan Bernard | title role | Théâtre Sarah Bernhardt | Premiere 1913, 16 December [104] Filmed in 1916 | |
1914 | Tout à coup | Paul de Cassagna c and Guy de Cassagnac | La Marquise de Chalonne | Théâtre Sarah Bernhardt | Premiere 1914, 15 April [105] | |
1915 | Les Cathédrales | Eugène Morand | La Cathédrale de Strasbourg | Théâtre Sarah Bernhardt | one act - premiere 1915, 7 November [106] | |
1916 | La Mort de Cléopâtre | Maurice Bernhard t and Henri Cain | Cléopâtre | one act - premiere In USA: 1917 [107] | ||
1916 | L'Holocauste | Sarah Bernhardt | Duchesse | one act - premiere | ||
1916 | Du théâtre au Champ d'Honneur | Maurice Bernhard t and Henri Cain | soldier Marc Bertrand | Male role In USA: 1917 [108] | ||
1916 | Vitrail | René Fauchois | Violaine | L'Alhambra (Paris) | one act | |
1916 | Hécube | Maurice Bernhardt and Rene Clarance | title role | one act In USA: 1917 [111] | ||
1916 | Le Faux Modèle | Edouard Daurelly | Madeleine | one act In USA: 1917 [112] | ||
1916 | Le Marchand de Venise | Shakespeare | Portia | excerpts from play In USA: "Shylock" (scenes) in 1917 [113] | ||
1916 | L'Etoile dans la nuit | Henri Cain | Jane de Mauduit | one act | ||
1916 | Les Amours de la reine Élisabeth | Émile Moreau | Queen Elizabeth | |||
? | Cendres D'Opium | Jean De Le Traz | In USA: 1917 [114] | |||
? | La Chance du Mari | Gaston Armand De Caillavet and Robert de Flers | In USA: 1917 [115] | |||
? | Rosalie | Max Maurey | In USA: 1917 [116] | |||
? | La Paix Chez Soi (fr) | Georges Courteline | In USA: 1917 [117] | |||
? | L'Anglais tel Qu'on le Parle (fr) | Tristan Bernard | In USA: 1917 [118] | |||
1920 | Rossini | René Fauchois | Anna, la mère du compositeur (Rossini's mother) | Théâtre des Célestins, Lyon | 1920, 27 January | |
1920 | Athalie | Racine | title role | Théâtre Sarah Bernhardt | Same play 53 years later, other role. 1920, 1 April [119] | |
1920 | Daniel | Louis Vernouil | Daniel Arnaud | Théâtre Sarah Bernhardt | Premiere. 1910, 10 November [120] Filmed in 1921 | |
1920 | Comment on écrit l'Histoire [121] | Sacha Guitry | Mariette | Théâtre Sarah Bernhardt | one act-premiere 1920? December 4 [121] | |
1921 | La Gloire | Maurice Rostand | title role | Théâtre Sarah Bernhardt | one act-premiere | |
1921 | Régine Armand [124] | Louis Vernouil | title role | Théâtre Sarah Bernhardt | 1921, April 20 [124] | |
1922 | La Mort de Molière, poème dramatique en un acte par Maurice Rostand, représenté au Théatre Sarah Bernhardt a l'occasion du tricentenaire de Molière [125] | Maurice Rostand | La Douleur [126] | Théâtre Sarah Bernhardt | in January of February [125] one act |
Sarah Bernhardt was a French stage actress who starred in some of the more popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours around the world, and she was one of the early prominent actresses to make sound recordings and to act in motion pictures.
La Tosca is a five-act drama by the 19th-century French playwright Victorien Sardou. It was first performed on 24 November 1887 at the Théâtre de la Porte Saint-Martin in Paris, with Sarah Bernhardt in the title role. Despite negative reviews from the Paris critics at the opening night, it became one of Sardou's most successful plays and was toured by Bernhardt throughout the world in the years following its premiere. The play itself had dropped from the standard theatrical repertoire by the mid-1920s, but its operatic adaptation, Giacomo Puccini's Tosca, has achieved enduring popularity. There have been several other adaptations of the play including two for the Japanese theatre and an English burlesque, Tra-La-La Tosca as well as several film versions.
Eleonora Giulia Amalia Duse, often known simply as Duse, was an Italian actress, rated by many as the greatest of her time. She performed in many countries, notably in the plays of Gabriele D'Annunzio and Henrik Ibsen. Duse achieved a unique power of conviction and verity on the stage through intense absorption in the character, "eliminating the self" as she put it, and letting the qualities emerge from within, not imposed through artifice.
The Lady of the Camellias, sometimes called in English Camille, is a novel by Alexandre Dumas fils. First published in 1848 and subsequently adapted by Dumas for the stage, the play premiered at the Théâtre du Vaudeville in Paris, France, on February 2, 1852. It was an instant success. Shortly thereafter, Italian composer Giuseppe Verdi set about putting the story to music in the 1853 opera La traviata, with female protagonist Marguerite Gautier renamed Violetta Valéry.
Benoît-Constant Coquelin, known as Coquelin aîné, was a French actor, "one of the greatest theatrical figures of the age."
Harriet Sansom Harris is an American actress known for her theater performances and for her portrayals of Bebe Glazer on Frasier and Felicia Tilman on Desperate Housewives.
André Obey was a prominent French playwright during the inter-war years, and into the 1950s.
Aristides Damalas, known in France by the stage name Jacques Damala, was a Greek military officer-turned-actor, and husband of Sarah Bernhardt in his last years. Damala's characterisation by modern researchers is far from positive. His handsomeness was as notable as his insolence and Don Juan quality. Writer Fredy Germanos describes him as an opportunistic and hedonistic person, whose marriage to the great diva would inevitably intensify and maximise his vices, namely, his vanity and obsession with women, alcohol, and drugs.
The Théâtre de la Ville is one of the two theatres built in the 19th century by Baron Haussmann at Place du Châtelet, Paris, the other being the Théâtre du Châtelet. It is located at 2, place du Châtelet in the 4th arrondissement.
Raymond Bernard was a French film director and screenwriter whose career spanned more than 40 years. He is best remembered for several large-scale historical productions, including the silent films Le Miracle des loups and Le Joueur d'échecs and in the 1930s Les Croix de bois and a highly regarded adaptation of Les Misérables.
Zelda Sears was an American actress, screenwriter, novelist and businesswoman.
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris.
Cirque Productions, also known as Cirque Dreams, is a subsidiary of Cirque du Soleil.
Toni-Leslie James is an American costume designer for stage, television and film. James was awarded The Irene Sharaff Young Masters Award and the 2009 Obie Award for Sustained Excellence in Costume Design. She received a BFA in costume design from The Ohio State University. James was an associate professor and head of design in the theatre department of Virginia Commonwealth University for 12 years, and is currently an assistant professor of design and Yale Repertory Theatre resident costume designer for the Yale School of Drama.
Barry & Fran Weissler are Tony Award-winning, American theatrical producers.
Charles Dechamps was a French stage and film actor. He married the comedian Fernande Albany on 19 November 1925. He died in 1959, and was buried at cimetière du Père-Lachaise.
Marie-Jules-Émile Moreau, better known as Émile Moreau, was a 19th-century French playwright and librettist.
Claude Pierre Edmond Giraud was a French actor.
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