Rosemarie Beck | |
|---|---|
| Born | July 8, 1923 Westchester, New York, U.S. |
| Died | July 15, 2003 (aged 80) New York City, U.S. |
| Known for | Painting |
| Movement | Abstract expressionism |
| Spouse | Robert Phelps |
Rosemarie Beck (July 8, 1923 – July 15, 2003) was an American abstract expressionist, figurative expressionist painter in the post-World War II era. She was married to the writer and editor Robert Phelps.
A 1944 graduate of Oberlin College with a bachelor's degree in art history, Beck later studied at Columbia University, the Art Students League in New York, The Institute of Fine Arts at New York University, and in workshops with well-known artists Kurt Seligmann and Robert Motherwell. [1] Shortly after graduating from Oberlin in 1944, she moved to Woodstock, N.Y., where she struck up friendships with neighbors Philip Guston and Bradley Walker Tomlin, artists who had an influence on her early work. [2]
In the early part of her career, she was regarded as a member of the second generation of the New York School of abstract expressionists and her work was often exhibited at their annual shows at the Stable and Peridot galleries.
Early in her career, Beck considered herself to be an abstract expressionist painter, but by the late 1950s, she had switched to the figurative focus that she would retain for the rest of her career.[ citation needed ]
Beck became “one of the few painters of our time to treat grand themes in ambitious multi-figure compositions while satisfying a need both for abstract structure and for an execution that embodies energy without being gratuitous,” according to critic Martica Sawin.[ citation needed ]
Beck taught at Queens College of New York, Vassar College, Middlebury College, the Vermont Studio Center, and the New York Studio School of Drawing, Painting and Sculpture, where she was on the faculty until shortly before she died.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Philip Guston was a Canadian American painter, printmaker, muralist and draftsman. "Guston worked in a number of artistic modes, from Renaissance-inspired figuration to formally accomplished abstraction," and is now regarded as one of the "most important, powerful, and influential American painters of the last 100 years." He frequently depicted racism, antisemitism, fascism and American identity, as well as—especially in his later most cartoonish and mocking work—the banality of evil. In 2013, Guston's painting To Fellini set an auction record at Christie's when it sold for $25.8 million.
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John Button was an American artist, well known for his city-scapes. Educated at the University of California, Berkeley then moved to New York City in the early 1950s. He became friends with Fairfield Porter and Frank O'Hara and assumed his part in the New York School of Painters and Poets.
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Charles Seliger was an American abstract expressionist painter. He was born in Manhattan June 3, 1926, and he died on 1 October 2009, in Westchester County, New York. Seliger was one of the original generation of abstract expressionist painters connected with the New York School.
Thomas Sills was a painter and collagist and a participant in the New York Abstract Expressionist movement. At the peak of his career in the 1960s and 1970s, his work was widely shown in museums. His work was regularly featured in art journals and is in museum collections.
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Pat Passlof was an American abstract expressionist painter.

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Jeanne Patterson Miles (1908–1990) was an American abstract painter and sculptor.
Eve Aschheim is an American draftsperson and painter.