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The Royal School of Art in Berlin (Königliche Kunstschule zu Berlin) was a state-sponsored art school founded in 1869. The school was founded through its association with the Prussian Academy of Arts, and after unification stood as one of Berlin's art schools for over 70 years.
The school went through a number of changes in name and emphasis before its closure in the 1945/46 academic season. Its programs and assets were eventually integrated into the present-day Berlin University of the Arts.
Architect Martin Gropius was the school's organizer and first director. The program developed from two existing schools within the Academy, an "arts and trade union school" and a drawing school. [1] Gropius also designed their new building at Klosterstraße 75 (demolished in 1931). [2]
After German unification, the art school in 1872 expanded into teacher education. In 1874 women were first admitted. On the death of Gropius in 1880, painter Ernst Ewald assumed the directorship. (Ewald was simultaneously the director of the small teaching institute at the State Museum of Decorative Arts.)
Impressionist painter Philipp Franck became director in 1915, after the beginning of World War I.
When painter Elise Blumann completed a two-year course at the school between 1917 and 1919, as a woman she could choose from the School of Applied Arts, the Berlin School for Women Arts founded in 1868, and the Royal School of Art. The Academy did not accept female fine arts students until October 1919. Blumann graduated with an art teacher's diploma. [3]
Following the 1918 abdication of the Kaiser and the German Revolution of 1918–19, the establishment was renamed the State Art School of Berlin (Staatliche Kunstschule zu Berlin), and moved into new purpose-built facilities at Grunewaldstraße 2–5, Schöneberg.
Painter Alexander Kanoldt assumed the directorship in 1933, as the Nazis came to power. His work would eventually be seized and destroyed as degenerate art. Kanoldt resigned in 1936, and the school was renamed the State College of Arts (Staatliche Hochschule für Kunsterziehung). Hans Zimbal was among its final directors in the war years before its closure in 1945.
The Staatliches Bauhaus, commonly known as the Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. Along with the doctrine of functionalism, the Bauhaus initiated the conceptual understanding of architecture and design.
The Bauhaus-Universität Weimar is a university located in Weimar, Germany, and specializes in the artistic and technical fields. Established in 1860 as the Great Ducal Saxon Art School, it gained collegiate status on 3 June 1910. In 1919 the school was renamed Bauhaus by its new director Walter Gropius and it received its present name in 1996. There are more than 4000 students enrolled, with the percentage of international students above the national average at around 27%. In 2010 the Bauhaus-Universität Weimar commemorated its 150th anniversary as an art school and college in Weimar.
Alexander Kanoldt was a German magic realist painter and one of the artists of the New Objectivity.

Otto Bartning was a Modernist German architect, architectural theorist and teacher. In his early career he developed plans with Walter Gropius for the establishment of the Bauhaus. He was a member of Der Ring. In 1951, he was elected president of the Federation of German Architects.

Elise Blumann was a German born artist who achieved recognition as an Australian Expressionist painter.
The Dresden Academy of Fine Arts, often abbreviated HfBK Dresden or simply HfBK, is a vocational university of visual arts located in Dresden, Germany. The present institution is the product of a merger between the famous Dresden Art Academy, founded in 1764, the workplace and training ground of a number of influential European artists, and another well-established local art school, Hochschule für Werkkunst Dresden, after World War II.
The Prussian Academy of Arts was a state arts academy first established in Berlin, Brandenburg, in 1694/1696 by prince-elector Frederick III, in personal union Duke Frederick I of Prussia, and later king in Prussia.
The Staatliche Museen zu Berlin are a group of institutions in Berlin, Germany, comprising seventeen museums in five clusters; several research institutes; libraries; and supporting facilities. They are overseen by the Prussian Cultural Heritage Foundation and funded by the German federal government in collaboration with Germany's federal states. The central complex on Museum Island was added to the UNESCO list of World Heritage Sites in 1999. By 2007, the Staatliche Museen zu Berlin had grown into the largest complex of museums in Europe. The museum was originally founded by King Friedrich Wilhelm III of Prussia in 1823 as the Königliche Museen.
The Antikensammlung Berlin is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork.
Max Feldbauer (1869–1948) was a German painter, associated with the Munich Secession. He is primarily known for rural, Bavarian scenes.
A Kunstgewerbeschule was a type of vocational arts school that existed in German-speaking countries from the mid-19th century. The term Werkkunstschule was also used for these schools. From the 1920s and after World War II, most of them either merged into universities or closed, although some continued until the 1970s.

Wilhelm Lachnit was a German painter who was primarily active in Dresden.
The Kronprinzenpalais is a former Royal Prussian residence on Unter den Linden boulevard in the historic centre of Berlin. It was built in 1663 and renovated in 1857 according to plans by Heinrich Strack in Neoclassical style. From 1919 to 1937, it was home to the modern art collection of the National Gallery. Damaged during the Allied bombing in World War II, the Kronprinzenpalais was rebuilt from 1968 to 1970 by Richard Paulick as part of the Forum Fridericianum. In 1990, the German Reunification Treaty was signed in the listed building. Since then, it has been used for events and exhibitions.
The Kunstakademie Königsberg was a visual arts school in Königsberg, Germany. It focused on genre works, landscape art, and marine art, especially of East Prussia, as well as sculpture and architecture. It regularly consisted of 8 teachers and 40–50 students.
The State Academy of Fine Arts Stuttgart is a public fine art university in Stuttgart, Germany. It was founded in 1761 and has been located on the Weissenhof since 1946. Its campus consists of three buildings: the Altbau, Neubau 1 or "Architects' Building", and Neubau 2.
Werner Laux was a German painter, university teacher and arts official. He was something of a party stalwart: between 1952 and 1956 he served as rector (head) of the Arts Academy at Berlin-Weissensee.

Carl Ludwig Noah Bantzer was a painter, professor and art critic; associated with the Willingshausen Artists' Colony.
Heinrich Ehmsen was a German painter and graphic artist.

Paul Thiersch was a German architect and designer.
Damenakademies or Ladies Academies were art schools for women in Germany. Prior to the 20th century, careers in art were inaccessible to women, who were denied access to the mainstream academies. While Russia opened its art schools to women as early as 1871, those in Germany remained male-only until the beginning of the Weimar Republic. Apart from the private studios of individual artists, only three large academies, the Ladies Academies (Damenakademies), accepted female students. These institutions were founded through self-help groups in Munich and Berlin and the Artist Academy in Karlsruhe, and offered a limited range of courses.