Sanders of the River Alternate title: Bosambo | |
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![]() Film poster | |
Directed by | Zoltán Korda |
Written by | Lajos Bíró Jeffrey Dell Edgar Wallace Arthur Wimperis |
Produced by | Alexander Korda |
Starring | Leslie Banks Paul Robeson |
Cinematography | Osmond Borradaile Louis Page Georges Périnal |
Edited by | Charles Crichton |
Production company | |
Distributed by | United Artists |
Release date |
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Running time | 98 minutes |
Country | United Kingdom |
Language | English |
Sanders of the River is a 1935 British film directed by the Hungarian-British director, Zoltán Korda, based on the stories of Edgar Wallace. It is set in Colonial Nigeria. The lead Nigerian characters were played by African Americans Paul Robeson and Nina Mae McKinney. The film proved a significant commercial and critical success, giving Korda the first of his four nominations for Best Film at the Venice Film Festival.
Sanders (Leslie Banks) is a colonial District Commissioner in the Colonial Nigeria. He tries to administer his province fairly, including the various tribes comprising the Peoples of the River. He is regarded with respect by some and with fear by others, among whom he is referred to as "Sandi" and "Lord Sandi". He has an ally in Bosambo, a literate and educated tribal chief (played by the African American actor, Paul Robeson).
When Sanders goes on leave, another chief, King Mofolaba, spreads a rumour that "Sandi is dead." Inter-tribal war seems inevitable, and the situation is made worse by gun-runners and slavers. His relief, Ferguson (known to the Nigerians as Lord Ferguson), is unequal to the task; he is captured and killed by King Mofolaba. Sanders returns to restore peace. When Bosambo's wife Lilongo (Nina Mae McKinney) is kidnapped, the chief tracks down her kidnappers. Captured by them, he is saved by a relief force commanded by Sanders. Bosambo kills King Mofolaba and is subsequently named by Sanders as the King of the Peoples of the River.
Colonial administrator Sir B. Bourdillon is credited as an adviser.
The African American singer and actor Paul Robeson, a civil rights activist, accepted the role of Bosambo while living in London. At the time, he was studying the roots of pan-African culture through studies of language and music. Robeson felt that if he could portray the Nigerian leader, Bosambo, with cultural accuracy and dignity, he could help audiences—especially Black audiences—to understand and respect the roots of Black culture. He took the role on the condition that the film would portray Africans positively. [1]
The filmmakers took an unusual step towards authenticity by sending a film crew on a four-month voyage into remote areas of Africa. They recorded traditional African dances and ceremonies, with the intention of using this footage integrated with scenes shot in the studio that included the future President and Prime Minister of Kenya Jomo Kenyatta as one of the extras. [2]
After the filming, Robeson was asked to return to the studio for retakes of some scenes. He discovered that the film’s message had been changed during editing; it seemed to support the continuation of colonial rule in Africa, a message which Robeson disagreed with. The finished film was dedicated to "the handful of white men whose everyday work is an unsung saga of courage and efficiency". [3]
Robeson also discovered his character, Bosambo, had been changed during the editing process from a proud leader to a servile lackey of the colonial administration. He said:
The imperialist plot had been placed in the plot during the last days five days of shooting...I was roped into the picture because I wanted to portray the culture of the African people and I committed a faux pas which convinced me that I had failed to weigh the problems of 150,000,000 native Africans...I hate the picture. [4]
In 1938, Robeson added disparagingly: "It is the only film of mine that can be shown in Italy or Germany, for it shows the negro as Fascist states desire him - savage and childish." [5] Robeson was so disillusioned by the picture that he attempted, but failed, to buy all the prints to prevent it from being shown. [6]
It was the 11th most popular film at the British box office in 1935-36. [7]
The film was parodied in Will Hay's 1938 film Old Bones of the River . This comedy featured characters named Commissioner Sanders, Captain Hamilton and Bosambo. [8]
In 1963, producer Harry Alan Towers made a German/British international co-production small scale version of the film, Death Drums Along the River set in the modern day only using some of the names of the characters. It spawned a sequel, Coast of Skeletons (1965).
Paul Leroy Robeson was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances.
The Kenya African National Union (KANU) is a Kenyan political party that ruled for nearly 40 years after Kenya's independence from British colonial rule in 1963 until its electoral loss in 2002. It was known as Kenya African Union (KAU) from 1944 but due to pressure from the colonial government, KAU changed its name to Kenya African Study Union (KASU) mainly because all political parties were banned in 1939 following the start of the Second World War. In 1946 KASU rebranded itself into KAU following the resignation of Harry Thuku as president due to internal differences between the moderates who wanted peaceful negotiations and the militants who wanted to use force, the latter forming the Aanake a forty, which later became the Mau Mau. His post was then occupied by James Gichuru, who stepped down for Jomo Kenyatta in 1947 as president of KAU. The KAU was banned by the colonial government from 1952 to 1960. It was re-established by James Gichuru in 1960 and renamed KANU on 14 May 1960 after a merger with Tom Mboya's Kenya Independence Movement.
Sir Alexander Korda was a Hungarian-British film director, producer and screenwriter, who founded his own film production studios and film distribution company.
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Zoltan Korda was a Hungarian-born motion picture screenwriter, director and producer. He made his first film in Hungary in 1918, and worked with his brother Alexander Korda on film-making there and in London. They both moved to the United States in 1940 to Hollywood and the American film industry.
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Nina Mae McKinney was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. Dubbed "The Black Garbo" in Europe because of her striking beauty, McKinney was both one of the first African-American film stars in the United States and one of the first African-Americans to appear on British television.
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Old Bones of the River is a comedy film released in 1938 starring British actor Will Hay with Moore Marriott and Graham Moffatt and directed by Marcel Varnel, based on the characters created by Edgar Wallace. The film is a spoof of the 1935 movie Sanders of the River.
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