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Roman sarcophagus with the myth of Medea, c. 140-150 AD, from Rome, exhibited in the Antikensammlung Berlin (Berlin) Sarcofago col mito di medea, da roma, vicinanze di porta san lorenzo, 140-150 dc ca. 02.JPG
Roman sarcophagus with the myth of Medea, c.140–150 AD, from Rome, exhibited in the Antikensammlung Berlin (Berlin)
Roman sarcophagus with Apollo, Minerva and the Muses, c. 200 AD, from Via Appia, exhibited in the Antikensammlung Berlin Sarcofago con apollo, minerva e le muse, dalla via appia, 200 dc ca. 01.JPG
Roman sarcophagus with Apollo, Minerva and the Muses, c.200 AD, from Via Appia, exhibited in the Antikensammlung Berlin
The Gothic sarcophagi of Don Alvar Rodrigo de Cabrera, count of Urgell and his wife Cecilia of Foix, c. 1300-1350, made of limestone, traces of paint, exhibited in the Metropolitan Museum of Art (New York City) Double Tomb of Don Alvar Rodrigo de Cabrera, Count of Urgell and His Wife Cecilia of Foix MET cdi48-140-1-3-4.jpg
The Gothic sarcophagi of Don Àlvar Rodrigo de Cabrera, count of Urgell and his wife Cecília of Foix, c.1300–1350, made of limestone, traces of paint, exhibited in the Metropolitan Museum of Art (New York City)
The graves of Emperor Pedro I of Brazil (also King of Portugal as Pedro IV) and his second wife Amelie (left) in the Monument to the Independence of Brazil. The grave of the King-Emperor's first wife, Maria Leopoldina, is on the opposite side, facing his grave. Olhares sobre o Museu do Ipiranga 2017 041.jpg
The graves of Emperor Pedro I of Brazil (also King of Portugal as Pedro IV) and his second wife Amélie (left) in the Monument to the Independence of Brazil. The grave of the King-Emperor's first wife, Maria Leopoldina, is on the opposite side, facing his grave.
Grave of Catharina Mansdotter, the Queen of Sweden, in Turku Cathedral in Turku, Finland Karin Mansdottir's grave.jpg
Grave of Catharina Månsdotter, the Queen of Sweden, in Turku Cathedral in Turku, Finland

A sarcophagus (pl.: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning "flesh", and φαγεῖν phagein meaning "to eat"; hence sarcophagus means "flesh-eating", from the phrase lithos sarkophagos (λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. [1] [2]


History of the sarcophagus

Sarcophagi were most often designed to remain above ground.[ citation needed ] The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C.

The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later Ancient Greek sarcophagus in painted pottery is seen in Klazomenian sarcophagi, produced around the Ionian Greek city of Klazomenai, where most examples were found, between 550 BC (Late Archaic) and 470 BC. They are made of coarse clay in shades of brown to pink. Added to the basin-like main sarcophagus is a broad, rectangular frame, often covered with a white slip and then painted. The huge Lycian Tomb of Payava, now in the British Museum, is a royal tomb monument of about 360 BC designed for an open-air placing, a grand example of a common Lycian style.

Relief on a Roman sarcophagus, which represents the triumph of Dionysos, c. 260-270 AD, marble, exhibited in the Metropolitan Museum of Art (New York City) Marble sarcophagus with the Triumph of Dionysos and the Seasons 3rd century CE.jpg
Relief on a Roman sarcophagus, which represents the triumph of Dionysos, c.260–270 AD, marble, exhibited in the Metropolitan Museum of Art (New York City)

Ancient Roman sarcophagi—sometimes metal or plaster as well as limestone—were popular from about the reign of Trajan, [3] and often elaborately carved, until the early Christian burial preference for interment underground, often in a limestone sepulchre, led to their falling out of favor. [2] However, there are many important Early Christian sarcophagi from the 3rd to 4th centuries. Most Roman examples were designed to be placed against a wall and are decorated on three sides only. Sarcophagi continued to be used in Christian Europe for important figures, especially rulers and leading church figures, and by the High Middle Ages often had a recumbent tomb effigy lying on the lid. More plain sarcophagi were placed in crypts. The most famous examples include the Habsburg Imperial Crypt in Vienna, Austria. The term tends to be less often used to describe Medieval, Renaissance, and later examples.

In the early modern period, lack of space tended to make sarcophagi impractical in churches, but chest tombs or false sarcophagi, empty and usually bottomless cases placed over an underground burial, became popular in outside locations such as cemeteries and churchyards, especially in Britain in the 18th and 19th centuries, where memorials were mostly not highly decorated and the extra cost of a false sarcophagus over a headstone acted as an indication of social status.[ citation needed ]

United States of America

Warner Tomb in Laurel Hill Cemetery (Philadelphia, Pennsylvania) Warner in Laurel Hill.jpg
Warner Tomb in Laurel Hill Cemetery (Philadelphia, Pennsylvania)

Sarcophagi, usually "false", made a return to the cemeteries of America during the last quarter of the 19th century, at which time, according to a New York company which built sarcophagi, "it was decidedly the most prevalent of all memorials in our cemeteries". [4] They continued to be popular into the 1950s, at which time the popularity of flat memorials (making for easier grounds maintenance) made them obsolete. Nonetheless, a 1952 catalog from the memorial industry still included eight pages of them, broken down into Georgian and Classical detail, a Gothic and Renaissance adaptation, and a Modern variant. [5] The image shows sarcophagi from the late 19th century located in Laurel Hill Cemetery in Philadelphia, Pennsylvania. The one in the back, the Warner Monument created by Alexander Milne Calder (1879), features the spirit or soul of the deceased being released.


In the Mekong Delta in southwestern Vietnam, it is common for families to inter their members in sarcophagi near their homes, thus allowing ready access for visits as a part of the indigenous tradition of ancestor worship.

In Sulawesi, Indonesia, waruga are a traditional form of sarcophagus.[ citation needed ]


Nearly 140 years after British archaeologist Alexander Rea unearthed a sarcophagus from the hillocks of Pallavaram in Tamil Nadu, an identical artifact dating back by more than 2,000 years has been discovered in the same locality. [6]


Phoenician and Paleochristian sarcophagi have been found in the Iberian Peninsula. [7] [8]

See also

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  1. WordInfo etymology. As a noun, the Greek term was further adopted to mean "coffin" and was carried over into Latin, where it was used in the phrase lapis sarcophagus, "flesh-eating stone", referring to those same properties of limestone.
  2. 1 2 "Columbia University Department of Archaeology". Archived from the original on 2012-12-18. Retrieved 2008-01-01.
  3. Presbrey - Leland, "Commemoration: The Book of Presbrey - Leland Memorials", Presbrey-Leland Incorporated, 1952 p. 79
  4. Veit, Richard Francis (2008). New Jersey Cemeteries and Tombstones: History in the Landscape . Rutgers University Press/Rivergate Books. p.  169. ISBN   978-0813542362.
  5. Presbrey - Leland, "Commemoration: The Book of Presbrey - Leland Memorials", Presbrey-Leland Incorporated, 1952 pp. 79–85
  6. Kabirdoss, Yogesh (28 June 2018). "ASI finds 2,300-year-old sarcophagus in Tamil Nadu". The Times of India . Bennett, Coleman & Co. Ltd. Retrieved 29 September 2018.
  7. "Sarcófagos antropomorfos fenicios de Cádiz". Cultura en Andalucía (in Spanish). Retrieved 29 September 2018.
  8. "Sarcófago paleocristiano". España es Cultura (in Spanish). Sociedad Mercantil Estatal para la Gestión de la Innovación y las Tecnologías Turísticas, S.A.M.P. (SEGITTUR). Ministerio de Cultura y Deporte . Retrieved 29 September 2018.