Laurence Kerr Olivier, Baron Olivier, was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
Sir Arthur John Gielgud, was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.
Private Lives is a 1930 comedy of manners in three acts by Noël Coward. It concerns a divorced couple who, while honeymooning with their new spouses, discover that they are staying in adjacent rooms at the same hotel. Despite a perpetually stormy relationship, they realise that they still have feelings for each other. Its second act love scene was nearly censored in Britain as too risqué. Coward wrote one of his most popular songs, "Some Day I'll Find You", for the play.
The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre in St. Martin's Lane in the City of Westminster, London. It opened on 12 March 1903 as the New Theatre and was built by Sir Charles Wyndham behind Wyndham's Theatre which was completed in 1899. The building was designed by the architect W. G. R. Sprague with an exterior in the classical style and an interior in the Rococo style.
Present Laughter is a comic play written by Noël Coward in 1939 but not produced until 1942 because the Second World War began while it was in rehearsal, and the British theatres closed. The title is drawn from a song in Shakespeare's Twelfth Night that urges carpe diem. The play has been frequently revived in Britain, the US and beyond.
Fallen Angels is a comedy by the English playwright Noël Coward. It opened at the Globe Theatre, London on 21 April 1925 and ran until 29 August. The central theme of two wives admitting to premarital sex and contemplating adultery met hostility from the office of the official theatre censor, the Lord Chamberlain, and the necessary licence was granted only after the personal intervention of the Chamberlain.
Madge Titheradge was an Australian-born actress who became a leading actress in the West End of London and on Broadway.
Hugh "Binkie" Beaumont was a British theatre manager and producer, sometimes referred to as the "éminence grise" of the West End theatre. Though he shunned the spotlight so that his name was not known widely among the general public, he was one of the most successful and influential manager-producers in the West End during the middle of the 20th century.
Alan Norton Fletcher Webb was an English actor. He was principally known as a stage performer, but made several film and television appearances. He seldom played leading roles, but was frequently cast in important character parts. He created roles in plays by A. A. Milne, Noël Coward, T. S. Eliot and other contemporary playwrights.
Tonight Is Ours is a 1933 American Pre-Code drama film directed by Stuart Walker and starring Claudette Colbert, Fredric March and Alison Skipworth. Made by Paramount Pictures, it is based on the play The Queen Was in the Parlour by Noël Coward.
The Better Half is a one-act play by Noël Coward first performed in 1922 by the Grand Guignol theatre company, directed by Lewis Casson. It was thought to be lost until the original script was found in the British Library in 2007.
London Calling! was a musical revue, produced by André Charlot with music and lyrics by Noël Coward, which opened at London's Duke of York's Theatre on 4 September 1923. It is famous for being Noël Coward's first publicly produced musical work and for the use of a 3-D stereoscopic shadowgraph as part of its opening act. The revue's song "Parisian Pierrot", sung by Gertrude Lawrence, was Coward's first big hit and became one of his signature tunes.
Sir Noël Peirce Coward was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".
The Vortex is a play in three acts by the English writer and actor Noël Coward. The play depicts the sexual vanity of a rich, ageing beauty, her troubled relationship with her adult son, and drug abuse in British society circles after the First World War. The son's cocaine habit is seen by many critics as a metaphor for homosexuality, then taboo in Britain. Despite, or because of, its scandalous content for the time, the play was Coward's first great commercial success.
Red Peppers, described as "an interlude with music", is a short comic play in two scenes by Noël Coward. It is one of ten short plays that make up Tonight at 8.30, a cycle written to be performed in groups of three plays across three evenings. The original production, starring Coward and Gertrude Lawrence played in a pre-London tour, and then the West End, and finally New York, in 1935–1937. Red Peppers has been revived periodically and has been adapted for the cinema and television.
The Astonished Heart, described by the author as "a tragedy in six scenes", is a short play by Noël Coward, one of ten that make up Tonight at 8.30, a cycle written to be performed across three evenings. One-act plays were unfashionable in the 1920s and 30s, but Coward was fond of the genre and conceived the idea of a set of short pieces to be played across several evenings. The actress most closely associated with him was Gertrude Lawrence, and he wrote the plays as vehicles for them both.
Raymond Mander and Joe Mitchenson were theatre historians and joint founders of a large collection of theatrical memorabilia.
Come Into the Garden, Maud is a comedy, one of the trilogy of plays by Noël Coward known collectively as Suite in Three Keys. The other two, A Song at Twilight and Shadows of the Evening are more serious in tone. All three plays are set in the same suite in a luxury hotel in Switzerland.
Shadows of the Evening is a short play in two scenes, which together with A Song at Twilight and Come into the Garden, Maud forms a trilogy by Noël Coward known collectively as Suite in Three Keys, all set in the same luxury suite of a Swiss hotel. Shadows of the Evening is the most serious of the three in tone and theme. It depicts the relationship of a terminally ill man with his mistress and his estranged wife.
Suite in Three Keys is a trilogy of plays by Noël Coward. It comprises two short plays – Shadows of the Evening and Come Into the Garden, Maud – designed to be given as a double bill, and a stand-alone full-length play, A Song at Twilight. They are all set in the same suite in a luxury Swiss hotel and have a single character common to all three: the Italian waiter. The other characters are British, American and German hotel guests or visitors.
