Siegfried Wagner

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Siegfried Wagner Siegfried Wagner (composer).jpg
Siegfried Wagner

Siegfried Helferich Richard Wagner (6 June 1869 4 August 1930) was a German composer and conductor, the son of Richard Wagner. He was an opera composer and the artistic director of the Bayreuth Festival from 1908 to 1930.



Siegfried Wagner was born in 1869 to Richard Wagner and his future wife Cosima (née Liszt), at Tribschen on Lake Lucerne in Switzerland. Through his mother, he was a grandson of Franz Liszt, from whom he received some instruction in harmony.

Siegfried Wagner in 1896 Portrait Siegfried Wagner 1896.jpg
Siegfried Wagner in 1896

Some youthful compositions date from about 1882. After he completed his secondary education in 1889, he studied with Wagner's assistant Engelbert Humperdinck, but was more strongly drawn to a career as an architect and studied architecture in Berlin and Karlsruhe.

In 1892 he undertook a trip to Asia with a friend, the English composer Clement Harris. During the voyage he decided to abandon architecture and commit himself to music. Reputedly, it was also Harris who first aroused his homoerotic impulses. [1] While on board, he sketched his first official work, the symphonic poem Sehnsucht, inspired by the poem of the same name by Friedrich Schiller. This piece was not completed until just before the concert in which Wagner conducted it in London on 6 June 1895. [2] Though his works are numerous, none entered the standard repertory.

He made his conducting debut as an assistant conductor at Bayreuth in 1894; in 1896 he became associate conductor, sharing responsibility for conducting the Ring Cycle with Felix Mottl and Hans Richter, who had conducted its premiere 20 years earlier. In 1908 he took over as Artistic Director of the Bayreuth Festival in succession to his mother, Cosima.

Wagner was bisexual. [3] For years, his mother urged him to marry and provide the Wagner dynasty with heirs, but he fought off her increasingly desperate urgings.

Around 1913, pressure on him increased due to the Harden–Eulenburg affair (1907–1909), in which the journalist Maximilian Harden accused several public figures, most notably Philipp, Prince of Eulenburg, a friend of Kaiser Wilhelm II, of homosexuality. In this climate, the family found it suitable to arrange a marriage with a 17-year-old Englishwoman, Winifred Klindworth, and at the Bayreuth Festival of 1914 she was introduced to the then-45-year-old Wagner. The two married on 22 September 1915. [4]

The couple had four children:

  1. Wieland (1917–1966)
  2. Friedelind (1918–1991)
  3. Wolfgang (1919–2010)
  4. Verena (1920–2019)
Cosima and Siegfried Wagner, c. 1929 Cosima and Siegfried Wagner Fel 090656-RE.tiff
Cosima and Siegfried Wagner, c. 1929

Though the marriage provided for the dynastic succession, the hope that it would also bring an end to his homosexual encounters and the associated costly scandals was disappointed, as Wagner remained sexually active with other men. [5]

Peter P. Pachl  [ de ], one of Siegfried's biographers, asserted that Siegfried had sired an illegitimate son, Walter Aign (1901–1977); several recent authors, such as Frederic Spotts and Brigitte Hamann, have taken it up. [4] [6]

Wagner died in Bayreuth in 1930 aged 61, having outlived his mother by only four months. Since his two sons were still only adolescents, he was succeeded at the helm of the Bayreuth Festival by his widow Winifred.



See List of operas by Siegfried Wagner

Orchestral works

Vocal music

See also


  1. Jonathan Carr, The Wagner Clan, Faber and Faber, 2007, pp. 111–130.
  2. 1 2 Peter P. Pachl, booklet notes to cpo 999 366-2.
  3. Jonathan Keates, "Review of The Wagner Clan by Jonathan Carr", Daily Telegraph.
  4. 1 2 Brigitte Hamann. Winifred Wagner: A Life at the Heart of Hitler's Bayreuth. Harcourt, Orlando, Florida (2005).[ page needed ]
  5. Geoffrey Wheatcroft. "A Widow's Might", The New York Times , 11 March 2007.
  6. McClatchie, Stephen (November 1995). "Review: Frederic Spotts: Bayreuth: A History of the Wagner Festival". Cambridge Opera Journal. 7 (3): 277–284. JSTOR   823643.
  7. Peter P. Pachl, notes to Classic Produktion Osnabrück cpo 999 531-2

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