Sir Henry at N'didi’s Kraal

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Sir Henry at N'didi's Kraal
Sir Henry at N'didi's Kraal.jpg
Studio album by Vivian Stanshall
Released1984
Genre Spoken word
Comedy
Comedy music
Label Diablo
Producer Glen Colson
Vivian Stanshall chronology
Teddy Boys Don't Knit
(1981)
Sir Henry at N'didi's Kraal
(1984)
Professional ratings
Review scores
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Sir Henry at N'didi’s Kraal is the fourth and final solo album by Vivian Stanshall. It is a return to the largely spoken-word, solo comedy format of Stanshall's second album Sir Henry at Rawlinson End and is a sequel to the same work.

Vivian Stanshall English musician, artist and author

Vivian Stanshall was an English singer-songwriter, musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End, and for acting as Master of Ceremonies on Mike Oldfield's album Tubular Bells.

<i>Sir Henry at Rawlinson End</i> (recording) album by Vivian Stanshall

Sir Henry at Rawlinson End, released in 1978, is a largely spoken-word, solo comedy recording by Vivian Stanshall, a British musician with the Bonzo Dog Doo-Dah Band. It originated in his Rawlinson End sessions for the John Peel Show on BBC Radio 1 beginning in 1975, and a similarly-named track on the Bonzo Dog Band's 1972 album Let's Make Up and Be Friendly.

Contents

Background

Sir Henry at N'didi’s Kraal continues the story of the dissolute aristocrat and explorer Sir Henry Rawlinson, this time dealing with his attempts on behalf of the "Geographic Society" to locate a lost tribe of Zulus in South Africa. In contrast to Sir Henry at Rawlinson End , it is almost entirely spoken word, with only one song included. The album is predominantly a parody of the colonial manners and attitudes of the British Empire, using Sir Henry as a mouthpiece for various ridiculous and sometimes racist philosophies which Stanshall could spoof. It has been described as "a contradictory mix of Sir Henry's belief in racial superiority and (Stanshall's) genuine affection for African culture." [1]

The album was recorded at a low point in Stanshall's life following his separation from his second wife Ki Longfellow and their young family, during which he was suffering from severe alcohol and prescription medicine abuse. Stanshall was unhappy with the album's unpolished content, editing and low production values and subsequently disowned it. The producer, Glen Colson, has defended the release and his own work on it by protesting that Stanshall's depressed and intoxicated state diminished his creative input and that Colson himself was obliged to finish the album as best he could. [1]

Ki Longfellow American writer

Ki Longfellow is an American novelist, playwright, theatrical producer, theater director and entrepreneur with dual citizenship in Britain. She is best known in the United States for her novel The Secret Magdalene (2005). This is the first of her works exploring the divine feminine. In England, she is likely best known as the widow of Vivian Stanshall, the late musician, lead singer of the Bonzo Dog Doo-Dah Band, songwriter, author, radio broadcaster and wit.

Although Stanshall would continue to produce one-off recordings, advertisements and the comic opera Stinkfoot , Sir Henry at N'didi’s Kraal would be his final album.

Track listing

  1. "Sir Henry at N'didi’s Kraal" - 51:42

Personnel

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References

  1. 1 2 Randall, Lucian & Welch, Chris (2001). Ginger Geezer: The Life of Vivian Stanshall. 4th Estate. ISBN   1-84115-679-5.
  2. 1 2 3 4 5 6 "Vivian Stanshall – Sir Henry At Ndidi's Kraal". Discogs . Retrieved 25 November 2018.