Slanguage (disambiguation)

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Slanguage is a vocabulary of slang.

Slanguage may also refer to:

Slanguage is the third collaborative studio album by Awol One and Daddy Kev. It was released on Mush Records on March 18, 2003. It features contributions from D-Styles.

Slanguage is an exhibition space and artist collective in Wilmington, Los Angeles, California founded by Mario Ybarra and Karla Diaz in 2002. Slanguage works with community artists, curators and historians on projects and workshops. Slanguage describes its art-making practice as a "three pronged approach" including "education, community-building, and interactive exhibitions."

Virtual worlds are playing an increasingly important role in education, especially in language learning. By March 2007 it was estimated that over 200 universities or academic institutions were involved in Second Life. Joe Miller, Linden Lab Vice President of Platform and Technology Development, claimed in 2009 that "Language learning is the most common education-based activity in Second Life". Many mainstream language institutes and private language schools are now using 3D virtual environments to support language learning.

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Chopsocky is a colloquial term for martial arts movies and kung fu films made primarily in Hong Kong and Taiwan between the late 1960s and early 1980s. The term was coined by the American motion picture trade magazine Variety following the explosion of films in the genre released in 1973 in the U.S. after the success of Five Fingers of Death. The word is a play on chop suey, combining "chop" and "sock".

Kevin Marques Moo, better known by his stage name Daddy Kev, is a Grammy-nominated mixer, mastering engineer and producer from Los Angeles, California. He is the owner of Alpha Pup Records and founder of Low End Theory. He has produced tracks for rappers such as Awol One, Busdriver, Sage Francis, and Subtitle. He is one half of the duo Reefer along with Nicholas Thorburn of Islands.

Clarice "Dollie" McLean is founding executive director of the Artists Collective, Inc. of Hartford, Connecticut. McLean, born Clarice Helene Simmons in Antigua, West Indies, was raised in Manhattan, New York. She studied dance under Katherine Dunham, Jon Leone Destine, Asadata Dafora, and Martha Graham. In 1970 she and her husband Jackie McLean enlisted local artists bassist Paul (PB) Brown, dancer Cheryl Smith, and visual artist Ionis Martin to join them in establishing the Artists Collective, Inc. in Hartford, Connecticut.

Different Slanguages is the sixth album by rapper Messy Marv a.k.a. MessCalen.

Universes is a New York-based American ensemble company of multi-disciplined writers and performers who fuse poetry, theater, jazz, hip hop, politics, down home blues and Spanish boleros to create what has been described as moving, challenging and entertaining theatrical works. The group, with four core members, breaks traditional theatrical bounds to create its own brand of theater.

Steven Sapp co-founded The POINT Community Development Corporation in 1993 and Universes in 1995, both in collaboration with Mildred Ruiz-Sapp.

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Anthony Martin, better known by his stage name Awol One, is an alternative hip hop artist based in Los Angeles, California.

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Slang in Hong Kong evolves over time, and mainly comprises Cantonese, English, or a combination of the two.

Black Salt Collective is a queer, women-of-color artist collective that currently consists of four California-based artists and curators: Sarah Biscarra-Dilley, Grace Rosario Perkins, Anna Luisa Petrisko, and Adee Roberson. Founded in 2012, Black Salt Collective's art practice crosses disciplines and media, including performance, video, installation, sound, painting, collage, textiles, sculpture, and printmaking. Founding member Anna Luisa Petrisko has explained that, among other commonalities, the group's members "all make artwork with the intention of healing. Healing ourselves, healing our communities, healing the past and healing the future." The group is known for expanding narratives of art practice and art history beyond male, Eurocentric points of view.