Society of Typographic Aficionados

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The Society of Typographic Aficionados (SOTA) is an international not-for-profit organization dedicated to the promotion, study, and support of type, its history and development, its use in the world of print and digital imagery, its designers, and its admirers.

Contents

SOTA exists for the affordable education of its members and participants; to further the development of type, typographical information and typography; and to appreciate on multiple levels the attributes of type, typography, type design, graphic design, book illustration and calligraphy. Furthermore, SOTA is committed to sponsoring relevant topics in pursuit of these goals. SOTA pursues these goals through an annual conference, TypeCon, held in a different host city each year.

Mission

The Society of Typographic Aficionados (SOTA) is an international not-for-profit organization dedicated to the promotion, study, and support of type, its history and development, its use in the world of print and digital imagery, its designers, and its admirers.

Charter

The Society of Typographic Aficionados exists for the affordable education of its members and participants; to further the development of type, typographical information and typography; and to appreciate on multiple levels the attributes of type, typography, design, the book arts, and calligraphy.

Furthermore, SOTA is committed to sponsoring relevant topics in pursuit of these goals through an annual conference TypeCon, held in a different host city each year.

Members have the opportunity to help shape the direction of the organization. Volunteerism is essential to the continued growth and usefulness of organization. Members are encouraged to propose venues, programming, and support for future conferences and other events. SOTA welcomes ideas for public awareness campaigns, fundraising activities, and broadening cultural diversity.

History

SOTA was formed in 1995 as the Society of Typographic Awareness by Bob Colby, later renamed to the Society of Typographic Aficionados in 1997. The society’s original mission was to increase public awareness and appreciation of the art and history of typography and its function in creating beautiful and successful communications. In keeping with these goals, SOTA is defined as a cultural (rather than a business) organization.

In July 2000, Tony Di Pietro assumed directorship of SOTA from Bob Colby.

After attempts at organizing an event in the greater Boston area as early as 1995, SOTA hosted its first official TypeCon in Westborough, MA in 1998.

In the interest of expanding the organization and conference, several members decided it would benefit SOTA to move the conference to larger venues. In 2001, SOTA was incorporated as a non-profit 501(c)(3) and installed a formal board of directors including such typographic luminaries as Hermann Zapf, Matthew Carter, and Allan Haley. Tamye Riggs was installed as director of programming and went on to hold the position of Executive Director until 2010.

Subsequent conferences have been held in Westborough, MA (2000), Rochester, NY (2001), Toronto, ON (2002), Minneapolis, MN (2003), San Francisco, CA (2004), New York, NY (2005), Boston, MA (2006), Seattle, WA (2007), Buffalo, NY (2008), Atlanta, GA (2009), Los Angeles, CA (2010), New Orleans, LA (2011), Milwaukee, WI (2012), Portland, OR (2013), Washington, DC (2014), Denver, CO (2015), Seattle, WA (2016), Boston, MA (2017), Portland, OR (2018), and Minneapolis (2019).

The SOTA Typography Award

The SOTA Typography Award is presented each year to an outstanding member of the type community.

Past recipients are Hermann Zapf (2003), Ed Benguiat (2004), Matthew Carter (2005), Adrian Frutiger (2006), David Berlow (2007), Gerrit Noordzij (2008), Gerard Unger (2009), Doyald Young (2010), Erik Spiekermann (2011), Mike Parker (2012), Zuzana Licko (2013), Fiona Ross (2014), Robert Slimbach (2015), Fred Smeijers (2016), Paula Scher (2017), Louise Fili and Carol Wahler (2018) and Paul Shaw (2019). [1]

The SOTA Catalyst Award

The Society of Typographic Aficionados created the Catalyst Award in 2010 to recognize young people who have created original work in type design, type history, or other areas related to typography. Each year, the award recognizes a person 25 years of age or younger who demonstrates significant achievement and future promise in the field of typography. [2]

The recipient is awarded funds to reimburse transportation and lodging expenses while attending TypeCon. The recipient also has their conference registration fees paid for and is given the opportunity to present a their current work during the main conference program.

The SOTA Board of Directors hopes that this introduction to a large audience of typographic aficionados will be a catalyst in the career of the recipient.

Related Research Articles

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Matthew Carter British type designer

Matthew Carter is a British type designer. A 2005 New Yorker profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used fonts.

Zuzana Licko is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also creates ceramic sculptures, textile prints and jacquard weavings.

AMS Euler

AMS Euler is an upright cursive typeface, commissioned by the American Mathematical Society (AMS) and designed and created by Hermann Zapf with the assistance of Donald Knuth and his Stanford graduate students. It tries to emulate a mathematician's style of handwriting mathematical entities on a blackboard, which is upright rather than italic. It blends very well with other typefaces made by Hermann Zapf, such as Palatino, Aldus and Melior, but very badly with the default TeX font Computer Modern. All the alphabets were implemented with the computer-assisted design system Metafont developed by Knuth. Zapf designed and drew the Euler alphabets in 1980–81 and provided critique and advice of digital proofs in 1983 and later. The typeface family is copyright by American Mathematical Society, 1983. Euler Metafont development was done by Stanford computer science and/or digital typography students; first Scott Kim, then Carol Twombly and Daniel Mills, and finally David Siegel, all assisted by John Hobby. Siegel finished the Metafont Euler digitization project as his M.S. thesis in 1985.

Zapfino Typeface

Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations.

Type Directors Club Organization for better typography

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Hz-program

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TypeCon is the annual grassroots, typography-focused convention run by the non-profit Society of Typographic Aficionados. The content of TypeCon conferences focuses on — but is not limited to — the areas of typography, type design, printing, letterpress, calligraphy, the book arts, publishing, design education, and type-related technologies including webfonts.

TypeCon2008 Buffalo

TypeCon is an annual convention presented by the Society of Typographic Aficionados. The 10th iteration of this event, themed “Punkt” was held at the Hyatt Regency in Buffalo, New York between July 15–20, 2008. The conference offered workshops and lectures covering topics such as letterpress, typography, history, and print. The convention was sponsored by the Western New York Book Arts Collaborative, the Albright-Knox Art Gallery, and the University at Buffalo, as well as other local schools and non-profit organizations.

Fred Smeijers

Fred Smeijers is a Dutch type designer, researcher and writer, educated at the ArtEZ Hogeschool voor de Kunsten in Arnhem in the early 1980s.

Rick Cusick is an American lettering artist, calligrapher, type designer and book designer.

Ilene Strizver is a noted typographic educator, author, designer and founder of The Type Studio in Westport, Connecticut. Her book, Type Rules! The designer’s guide to professional typography, is now in its 4th edition.

The Frederic W. Goudy Award & Lecture were established in 1969 by funds donated to Rochester Institute of Technology (RIT) by the Mary Flagler Cary Charitable Trust in memory of her late husband, Melbert B. Cary, Jr., a typographer, type importer, fine printer, book collector, and president of AIGA. The award was named after illustrious American type designer Frederic W. Goudy, a friend and business associate of Melbert Cary.

Paul Shaw (design historian) American graphic designer and historian

Paul Shaw is an American designer, calligrapher and historian of design who lives in New York City. He has written a book on the history of the design of the New York City Subway system, Helvetica and the New York Subway System: The True (Maybe) Story, on the work of William Addison Dwiggins, and for Print magazine. He received the annual SoTA Typography Award of 2019.

The Khatt Foundation is a non-profit cultural foundation for the advancement of Arabic typography. It was founded in Amsterdam in 2004 by Huda Smitshuijzen AbiFarès. The organization works to further Arabic typography and design research by creating a platform for a network of designers from different backgrounds and a knowledge center for Arabic typography. The foundation also publishes books on related topics through Khatt Books.

References

  1. "SOTA Typography Award". SOTA. Retrieved 2 September 2019.
  2. http://www.typesociety.org/catalyst/