Spatial Cultural-Historical Units of Great Importance (Serbian : Просторне културно-историjске целине од великог значаја/Prostorne kulturno-istorijske celine od velikog značaja) are the monuments in Serbia that have the second level of the State protection.
Those are part of the Cultural Property of Great Importance protection list.
The Šišatovac Monastery is a Serb Orthodox monastery situated on the Fruška Gora mountain in the northern Serbia, in the province of Vojvodina. The foundation of the monastery is ascribed to the refugee monks from the Serbian monastery of Žiča. The first reliable facts illustrating the life of the monastery date back to the mid 16th century. A great benefactor of Šišatovac Monastery was Sekula Vitković (1687–1754) who in 1731 was appointed regimental commander of the Danube Serbian Militia. The building dates from the 16th century. It was through a donation by Vikentije Popović-Hadžilovac, the Bishop of Vršac, that the new, extant church building was constructed in 1778. The iconostasis is the work of the famed Baroque painter Grigorije Davidović-Obšić.
The Fenek Monastery is the male monastery in the eparchy of Srem of the Serbian Orthodox Church. The monastery is situated near the village of Јаkovo, 25 km from Belgrade, former Municipality of Zemun and now Surčin. Although geographically it does not belong to Fruška gora there is a huge historical connection with Fruška gora monasteries. The monastery church was dedicated to St. Martyr Paraskeva.
![<i>Early Works</i> (film) 1969 [[Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/7/7b/Early_Works_Poster.jpg)
Early Works is a 1969 Yugoslav film by Serbian author Želimir Žilnik. It critically depicts the aftermath of the 1968 student demonstrations in Yugoslavia. It won the Golden Bear at the 19th Berlin International Film Festival in 1969. The film belongs to the Yugoslav Black Wave movement.
Innocence Unprotected is a compilation film by Yugoslav director Dušan Makavejev. Makavejev's film is based on Dragoljub Aleksić's 1942 film of the same title that was never released. In 1968, Makavejev established the film and expanded it with newsreel footage and interviews with surviving cast members.
Cultural heritage of Serbia represents the totality of national cultural heritage in Serbia as defined by Serbia's Law on Cultural Goods. Some of national heritage sites in Serbia are also World Heritage Sites.
Immovable Cultural Heritage of Exceptional Importance are those objects of Immovable cultural heritage that enjoy the highest level of state protection in the Republic of Serbia. Immovable Cultural Heritage is classified as being of Exceptional Importance upon decision by the National Assembly of Serbia. They are inscribed in the Central Register of Immovable cultural property maintained by the Institute for the Protection of Cultural Monuments of Serbia. Objects of Immovable cultural heritage have to fulfill one or more of those criteria defined in the Law on Cultural Heritage of 1994 in order to be categorized as being "of exceptional importance":
Protected Spatial Cultural-Historical Units are the monuments in the Republic of Serbia that have the third level of the State protection.
The Dream or Dream is a 1966 Yugoslav war film written and directed by Serbian director Puriša Đorđević. It is the second entry in Đorđević's wartime tetralogy, the other three being The Girl (1965), The Morning (1967) and Noon (1968). It belongs to the Yugoslav Black Wave movement. The film entered the competition at the 17th Berlin International Film Festival.
![<i>The Fall of Italy</i> 1981 [[SFR Yugoslavia|Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/6/6d/Pad_Italije_poster.jpg)
The Fall of Italy is a 1981 Yugoslav war film by Croatian director Lordan Zafranović.
![<i>The Dog Who Loved Trains</i> 1977 [[Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/0/08/The_Dog_Who_Loved_Trains_Poster.jpg)
The Dog Who Loved Trains, is a 1977 Yugoslav film directed by Goran Paskaljević.
Death and the Dervish is a 1974 Yugoslav film directed by Zdravko Velimirović based on the novel of the same name by Meša Selimović.
Serbian Argentines or Serb Argentines refers to Argentine citizens of ethnic Serb descent or a Serbia-born person who resides in Argentina.
The Serbian Orthodox Eparchy of Buenos Aires, South and Central America is a Serbian Orthodox Church eparchy (diocese) with the main headquarters located in the city of Buenos Aires, Argentina. The diocese has 20 churches in Argentina, Brazil, Chile, Dominican Republic, Venezuela, Ecuador, El Salvador, Colombia and Peru. On October 13, 2012, was realized the first session of diocese under the rule of the actual administration of Metropolitan bishop Amfilohije Radović. The decision of the Holy Assembly of Bishops of the Serbian Orthodox Church brought in May 2018 elected Kirilo Bojović the first Serbian Bishop of Buenos Aires and South-Central America. He was enthroned in the Cathedral church of Nativity of Virgin in Buenos Aires, Argentina, on 4 September 2018.
The Old Telephone Exchange is a building located in Belgrade, Serbia, at 47 Kosovska Street. It was built according to the project by Branko Tanazević for the telephone exchange and is the first such building in Serbia. It was completed in 1908. The third floor was added later, after the First World War. The building is under state protection since 1981 as a cultural property of great importance. Conservation works were performed in 1988.
The First Serbian Observatory is located in Belgrade, in 8, Bulevar oslobođenja, and it has the status of a cultural monument of exceptional importance.
![<i>The Morning</i> (film) 1967 [[SFR Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/9/92/Jutro_film_poster.jpg)
The Morning is a 1967 Yugoslav film written and directed by Serbian director Puriša Đorđević. It is the third entry in Đorđević's wartime tetralogy, the other three being The Girl (1965), The Dream (1966) and Noon (1968). The film belongs to the Yugoslav Black Wave movement.
![<i>The Girl</i> (1965 film) 1965 [[SFR Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/e/e9/The_Girl_%281965%29_poster.jpg)
The Girl is a 1965 Yugoslav film written and directed by Serbian director Puriša Đorđević. It is the first instance of events from the Second World War and the immediate post-war period being shown via unconventional art film techniques in Yugoslavia. It is the first entry in Đorđević's wartime tetralogy, the other three being The Dream (1966), The Morning (1967) and Noon (1968). The film belongs to the Yugoslav Black Wave movement.
Immovable Cultural Heritage of Great Importance are those objects of Immovable cultural heritage that enjoy the second-highest level of state protection in the Republic of Serbia, behind the Immovable Cultural Heritage of Exceptional Importance. Immovable Cultural Heritage is classified as being of Great Importance upon decision by the National Assembly of Serbia. They are inscribed in the Central Register of Immovable cultural property maintained by the Institute for the Protection of Cultural Monuments of Serbia. Objects of Immovable cultural heritage have to fulfill one or more of those criteria defined in the Law on Cultural Heritage of 1994 in order to be categorized as being "of great importance":
![<i>The Swarm</i> (1966 film) 1966 [[SFRY|Yugoslavia]] film](https://upload.wikimedia.org/wikipedia/en/0/06/Roj_poster.jpg)
The Swarm is a 1966 Yugoslav film directed by Mića Popović and based on a script he wrote together with Borislav Mihajlović Mihiz.
