Spoiling the Game | |
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Directed by | Alfred Zeisler |
Written by | Fred A. Angermayer Philipp Lothar Mayring Fritz Rotter Fritz Zeckendorf |
Produced by | Alfred Zeisler |
Starring | Heinz Rühmann Toni van Eyck Hermann Speelmans |
Cinematography | Werner Bohne Werner Brandes |
Edited by | Wolfgang Becker Erno Hajos |
Music by | Hans-Otto Borgmann |
Production company | |
Distributed by | UFA |
Release date |
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Running time | 99 minutes |
Country | Germany |
Language | German |
Spoiling the Game (German: Strich durch die Rechnung) is a 1932 German comedy film directed by Alfred Zeisler and starring Heinz Rühmann, Toni van Eyck, and Hermann Speelmans. [1] Its hero is a young cyclist who enters a race.
It was made by German's largest film company UFA and shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Willi Herrmann and Herbert Lippschitz. A separate French-language version Rivaux de la piste was also released.
Heinrich Wilhelm "Heinz" Rühmann was a German film actor who appeared in over 100 films between 1926 and 1993. He is one of the most famous and popular German actors of the 20th century, and is considered a German film legend. Rühmann is best known for playing the part of a comic ordinary citizen in film comedies such as Three from the Filling Station and The Punch Bowl. During his later years, he was also a respected character actor in films such as The Captain from Köpenick and It Happened in Broad Daylight. His only English-speaking movie was the 1965 Ship of Fools.
Germany was the host nation and top medal recipient at the 1936 Summer Olympics in Berlin. 433 competitors, 389 men and 44 women, took part in 143 events in 22 sports.
The Captain from Köpenick is a 1931 German comedy film directed by Richard Oswald and produced by Gabriel Pascal. It is one of several films based on the 1931 play of the same name by Carl Zuckmayer. The story centers on the Hauptmann von Köpenick affair in 1906.
Bayerischer Poetentaler is a Bavarian literary prize of the writers guild Münchner Turmschreiber.
The term state actor has had different meanings in recent German history. In Nazi Germany, it was the highest title that could be awarded to a stage actor. Since 1945, the meaning has changed. In Baden-Württemberg, it is no longer simply a title of honor, but an official position.
Gustl Gstettenbaur was a German stage, film and television actor.
Revolt in the Reformatory is a 1929 German silent drama film directed by Georg Asagaroff and starring Carl Balhaus, Vera Baranovskaya, Toni van Eyck. The film was based on a play by Peter Martin Lampel intended as an exposé of the youth justice system. The film was considered controversial, and was banned four times before its eventual release. The film's art direction was by Andrej Andrejew.
The Man in Search of His Murderer is a 1931 German comedy film directed by Robert Siodmak and starring Heinz Rühmann, Lien Deyers and Hans Leibelt. The film is partially lost; of the original 9 acts, only five remain. It was one of the early leading roles for upcoming German star Heinz Rühmann. Co-writer Billy Wilder was at the beginning of his long career. It was shot at the Babelsberg Studios in Berlin and premiered at the city's Gloria-Palast. The film's sets were designed by the art director Robert Herlth and Walter Röhrig. It was remade in 1952 as You Only Live Once.
A Shot at Dawn is a 1932 German crime film directed by Alfred Zeisler and starring Ery Bos, Genia Nikolaieva and Karl Ludwig Diehl. It was based on the play The Woman and the Emerald by Harry Jenkins and recounts a jewel theft. It was shot at the Babelsberg Studios in Potsdam with sets designed by the art directors Willi Herrmann and Herbert O. Phillips. A separate French-language version Coup de feu à l'aube was also produced.
My Wife, the Impostor is a 1931 German comedy film directed by Kurt Gerron and starring Heinz Rühmann, Käthe von Nagy and Fritz Grünbaum. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Otto Erdmann and Hans Sohnle. A separate French-language version was also made, with a different cast.
I Entrust My Wife to You is a 1943 German comedy film directed by Kurt Hoffmann and starring Heinz Rühmann, Adina Mandlová, and Werner Fuetterer. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
The Gasman is a 1941 German comedy film directed by Carl Froelich and starring Heinz Rühmann, Anny Ondra and Walter Steinbeck. It was shot at the Tempelhof Studios in Berlin and premiered in the city's Gloria-Palast. The film's sets were designed by Walter Haag. It was made by Froelich's separate production unit, and distributed by the major studio UFA.
The Four Musketeers is a 1934 German drama film directed by Heinz Paul and starring Fritz Kampers, Paul Westermeier and Erhard Siedel. It was shot at the Terra Studios in Berlin. The film's art direction was by Robert A. Dietrich.
The Leghorn Hat is a 1939 German period comedy film directed by Wolfgang Liebeneiner and starring Heinz Rühmann, Herti Kirchner and Christl Mardayn. It is based on the 1851 play The Italian Straw Hat written by Eugène Labiche, which has been adapted for the screen on several occasions.
A Mission for Mr. Dodd is a 1964 West German comedy film directed by Günter Gräwert and starring Heinz Rühmann, Maria Sebaldt and Robert Graf. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Willy Schatz and Robert Stratil. It is based on the 1962 hit West End play Out of Bounds by Arthur Watkyn.
Border Post 58 is a 1951 West German crime film directed by Harry Hasso and starring Hansi Knoteck, Mady Rahl and Elise Aulinger.
Congo Express is a 1939 German adventure film directed by Eduard von Borsody and starring Marianne Hoppe, Willy Birgel. and René Deltgen.
Things Are Getting Better Already is a 1932 German comedy film directed by Kurt Gerron and starring Dolly Haas, Heinz Rühmann and Paul Otto. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Julius von Borsody.
A Door Opens is a 1933 German thriller film directed by Alfred Zeisler and starring Hermann Speelmans, Fritz Odemar and Oskar Sima. It was shot at the Babelsberg Studios of UFA in Berlin The film's sets were designed by the art director Otto Hunte.