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Spondee is a metrical foot consisting of two stressed syllables.
A spondee is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek σπονδή, spondḗ, "libation".
Spondee may also refer to:
"Spondee" is a piece composed by intelligent dance music (IDM) duo Matmos. It is the third track on their 2001 album A Chance to Cut Is a Chance to Cure. The piece revolves around audio samples from a hearing test: a woman's voice recites two-syllable words, stressing both syllables. Audiologist Rebecca Highlander, CCC-A, reads a list of phonetically balanced words. Recorded in the hearing test booth at the Jean Weingarden Peninsula Oral School for the Deaf, beeps and tones were generated during the response curve testing of hearing aids.
A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a god or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today.
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Dactylic hexameter is a form of meter or rhythmic scheme in poetry. It is traditionally associated with the quantitative meter of classical epic poetry in both Greek and Latin and was consequently considered to be the grand style of Western classical poetry. Some premier examples of its use are Homer's Iliad and Odyssey, Virgil's Aeneid, and Ovid's Metamorphoses. Hexameters also form part of elegiac poetry in both languages, alternating with dactylic pentameters.
Hexameter is a metrical line of verses consisting of six feet. It was the standard epic metre in classical Greek and Latin literature, such as in the Iliad, Odyssey and Aeneid. Its use in other genres of composition include Horace's satires, Ovid's Metamorphoses, and the Hymns of Orpheus. According to Greek mythology, hexameter was invented by Phemonoe, daughter of Apollo and the first Pythia of Delphi.
In poetry, metre (British) or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
An amphibrach is a metrical foot used in Latin and Greek prosody. It consists of a long syllable between two short syllables. The word comes from the Greek ἀμφίβραχυς, amphíbrakhys, "short on both sides".
A pyrrhic is a metrical foot used in formal poetry. It consists of two unaccented, short syllables. It is also known as a dibrach.
In poetic metre, a trochee, choree, or choreus, is a metrical foot consisting of a stressed syllable followed by an unstressed one, in English, or a heavy syllable followed by a light one in Latin or Greek. In this respect, a trochee is the reverse of an iamb.
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows:
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house Keats and Brown shared in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. The poem is one of the most frequently anthologized in the English language.
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines which alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM".
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line.
Alcmanian verse refers to the dactylic tetrameter in Greek and Latin poetry.
Archilochian or archilochean is a term used in the metrical analysis of Ancient Greek and Latin poetry. The name is derived from Archilochus, whose poetry first uses the rhythms.
Dactylic pentameter is a form of meter in poetry. The dactyl, which is made of a stressed syllable followed by two unstressed syllables, is repeated five times to create a pentameter line.
An adonic is a unit of Aeolic verse, a five-syllable metrical foot consisting of a dactyl followed by a trochee. The last line of a Sapphic stanza is an adonic. The pattern is: "- u u - -" when the pattern ends with a spondee or " -uu -u " if a trochee is intended.
The Judes are a Canadian Indie rock band formed in 2007 in Winnipeg. The band was formed by Cory Pritchard Jim Anderson and Romi Topper. Currently the lineup consists of Cory Pritchard, Jim Anderson and Michael Dickson.
The Hawk in the Rain is a collection of poems by the British poet Ted Hughes. Published in 1957, it was Hughes's first book of poetry. The book received immediate acclaim in both England and America, where it won the Galbraith Prize. Many of the book's poems imagine the real and symbolic lives of animals, including a fox, a jaguar, and the eponymous hawk. Other poems focus on erotic relationships, and on stories of the First World War, Hughes's father being a survivor of Gallipoli.
In poetic meter, diaeresis has two meanings: the separate pronunciation of the two vowels in a diphthong for the sake of meter, and a division between feet that corresponds to the division between words.
Latin prosody is the study of Latin poetry and its laws of meter. The following article provides an overview of those laws as practised by Latin poets in the late Roman Republic and early Roman Empire, with verses by Catullus, Horace, Virgil and Ovid as models. Except for the early Saturnian poetry, which may have been accentual, Latin poets borrowed all their verse forms from the Greeks, despite significant differences between the two languages.