St. Bernward's Church is a Catholic church in the city of Hildesheim in Lower Saxony, Germany. The name refers to the bishop Bernward of Hildesheim (960-1022) who was canonized by Pope Celestine III.
Hildesheim[ˈhɪldəsˌhaɪ̯m](
Lower Saxony is a German state (Land) situated in northwestern Germany. It is the second-largest state by land area, with 47,624 km2 (18,388 sq mi), and fourth-largest in population among the 16 Länder federated as the Federal Republic of Germany. In rural areas, Northern Low Saxon and Saterland Frisian are still spoken, but the number of speakers is declining.
Germany, officially the Federal Republic of Germany, is a country in Central and Western Europe, lying between the Baltic and North Seas to the north, and the Alps to the south. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, France to the southwest, and Luxembourg, Belgium and the Netherlands to the west.
The church was built by the architect Richard Herzig from Hanover in 1905–1907, in a neoromanesque style. [1] From 1895–1913, Herzig built 43 churches of this style in the diocese of Hildesheim. When St. Bernward's Church was built, the romanesque westwork of St. Andrew's Church, Hildesheim and the Cathedral of Hildesheim served as examples. The church was consecrated by bishop Adolf Bertram on 3 November 1907.
Hanover or Hannover is the capital and largest city of the German state of Lower Saxony. Its 535,061 (2017) inhabitants make it the thirteenth-largest city of Germany, as well as the third-largest city of Northern Germany after Hamburg and Bremen. The city lies at the confluence of the River Leine and its tributary Ihme, in the south of the North German Plain, and is the largest city of the Hannover–Braunschweig–Göttingen–Wolfsburg Metropolitan Region. It is the fifth-largest city in the Low German dialect area after Hamburg, Dortmund, Essen, and Bremen.
Adolf Cardinal Bertram was archbishop of Breslau and a cardinal of the Roman Catholic Church.
During World War II, St. Bernward's Church was heavily damaged by bombs on 22 February 1945 [2] The windows were destroyed, the vault and the roof collapsed. The building could no longer be used for services. Then on 22 March 1945 the church was completely destroyed by incendiary bombs. Only a part of the tower and some walls remained standing. [3]
The German city of Hildesheim, c. 30 kilometres south of Hanover, was the target of eight Allied air raids in 1944 and 1945 and suffered considerable bomb damage.
The reconstruction was started as early as November 1948. When it was completed, St. Bernward's Church, the first destroyed church of Hildesheim to be rebuilt, was consecrated by bishop Joseph Godehard Machens in 1949.
St. Bernward's Church is a basilica consisting of three naves, but unlike the other churches in Hildesheim, its apse and the altar are in the north of the building. [4] The church facades to the south. The tower, which looks very similar to the tower of the Cathedral, is placed at the southern end.
The Latin word basilica has three distinct applications in modern English. Originally, the word was used to refer to an ancient Roman public building, where courts were held, as well as serving other official and public functions. It usually had the door at one end and a slightly raised platform and an apse at the other, where the magistrate or other officials were seated. The basilica was centrally located in every Roman town, usually adjacent to the main forum. Subsequently, the basilica was not built near a forum but adjacent to a palace and was known as a "palace basilica".
In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an exedra. In Byzantine, Romanesque, and Gothic Christian church architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end, regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses may also be in other locations, especially shrines.
St. Bernward's Church houses several sightworthy pieces of art. The Gothic retable showing various saints and the Coronation of the Virgin dates from 1430. [5] It originally stood in Trinitatishospital, a hospital which was founded in 1230 and destroyed in 1945. There is also a remarkable statue representing Saint Bernward holding a Bernward Cross in his hand. The golden Bernward Cross which was made about 1130 is one of the most famous items in the museum of the Cathedral of Hildesheim.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece.
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Although crowned Virgins may be seen in Orthodox Christian icons, the coronation by the deity is not. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject.
The Church of St. Michael is an early-Romanesque church in Hildesheim, Germany. It has been on the UNESCO World Cultural Heritage list since 1985. It is now a Lutheran church.
Hildesheim Cathedral, officially the Cathedral of the Assumption of Mary or simply St. Mary's Cathedral, is a medieval Roman Catholic cathedral in the city centre of Hildesheim, Germany, that has been on the UNESCO World Cultural Heritage list since 1985, together with the nearby St. Michael's Church.
Saint Bernward was the thirteenth Bishop of Hildesheim from 993 until his death in 1022.
Klein Düngen is a village in the northern part of the borough of Bad Salzdetfurth in Lower Saxony, Germany. Klein Düngen is on the river Lamme, a tributary of the River Innerste. The Lamme Valley Railway passes the village, but the nearest railway station is in Groß Düngen, a larger village in the west.
St. Nicholas' Chapel is a former Roman Catholic parish church in the city of Hildesheim in Lower Saxony, Germany. It is dedicated to Saint Nicholas and is located in the southern part of the old city centre, opposite St. Godehard.
Moritzberg is a quarter in the city of Hildesheim in Lower Saxony, Germany. It is on a hill in the west of the city, about a mile from the Cathedral. It was an independent market town until 1911.
St. Lamberti is a parish and church in Hildesheim, Germany, the parish of the town's Neustadt. It is named after Lambert of Maastricht, the patron saint of Hildesheim. The church is a late Gothic building, the only hall church of the town. Since the Reformation, it has been a Lutheran parish church. It is situated in the Goschenstraße, on the Neustädter Markt.
The term Cross of Bernward principally refers to two Ottonian crosses in the cathedral museum in Hildesheim:
The Hezilo chandelier is an 11th-century Romanesque wheel chandelier. It is part of the treasures of the Hildesheim Cathedral in Hildesheim, Germany, which has been a UNESCO World Cultural Heritage site since 1985. The chandelier was most likely commissioned by Bishop Hezilo of Hildesheim, who rebuilt the cathedral after a fire. He probably also influenced the program of imagery and inscriptions. It is the largest of four extant wheel chandeliers of the period; the others surviving examples are the Azelin chandelier, the Barbarossa chandelier in the Aachen Cathedral, and the Hartwig chandelier in the Abbey of Comburg.
The Azelin chandelier is a Romanesque wheel chandelier, made in the 11th century for the Hildesheim Cathedral in Hildesheim, Germany, a UNESCO World Cultural Heritage site since 1985. It is the oldest of four extant wheel chandeliers from that period, along with the Hezilo chandelier, also in Hildesheim, the Barbarossa chandelier in the Aachen Cathedral, and the Hartwig chandelier in the Abbey of Comburg. It was believed to be donated by Bishop Azelin, however his predecessor Thietmar is more likely to be the patron. Therefore, the chandelier is also called the Thietmar chandelier (Thietmarleuchter).
The Bernward Doors are the two leaves of a pair of Ottonian or Romanesque bronze doors, made c. 1015 for Hildesheim Cathedral in Germany. They were commissioned by Bishop Bernward of Hildesheim (938–1022). The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art, and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Bernward Column also known as the Christ Column is a Romanesque bronze column, made c. 1000 for St. Michael's Church in Hildesheim, Germany, and regarded as a masterpiece of Ottonian art. It was commissioned by Bernward, thirteenth bishop of Hildesheim. It depicts images from the life of Jesus, arranged in a helix similar to Trajan's Column: it was originally topped with a cross or crucifix. During the 19th century, it was moved to a courtyard and later to Hildesheim Cathedral. During the restoration of the cathedral from 2010 to 2014, it was moved back to its original location in St. Michael's, but was returned to the Cathedral in August 2014.
St. Godehard is a Romanesque church in Hildesheim, Germany, formerly the church of a Benedictine abbey. It remained almost unaltered through the centuries and was not damaged much in World War II. In 1963, it was awarded the title of a Basilica minor by Pope Paul VI. It is a church of the Catholic parish Heilig Kreuz. The basilica has served as the "cathedral" of the bishop of Hildesheim from 1945 to 1960, when the Hildesheim Cathedral was destroyed and rebuilt, and from 2010, when restoration of the cathedral began. The Hezilo chandelier was installed in St. Godehard during the restoration time.
The Hildesheim Cathedral Museum is the Schatzkammer (treasury) and diocesan museum of Hildesheim, which illustrates over a thousand years of art and church history in Lower Saxony. It is located in historic rooms off the southern transept of the Hildesheim Cathedral. During the cathedral renovations of 2010, the nearby church of St Antonius and part of the cathedral cloisters were converted into display rooms for the museum.
The Rich Bernward Gospels are a richly decorated evangeliary in the Hildesheim Cathedral Museum. It was a donation of Bernward, Bishop of Hildesheim, to his foundation St. Michael's, specifically for the altar to Mary in the crypt below the west choir, which was consecrated in 1015 and which he had designated as his tomb.
The Bernward Monument is a larger-than-life-sized bronze statue of Bishop Bernward of Hildesheim in the Domhof in Hildesheim. It was made by Ferdinand Hartzer in 1893 for the nine hundredth anniversary of St. Bernward's enthronement as Bishop of Hildesheim. On 7 September 2011, in the course of the renovations of Hildesheim Cathedral it was temporarily relocated to the garden of house 24, Domhof.
The Great Gandersheim Conflict was a conflict between the Archbishops of Mainz and the Bishops of Hildesheim concerning the jurisdiction over Gandersheim Abbey. It lasted from 987 to 1030, during the reign of the Ottonian emperors Otto III and Henry II as well as of their Salian successor Conrad II.
Justus Wehmer was a German master builder of the Baroque era. He was the architect of the eighteenth century Hildesheim Cathedral and surrounding buildings. He was also responsible for the design of various town houses and manor houses in Westphalia.
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Coordinates: 52°09′25″N9°56′57″E / 52.15694°N 9.94917°E
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