The museum, created by architect Heinrich Hübsch, opened in 1846 after nine years of work in a neoclassical building next to the Karlsruhe Castle and the Karlsruhe Botanical Garden. This historical building with its subsequent extensions now houses the part of the collection covering the 14th to the 19th century while the 20th century is displayed in the nearby building of the Botanical Gardens's former orangery.
Matthias Grünewald was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
The Wallraf–Richartz Museum is one of the three major museums in Cologne, Germany. It houses an art gallery with a collection of fine art from the medieval period to the early twentieth century.
The Thyssen-Bornemisza National Museum, or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869, 1921 (Kuppelsaal) and 1997, located in the Altstadt district between the Hauptbahnhof and the two Alster lakes.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne, it is part of Munich's "Kunstareal".
The Pinakothek der Moderne is a modern art museum, situated in central Munich's Kunstareal. Locals sometimes refer to it as the Dritte ("third") Pinakothek after the Old and New. It is one of the world's largest museums for modern and contemporary art.
The Kunstareal is a museum quarter in the city centre of Munich, Germany.
The Kunsthalle Bremen is an art museum in Bremen, Germany. It is located close to the Bremen Old Town on the "Culture Mile". The Kunsthalle was built in 1849, enlarged in 1902 by architect Eduard Gildemeister, and expanded several more times, most notably in 2011. Since 1977, the building has been designated a Kulturdenkmal on Germany's buildings heritage list.
100 Great Paintings is a British television series broadcast in 1980 on BBC 2, devised by Edwin Mullins. He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. The selection ranges from 12th-century China through the 1950s, with an emphasis on European paintings. He deliberately avoided especially famous paintings, such as Leonardo da Vinci's Mona Lisa or John Constable's The Haywain. The series is available on VHS and DVD.
The Beyeler Foundation or Fondation Beyeler with its museum in Riehen, near Basel (Switzerland), owns and oversees the art collection of Hildy and Ernst Beyeler, which features modern and traditional art. The Beyeler Foundation museum includes a space for special exhibitions staged to complement the permanent collection. In 2006, approximately 340,000 persons visited the museum. The number of visitors in 2016 was 332,000. The Beyeler Foundation is the most visited museum of art in all of Switzerland. The museum is properly funded, and it receives annual grants from the cantons of Basel City and Basel County and the commune of Riehen. Major partners of the Foundation are Bayer AG, Novartis and Swiss bank UBS.
The Staatliche Graphische Sammlung in Munich (München), Germany, is a large collection of drawings, prints and engravings. It contains 400,000 sheets starting from the 15th century from various artists around the world. Along with Kupferstichkabinett Berlin and Kupferstichkabinett Dresden, it is the most important collection of its kind in Germany. It is owned by the government of Bavaria and located within the Kunstareal, a museum quarter in the city centre of Munich.
The Heller Altarpiece was an oil on panel triptych by German Renaissance artists Albrecht Dürer and Matthias Grünewald, executed between 1507 and 1509. The artwork was named after Jakob Heller, who ordered it. Dürer painted the interior, Grünewald the exterior.
Kurt Martin was a German art historian.
The Master of the Drapery Studies, also known as Master of the Coburg Roundels is the notname given to the "very productive" and "multifaceted" late 15th-century author of some 30 surviving paintings and over 150 surviving drawings. Indeed, according to the J. Paul Getty Museum, up to 180 surviving drawings "have been attributed to this master, comprising one of the most extensive bodies of drawn work of any northern European artist before Albrecht Dürer." Conversely, it has been suggested at least once that both the Master of the Drapery Studies and the Master of the Coburg Roundels may be two separate persons and that their body of work is attributable to a whole circle of artists.
Little Lange is a c.1861 oil on canvas painting by Édouard Manet, now on the Staatliche Kunsthalle Karlsruhe. It shows a boy around five years old from the Lange family, who were friends of the artist. Its dark palette is reminiscent of Spanish Golden Age works as well as Antoine Watteau's Gilles (Louvre). Produced early in the painter's career, the work's execution is sketchy in places and prefigures his later Impressionist work.
Große Berliner Kunstausstellung , abbreviated GroBeKa or GBK, was an annual art exhibition that existed from 1893 to 1969 with intermittent breaks. In 1917 and 1918, during World War I, it was not held in Berlin but in Düsseldorf. In 1919 and 1920, it operated under the name Kunstausstellung Berlin. From 1970 to 1995, the Freie Berliner Kunstausstellung was held annually in its place.
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