|Born||February 11, 1942|
Buffalo, New York, United States
|Died|| January 20, 1991 48) (aged|
Woodstock, New York, United States
|Genres||Country rock, rhythm and blues, rock and roll, country|
|Instruments||Vocals, piano, keyboard|
|Associated acts|| Stan and the Ravens|
Stanley Martin Szelest (February 11, 1942 – January 20, 1991) was an American musician from Buffalo, New York, known for founding an influential blues band in the 1950s and 1960s, Stan and the Ravens, and later as a keyboardist with Ronnie Hawkins and, briefly, with The Band.
Buffalo is the second largest city in the U.S. state of New York and the largest city in Western New York. As of July 2016, the population was 256,902. The city is the county seat of Erie County and a major gateway for commerce and travel across the Canada–United States border, forming part of the bi-national Buffalo Niagara Region.
Ronald Hawkins, OC, is an American rockabilly musician whose career has spanned more than half a century. His career began in Arkansas, where he was born and raised. He found success in Ontario, Canada, and has lived there for most of his life. He is considered highly influential in the establishment and evolution of rock music in Canada.
The Band was a Canadian-American roots rock group including Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm. The members of the Band first came together as rockabilly singer Ronnie Hawkins's Toronto, Ontario-based backing group, The Hawks, which they joined one by one between 1958 and 1963.
In 1958, Szelest formed Stan and the Ravens, a blues group that became popular in western New York. New York producer David Lucas recorded sessions with the group, resulting in the release "Farmer's Daughter" a song written by Szelest. Lucas also recorded a song entitled, "Howlin' for My Darlin" and b-side, "It Won't Long Now" using the name, the Rivals instead of Stan and the Ravens for the Spector/Wand label. Lucas made some other recordings of the group, only one of which “Rag Top”, has ever been released.
Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1870s by African Americans from roots in African musical traditions, African-American work songs, spirituals, and the folk music of white Americans of European heritage. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds or fifths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
David Lucas is an American rock and roll composer, singer, and music producer. He has written thousands of commercial jingles, such as AT&T's "Reach Out and Touch Someone." In 1981, he received a Clio Award for composing the music to Pepsi's "Catch That Pepsi Spirit." As a record producer, he worked with many new artists such as Blue Öyster Cult. On the 1976 Blue Öyster Cult song "Don't Fear the Reaper" which he co-produced, Lucas sang backup vocals and came up with the idea for using a cowbell, parodied by Christopher Walken in the "More cowbell" skit on Saturday Night Live. In June 2011, Lucas was inducted into Buffalo's Music Hall of Fame.
In 1967, Stan and the Ravens broke up, although they would re-unite occasionally well into the 1980s.In 2009, the Buffalo Music Hall of Fame released “Rag Top” on a CD compilation, and again on a vinyl compilation in 2016 - this time featuring Szeleste on the cover (see discography).
In 1960, at the age of seventeen, he started to work with Ronnie Hawkins and his backing group, the Hawks. Calling Szelest "a living fountain of rock and roll piano", Hawks bass player Rick Danko claimed to have developed his bass style by copying Szelest's left-hand work on piano.Szelest left the Hawks a little over a year later and was replaced by Richard Manuel. The Hawks later left Hawkins to form an act of their own, which eventually came to be named The Band.
Richard Clare Danko was a Canadian musician, bassist, songwriter and singer, best known as a member of The Band.
Richard George Manuel was a Canadian composer, singer, and multi-instrumentalist, best known as a pianist, lead singer, and drummer of the Band. He was a member of the original band from 1967 to 1976 and the re-formed band from 1986 until his death.
Szelest went on to have a busy career as a session player with acts as diverse as fellow Hawks alumnus King Biscuit Boy to avant-garde former Velvet Underground member John Cale. Szelest was also in Lonnie Mack's band during the 1980s and played on Mack's albums Strike Like Lightning and Attack of the Killer V; he can also be seen in several videos playing in Mack's band during that period. Szelest would return to Ronnie Hawkins many times over the years as well.
Richard Alfred Newell, better known by his stage name, King Biscuit Boy, was a Canadian blues musician. He was the first Canadian blues artist to chart on the Billboard Hot 100 in the U.S. Newell played guitar and sang, but he was most noted for his harmonica playing. Newell's stage name, given to him by Ronnie Hawkins, was taken from the King Biscuit Time, an early American blues broadcast.
Lonnie McIntosh, known by his stage name Lonnie Mack, was a pioneer of blues-rock music and rock guitar soloing.
In the summer of 1984, Szelest began playing with his old bandmate from The Hawks Levon Helm as a member of his Woodstock All-Stars,who played intermittently for the next four years, often featuring the Stan And The Ravens song "Rag Top" in their sets. Szelest joined The Band, playing live with them in 1990 and participating in rehearsals and writing for their new record deal with CBS Records. He died of a heart attack in 1991 while in Woodstock recording with Levon Helm, Rick Danko and Garth Hudson. His piano playing can be heard on The Band's 1993 album Jericho (see discography). The album also features the song "Too Soon Gone", co-written by Jules Shear after Szelest handed him over 16 bars of a melody, which sat around Shear's Woodstock home. When Szelest died, Shear was called by both Levon Helm and Rick Danko and asked to finish the song as a tribute to Szelest. Apparently, Szelest had begun the song as a tribute to the late Richard Manuel. The album is dedicated to Manuel and Szelest with the caption "Too Soon Gone" in the liner notes.
Mark Lavon "Levon" Helm was an American musician and actor who achieved fame as the drummer and one of the vocalists for the Band. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", and "The Night They Drove Old Dixie Down".
Jericho is the eighth studio album by Canadian-American rock group the Band. Coming seventeen years after their "farewell concert", it was released in 1993 and was the first album to feature the latter-day configuration of the group, as well as their first release for the Rhino subsidiary Pyramid Records.
Jules Mark Shear is an American singer, songwriter, and guitarist. He wrote the Cyndi Lauper hit single "All Through the Night" and The Bangles' hit "If She Knew What She Wants", and charted a hit as a performer with "Steady" in 1985.
Stan Szelest was inducted into The Buffalo Music Hall of Fame in 1986.
Eric Garth Hudson is a Canadian multi-instrumentalist. As the organist, keyboardist and saxophonist for Canadian-American rock group the Band, he was a principal architect of the group's unique sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. As of 2019, Hudson and fellow musician Robbie Robertson are the last original members of The Band who are still alive.
Jubilation is the tenth and final studio album by Canadian/American rock group the Band. Recorded in the spring of 1998 in Levon Helm's home studio in Woodstock, New York, it was released on September 15, 1998. For the first time since the group reformed without guitarist and songwriter Robbie Robertson, there were more originals than covers. Songs include "Last Train to Memphis", featuring guest guitarist Eric Clapton, Garth Hudson's solo instrumental closer "French Girls", Rick Danko's "High Cotton" and the ode to Ronnie Hawkins, "White Cadillac".
"The Stones I Throw " was the A-side to the 1965 single by Levon and the Hawks, released on Atco Records. Seemingly a comment by Robbie Robertson in favor of the American Civil Rights Movement, it is carried by Garth Hudson's organ, and is far less rooted in the heavy R&B stylings of the group's other three single sides. It is the missing link between their days with Ronnie Hawkins and the group's breakout 1968 LP, Music From Big Pink. In December, 1965 the song reached #22 on the CHUM Chart.
The box set The Last Waltz is a 2002 four-disc re-release of the 1978 album The Last Waltz documenting the concert The Last Waltz, the last concert by the Band with its classic line up. A full forty tracks are taken from the show in addition to rehearsal outtakes. Twenty-four tracks are previously unreleased.
Across the Great Divide is a box set by Canadian-American rock group the Band. Released in 1994, it consists of two discs of songs from the Band's first seven albums, and a third disc of rarities taken from various studio sessions and live performances. The set is now out of print, having been replaced by the five-CD/one-DVD box set A Musical History that was released in September 2005.
"The Weight" is a song originally by the Canadian-American group the Band that was released as Capitol Records single 2269 in 1968 and on the group's debut album Music from Big Pink. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as #41 on Rolling Stone's 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song in Ramble at the Ryman (2011), Austin City Limits (2012), and Quick Hits (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring popularity as "an essential part of the American songbook."
A Musical History is the second box set to anthologize Canadian-American rock group The Band. Released by Capitol Records on September 27, 2005, it features 111 tracks spread over five compact discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously unreleased performances.
Richard Bell was a Canadian musician best known as the pianist for Janis Joplin and her Full Tilt Boogie Band. He was also a keyboardist with the Band during the 1990s.
The Revols was a Canadian band from Stratford, Ontario, Canada, formed in 1957, with Richard Manuel on piano and vocals, John Till on guitar, Ken Kalmusky on bass, Doug Rhodes on vocals and Jim Winkler on drums. Fourteen- and fifteen-year-old kids at the time, they were taken under the wing of Ronnie Hawkins, and, together and individually, they made music history in the years to come.
"Chest Fever" is a song recorded by the Band on its 1968 debut, Music from Big Pink. It is, according to Peter Viney, a historian of the group, "the Big Pink track that has appeared on most subsequent live albums and compilations", second only to "The Weight". The music for the piece was written by guitarist Robbie Robertson. Total authorship is typically credited solely to Robertson, although the lyrics, according to Levon Helm, were originally improvised by Levon Helm and Richard Manuel, telling the story of a man who becomes sick when he is spurned by the woman he loves.
Brian Mitchell is well known in music industry circles and beyond for working with some of music's most respected artists including Levon Helm & The Midnight Ramble Band, Bob Dylan, BB King, Al Green, Dolly Parton, Buster Poindexter, and Allen Toussaint as well as recording and performing his own original music. He has appeared on 5 Grammy Award-winning recordings, 3 with Levon Helm, and one each with BB King and with Les Paul. In 2015 Brian was inducted into the New York Blues Hall Of Fame. His versatility on piano, Hammond B-3 organ, accordion, various vintage keyboards and harmonica plus his distinct vocal stylings have firmly established him as one of New York City's most sought after musicians.
"Life is a Carnival" is the opening track of the Band's fourth album, Cahoots. Written by Rick Danko, Levon Helm, and Robbie Robertson, the song features horn arrangements by New Orleans musician Allen Toussaint. The song is the only track from the Cahoots album included on the original releases of Rock of Ages and The Last Waltz. The song was featured in the Bill Murray movie Larger Than Life.
Let It Rock is a Juno Award-nominated album that documents American-Canadian singer Ronnie Hawkins' 60th birthday celebration and concert at Massey Hall in Toronto, Ontario, Canada. The concert took place on January 8, 1995 and featured performances by Hawkins, Carl Perkins, Jerry Lee Lewis, The Band and Larry Gowan. Jeff Healey sat in on guitar for most, if not all, of the performances. Hawkins' band, The Hawks, or permutations of it, backed most, if not all, of the acts. All of the musicians performing that night were collectively dubbed "The Rock ‘N’ Roll Orchestra". The concert is among the last recorded of both Perkins and Rick Danko of The Band. An eponymous video of the concert was also released.