Star Wallowing Bull

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Star Wallowing Bull
Born (1973-08-18) August 18, 1973 (age 50)
Minneapolis, Minnesota
NationalityOjibwe-Arapahoe
Notable workBlack Elk's Little Sand Man

Detritus of the Light People

American Dreamers
RelativesFrank Big Bear

Star WallowingBull (born 1973) is an Objibwe Native American of the White Earth Nation, as well as an artist and illustrator known for his signature Prismacolor style of drawing, and representation of Native American Art in a modern art style. [1] His art style portrays symbolic about Native American identity in the US, internal struggles faced by cultural clashing, and other issues WallowingBull finds concerning, such as environmental care.

Contents

Biography

Early life

Star WallowingBull was born August 18, 1973, in Minneapolis, Minnesota, and is a descendant of the Ojibwe and Arapahoe Native American Tribes. [2] Influenced heavily by his father Frank Big Bear, [3] a prominent Ojibwe artist, WallowingBull started drawing at 8 months old and continued to be influenced by Native American Art, Pop Art scene, and European Art Masters in his home of Minneapolis. [1] But as he grew up, he struggled with personal conflicts in his life causing him to drop out of high school and leading him into a path of alcoholism. [4] He eventually used art and these influences to develop a modern style of autobiographically portraying the struggles of Native American life in a time where Native American people, were still adjusting into a new way of life and law in the United States.

Later life

Frank Big Bear being a prominent artist himself connected his son to art dealer Todd Bockley, who jump started WallowingBulls' career by showcasing it at the Weisman Art Museum in Minneapolis. [5] Many art collectors were drawn in by his signature art form use of Prismacolor colored pencils, which provided a metallic tone to his collage-like drawings. [2] The Native Arts and Cultures Foundations describes his work as "[employing] colored pencil on paper and acrylic on canvas to explore intersections of American Indian and U.S. pop culture in the 21st Century." [6] An example of one of his earlier art pieces would be Black Elk’s Little Sand Man, a piece that represented a contrast showing symbols of different indigenous Native American cultures against symbols of what the masses in the US perceive to be indigenous culture. [7] His work is a representation of the conflicting layers of identity held by generations of Native American people, as they have faced prejudice and unwarranted conflict through colonial influences.

A significant influence came later into Star Wallowing Bulls' life in 2005 when he met his mentor-to-be James Rosenquist in Fargo, North Dakota. [8] While suffering from hand pain, Rosenquist taught Wallowing Bull the art of painting and gave him a $1000 and a full set of tools to start painting. [1] Rosenquist would teach Wallowing Bull the art form he would carry on throughout most of his work after the use of colored pencils caused health issues in his hands. [9]

Recent activity

Currently, Star Wallowing Bull actively goes around to schools of different levels teaching art near his home of Minneapolis as well as throughout parts of North Dakota and the Midwest.

Artwork

Plains Art Museum Mural

This mural, commissioned by the Plains Art Museum in Fargo, North Dakota, was a piece done in 2003 by Wallowing Bull along with his father Frank Big Bear. Contrary to a lot of other work by Wallowing Bull, this piece had a lot heavier influence from Native art styles and motifs. This piece still uses very bright colors, portraying native birds flying around heads of gods surrounded by abstract patterns. There is also a quote in the top right corner stating "I will not be there. I will not fall. Bury my heart at Wounded Knee." referring to the Wounded Knee massacre and paying homage to the struggles faced by indigenous people of past generations. [10]

American Dreamers

This piece of prismacolor art is full of bright colours and portrays a Native American chief in the front with another Native holding a gun. Other Native elements such as deer appear, but are all contrasted by a hundred dollar bill in the background and faces prominent in American society such as Martin Luther King and John F. Kennedy. [11] This piece, published in 2000, reflects into how Wallowing Bull felt growing up influence by two societies he had to conform to. This piece, evident in the name itself, symbolizes that the American Dreamers in the background of the picture resemble the same spirit the Native American people have in an effort to search for their identity. [11]

Clown Face

One of his more environmentally geared pieces of art, this piece was released in 2010 and printed in 2015 for the New Art 2.0 print for Eiteljorg Museum. [12] This piece has abstract colors and elements and features a man drawn in abstract native pattern. We also see rain, drawn in a similarly abstract manner, falling from the sky and hitting the man in the arm causing his arm to burn. This is an environmental pursuit and commentary on smog and acid rain affecting people as well as crops, and done in a way where inverse tones are used to create a powerful image. [12]

Exhibitions

Solo exhibitions [13]

DatesExhibitionLocation
January 24, 2015 - July 31, 2015Star Wallowing Bull: Transformer

Star Wallowing Bull: Mechanistic Renderings

Plains Art Museum, Fargo, ND

Museum of Contemporary of Native Arts, Santa Fe, NM

October 23. 2013 - November 30, 2013Star Wallowing Bull: Mechanistic RenderingsBockley Gallery, Minneapolis, MN
November 21, 2009 - January 2, 2010Star Wallowing Bull: Wind-talkerBockley Gallery, Minneapolis, MN
November 18, 2008 - December 23, 2008The Art of Star Wallowing BullBockley Gallery, Minneapolis, MN
October 18, 2006 - November 15, 2006Star Wallowing Bull: Beyond TraditionBockley Gallery, Minneapolis, MN
September 22, 2005 - January 8, 2006Between Two Cultures: The Art of Star Wallowing BullPlains Art Museum, Fargo, ND
2001Star Wallowing Bull: Ubiquitous VisionsPlains Art Museum, Fargo, ND

Select group exhibitions [13]

DatesExhibitionLocationPeople Involved
January 31, 2014 - May 18, 2014Contemporary American Indian ArtNerman Museum of Contemporary Art, Overland Park KSVarious Artists
2013-14Before and after the Horizon: Anishinaabe Artists of the Great LakesSmithsonian National Museum of the American Indian, George Gustav Heye Center (August 3 - June 15, 2014)

Art Gallery of Ontario, Toronto (July 26, 2014 - December 7, 2014)

curated by David Penney and Gerald McMaster,
September 25, 2011 - August 10, 2011Vantage Point: The Contemporary Native Art CollectionSmithsonian National Museum of the American Indian, Washington, DCVarious Artists
September 13, 2007 - October 27, 2007Oshki-bawaajige - New DreamingOctober Gallery, London, EnglandFrank Big Bear, Andrea Carlson and Star Wallowing Bull
September 28, 2004 - December 5, 2004Waasa Inaabidaa - We Look in All DirectionsCarl Gorman Museum, University of California, Daviscurated by The Minneapolis Foundation

Minneapolis 2003 Paper Warriors: the Drawings of Frank Big Bear and Star Wallowing Bull

2004Detritus of the Light PeoplePlains Art Museum, Fargo, NDFrank Big Bear
2000Contemporary Native Art in MinnesotaWeisman Art Museum, Minneapolis 1999 Open House, Bockley Gallery, MinneapolisJulie Buffalohead, and Jim Denomie, curated by Kathie Bennewitz and Jill Boldenow;

shown in conjunction with Listening with the Heart: the Work of Frank Big Bear, George Morrison, and Norval Morrisseau, curated by Todd Bockley,

Collections

Honors and awards

Related Research Articles

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References

  1. 1 2 3 "Saved by Art: Star Wallowing Bull of the Transformer Tribe". Ict News. Retrieved 2020-03-03.
  2. 1 2 "M State - Collection". www.minnesota.edu. Retrieved 2020-03-03.
  3. ↑ Migrations : new directions in Native American art. Devon, Marjorie., University of New Mexico. Art Museum., Tamarind Institute. Albuquerque: University of New Mexico Press. 2006. ISBN   0-8263-3769-4. OCLC   63297689.{{cite book}}: CS1 maint: others (link)
  4. ↑ "Star Wallowing Bull American Dreamers, 2000". Weisman Art Museum. Retrieved 2020-03-03.
  5. ↑ "Breaking the mold". INFORUM. 16 January 2003. Retrieved 2020-03-03.
  6. 1 2 3 Rupert (2014-10-16). "Star Wallowing Bull". Native Arts and Cultures Foundation. Retrieved 2020-03-03.
  7. ↑ Totten, Gary (2014-12-01). "Editor's IntroductionGender, Transnationalism, and Ethnic Identity". MELUS. 39 (4): 1–6. doi:10.1093/melus/mlu052. ISSN   0163-755X.
  8. ↑ Before and after the Horizon : Anishinaabe Artists of the Great Lakes. Penney, David W.,, McMaster, Gerald, 1953-, National Museum of the American Indian (U.S.) (First ed.). Washington, DC. 10 September 2013. ISBN   978-1-58834-452-6. OCLC   858610485.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  9. ↑ Silberman, Robert. "Complexity and Contradiction in Native American Surrealism." Journal of Surrealism and the Americas 7.1 (2013): 108.
  10. ↑ "Photo of commissioned Mural- Star Wallowing Bull-designed with Father Frank Big | #1831658697". Worthpoint. Retrieved 2020-03-03.
  11. 1 2 "Star Wallowing Bull American Dreamers, 2000". Weisman Art Museum. Retrieved 2020-03-03.
  12. 1 2 "New Art 2.0 | Star Wallowing Bull". Eiteljorg. 2014-12-30. Retrieved 2020-03-03.
  13. 1 2 3 "Bockley Gallery :: Artists :: Star Wallowing Bull". bockleygallery.com. Retrieved 2020-03-03.
  14. ↑ "drawing | British Museum". The British Museum. Retrieved 2020-05-19.
  15. ↑ "Vantage Point - Once upon a Time…". americanindian.si.edu. Retrieved 2020-05-19.
  16. ↑ "Modern & Contemporary Native American – Plains Art Museum" . Retrieved 2020-05-19.
  17. ↑ "Star Wallowing Bull American Dreamers, 2000". Weisman Art Museum. Retrieved 2020-05-19.
  18. ↑ https://www.d.umn.edu/tma/exhibitions/intersections/IntersectionsArtGuide.pdf [ bare URL PDF ]
  19. ↑ Department, JCCC Digital. "Contemporary American Indian Art · The Nerman Museum Collection". www.jccc.edu. Retrieved 2020-05-19.
  20. ↑ "star-wallowing-bull – Plains Art Museum" . Retrieved 2020-03-03.
  21. ↑ "Vantage Point - Once upon a Time…". americanindian.si.edu. Retrieved 2020-03-03.
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