Stella Dallas can refer to:
Stella Dallas is a 1923 novel by Olive Higgins Prouty, written in response to the death of her three-year-old daughter from encephalitis. It tells the story of a woman who sacrifices her own happiness for the sake of her daughter.
Stella Dallas is a 1925 American silent drama film that was produced by Samuel Goldwyn, adapted by Frances Marion, and directed by Henry King. The film stars Ronald Colman, Belle Bennett, Lois Moran, Alice Joyce, Jean Hersholt, and Douglas Fairbanks Jr. Prints of the film survive in several film archives.
Stella Dallas is a 1937 American drama film based on the Olive Higgins Prouty novel of the same name. It was directed by King Vidor, and stars Barbara Stanwyck, John Boles, and Anne Shirley. The film was nominated for two Academy Awards: Best Actress in a Leading Role and Best Actress in a Supporting Role.
Stella is a 1990 American drama film produced by The Samuel Goldwyn Company and released by Touchstone Pictures. The screenplay by Robert Getchell is the third feature film adaptation of the 1923 novel Stella Dallas by Olive Higgins Prouty. Previous film versions were Stella Dallas and the silent film Stella Dallas.
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Anne Shirley was an American actress.
Stuart Heisler was an American film and television director. He was a son of Luther Albert Heisler (1855-1916), a carpenter, and Frances Baldwin Heisler (1857-1935). He worked as a motion picture editor from 1921 to 1936, then dedicated the rest of his career to that of a film director.
The Outsiders is a 1983 American coming-of-age drama film directed by Francis Ford Coppola, an adaptation of the 1967 novel of the same name by S. E. Hinton. The film was released on March 25, 1983. Jo Ellen Misakian, a librarian at Lone Star Elementary School in Fresno, California, and her students were responsible for inspiring Coppola to make the film.
John Boles was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein.
Olive Higgins Prouty was an American novelist and poet, best known for her 1922 novel Stella Dallas and her pioneering consideration of psychotherapy in her 1941 novel Now, Voyager.
So Big! is a 1932 American pre-Code drama film directed by William A. Wellman and starring Barbara Stanwyck. The screenplay by J. Grubb Alexander and Robert Lord is based on the 1924 Pulitzer Prize-winning novel of the same name, without the exclamation point, by Edna Ferber.
In a theatrical adaptation, material from another artistic medium, such as a novel or a film is re-written according to the needs and requirements of the theatre and turned into a play or musical.
Stella Dallas was an America radio soap opera that ran from October 25, 1937, to December 23, 1955. The New York Times described the title character as "the beautiful daughter of an impoverished farmhand who had married above her station in life." She was played for the entire run of the series by Anne Elstner (1902–1982). Her husband Stephen Dallas was portrayed at various times by Leo McCabe, Arthur Hughes and Frederick Tazere. Initially, Joy Hathaway played Stella's daughter Laurel with Vivian Smolen later taking over the role. Laurel's husband was Dick Grosvenor.
Anna Karenina is a 1915 American silent drama film directed by J. Gordon Edwards and starring Betty Nansen. It was the first American adaptation of the novel by Leo Tolstoy. The film is considered to be lost. Some scenes were shot on location at a ski resort near Montreal.
The Frog is a 1937 British crime film directed by Jack Raymond and starring Noah Beery, Jack Hawkins and Richard Ainley. The film is about the police chasing a criminal mastermind who goes by the name of The Frog. It was based on a novel by Edgar Wallace. It was followed by a loose sequel The Return of the Frog, the following year.
Sally Bishop is a 1924 British silent romance film directed by Maurice Elvey and starring Marie Doro, Henry Ainley and Florence Turner. It is an adaptation of the novel Sally Bishop, a Romance by E. Temple Thurston.
Lovers and Luggers is a 1937 Australian film directed by Ken G. Hall. It is an adventure melodrama about a pianist who goes to Thursday Island to retrieve a valuable pearl.
Victor Heerman was an English-American film director, screenwriter and film producer. After writing and directing short comedies for Mack Sennett, Heerman teamed with his wife Sarah Y. Mason to win the Academy Award for Best Adapted Screenplay of Louisa May Alcott's novel Little Women in 1933. He directed the Marx Brothers' second film, Animal Crackers, in 1930. He and Mason were the first screenwriters involved in early, never-produced scripts commissioned for what would become MGM's Pride and Prejudice.
Sarah Y. Mason was an American screenwriter and script supervisor.