Stephen Foster

Last updated

Stephen Foster
Stephen Foster.jpg
Stephen Collins Foster

(1826-07-04)July 4, 1826
DiedJanuary 13, 1864(1864-01-13) (aged 37)
Resting place Allegheny Cemetery
Pittsburgh, Pennsylvania, U.S.
Monuments Stephen Foster Memorial
Pittsburgh, Pennsylvania, U.S.
EducationAthens Academy, Towanda, Pennsylvania Athens Academy
  • Composer
  • lyricist
  • poet [1]
Years active1844–1864
AgentVarious sheet music publishers and brother, Morrison Foster
Known forFirst fully professional U.S. songwriter [2] [3]
Notable work
"Angelina Baker", "Beautiful Dreamer", "Camptown Races", "Gentle Annie", "The Glendy Burk", "Hard Times Come Again No More", "Jeanie with the Light Brown Hair", "My Old Kentucky Home", "Oh! Susanna", "Old Black Joe", "Old Folks at Home" ("Swanee River"), "Open Thy Lattice Love"
Spouse(s) Jane McDowell Foster Wiley (1829–1903) (other sources use Jane Denny Foster Wiley) [1]
Children Marion Foster Welch (1851–1935)
Relatives Evelyn Foster Morneweck (niece and biographer), James Foster (grandfather)
Siblings:Charlotte Susanna Foster (1809–1829), Anne Eliza Foster Buchanan (1812–1891), Henry Baldwin Foster (1816–1870), Henrietta Angelica Foster Thornton (1819–1879), Dunning McNair Foster (1821–1856), Morrison Foster (1823–1904)

Stephen Collins Foster (July 4, 1826 January 13, 1864), known also as "the father of American music", was an American songwriter known primarily for his parlour and minstrel music. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. [4] Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections. [5]



Eliza Tomlinson Foster and William Barclay Foster Daguerreotype of Eliza Tomlinson Foster and William Barclay Foster, restored and enhanced with digital tools.jpg
Eliza Tomlinson Foster and William Barclay Foster

There are many biographies of Foster, but details differ widely. Among other issues, Foster wrote very little biographical information himself, and his brother Morrison Foster destroyed much information that he judged to reflect negatively upon the family. [6] [7]

Foster was born on July 4, 1826, [8] to William Barclay Foster and Eliza Clayland Tomlinson Foster, with three older sisters and six older brothers. His parents were of Ulster Scots and English descent. He attended private academies in Allegheny, Athens, and Towanda, Pennsylvania, and received an education in English grammar, diction, the classics, penmanship, Latin, Greek, and mathematics. The family lived in a northern city but they did not support the abolition of slavery. [8]

Foster taught himself to play the clarinet, guitar, flute, and piano. He did not have formal instruction in composition but he was helped by Henry Kleber (1816–1897), a German-born music dealer in Pittsburgh. [9] In 1839, his brother William was serving his apprenticeship as an engineer at Towanda and thought that Stephen would benefit from being under his supervision. The site of the Camptown Races is 30 miles (48 km) from Athens and 15 miles from Towanda. His education included a brief period at Jefferson College in Canonsburg, Pennsylvania, now part of Washington & Jefferson College. [10] [nb 1] His tuition was paid, but he had little spending money. [10] He left Canonsburg to visit Pittsburgh with another student and did not return. [10]


House in Hoboken, New Jersey where Foster is believed to have written "Jeanie with the Light Brown Hair" in 1854 STEPHEN COLLINS FOSTER HOME IN HOBOKEN NEW JERSEY.jpg
House in Hoboken, New Jersey where Foster is believed to have written "Jeanie with the Light Brown Hair" in 1854

Then he returned to Pennsylvania and signed a contract with the Christy Minstrels. It was during this period that he wrote most of his best-known songs: "Camptown Races" (1850), "Nelly Bly" (1850), "Ring de Banjo" (1851), "Old Folks at Home" (known also as "Swanee River", 1851), "My Old Kentucky Home" (1853), "Old Dog Tray" (1853), and "Jeanie with the Light Brown Hair" (1854), written for his wife Jane Denny McDowell.

A Pittsburgh Press illustration of the original headstone on Stephen Foster's grave Illustration of SC Foster headstone in Alleghney cemetery 1900 monumen posibly.jpg
A Pittsburgh Press illustration of the original headstone on Stephen Foster's grave

Many of Foster's songs were of the blackface minstrel show tradition popular at the time but are now considered to be offensive for their racist themes. He sought to "build up taste...among refined people by making words suitable to their taste, instead of the trashy and really offensive words which belong to some songs of that order". [13] In the 1850s, he associated with a Pittsburgh-area abolitionist leader named Charles Shiras, and wrote an abolitionist play himself. [14] Many of his songs had Southern themes, yet Foster never lived in the South and visited it only once, during his 1852 honeymoon.

Foster's last four years were spent in New York City. There is little information on this period of his life, although family correspondence has been preserved. [5]

Illness and death

Foster became sick with a fever in January 1864. Weakened, he fell in his hotel in the Bowery, cutting his neck. His writing partner George Cooper found him still alive but lying in a pool of blood. Foster died in Bellevue Hospital three days later at the age of 37. [15] Other biographers describe different accounts of his death. [16]

Historian JoAnne O'Connell speculates in her biography, The Life and Songs of Stephen Foster, that Foster may have killed himself, a common occurrence during the Civil War. [17] George Cooper, who was with Foster until he died, said: "He lay there on the floor, naked, suffering horribly. He had wonderful big brown eyes, and they looked up at me with an appeal I can never forget. He whispered, 'I'm done for.'" Unlike Foster's brother Morrison, who was not in New York and said Foster was ill and cut his neck on a washbasin, Cooper mentioned no broken crockery and also said Foster had a "large knife" for cutting up apples and turnips. Morrison may have covered up Foster's suicide. Evelyn Morneweck, Morrison's daughter, also said the family would have covered up the suicide of their uncle if they could have.

As O'Connell and musicologist Ken Emerson have noted, several of the songs Foster wrote during the last years of his life foreshadow his death, such as "The Little Ballad Girl" and "Kiss Me Dear Mother Ere I Die." Emerson says in his 2010 Stephen Foster and Co. that Foster's injuries may have been "accidental or self-inflicted." [18]

Telegram that communicated Stephen Foster's death addressed to his brother Morrison Foster Western Union Telegram reporting Foster's death Jan 14 1864.JPG
Telegram that communicated Stephen Foster's death addressed to his brother Morrison Foster

When Foster died, his leather wallet contained a scrap of paper that simply said, "Dear friends and gentle hearts", along with 37 cents (one for each year of his life) in Civil War scrip and three pennies. The note is said to have inspired Bob Hilliard's lyric for "Dear Hearts and Gentle People" (1949). Foster was buried in the Allegheny Cemetery in Pittsburgh. After his death, Morrison Foster became his "literary executor". As such, he answered requests for copies of manuscripts, autographs, and biographical information. [5] One of the best-loved of his works was "Beautiful Dreamer", published in 1864 (posthumously). [19]


Foster grew up in a section of the city where many European immigrants had settled and was accustomed to hearing the music of the Italian, Scots-Irish, and German residents. He composed his first song when he was 14 and entitled it the "Tioga Waltz". The first song that he had published was "Open thy Lattice Love" (1844). [9] [20] He wrote songs in support of drinking, such as "My Wife Is a Most Knowing Woman", "Mr. and Mrs. Brown", and "When the Bowl Goes Round", while also composing temperance songs such as "Comrades Fill No Glass for Me" or "The Wife". [8]

Foster also authored many church hymns, although the inclusion of his hymns in hymnals ended by 1910. Some of the hymns are "Seek and ye shall find", [21] "All around is bright and fair, While we work for Jesus", [22] and "Blame not those who weep and sigh". [23] Several rare Civil War-era hymns by Foster were performed by The Old Stoughton Musical Society Chorus, including "The Pure, The Bright, The Beautiful", "Over The River", "Give Us This Day", and "What Shall The Harvest Be?"

Foster usually sent his handwritten scores directly to his publishers. The publishers kept the sheet music manuscripts and did not give them to libraries nor return them to his heirs. Some of his original, hand-written scores were bought and put into private collections and the Library of Congress. [5]

Foster's songs, lyrics, and melodies have often been altered by publishers and performers. [24] Ray Charles released a version of "Old Folks at Home" that was titled "Swanee River Rock (Talkin’ ’Bout That River)," which became his first pop hit in November 1957. [25]

"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" became the official state song of Florida, designated in 1935. [26] The lyrics are widely regarded as racist today, however, so "Old Folks at Home" was modified with approval from the Stephen Foster Memorial. The modified song was kept as the official state song, while "Florida (Where the Sawgrass Meets the Sky)" was added as the state anthem.


Musical influence

Foster commemorative stamp in the Famous American Composers series, 1940 1940 FamAmer e 1.png
Foster commemorative stamp in the Famous American Composers series, 1940



Other events


Stephen Foster by Giuseppe Moretti (1900) Stephen Foster Monument - Pittsburgh - IMG 0791.jpg
Stephen Foster by Giuseppe Moretti (1900)

Accolades and honors

The Stephen Collins Foster sketchbook kept in a safe in the research library in the memorial The Stephen Collins Foster sketchbook kept in a safe at the archives.jpg
The Stephen Collins Foster sketchbook kept in a safe in the research library in the memorial
Pitt's Stephen Foster Memorial contains two theaters StephenFosterWinter.jpg
Pitt's Stephen Foster Memorial contains two theaters

Foster is honored on the University of Pittsburgh campus with the Stephen Foster Memorial, a landmark building that houses the Stephen Foster Memorial Museum, the Center for American Music, as well as two theaters: the Charity Randall Theatre and Henry Heymann Theatre, both performance spaces for Pitt's Department of Theater Arts. It is the largest repository for original Stephen Foster compositions, recordings, and other memorabilia his songs have inspired worldwide.

Two state parks are named in Foster's honor: the Stephen Foster Folk Culture Center State Park in White Springs, Florida and Stephen C. Foster State Park in Georgia. Both parks are on the Suwannee River. Stephen Foster Lake at Mount Pisgah State Park in Pennsylvania is also named in his honor.

One state park is named in honor of Foster's songs, My Old Kentucky Home, an historic mansion formerly named Federal Hill, located in Bardstown, Kentucky where Stephen is said to have been an occasional visitor according to his brother, Morrison Foster. The park dedicated a bronze statue in honor of Stephen's work.

The Lawrenceville (Pittsburgh) Historical Society, together with the Allegheny Cemetery Historical Association, hosts the annual Stephen Foster Music and Heritage Festival (Doo Dah Days!). Held the first weekend of July, Doo Dah Days! celebrates the life and music of one of the most influential songwriters in America's history. His home in the Lawrenceville Section of Pittsburgh, Pennsylvania, still remains on Penn Avenue nearby the Stephen Foster Community Center.

A 1900 statue of Foster by Giuseppe Moretti was located in Schenley Plaza, in Pittsburgh, from 1940 until 2018. On the unanimous recommendation of the Pittsburgh Art Commission, the statue was removed on April 26, 2018. [35] Its new home has not yet been determined. It has a long reputation as the most controversial public art in Pittsburgh "for its depiction of an African-American banjo player at the feet of the seated composer. Critics say the statue glorifies white appropriation of black culture, and depicts the vacantly smiling musician in a way that is at best condescending and at worst racist." [36] A city-appointed Task Force on Women in Public Art called for the statue to be replaced with one honoring an African American woman with ties to the Pittsburgh community. The Task Force held a series of community forums in Pittsburgh to collect public feedback on the statue replacement and circulated an online form which allowed the public to vote for one of seven previously selected candidates or write in an alternate suggestion. [37] However, the Task Force on Women in Public Art and the Pittsburgh Art Commission have not reached an agreement as to who will be commemorated or if the statue will stay in the Schenley Plaza location. [38]

See also


  1. His grandfather James Foster was an associate of John McMillan and a founding trustee of Canonsburg Academy, a predecessor institution to Jefferson College; his father William Barclay Foster attended Canonsburg Academy until age 16. [11]

Related Research Articles

Old Folks at Home 19th century minstrel song by Stephen Foster

"Old Folks at Home" is a minstrel song written by Stephen Foster in 1851. Since 1935, it has been the official state song of Florida, although in 2008 the original lyrics were revised. It is Roud Folk Song Index no. 13880.

My Old Kentucky Home 19th-century sentimental ballad by Stephen Foster

"My Old Kentucky Home, Good-Night!" is a sentimental ballad written by Stephen Foster, probably composed in 1852. It was published in January 1853 by Firth, Pond, & Co. of New York. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel Uncle Tom's Cabin, as evidenced by the title of a sketch in Foster’s sketchbook, “Poor Uncle Tom, Good-Night!”

"Gwine to Run All Night, or De Camptown Races" is a minstrel song by Stephen Foster (1826–1864). It was published in February 1850 by F. D. Benteen of Baltimore, Maryland, and Benteen published a different version with guitar accompaniment in 1852 under the title "The Celebrated Ethiopian Song/Camptown Races". The song quickly entered the realm of popular Americana. Louis Moreau Gottschalk (1829–1869) quotes the melody in his virtuoso piano work Grotesque Fantasie, the Banjo, op. 15 published in 1855. In 1909, composer Charles Ives incorporated the tune and other vernacular American melodies into his orchestral Symphony No. 2.

Stephen Foster Memorial United States historic place

The Stephen Collins Foster Memorial is a performing arts center and museum which houses the Stephen Foster Archives at the University of Pittsburgh in Pittsburgh, Pennsylvania, USA. It is dedicated to the life and works of American songwriter Stephen Foster.

Stephen Foster Folk Culture Center State Park

Stephen Foster Folk Culture Center State Park is a Florida State Park located in White Springs off U.S. 41, along the Suwannee River in north Florida.

Fletcher Hodges Jr. was an American who curated the Foster Hall Collection, a collection of documents and music related to Stephen Foster at the University of Pittsburgh, for fifty-one years.

Old Black Joe Song

"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect.

<i>I Dream of Jeanie</i> (film) 1952 film by Allan Dwan

I Dream of Jeanie is a 1952 American historical musical film based on the songs and life of Stephen Foster who wrote the 1854 song "Jeanie with the Light Brown Hair" from which the title is taken. The film was directed by Allan Dwan for Republic Pictures and was shot in Trucolor.

<i>Stephen Foster</i> (sculpture) Sculpture by Giuseppe Moretti

Stephen Foster is a landmark public sculpture in bronze by Giuseppe Moretti formerly located on Schenley Plaza in the Oakland section of Pittsburgh, Pennsylvania. Formerly sited along Forbes Avenue near the entrance of Carnegie Museum of Natural History, in the shadow of Dippy, a life-size sculpture of a Diplodocus dinosaur, and in close proximity to the University of Pittsburgh's Stephen Foster Memorial, the Foster statue is one of the city's best known and most controversial. It was removed on April 26, 2018 on the unanimous vote of the Pittsburgh Art Commission.

<i>Swanee River</i> (film) 1939 film by Sidney Lanfield

Swanee River is a 1939 American film directed by Sidney Lanfield and starring Don Ameche, Andrea Leeds, Al Jolson, and Felix Bressart. It is a biopic about Stephen Foster, a songwriter from Pittsburgh who falls in love with the South, marries a Southern girl, then is accused of sympathizing when the Civil War breaks out. Typical of 20th Century Fox biographical films of the time, the film was more fictional than it was factual.

"Florida, Where the Sawgrass Meets the Sky" is the official anthem of the State of Florida. Originally written as a replacement for the state song, "Old Folks at Home", it was instead designated as the state's anthem in 2008.

<i>Harmony Lane</i> 1935 film by Joseph Santley

Harmony Lane is a 1935 low-budget American film directed by Joseph Santley, based upon the life of Stephen Foster, released by Mascot Pictures.

<i>Stephen Foster</i> (album) 1946 compilation album by Bing Crosby

Stephen Foster is a compilation album of phonograph records by Bing Crosby of songs by Stephen Foster released in 1946.

"Willie Has Gone To War" is a song written by Stephen Collins Foster sometime in 1862. It was considered a 'Civil War Song', though it was not as popular as some of his previous work. George Cooper wrote the lyrics. He may have composed up to 285 songs, hymns, arrangements and instrumental works during his lifetime. He also created many of the lyrics.

Stephen Foster Collection and archive

The Stephen Foster Collection and archives are the largest collection of primary source materials on the life and work of composer Stephen Foster. The collection consists of documents and other items of historical interest related to the life and work of Stephen Foster. It resides in the Stephen Foster Memorial at the University of Pittsburgh. Josiah K. Lilly donated an almost complete set of first edition music. The memorial houses sketchbooks and other memorabilia. The process of assembling the collection was methodical, well-organized and funded by various non-governmental and governmental sources. The cost of maintaining the collection is partially funded by the University of Pittsburgh.

William Barclay Foster

William Barclay Foster was the father of Stephen Foster and a notable businessman in his time. He has been referred to one of the most prosperous merchants of Pittsburgh, Pennsylvania. He was a Pennsylvania state legislator and served three terms. He was also elected mayor of Allegheny City twice in his lifetime. He has been identified as a "patriot", a "lover of home" and an "outstanding servant to his community, state and government". He married Eliza Clayland Tomlinson on November 14, 1807, in Chambersburg, Pennsylvania.

Jane McDowell Foster Wiley Wife of Stephen Foster

Jane Denny McDowell Foster Wiley was born December 10, 1829. She died at the age of seventy-three in a fire on January 17, 1903 in Pittsburgh, Pennsylvania.

Stephen Fosters sketchbook

Stephen Foster's sketchbook is the hand-written book authored by early American composer and lyricist Stephen Collins Foster. It spans a nine-year period beginning on June 26, 1851. It was donated to the University of Pittsburgh Library System by the Foster family in the early 1930s. The National History Education Clearinghouse considers it a " useful resource for those researching Foster or the history of 19th-century American music and culture."

Marion Foster Welch Educator and composer

Marion Foster was the only child of composer Stephen Collins Foster and, together with her daughter Jessie Rose, was the caretaker of the Stephen S. Foster Memorial Home located at 3600 Penn Avenue, Pittsburgh, Pennsylvania, from 1914 until her death in 1935. She taught the piano and occasionally composed music.

<i>American Scene</i> 1959 studio album by Mantovani and His Orchestra

American Scene is an album of music by American songwriters performed by the Anglo-Italian conductor, Mantovani and His Orchestra. Side 1 consists entirely of music composed by Stephen Foster. It was released in 1959 by Decca Records. It debuted on Billboard magazine's pop album chart on March 28, 1960, peaked at the No. 11 spot, and remained on the chart for 30 weeks. AllMusic later gave it a rating of three stars.


  1. 1 2 "Stephen C. Foster As Man and Musician, The Life Story of the Sweet Singer of Pittsburg Told by His Contemporaries and Comrades". The Pittsburg Press. September 12, 1900 via Open Access logo PLoS transparent.svg
  2. Marks, Rusty (April 22, 2001), "ON TELEVISION: Stephen Foster: Quintessential songwriter lived in music, died in ruin", Sunday Gazette-Mail, Gazette Daily Inc. via HighBeam Research, archived from the original on October 11, 2013, retrieved April 25, 2012, The song, written in 1847, soon spread throughout the country. Foster decided to become a full-time songwriter, a vocation no one had bothered to pursue until then.(subscription required)
  3. Pittsburgh Native Son and Songwriter Stephen Foster to be Inducted into Nashville Songwriters Hall of Fame Oct. 17., US Fed News Service, Including US State News. The Associated Newspapers of Ceylon Ltd. via HighBeam Research, October 16, 2010, archived from the original on October 11, 2013, retrieved April 25, 2012(subscription required)
  4. Compare: Root, Deane L. (March 12, 1990). "The 'Mythtory' of Stephen C. Foster or Why His True Story Remains Untold" (Lecture transcript at the American Music Center Research Conference). American Music Research Center Journal: 20–21. Retrieved December 24, 2019. [... Stephen Foster ...] was the most famous songwriter of the nineteenth century, and he is still the best-known American composer in many countries of the world today.
  5. 1 2 3 4 Root, Deane L. (March 12, 1990). "The 'Mythtory' of Stephen C. Foster or Why His True Story Remains Untold" (Lecture transcript at the American Music Center Research Conference). American Music Research Center Journal: 20–36. Retrieved October 4, 2015: Access provided by the University of Pittsburgh Library System CS1 maint: postscript (link)
  6. Howard, John Tasker (March 1944). "The Literature on Stephen Foster". Notes: Quarterly Journal of the Music Library Association. 1 (2): 10–15. doi:10.2307/891301. ISSN   0027-4380. JSTOR   891301.
  7. Root, Deane L. (March 1990). "The "Mythtory" of Stephen C. Foster or Why His True Story Remains Untold" (PDF). American Music Research Center. U. Colorado, Boulder. Retrieved September 25, 2018.
  8. 1 2 3 Sanders, Paul (Fall 2008). "Comrades, Fill No Glass For Me: Stephen Foster's Medlodies As Borrowed by the American Temperance Movement" (PDF). Social History of Alcohol and Drugs. 23 (1): 24–40. doi:10.1086/SHAD23010024. S2CID   165454878 . Retrieved October 13, 2015.
  9. 1 2 "Foster Hall Collection, Collection Number: CAM.FHC.2011.01, Guide to Archives and Manuscript Collections at the University of Pittsburgh Library System". University of Pittsburgh, Center for American Music. Retrieved October 13, 2015; Access provided by the University of PittsburghCS1 maint: postscript (link)
  10. 1 2 3 Emerson, Ken (1998). Doo-dah! Steven Foster and the Rise of American Popular Culture. Da Capo Press. p. 79. ISBN   978-0-306-80852-4.
  11. Vincent Milligan, Harold (1920). Stephen Collins Foster: a biography of America's folk-song composer. G. Schirmer. pp.  3–4.
  12. Sisario, Ben (September 20, 1998). "ON THE MAP; Stephen Foster's Old Hoboken Home". The New York Times. Retrieved July 4, 2016.
  13. "American Experience | Stephen Foster | People & Events". Retrieved January 8, 2021.
  14. Saunders (2012). "The Social Agenda of Stephen Foster's Plantation Melodies". American Music. 30 (3): 275–289. doi:10.5406/americanmusic.30.3.0275. JSTOR   10.5406/americanmusic.30.3.0275. S2CID   144617319.
  15. "More about the film Stephen Foster". American Experience. PBS. Retrieved October 2, 2015.
  16. O'Connell, JoAnne H. (2007). Understanding Stephen Collins Foster, His World and Music (PDF) (Thesis). University of Pittsburgh. Retrieved June 25, 2016.
  17. O'Connell, JoAnne (2016). The Life and Songs of Stephen Foster: a Revealing Portrait of the Forgotten Man Behind Swanee River, Beautiful Dreamer, and My Old Kentucky Home. Lanham, MD: Rowman and Littlefield. p. 321. ISBN   9781442253865.
  18. Emerson, Ken (2010). Stephen Foster and Co.: Lyrics of America's First Great Popular Songs. New York: Library of America. p. 10. ISBN   978-1598530704.
  19. W. Tomaschewski. "The Last Chapter". Stephen Collins Foster. W. Tomaschewski. Retrieved August 4, 2012.
  20. Barcousky, Len (February 14, 2016). "Eyewitness 1916: Living link to Foster passes on". Pittsburgh Post Gazette. Retrieved April 27, 2016.
  21. "Waters' Choral Harp: a new and superior collection of choice hymns and tunes, mostly new, written and composed for Sunday schools, missionary, revival, and social meetings, and for church worship 106. Who has our Redeemer heard". Retrieved August 23, 2016.
  22. "All around is bright and fair, While we work for Jesus". Retrieved August 23, 2016.
  23. "Blame not those who weep and sigh". Retrieved August 23, 2016.
  24. Steel, David Warren (2008). The New Encyclopedia of Southern Culture; Volume 12: Music; Foster, Stephen (1826–1864) COMPOSER AND SONGWRITER. University of North Carolina Press. JSTOR   10.5149/9781469616667_malone.86: Access provided by the University of PittsburghCS1 maint: postscript (link)
  25. Whitburn, Joel, Top R&B Singles, 1942–1999, p. 74.
  26. "The State Anthem: "Florida (Where the Sawgrass Meets the Sky)"". State of Florida. Retrieved April 29, 2011.
  27. Lerner, Neil (September 2006). "Review: Tunes for 'Toons': Music and the Hollywood Cartoon by Daniel Goldmark". Notes: Quarterly Journal of the Music Library Association. 63 (1): 121–124. JSTOR   4487739.
  28. "Stephen C. Foster's Blues". The Possum Trot Orchestra. Retrieved May 10, 2015.
  29. "E.M.A. – California Lyrics". SongLyrics. Retrieved August 4, 2012.
  30. A Source guide to the music of Percy Grainger. Lewis, Thomas P. (1st ed.). White Plains, N.Y.: Pro/Am Music Resources. 1991. ISBN   9780912483566. OCLC   24019532.CS1 maint: others (link)
  31. "What Is It All but Luminous by Art Garfunkel | Books". Retrieved April 25, 2019.
  32. Monger, James. "Wilderness - The Handsome Family". Retrieved July 8, 2013.
  33. "1-cent Foster". Arago: people, postage & the post, Smithsonian National Postal Museum. Retrieved May 10, 2015.
  34. "'Oh! Susanna' songwriter's statue removed from Pittsburgh park after criticism". NBC News. Retrieved April 25, 2019.
  35. "'Oh Susanna' songwriter's statue removed amid criticism". Associated Press. April 26, 2018. Retrieved April 26, 2018.
  36. Majors, Dan (October 25, 2017). "City's art commission unanimous: Statue of Stephen Foster needs to go". Pittsburgh Post-Gazette . Retrieved May 5, 2018.
  37. "City wants statue of African-American woman to replace Stephen Foster monument". Pittsburgh Post-Gazette. March 14, 2018. Retrieved September 16, 2018.
  38. O'Driscoll, Bill (July 2, 2018). "Initiative To Honor Women Of Color With Public Art Sparks Debate". WESA. WESA. Retrieved September 16, 2018.

Further reading

Music scores