Steve Lacy (saxophonist)

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Steve Lacy
Steve Lacy.jpg
Lacy in 1976
Background information
Birth nameSteven Norman Lackritz
Born(1934-07-23)July 23, 1934
New York City, U.S.
DiedJune 4, 2004(2004-06-04) (aged 69)
Genres Jazz, dixieland, avant-garde jazz
Occupation(s)Musician
Instrument(s)Soprano saxophone

Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. [1] Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

Contents

The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

Early life and career

Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry "Red" Allen, Pee Wee Russell, George "Pops" Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. [1] He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor, [2] :55 and appearing with Taylor's groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. [1] His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions ( Reflections , Prestige, 1958) and briefly played in Monk's band in 1960 [3] :241 and later on Monk's Big Band and Quartet in Concert album (Columbia, 1963).

Europe and sextet

Lacy's first visit to Europe came in 1965, with a visit to Copenhagen in the company of Kenny Drew; he went to Italy and formed a quartet with Italian trumpeter Enrico Rava [1] and the South African musicians Johnny Dyani and Louis Moholo (their visit to Buenos Aires is documented on The Forest and the Zoo , ESP, 1967). After a brief return to New York, he returned to Italy, then in 1970 moved to Paris, where he lived until the last two years of his life. He became a widely respected figure on the European jazz scene, though he remained less well known in the U.S.

The core of Lacy's activities from the 1970s to the 1990s was his sextet: his wife, singer/violinist Irene Aebi, [2] :272 soprano/alto saxophonist Steve Potts, [4] pianist Bobby Few, bassist Jean-Jacques Avenel, and drummer Oliver Johnson (later John Betsch). [1] Sometimes this group was scaled up to a large ensemble (e.g. Vespers, Soul Note, 1993, which added Ricky Ford on tenor sax and Tom Varner on French horn), sometimes pared down to a quartet, trio, or even a two-saxophone duo. He played duos with pianist Eric Watson. Lacy also, beginning in the 1970s, became a specialist in solo saxophone; he ranks with Sonny Rollins, Anthony Braxton, Evan Parker, and Lol Coxhill in the development of this demanding form of improvisation.

Lacy was interested in all the arts: the visual arts and poetry in particular became important sources for him. [1] Collaborating with painters and dancers in multimedia projects, he made musical settings of his favourite writers: Robert Creeley, Samuel Beckett, Tom Raworth, Taslima Nasrin, Herman Melville, Brion Gysin and other Beat writers, including settings for the Tao Te Ching and haiku poetry. As Creeley noted in the Poetry Project Newsletter, "There's no way simply to make clear how particular Steve Lacy was to poets or how much he can now teach them by fact of his own practice and example. No one was ever more generous or perceptive."

Later career

In 1992, he was the recipient of a MacArthur Fellowship (nicknamed the "genius grant"). [4] [5]

He also collaborated with a wide range of musicians, from traditional jazz to the avant-garde to contemporary classical music. Outside of his regular sextet, his most regular collaborator was pianist Mal Waldron, [3] :244–245 with whom he recorded a number of duet albums [4] (notably Sempre Amore , a collection of Ellington/Strayhorn material, Soul Note, 1987).

Lacy played his 'farewell concerts to Europe' in Belgium, in duo and solo, for a small but motivated public. This happened in Brussels, Antwerp, Ghent, Bruges and Mons. In duo he played with Fred Van Hove, Joëlle Léandre, Mikhail Bezverkhni, Irène Aebi, Frederic Rzewski, Christopher Culpo and the dancer Shiro Daimon. This recollection is published by Naked Music, Afkikker, Ghent. In Ghent he played with the classical violinist Mikhail Bezverkhni, winner of Queen Elisabeth Concours. Two of these concerts were organized by Rita De Vuyst, his last muse in Europe, to whom he dedicated his solo CD Mother Goose solo @ afkikker. This CD is published within the book, Bone, a tribute to Lacy. He returned to the United States in 2002, where he began teaching at the New England Conservatory of Music in Boston, Massachusetts. One of his last public performances was in front of 25,000 people at the close of a peace rally on Boston Common in March 2003, shortly before the US-led invasion of Iraq.

After Lacy was diagnosed with liver cancer in August 2003, he continued playing and teaching until weeks before his death on June 4, 2004, at the age of 69. [1]

Discography

As leader/co-leader

  • Soprano Sax (Prestige, 1957)
  • Reflections (Prestige, 1959) – recorded in 1958
  • The Straight Horn of Steve Lacy (Candid, 1961) – recorded in 1960
  • Evidence (New Jazz, 1962) – recorded in 1961
  • Disposability (Vik, 1965)
  • Jazz Realities (Fontana, 1966) with Carla Bley and Michael Mantler
  • Sortie (GTA, 1966)
  • The Forest and the Zoo (ESP-Disk, 1967) – recorded in 1966
  • Roba, as Steve Lacy Gang (Saravah, 1969)
  • Moon (BYG Actuel, 1969)
  • Epistrophy (BYG Actuel, 1969)
  • Wordless (Futura, 1971)
  • Lapis (Saravah, 1971)
  • The Gap (America, 1972)
  • Live in Lisbon: Estilhacos (Guilda Da Música, 1972)
  • Flaps, with Franz Koglmann (Pipe, 1973)
  • Solo - Théâtre Du Chêne Noir (Emanem, 1974) – recorded in 1972
  • Weal & Woe (Emanem, 1974) – recorded in 1972-73
  • Scraps (Saravah, 1974)
  • Flakes (RCA, 1974)
  • Saxophone Special (Emanem, 1974)
  • School Days with Roswell Rudd (Emanem, 1975) – recorded in 1963
  • The Crust (Emanem, 1975) – recorded in 1973
  • Straws (strange days, 1975)
  • Dreams (Saravah, 1975)
  • Stalks (Nippon Columbia, 1975)
  • Solo at Mandara (ALM, 1975)
  • Axieme (Red, 1975)
  • Stabs (FMP, 1975)
  • Clangs, with Andrea Centazzo (Ictus, 1976)
  • Trickles (Black Saint, 1976)
  • Sidelines (1977, Improvising Artists)
  • Company, vol. 4, with Derek Bailey (1976)
  • Trio Live (Ictus, 1976)
  • Distant Voices with Masayuki Takayanagi and Takehisa Kosugi (Nippon Columbia, 1976) – recorded in 1975
  • The Wire (Denon Jazz, 1977) – recorded in 1975
  • Raps (Adelphi, 1977)
  • Threads (1977, Horo)
  • Catch (Horo, 1977)
  • The Owl (Saravah, 1977)
  • Shots (Musica, 1977)
  • Lumps, with Michel Waisvisz, Han Bennink, Maarten van Regteren Altena (Instant Composers Pool, 1978) – recorded in 1974
  • Follies (FMP, 1978) – recorded in 1977
  • Clinkers (HatHut, 1978) – recorded in 1977-78
  • Stamps (HatHut, 1979) – recorded in 1977-78
  • Points (Le Chant Du Monde, 1978)
  • Crops & The Woe (Quark Records & Books, 1979) – recorded in 1973-76
  • Torments (Morgue, 1979) – recorded in 1975
  • Eronel (1979, Horo)
  • Troubles (Black Saint, 1979)
  • Duet, with Walter Zuber Armstrong (World Artists, 1979)
  • The Way (hat Hut, 1980) – recorded in 1979
  • Call Notes, with Walter Zuber Armstrong (World Artists, 1980) – recorded in 1979
  • Capers (hat Hut, 1981) - also released as N.Y.Capers and N.Y. Capers & Quirks – recorded in 1979
  • Tips (hat Hut, 1981)
  • Songs (hat ART, 1981) with Brion Gysin
  • Ballets (ha Hut, 1982)
  • The Flame (Black Saint, 1982)
  • Prospectus (hat ART, 1983) – recorded in 1982
  • Regeneration , with Roswell Rudd, Misha Mengelberg et al. – (1983)
  • Change of Season, with Misha Mengelberg, Han Bennink et al. – (1984)
  • Blinks (hat ART, 1984)
  • Futurities (Hat Hut, 1985)
  • The Condor (Soul Note, 1986) – recorded in 1985
  • Chirps (FMP, 1986) – recorded in 1985
  • Outings (Ismez, 1986)
  • Hocus-Pocus (Les Disques Du Crépuscule, 1986)
  • Solo (Egg Farm, 1986)
  • Deadline (Sound Aspects, 1987) with Ulrich Gumpert – recorded in 1985
  • Only Monk (Soul Note, 1987) – recorded in 1985
  • Morning Joy (hat ART, 1990) – recorded in 1986
  • Anthem (RCA Novus, 1990)
  • Rushes: Ten Songs from Russia (New Sound Planet, 1990)
  • Steve Lacy Solo (In Situ, 1991) – recorded in 1985
  • Flim-Flam (hat ART, 1991) with Steve Potts – recorded in 1986
  • More Monk (Soul Note, 1991) – recorded in 1989
  • Itinerary (hat ART, 1991)
  • Remains (hat ART, 1992)
  • Live at Sweet Basil (RCA Novus, 1992)
  • Spirit of Mingus (Freelance, 1992)
  • Clangs (hat ART, 1993)
  • We See (hat ART, 1993)
  • Revenue (Soul Note, 1993)
  • Vespers (Soul Note, 1993)
  • Three Blokes (FMP, 1994) with Evan Parker and Lol Coxhill – recorded in 1992
  • The Rendezvous (Exit, 1995) with Barry Wedgle – recorded in 1994
  • Packet (New Albion, 1995) with Irene Aebi, Frederic Rzewski
  • Actuality (Cavity Search, 1995)
  • Eternal Duo '95 (Take One, 1996) with Masahiko Togashi – recorded in 1995
  • Blues for Aida (Egg Farm, 1996) – recorded in 1995
  • Bye-Ya (Freelance, 1996)
  • Five Facings (FMP, 1996)
  • 5 x Monk 5 x Lacy (Silkheart, 1997)
  • Live at Unity Temple (Wobbly Rail, 1998) – recorded in 1997
  • The Rent (Cavity Search, 1999) – recorded in 1997
  • Sands (Tzadik, 1998)
  • The Joan Miró Foundation Concert (Nova Era, 1999) with Irene Aebi – recorded in 1995
  • The Cry (Soul Note, 1999) – recorded in 1988
  • Hooky (Emanem, 2000) – recorded in 1976
  • Monk's Dream (Verve, 2000) – recorded in 1999
  • Snips (2000)
  • Opium , with Bill Dixon, Franz Koglmann (Between The Lines, 2001) – recorded in 1973-76; compiles tracks from the Koglmann/Lacy album Flaps (Pipe, 1973) and the Koglmann/Dixon album Opium for Franz (Pipe, 1977)
  • Best Wishes: Live At The Labirinti Sonori Festival 2001 (Labirinti Sonori, 2001)
  • 10 of Dukes & 6 Originals (Senators, 2002) – recorded in 2000
  • Apices (Studio Songs, 2002) with Masahiko Togashi and Masahiko Satoh – recorded in 2000
  • The Holy La (Free Lance, 2002) – recorded in 1998 & 2001
  • Mother Goose, solo@afkikker in Bone: a tribute to Steve Lacy (Gent, 2003) - CD attached in book. recorded in 2001.
  • Materioso (Monk's Moods) (Onyx JazzClub, 2003) – recorded in 2001
  • The Beat Suite (Universal Music Jazz France, 2003)
  • Work (Sawano, 2003) with Anthony Cox、Daniel Humair – recorded in 2002
  • New Jazz Meeting Baden-Baden 2002 (hatOLOGY, 2003) – recorded in 2002
  • The Complete Whitey Mitchell Sessions (Lone Hill Jazz, 2004) – recorded in 1956
  • Leaves Blossoms (Naked Music, 2005) – recorded in 2002
  • One More Time (Leo, 2005) with Joëlle Léandre – recorded in 2002
  • Tao with Andrea Centazzo (Ictus, 2006) – recorded in 1976-84
  • Early and Late, with Roswell Rudd (Cuneiform, 2007) – recorded in 1962, 1999, 2002
  • November (Intakt, 2010) – recorded in 2003
  • Last Tour (Emanem, 2015) – recorded in 2004

Compilations

  • Scratching the Seventies/Dreams (Saravah, 1996)
  • Associates (Musica Jazz, 1996)
  • The Sun (Emanem, 2012)
  • Avignon And After Volume 1 (Emanem, 2012)
  • Avignon And After Volume 2 (Emanem, 2014)

With Mal Waldron

As sideman

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References

  1. 1 2 3 4 5 6 7 "Steve Lacy | Biography & History". AllMusic . Retrieved July 29, 2021.
  2. 1 2 Wilmer, Val (1977). As Serious as your Life. Quartet. ISBN   0704331640.
  3. 1 2 Litweiler, John (1984). The Freedom Principle: Jazz after 1958. Da Capo Press. ISBN   9780306803772.
  4. 1 2 3 Fordham, John (June 10, 2004). "Steve Lacy". The Guardian. Retrieved January 25, 2017.
  5. The John D. and Catherine T. MacArthur Foundation. "MacArthur Fellows July 1992". Archived from the original on January 16, 2011. Retrieved June 2, 2007.