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In classical Greek architecture, a stylobate (Greek : στυλοβάτης) is the top step of the crepidoma, the stepped platform upon which colonnades of temple columns are placed (it is the floor of the temple). The platform was built on a leveling course that flattened out the ground immediately beneath the temple.
Greek is an independent branch of the Indo-European family of languages, native to Greece, Cyprus and other parts of the Eastern Mediterranean and the Black Sea. It has the longest documented history of any living Indo-European language, spanning more than 3000 years of written records. Its writing system has been the Greek alphabet for the major part of its history; other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems.
Crepidoma is an architectural term for part of the structure of ancient Greek buildings. The crepidoma is the multilevel platform on which the superstructure of the building is erected. The crepidoma usually has three levels. Each level typically decreases in size incrementally going upwards, forming a series of steps along all or some sides of the building. The crepidoma rests on the euthynteria or foundation, which historically was constructed of locally available stone for the sake of economy.
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term column applies especially to a large round support with a capital and a base or pedestal which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post, and supports with a rectangular or other non-round section are usually called piers. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative features. A column might also be a decorative element not needed for structural purposes; many columns are "engaged", that is to say form part of a wall.
Some methodologies use the word stylobate to describe only the topmost step of the temple's base, while stereobate is used to describe the remaining steps of the platform beneath the stylobate and just above the leveling course. Others use the term to refer to the entire platform.
The stylobate was often designed to relate closely to the dimensions of other elements of the temple. In Greek Doric temples, the length and width of the stylobate were related, and in some early Doric temples the column height was one third the width of the stylobate. The Romans, following Etruscan architectural tradition, took a different approach in using a much higher stylobate that typically had steps only in the front, leading to the portico.
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Dorian region of Greece, it is the earliest and in its essence the simplest of the orders, though still with complex details in the entablature above.
The Roman Empire was the post-Roman Republic period of the ancient Roman civilization. It had a government headed by emperors and large territorial holdings around the Mediterranean Sea in Europe, North Africa, and West Asia. From the constitutional reforms of Augustus to the military anarchy of the third century, the Empire was a principate ruled from the city of Rome. The Roman Empire was then divided between a Western Roman Empire, based in Milan and later Ravenna, and an Eastern Roman Empire, based in Nicomedia and later Constantinople, and it was ruled by multiple emperors.
Etruscan architecture was created between about 700 BC and 200 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed.
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the mode or key of classical music; the grammar or rhetoric of a written composition. It is established by certain modules like the intervals of music, and it raises certain expectations in an audience attuned to its language.
The Parthenon is a former temple on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC, although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, Athenian democracy and Western civilization, and one of the world's greatest cultural monuments. To the Athenians who built it, the Parthenon and other Periclean monuments of the Acropolis were seen fundamentally as a celebration of Hellenic victory over the Persian invaders and as a thanksgiving to the gods for that victory. As of 2007 the Greek Ministry of Culture was carrying out a programme of selective restoration and reconstruction to ensure the stability of the partially ruined structure.
The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations.
The architecture of ancient Greece is the architecture produced by the Greek-speaking people whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two lesser orders: the Tuscan, and the rich variant of Corinthian called the composite order, both added by 16th-century Italian architectural writers, based on Roman practice. Of the three canonic orders, the Ionic order has the narrowest columns.
Greek temples were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.
The Tuscan order is in effect a simplified Doric order, with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order. Instead the Tuscan order, presented as a standardized formal order, is an invention of Italian Renaissance writers largely motivated by nationalism.
Scamilli impares, in architecture, is a term quoted by Vitruvius when referring to the rise given to the stylobate in the centre of the front and sides of a Greek temple.
Bassae is an archaeological site in Oichalia, a municipality in the northeastern part of Messenia, Greece. In classical antiquity, it was part of Arcadia. Bassae lies near the village of Skliros, northeast of Figaleia, south of Andritsaina and west of Megalopolis. It is famous for the well-preserved mid- to late-5th century BC Temple of Apollo Epicurius.
This page is a glossary of architecture.
The Temple of Zeus at Olympia was an ancient Greek temple in Olympia, Greece, dedicated to the god Zeus. The temple, built in the second quarter of the fifth century BCE, was the very model of the fully developed classical Greek temple of the Doric order.
The Temple of Olympian Zeus in Agrigento, Sicily was the largest Doric temple ever constructed, although it was never completed and now lies in ruins. It stands in the Valle dei Templi with a number of other major Greek temples.
The Temple of Hera, or Heraion, is an ancient Archaic Greek temple at Olympia, Greece, that was dedicated to Hera, queen of the Greek Gods. The temple was built in approximately 590 BC, but was destroyed by an earthquake in the early 4th century CE
The Valle dei Templi is an archaeological site in Agrigento, Sicily. It is one of the most outstanding examples of Greater Greece art and architecture, and is one of the main attractions of Sicily as well as a national monument of Italy. The area was included in the UNESCO World Heritage Site list in 1997. Much of the excavation and restoration of the temples was due to the efforts of archaeologist Domenico Antonio Lo Faso Pietrasanta (1783–1863), who was the Duke of Serradifalco from 1809 through 1812. The Archaeological and Landscape Park of the Valley of the Temples is the largest archaeological site in the world with 1,300 hectares.
The Temple of Hera Lacinia, or Juno Lacinia, otherwise known as Temple D, is a Greek temple in the Valle dei Templi, a section of the ancient city of Agrigentum in Sicily.
The Temple of Apollo is one of the most important ancient Greek monuments on Ortygia, in front of the Piazza Pancali in Syracuse, Sicily, Italy.