Jo in October, 2015
|Born||22 November 1962|
Changwon, South Korea
|Occupation||Lyric coloratura soprano|
|Revised Romanization||Jo Sumi|
|Revised Romanization||Jo Sugyeong|
Sumi Jo, OSI 조수미; Korean pronunciation: [tɕo su.mi] ; born 22 November 1962) is a South Korean lyric coloratura soprano known for her Grammy award-winning interpretations of the bel canto repertoire.(
Jo was born Jo Su-gyeong [tɕo sʰuɡjʌŋ] in Changwon, South Korea. Her mother was an amateur singer and pianist who had been unable to pursue her own professional music studies because of politics in Korea during the 1950s. Determined to provide her daughter with opportunities she never had, Jo's mother enrolled her in piano lessons at the age of 4 and later voice lessons at the age of 6. Although Jo's family lived in a rented property, her parents bought a piano for her to play. Her mother raised and trained Jo strictly. Jo recalled even when her mother went out, she locked the door outside so that Jo couldn't play truant. As a child, Jo would often spend up to eight hours a day studying music.
In 1976, Jo entered the Sun Hwa Arts School from which she graduated in 1980, receiving dual diplomas in voice and piano.She entered the department of vocal music at the Seoul National University with the best practical score since the department had opened. There she continued her music studies from 1981 to 1983. While studying at SNU, Jo made her professional recital debut, appeared in several concerts with the Korean Broadcasting System, and made her professional operatic debut as Susanna in The Marriage of Figaro with Seoul Opera.
In 1983, Jo left SNU in order to study at the Accademia di Santa Cecilia in Rome. Among her teachers were Carlo Bergonzi and Giannella Borelli. While Jo studied in Italy, she was frequently heard in concert in Italian cities and on national radio broadcasts and telecasts. It was during this time when Jo began to use "Sumi" as her stage name in order to make her name more friendly to European language speakers who often found it difficult to pronounce Su-gyeong. She graduated in 1985 with concentrations in keyboard and voice.[ citation needed ]
Following graduation, Jo began to study with Elisabeth Schwarzkopfand won several international competitions in Seoul, Naples, Enna, Barcelona, and Pretoria. In August 1986, she was unanimously awarded first prize in the Carlo Alberto Cappelli International Competition in Verona, one of the world's most important contests, open only to first-prize winners of other major competitions.
In 1986, Jo made her European operatic debut as Gilda in Verdi's Rigoletto at the Teatro Comunale Giuseppe Verdi in Trieste. This performance drew the attention of Herbert von Karajan, who proceeded to cast her as Oscar in Un ballo in maschera opposite Plácido Domingo for the 1989 Salzburg Festival.Karajan's death during festival rehearsals prevented Jo from actually singing on stage under his baton (Georg Solti conducted the performances) but she did sing under Karajan in the studio recording of Ballo, made in the early months of 1989 for Deutsche Grammophon.
In 1988, Jo made her La Scala debut as Thetis in Jommelli's Fetonte .That same year she made her debut with the Bavarian State Opera and sang Barbarina in The Marriage of Figaro at the Salzburg Festival.
In 1989, Jo made her debut with the Vienna State Opera and returned to the Salzburg Festival to sing Oscar in Verdi's Un ballo in maschera . That same year, she made her debut with the Metropolitan Opera, once again portraying Gilda in Rigoletto. Jo would later reprise this role numerous times with the Met over the next fifteen years.
In 1990, Jo made her debut with the Chicago Lyric Opera as the Queen of the Night in Mozart's The Magic Flute .The following year, she returned to the Metropolitan Opera for another performance as Oscar in Un ballo in maschera and made her Royal Opera, Covent Garden, debut as Olympia in The Tales of Hoffmann . She returned to Covent Garden the next year to sing Adina in L'elisir d'amore and Elvira in I puritani .
In 1993, Jo appeared in the title role of Donizetti's Lucia di Lammermoor with the Metropolitan Opera and sang the role of the Queen of the Night at the Salzburg Festival and Covent Garden.The following year she made her debut with Los Angeles Opera as Sophie in Strauss' Der Rosenkavalier . In 1995 she sang the role of Countess Adèle in Le comte Ory at the Aix-en-Provence Festival.
Over the next decade Jo maintained a busy schedule, singing Lucia in Strasbourg, Barcelona, Berlin, and Paris; La sonnambula in Brussels and Santiago, Chile; I Capuleti e i Montecchi with Minnesota Opera; Olympia and Rosina in New York; the Queen of the Night in Los Angeles; Gilda in Bilbao, Oviedo, Bologna, Trieste, and Detroit among others; Il turco in Italia in Spain; L'enfant et les sortilèges in Boston and Pittsburgh; Le comte Ory in Rome; and Dinorah in New York. She also appeared in performances at the Théâtre du Châtelet, Théâtre des Champs-Élysées, Opéra National de Paris, Washington Opera, the Deutsche Oper Berlin, Opera Australia, and the Teatro Colón.
In addition, she appeared with numerous symphony orchestras in concert, including the Vancouver Symphony Orchestra,the Cincinnati Pops, the Orchestra of St. Luke's, the Vienna Philharmonic, the London Philharmonic Orchestra, the Los Angeles Philharmonic, and the Hollywood Bowl Orchestra among others. Her work led her to sing under such conductors as Sir Georg Solti, Zubin Mehta, Lorin Maazel, James Levine, Kent Nagano, and Richard Bonynge. She also gave recitals throughout Europe, the United States, Canada, and Australia.
In 2002, Jo sang the theme song for the Korean Broadcasting System's broadcast of the 2002 FIFA World Cup, "The Champions".
In 2007, Jo performed her first Violetta in La traviata with the Toulon Opera and in the 2008/2009 season she was scheduled to perform the role of Zerline in Fra Diavolo at the Opera Comique and Opéra Royal de Wallonie.
In 2008, Jo participated in the Beijing Olympics with Renée Fleming and Angela Gheorghiu.
In 2011 Jo provided the singing voice of Veda Pierce in the HBO miniseries Mildred Pierce .
On 9 March 2018, Jo performed a specially-recorded duet with fellow vocalist Sohyang, the song "Here As One", during the opening ceremony of the 2018 Winter Paralympic Games in Pyeongchang, South Korea.
"Simple Song Number 3", written by David Lang, performed by Jo, and featured in Paolo Sorrentino's 2015 film Youth , was nominated for an Academy Award in 2016 in the Best Song category. Fellow nominees were "Manta Ray", performed by Anohni; "Til It Happens to You", performed by Lady Gaga; "Earned It", performed by The Weeknd; and "Writing's on the Wall", performed by Sam Smith (who won the category's award). Although Jo was invited to the ceremony and attended, she was not invited to perform the song. Anohni, a transgender singer, was similarly excluded and subsequently boycotted the ceremony. The other nominees performed their songs during the ceremony.
On the red carpet prior to the ceremonies, Jo and Lang voiced their disappointment with the producers' decision to exclude the song, indirectly referencing the controversy related to that year's Academy Awards and its lack of racial diversity.
Jo is the cousin aunt of South Korean actor Yoo Gun, his father's cousin sister.
Just before she performed Ave Maria at Chatelet, Paris, in 2006, Jo's father, Enho Jo, died. When she learned that her father had died, she wanted to cancel the performance and return to South Korea for the funeral. Her mother reminded Jo of her promise to her audiences, and said that it was better if she went on with the show in honor of her father. Her performance was dedicated to her father and released as a DVD titled Sumi Jo in Paris – For my Father.
Jo is an advocate for animal rights and one of only five Asian celebrities to make People for the Ethical Treatment of Animals Asia-Pacific's (PETA) first-ever Best-Dressed 2008 list.
Aria of Zerbinetta in Ariadne auf Naxos, written by Richard Strauss in 1912, is a difficult piece with high notes over 20 minutes in length. Therefore, Strauss modified part of the sheet music because he thought it was impossible to sing. In 1994, however, Jo became the world's first artist to sing the unedited original record of the song.She recorded the song with a Japanese-American conductor, Kent Nagano, in Lyon, France. Jo said it was the hardest record to sing ever. In 1993, she became the first Asian soprano to win La Siola d'Oro. In addition, Jo won six international competitions for the first time as an Asian soprano, and was recorded as the first prima donna of the orient who starred in the world's opera theaters.
"Her voice is the best gift God has given," said Herbert von Karajan, who is considered as one of the greatest conductors of the 20th century, and praised her as "a voice from above".Karajan also admired, "I am surprised that you have learned in Korea, are there such excellent teachers in Korea? Korea is a great nation". The New York Metropolitan Theater Opera News praised "her song has already crossed the criticism". Le Monde of France evaluated her as "Even fairies listen to her songs".
Jo has over 50 recordings to her credit, including ten solo albums for Erato Records, the French division of Warner Classics. These recordings include complete operas, oratorio, operetta, orchestral works and Broadway standards. Notable recordings include the voice of the falcon in Sir Georg Solti's Grammy Award winning recording of Strauss's Die Frau ohne Schatten for the Decca label and the role of Oscar the page in Herbert von Karajan's recording of Verdi's Un ballo in maschera for Deutsche Grammophon.
Erato – Warner Classics
Universal Korea – Deutsche Grammophon Korea
Korean local labels
Mary Violet Leontyne Price is an American soprano. Born and raised in Laurel, Mississippi, she rose to international acclaim in the 1950s and 1960s, and was the first African American to become a leading performer at the Metropolitan Opera, and one of the most popular American classical singers of her generation.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
Cecilia Bartoli, Cavaliere OMRI is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Mozart and Rossini, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for having the versatility to sing both soprano and mezzo roles.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Helen Jeanette Donath is an American soprano with a career spanning fifty years.
Leopoldine Rysanek was an Austrian dramatic soprano.
Katia Ricciarelli is an Italian soprano.
The Austrian soprano Hilde Gueden, or Güden, was one of the most appreciated Straussian and Mozartian sopranos of her day. Her youthful and lively interpretations made her an ideal interpreter of roles like Zerbinetta in Ariadne auf Naxos and Susanna in Le nozze di Figaro.
Gundula Janowitz is a German-born Austrian lyric soprano singer of operas, oratorios, lieder, and concerts. She is one of the most renowned opera singers of the 20th century and was pre-eminent in the 1960s and 1970s.
Lucia Popp was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly regarded recitalist and lieder singer.
Lyuba Welitsch was an operatic soprano. She was born in Borisovo, Bulgaria, studied in Sofia and Vienna, and sang in opera houses in Austria and Germany in the late 1930s and early and mid-1940s. In 1946 she became an Austrian citizen
Reri Grist is an American coloratura soprano, one of the pioneer African-American singers to enjoy a major international career in opera.
Elizabeth Harwood was an English lyric soprano. After a music school, she enjoyed an operatic career lasting for over two decades and worked with such conductors as Colin Davis and Herbert von Karajan. She was one of the few English singers of her generation to be invited to sing in productions at the Salzburg Festival and La Scala, Milan, as well as at the Metropolitan Opera.
Ramón Vargas is a Mexican operatic tenor. Since his debut in the early '90s, he has developed to become one of the most acclaimed tenors of the 21st century. Known for his most expressive and agile lyric tenor voice, he is especially successful in the bel canto repertoire.
Violeta Urmana is Lithuanian opera singer who has sung leading mezzo-soprano and soprano roles in the opera houses of Europe and North America.
Elizabeth Norberg-Schulz is a Norwegian/Italian operatic soprano.
Lauris Margaret Elms is an Australian contralto, renowned in opera and lieder.
Youngok Shin is a South Korean lyric coloratura soprano known for her interpretations of the bel canto repertoire.
Kathleen Kim is a Korean-American operatic coloratura soprano. Her repertoire includes roles in operas by Handel, Mozart, Donizetti, Verdi and Offenbach, among others, as well as in oratorios such as the Messiah and sacred works such as Mozart's Great Mass in C minor.
Jean-Luc Chaignaud is a French soloist baritone, singer of operas, lieder and oratorio.
|Wikimedia Commons has media related to Sumi Jo .|