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**Symmetry** (from Ancient Greek : συμμετρία*symmetria* "agreement in dimensions, due proportion, arrangement")^{ [1] } in everyday language refers to a sense of harmonious and beautiful proportion and balance.^{ [2] }^{ [3] }^{ [lower-alpha 1] } In mathematics, "symmetry" has a more precise definition, and is usually used to refer to an object that is invariant under some transformations; including translation, reflection, rotation or scaling. Although these two meanings of "symmetry" can sometimes be told apart, they are intricately related, and hence are discussed together in this article.

- In mathematics
- In geometry
- In logic
- Other areas of mathematics
- In science and nature
- In physics
- In biology
- In chemistry
- In psychology and neuroscience
- In social interactions
- In the arts
- In architecture
- In pottery and metal vessels
- In carpets and rugs
- In quilts
- In other arts and crafts
- In music
- In aesthetics
- In literature
- See also
- Notes
- References
- Further reading
- External links

Mathematical symmetry may be observed with respect to the passage of time; as a spatial relationship; through geometric transformations; through other kinds of functional transformations; and as an aspect of abstract objects, including theoretic models, language, and music.^{ [4] }^{ [lower-alpha 2] }

This article describes symmetry from three perspectives: in mathematics, including geometry, the most familiar type of symmetry for many people; in science and nature; and in the arts, covering architecture, art and music.

The opposite of symmetry is asymmetry, which refers to the absence or a violation of symmetry.

A geometric shape or object is symmetric if it can be divided into two or more identical pieces that are arranged in an organized fashion.^{ [5] } This means that an object is symmetric if there is a transformation that moves individual pieces of the object, but doesn't change the overall shape. The type of symmetry is determined by the way the pieces are organized, or by the type of transformation:

- An object has reflectional symmetry (line or mirror symmetry) if there is a line (or in 3D a plane) going through it which divides it into two pieces that are mirror images of each other.
^{ [6] } - An object has rotational symmetry if the object can be rotated about a fixed point (or in 3D about a line) without changing the overall shape.
^{ [7] } - An object has translational symmetry if it can be translated (moving every point of the object by the same distance) without changing its overall shape.
^{ [8] } - An object has helical symmetry if it can be simultaneously translated and rotated in three-dimensional space along a line known as a screw axis.
^{ [9] } - An object has scale symmetry if it does not change shape when it is expanded or contracted.
^{ [10] }Fractals also exhibit a form of scale symmetry, where smaller portions of the fractal are similar in shape to larger portions.^{ [11] } - Other symmetries include glide reflection symmetry (a reflection followed by a translation) and rotoreflection symmetry (a combination of a rotation and a reflection
^{ [12] }).

A dyadic relation *R* = *S* × *S* is symmetric if for all elements *a*, *b* in *S*, whenever it is true that *Rab*, it is also true that *Rba*.^{ [13] } Thus, the relation "is the same age as" is symmetric, for if Paul is the same age as Mary, then Mary is the same age as Paul.

In propositional logic, symmetric binary logical connectives include * and * (∧, or &), * or * (∨, or |) and * if and only if * (↔), while the connective *if* (→) is not symmetric.^{ [14] } Other symmetric logical connectives include * nand * (not-and, or ⊼), * xor * (not-biconditional, or ⊻), and * nor * (not-or, or ⊽).

Generalizing from geometrical symmetry in the previous section, one can say that a mathematical object is *symmetric* with respect to a given mathematical operation, if, when applied to the object, this operation preserves some property of the object.^{ [15] } The set of operations that preserve a given property of the object form a group.

In general, every kind of structure in mathematics will have its own kind of symmetry. Examples include even and odd functions in calculus, symmetric groups in abstract algebra, symmetric matrices in linear algebra, and Galois groups in Galois theory. In statistics, symmetry also manifests as symmetric probability distributions, and as skewness—the asymmetry of distributions.^{ [16] }

Symmetry in physics has been generalized to mean invariance—that is, lack of change—under any kind of transformation, for example arbitrary coordinate transformations.^{ [17] } This concept has become one of the most powerful tools of theoretical physics, as it has become evident that practically all laws of nature originate in symmetries. In fact, this role inspired the Nobel laureate PW Anderson to write in his widely read 1972 article *More is Different* that "it is only slightly overstating the case to say that physics is the study of symmetry."^{ [18] } See Noether's theorem (which, in greatly simplified form, states that for every continuous mathematical symmetry, there is a corresponding conserved quantity such as energy or momentum; a conserved current, in Noether's original language);^{ [19] } and also, Wigner's classification, which says that the symmetries of the laws of physics determine the properties of the particles found in nature.^{ [20] }

Important symmetries in physics include continuous symmetries and discrete symmetries of spacetime; internal symmetries of particles; and supersymmetry of physical theories.

In biology, the notion of symmetry is mostly used explicitly to describe body shapes. Bilateral animals, including humans, are more or less symmetric with respect to the sagittal plane which divides the body into left and right halves.^{ [21] } Animals that move in one direction necessarily have upper and lower sides, head and tail ends, and therefore a left and a right. The head becomes specialized with a mouth and sense organs, and the body becomes bilaterally symmetric for the purpose of movement, with symmetrical pairs of muscles and skeletal elements, though internal organs often remain asymmetric.^{ [22] }

Plants and sessile (attached) animals such as sea anemones often have radial or rotational symmetry, which suits them because food or threats may arrive from any direction. Fivefold symmetry is found in the echinoderms, the group that includes starfish, sea urchins, and sea lilies.^{ [23] }

In biology, the notion of symmetry is also used as in physics, that is to say to describe the properties of the objects studied, including their interactions. A remarkable property of biological evolution is the changes of symmetry corresponding to the appearance of new parts and dynamics.^{ [24] }^{ [25] }

Symmetry is important to chemistry because it undergirds essentially all *specific* interactions between molecules in nature (i.e., via the interaction of natural and human-made chiral molecules with inherently chiral biological systems). The control of the symmetry of molecules produced in modern chemical synthesis contributes to the ability of scientists to offer therapeutic interventions with minimal side effects. A rigorous understanding of symmetry explains fundamental observations in quantum chemistry, and in the applied areas of spectroscopy and crystallography. The theory and application of symmetry to these areas of physical science draws heavily on the mathematical area of group theory.^{ [26] }

For a human observer, some symmetry types are more salient than others, in particular the most salient is a reflection with a vertical axis, like that present in the human face. Ernst Mach made this observation in his book "The analysis of sensations" (1897),^{ [27] } and this implies that perception of symmetry is not a general response to all types of regularities. Both behavioural and neurophysiological studies have confirmed the special sensitivity to reflection symmetry in humans and also in other animals.^{ [28] } Early studies within the Gestalt tradition suggested that bilateral symmetry was one of the key factors in perceptual grouping. This is known as the Law of Symmetry. The role of symmetry in grouping and figure/ground organization has been confirmed in many studies. For instance, detection of reflectional symmetry is faster when this is a property of a single object.^{ [29] } Studies of human perception and psychophysics have shown that detection of symmetry is fast, efficient and robust to perturbations. For example, symmetry can be detected with presentations between 100 and 150 milliseconds.^{ [30] }

More recent neuroimaging studies have documented which brain regions are active during perception of symmetry. Sasaki et al.^{ [31] } used functional magnetic resonance imaging (fMRI) to compare responses for patterns with symmetrical or random dots. A strong activity was present in extrastriate regions of the occipital cortex but not in the primary visual cortex. The extrastriate regions included V3A, V4, V7, and the lateral occipital complex (LOC). Electrophysiological studies have found a late posterior negativity that originates from the same areas.^{ [32] } In general, a large part of the visual system seems to be involved in processing visual symmetry, and these areas involve similar networks to those responsible for detecting and recognising objects.^{ [33] }

People observe the symmetrical nature, often including asymmetrical balance, of social interactions in a variety of contexts. These include assessments of reciprocity, empathy, sympathy, apology, dialogue, respect, justice, and revenge. Reflective equilibrium is the balance that may be attained through deliberative mutual adjustment among general principles and specific judgments.^{ [34] } Symmetrical interactions send the moral message "we are all the same" while asymmetrical interactions may send the message "I am special; better than you." Peer relationships, such as can be governed by the golden rule, are based on symmetry, whereas power relationships are based on asymmetry.^{ [35] } Symmetrical relationships can to some degree be maintained by simple (game theory) strategies seen in symmetric games such as tit for tat.^{ [36] }

There exists a list of journals and newsletters known to deal, at least in part, with symmetry and the arts.^{ [37] }

Symmetry finds its ways into architecture at every scale, from the overall external views of buildings such as Gothic cathedrals and The White House, through the layout of the individual floor plans, and down to the design of individual building elements such as tile mosaics. Islamic buildings such as the Taj Mahal and the Lotfollah mosque make elaborate use of symmetry both in their structure and in their ornamentation.^{ [38] }^{ [39] } Moorish buildings like the Alhambra are ornamented with complex patterns made using translational and reflection symmetries as well as rotations.^{ [40] }

It has been said that only bad architects rely on a "symmetrical layout of blocks, masses and structures";^{ [41] } Modernist architecture, starting with International style, relies instead on "wings and balance of masses".^{ [41] }

Since the earliest uses of pottery wheels to help shape clay vessels, pottery has had a strong relationship to symmetry. Pottery created using a wheel acquires full rotational symmetry in its cross-section, while allowing substantial freedom of shape in the vertical direction. Upon this inherently symmetrical starting point, potters from ancient times onwards have added patterns that modify the rotational symmetry to achieve visual objectives.

Cast metal vessels lacked the inherent rotational symmetry of wheel-made pottery, but otherwise provided a similar opportunity to decorate their surfaces with patterns pleasing to those who used them. The ancient Chinese, for example, used symmetrical patterns in their bronze castings as early as the 17th century BC. Bronze vessels exhibited both a bilateral main motif and a repetitive translated border design.^{ [42] }

A long tradition of the use of symmetry in carpet and rug patterns spans a variety of cultures. American Navajo Indians used bold diagonals and rectangular motifs. Many Oriental rugs have intricate reflected centers and borders that translate a pattern. Not surprisingly, rectangular rugs have typically the symmetries of a rectangle—that is, motifs that are reflected across both the horizontal and vertical axes (see Klein four-group § Geometry).^{ [43] }^{ [44] }

As quilts are made from square blocks (usually 9, 16, or 25 pieces to a block) with each smaller piece usually consisting of fabric triangles, the craft lends itself readily to the application of symmetry.^{ [45] }

Symmetries appear in the design of objects of all kinds. Examples include beadwork, furniture, sand paintings, knotwork, masks, and musical instruments. Symmetries are central to the art of M.C. Escher and the many applications of tessellation in art and craft forms such as wallpaper, ceramic tilework such as in Islamic geometric decoration, batik, ikat, carpet-making, and many kinds of textile and embroidery patterns.^{ [46] }

Symmetry is also used in designing logos.^{ [47] } By creating a logo on a grid and using the theory of symmetry, designers can organize their work, create a symmetric or asymmetrical design, determine the space between letters, determine how much negative space is required in the design, and how to accentuate parts of the logo to make it stand out.

Symmetry is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music.

Symmetry has been used as a formal constraint by many composers, such as the arch (swell) form (ABCBA) used by Steve Reich, Béla Bartók, and James Tenney. In classical music, Bach used the symmetry concepts of permutation and invariance.^{ [48] }

Symmetry is also an important consideration in the formation of scales and chords, traditional or tonal music being made up of non-symmetrical groups of pitches, such as the diatonic scale or the major chord. Symmetrical scales or chords, such as the whole tone scale, augmented chord, or diminished seventh chord (diminished-diminished seventh), are said to lack direction or a sense of forward motion, are ambiguous as to the key or tonal center, and have a less specific diatonic functionality. However, composers such as Alban Berg, Béla Bartók, and George Perle have used axes of symmetry and/or interval cycles in an analogous way to keys or non-tonal tonal centers.^{ [49] } George Perle explains "C–E, D–F♯, [and] Eb–G, are different instances of the same interval … the other kind of identity. … has to do with axes of symmetry. C–E belongs to a family of symmetrically related dyads as follows:"^{ [49] }

D | D♯ | E | F | F♯ | G | G♯ | ||||||

D | C♯ | C | B | A♯ | A | G♯ |

Thus in addition to being part of the interval-4 family, C–E is also a part of the sum-4 family (with C equal to 0).^{ [49] }

+ | 2 | 3 | 4 | 5 | 6 | 7 | 8 | ||||||

2 | 1 | 0 | 11 | 10 | 9 | 8 | |||||||

4 | 4 | 4 | 4 | 4 | 4 | 4 |

Interval cycles are symmetrical and thus non-diatonic. However, a seven pitch segment of C5 (the cycle of fifths, which are enharmonic with the cycle of fourths) will produce the diatonic major scale. Cyclic tonal progressions in the works of Romantic composers such as Gustav Mahler and Richard Wagner form a link with the cyclic pitch successions in the atonal music of Modernists such as Bartók, Alexander Scriabin, Edgard Varèse, and the Vienna school. At the same time, these progressions signal the end of tonality.^{ [49] }^{ [50] }

The first extended composition consistently based on symmetrical pitch relations was probably Alban Berg's *Quartet*, Op. 3 (1910).^{ [50] }

Tone rows or pitch class sets which are invariant under retrograde are horizontally symmetrical, under inversion vertically. See also Asymmetric rhythm.

The relationship of symmetry to aesthetics is complex. Humans find bilateral symmetry in faces physically attractive;^{ [51] } it indicates health and genetic fitness.^{ [52] }^{ [53] } Opposed to this is the tendency for excessive symmetry to be perceived as boring or uninteresting. Rudolf Arnheim suggested that people prefer shapes that have some symmetry, and enough complexity to make them interesting.^{ [54] }

Symmetry can be found in various forms in literature, a simple example being the palindrome where a brief text reads the same forwards or backwards. Stories may have a symmetrical structure, such as the rise and fall pattern of * Beowulf *.^{ [55] }

- Automorphism
- Burnside's lemma
- Chirality
- Even and odd functions
- Fixed points of isometry groups in Euclidean space – center of symmetry
- Isotropy
- Palindrome
- Spacetime symmetries
- Spontaneous symmetry breaking
- Symmetry-breaking constraints
- Symmetric relation
- Symmetries of polyiamonds
- Symmetries of polyominoes
- Symmetry group
- Wallpaper group

- ↑ For example, Aristotle ascribed spherical shape to the heavenly bodies, attributing this formally defined geometric measure of symmetry to the natural order and perfection of the cosmos.
- ↑ Symmetric objects can be material, such as a person, crystal, quilt, floor tiles, or molecule, or it can be an abstract structure such as a mathematical equation or a series of tones (music).

In group theory, the **symmetry group** of a geometric object is the group of all transformations under which the object is invariant, endowed with the group operation of composition. Such a transformation is an invertible mapping of the ambient space which takes the object to itself, and which preserves all the relevant structure of the object. A frequent notation for the symmetry group of an object *X* is *G* = Sym(*X*).

In abstract algebra, **group theory** studies the algebraic structures known as groups. The concept of a group is central to abstract algebra: other well-known algebraic structures, such as rings, fields, and vector spaces, can all be seen as groups endowed with additional operations and axioms. Groups recur throughout mathematics, and the methods of group theory have influenced many parts of algebra. Linear algebraic groups and Lie groups are two branches of group theory that have experienced advances and have become subject areas in their own right.

A **pattern** is a regularity in the world, in human-made design, or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A **geometric pattern** is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design.

A **shape** or **figure** is a graphical representation of an object or its external boundary, outline, or external surface, as opposed to other properties such as color, texture, or material type. A **plane shape** or **plane figure** is constrained to lie on a *plane*, in contrast to *solid* 3D shapes. A **two-dimensional shape** or **two-dimensional figure** may lie on a more general curved *surface*.

In geometry, an **improper rotation**, also called **rotation-reflection**, **rotoreflection,****rotary reflection**, or **rotoinversion** is an isometry in Euclidean space that is a combination of a rotation about an axis and a reflection in a plane perpendicular to that axis. Reflection and inversion are each special case of improper rotation. Any improper rotation is an affine transformation and, in cases that keep the coordinate origin fixed, a linear transformation. It is used as a symmetry operation in the context of geometric symmetry, molecular symmetry and crystallography, where an object that is unchanged by a combination of rotation and reflection is said to have *improper rotation symmetry*.

**Asymmetry** is the absence of, or a violation of, symmetry. Symmetry is an important property of both physical and abstract systems and it may be displayed in precise terms or in more aesthetic terms. The absence of or violation of symmetry that are either expected or desired can have important consequences for a system.

**Rotational symmetry**, also known as **radial symmetry** in geometry, is the property a shape has when it looks the same after some rotation by a partial turn. An object's degree of rotational symmetry is the number of distinct orientations in which it looks exactly the same for each rotation.

**Symmetry in biology** refers to the symmetry observed in organisms, including plants, animals, fungi, and bacteria. External symmetry can be easily seen by just looking at an organism. For example, take the face of a human being which has a plane of symmetry down its centre, or a pine cone with a clear symmetrical spiral pattern. Internal features can also show symmetry, for example the tubes in the human body which are cylindrical and have several planes of symmetry.

In mathematics, **reflection symmetry**, **line symmetry**, **mirror symmetry**, or **mirror-image symmetry** is symmetry with respect to a reflection. That is, a figure which does not change upon undergoing a reflection has reflectional symmetry.

**Symmetry** occurs not only in geometry, but also in other branches of mathematics. Symmetry is a type of invariance: the property that a mathematical object remains unchanged under a set of operations or transformations.

In physics, a **symmetry** of a physical system is a physical or mathematical feature of the system that is preserved or remains unchanged under some transformation.

The **psychology of art** is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture. It is an emerging multidisciplinary field of inquiry, closely related to the psychology of aesthetics, including neuroaesthetics.

**Girih****tiles** are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork (*girih*) for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.

* Girih* are decorative Islamic geometric patterns used in architecture and handicraft objects, consisting of angled lines that form an interlaced strapwork pattern.

**Gradient pattern analysis** (**GPA**) is a geometric computing method for characterizing geometrical bilateral symmetry breaking of an ensemble of symmetric vectors regularly distributed in a square lattice. Usually, the lattice of vectors represent the first-order gradient of a scalar field, here an *M x M* square amplitude matrix. An important property of the gradient representation is the following: A given *M x M* matrix where all amplitudes are different results in an *M x M* gradient lattice containing asymmetric vectors. As each vector can be characterized by its norm and phase, variations in the amplitudes can modify the respective gradient pattern.

**Mathematics and art** are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This article focuses, however, on mathematics in the visual arts.

**Chirality** is a property of asymmetry important in several branches of science. The word *chirality* is derived from the Greek χειρ (*kheir*), "hand", a familiar chiral object.

**Patterns in nature** are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically. Natural patterns include symmetries, trees, spirals, meanders, waves, foams, tessellations, cracks and stripes. Early Greek philosophers studied pattern, with Plato, Pythagoras and Empedocles attempting to explain order in nature. The modern understanding of visible patterns developed gradually over time.

In geometry, an object has **symmetry** if there is an operation or transformation that maps the figure/object onto itself. Thus, a symmetry can be thought of as an immunity to change. For instance, a circle rotated about its center will have the same shape and size as the original circle, as all points before and after the transform would be indistinguishable. A circle is thus said to be *symmetric under rotation* or to have *rotational symmetry*. If the isometry is the reflection of a plane figure about a line, then the figure is said to have reflectional symmetry or line symmetry; it is also possible for a figure/object to have more than one line of symmetry.

**Time translation symmetry** or **temporal translation symmetry** (**TTS**) is a mathematical transformation in physics that moves the times of events through a common interval. Time translation symmetry is the law that the laws of physics are unchanged under such a transformation. Time translation symmetry is a rigorous way to formulate the idea that the laws of physics are the same throughout history. Time translation symmetry is closely connected, via the Noether theorem, to conservation of energy. In mathematics, the set of all time translations on a given system form a Lie group.

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*New York Times*. Retrieved 11 November 2014.“My starting point for this construction was a simple statement which I once read (and which does not necessarily reflect my personal views): ‘Only a bad architect relies on symmetry; instead of symmetrical layout of blocks, masses and structures, Modernist architecture relies on wings and balance of masses.’

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- ↑ see ("Fugue No. 21," pdf or Shockwave)
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*The Listening Composer*. University of California Press. p. 21. ISBN 978-0-520-06991-6. - ↑ Grammer, K.; Thornhill, R. (1994). "Human (Homo sapiens) facial attractiveness and sexual selection: the role of symmetry and averageness".
*Journal of Comparative Psychology*. Washington, D.C.**108**(3): 233–42. doi:10.1037/0735-7036.108.3.233. PMID 7924253. - ↑ Rhodes, Gillian; Zebrowitz, Leslie, A. (2002).
*Facial Attractiveness - Evolutionary, Cognitive, and Social Perspectives*. Ablex. ISBN 1-56750-636-4. - ↑ Jones, B. C., Little, A. C., Tiddeman, B. P., Burt, D. M., & Perrett, D. I. (2001). Facial symmetry and judgements of apparent health Support for a “‘ good genes ’” explanation of the attractiveness – symmetry relationship, 22, 417–429.
- ↑ Arnheim, Rudolf (1969).
*Visual Thinking*. University of California Press. - ↑ Jenny Lea Bowman (2009). "Symmetrical Aesthetics of Beowulf". University of Tennessee, Knoxville.

*The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry*, Mario Livio, Souvenir Press 2006, ISBN 0-285-63743-6

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*In Our Time*, Apr. 19, 2007)

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