Related Research Articles
Ravenna is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire from 402 until the empire collapsed in 476. It then served as the capital of the Ostrogothic Kingdom until it was re-conquered in 540 by the Byzantine Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the invasion of the Lombards in 751. Although it is an inland city, Ravenna is connected to the Adriatic Sea by the Candiano Canal. It is known for its well-preserved late Roman and Byzantine architecture, with eight buildings comprising the UNESCO World Heritage Site "Early Christian Monuments of Ravenna".
Romuald was the founder of the Camaldolese order and a major figure in the eleventh-century "Renaissance of eremitical asceticism". Romuald spent about 30 years traversing Italy, founding and reforming monasteries and hermitages.
A loggia is an architectural feature which is a covered exterior gallery or corridor usually on an upper level, or sometimes ground level. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room. An overhanged loggia may be supported by a baldresca.
L'Ormindo is an opera in a prologue and three acts by Francesco Cavalli to an original Italian libretto by Giovanni Faustini. The manuscript score is held at the Biblioteca Marciana in Venice, while a copy of the original libretto has been digitized by the Library of Congress. The opera has set numbers with recitative, and is set in Anfa (Casablanca), in the Mauri kingdom of Fessa (Fez).
La Calisto is an opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto.
Anna Renzi was an Italian soprano renowned for her acting ability as well as her voice, who has been described as the first diva in the history of opera.
Oristeo is an opera in a prologue and three acts by Francesco Cavalli. It was designated as a dramma per musica. The Italian libretto was by Giovanni Faustini.
Erismena is an opera in a prologue and three acts by Francesco Cavalli. It was designated as a dramma per musica. The Italian libretto was by Aurelio Aureli, the only work by this writer for Cavalli.
Eritrea is an opera in three acts by the Italian composer Francesco Cavalli. The libretto is by Giovanni Faustini. It was premiered at the Teatro Sant 'Apollinare, Venice on 17 January 1652 and revived in modern times at the Wexford Festival in 1975 under the conductor Jane Glover.
Giovanni Faustini was an Italian librettist and opera impresario of the 17th century. He is best remembered for his collaborations with the composer Francesco Cavalli.
Artemisia is an opera in three acts and a prologue by the Italian composer Francesco Cavalli from a libretto written by Nicolò Minato. It was first performed at the Teatro San Giovanni e San Paolo, Venice on 10 January 1657 and revived in Naples in 1658, Palermo in 1659, Milan in 1663 and Genoa in 1665.
Doriclea is an opera in three acts and a prologue by the Italian composer Francesco Cavalli with a libretto by Giovanni Faustini. It was first performed at the Teatro San Cassiano, Venice in 1645.
Mutio Scevola or Muzio Scevola is an opera in three acts and a prologue by the Italian composer Francesco Cavalli, with a libretto by Giovanni Faustini. It was based on the story of the Roman hero, Gaius Mucius Scaevola. The opera was first performed at the Teatro San Samuele, Venice on 26 January 1665 and revived in Bologna in 1667.
Rosinda, also known as La Rosinda, is an opera in three acts and a prologue by the Italian composer Francesco Cavalli with a libretto by Giovanni Faustini. It was first performed at the Teatro Sant 'Apollinare, Venice in 1651-02 during Carnival. It appears to have been better received than La Calisto, which was also premiered that year, and was revived in Naples and/or Florence in 1653 under the title Le magie amorose.
The Teatro Santi Giovanni e Paolo was a theatre and opera house in Venice located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the Grimani family in 1638, in its heyday it was considered the most beautiful and comfortable theatre in the city. The theatre played an important role in the development of opera and saw the premieres of several works by Francesco Cavalli, as well as Monteverdi's Il ritorno d'Ulisse in patria and L'incoronazione di Poppea.
Marco Faustini was an Italian theatrical impresario and brother of the impresario and librettist Giovanni Faustini.
Count Nicolò Beregan was an Italian nobleman, lawyer and amateur opera librettist. His Giustino was first set to music in 1683 by composer Giovanni Legrenzi for Il Giustino, and later reused by both Vivaldi and Handel.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
The Martinengo Pietà is an oil painting on panel of c. 1505 by Giovanni Bellini, signed on the rock to the left of the Virgin. It was previously in the collections of the Martinengo family and of Donà delle Rose and is now in the Gallerie dell'Accademia in Venice.
References
- JA Glover: The Theatre Sant'Apollinare and the Development of Seventeenth-Century Venetian Opera (University of Oxford, 1975)
- F. Mancini, MT Muraro, E. Povoledo: The theaters in the Veneto - Venice theater ephemera and noble entrepreneurs (Venice, 1995)
 | This article about an opera house or structure is a stub. You can help Wikipedia by expanding it. |