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Tentacle erotica (触手強姦, shokushu goukan, "tentacle violation") or tentacle rape is a type of pornography most commonly found in Japan which integrates traditional pornography with elements of bestiality and a fantasy, horror, or science-fiction theme. It is found in some horror or hentai titles, with tentacled creatures (usually fictional monsters) having sexual intercourse, predominantly with females. Tentacle erotica can be consensual but frequently contains elements of rape.
The genre is popular enough in Japan that it is the subject of parody. In the 21st century, Japanese films of this genre have become more common in the United States and Europe, although it still remains a small, fetish-oriented part of the adult film industry. While most tentacle erotica is animated, there are also a few live action movies.
Creatures with tentacles appeared in Japanese erotica long before animated pornography. Among the most famous of the early instances is an illustration from the 1814 Hokusai Katsushika novel Kinoe no komatsu popularly known as The Dream of the Fisherman's Wife . It is an example of shunga (Japanese erotic woodblock art) and has been reworked by a number of artists.Masami Teraoka brought the image up to date with his 2001 work "Sarah and Octopus/Seventh Heaven", part of his Waves and Plagues collection.
A scholarly paper by Danielle Talericoshowed that although western audiences often interpret Hokusai's famous design as rape, Japanese audiences of the Edo period would have viewed it as consensual. They would have recognized the print as depicting the legend of the female abalone diver Tamatori. In the story, Tamatori steals a jewel from the Dragon King. During her escape, the Dragon King and his sea-life minions (including octopodes) pursue her. The dialogue in the illustration shows the diver and two octopodes expressing mutual enjoyment.
Contemporary censorship in Japan dates to the Meiji period. The influence of European Victorian culture was a catalyst for legislative interest in public sexual mores. Post-WWII, the Allies imposed a number of reforms on the Japanese government including anti-censorship laws. The legal proscriptions against pornography, therefore, derive from the nation's penal code.
At present, “obscenity” is still prohibited. How this term is interpreted has not remained constant. While exposed genitalia (and, until recently, pubic hair) are illegal, the diversity of permissible sexual acts is now wide compared with other liberal democracies.
Leaders within the tentacle porn industry have stated that much of their work was initially directed at circumventing this policy. The animator Toshio Maeda stated: “At that time pre- Urotsukidōji , it was illegal to create a sensual scene in bed. I thought I should do something to avoid drawing such a normal sensual scene. So I just created a creature. His tentacle is not a penis as a pretext. I could say, as an excuse, this is not a penis; this is just a part of the creature. You know, the creatures, they don't have a gender. A creature is a creature. So it is not obscene – not illegal."
The earliest animated form of tentacle assault was in the 1985 anime hentai OVA Dream Hunter Rem , though the scene in question was excised when the OVA was re-released in a non-hentai form. The first entirely non-hentai anime production portraying a tentacle assault would be 1986 anime OVA Guyver: Out of Control , where a female Chronos soldier named Valcuria (voiced by Keiko Toda) is enshrouded by the 2nd (damaged) Guyver unit that surrounds her in tentacle form and penetrates all orifices.[ citation needed ]
Numerous animated tentacle erotica films followed the next couple decades, with more popular titles such as 1986's Urotsukidoji , 1992's La Blue Girl and 1995's Demon Beast Resurrection becoming common sights in large video store chains in the United States and elsewhere. The volume of films in this genre has slowed from the peak years in the 1990s but continue to be produced to the present day.
In 1989, Toshio Maeda's manga Demon Beast Invasion created what might be called the modern Japanese paradigm of tentacle porn, in which the elements of sexual assault are emphasized. Maeda explained that he invented the practice to get around strict Japanese censorship regulations, which prohibit the depiction of the penis but apparently do not prohibit showing sexual penetration by a tentacle or similar (often robotic) appendage.
The use of sexualized tentacles in live action films, while much rarer, started in American B-movie horror films and has since migrated back to Japan.[ citation needed ] B-movie producer Roger Corman used the concept of tentacle rape in a brief scene in his 1970 film The Dunwich Horror , a film adaptation of the H. P. Lovecraft short story of the same name. Vice magazine identifies this as "perhaps cinema history's first tentacle-rape scene".
A decade later, Corman would again use tentacle rape while producing Galaxy of Terror , released in 1980. Arguably the most notorious example of tentacle rape to date, Corman directed a scene in which actress Taaffe O'Connell, playing an astronaut on a future space mission is captured, raped, and killed by a giant, tentacled worm. The film borrows the concept of the "id monster" from the 1950s film Forbidden Planet , with the worm being a manifestation of the O'Connell character's fears. The scene was graphic enough that the film's director, B. D. Clark, refused to helm it, and O'Connell refused to do the full nudity required by Corman, so Corman directed the scene himself and used a body double for some of the more graphic shots. Initially given an X-rating by the Motion Picture Association of America, tiny cuts were made to the scene which changed the movie's rating to 'R'.
An even more popular film from 1981, Sam Raimi's The Evil Dead , has actress Ellen Sandweiss' character being attacked by the possessed woods she is walking in. The evil spirit inhabiting the woods uses tree limbs and branches to ensnare, strip, and rape her, "entering" (i.e., possessing) her through the sexual act in a way very similar to that in which tentacles are normally depicted. [ citation needed ]The scene was repeated in a much shorter version in the sequel, Evil Dead II , released in 1987. Another film, this time dealing with the life of artist Katsushika Hokusai, was the Japanese made 1981 film Edo Porn , which featured the far-famed Dream of the Fisherman's Wife painting in a live action depiction. In the film Possession (also from 1981) a woman copulates with a tentacled creature, although the tentacles themselves are never explicitly expressed as penetrating her.
The popularity of these films has led to the subsequent production of numerous live action tentacle films in Japan from the 1990s to the present day. The theme has appeared more rarely in adult American cinema and art; one example is American artist Zak Smith, who has painted works featuring octopuses and porn stars in various stages of intercourse.[ citation needed ] In 2016, Amat Escalante directed an art house movie called The Untamed which depicts a live action scene between the female protagonist and a tentacled space alien.[ citation needed ]
Erotica is any literary or artistic work that deals substantively with subject matter that is erotically stimulating or sexually arousing but is not generally considered to be pornographic. Erotic art may use any artistic form to depict erotic content, including painting, sculpture, drama, film or music. Erotic literature and erotic photography have become genres in their own right.
Outside of Japan, hentai is anime and manga pornography. In Japanese, however, "hentai" is not a genre of media but any type of perverse or bizarre sexual desire or act. For example, outside of Japan a work of animation depicting lesbian sex might be described as "yuri hentai", but in Japan it would just be described as "yuri".
Urotsukidōji: Legend of the Overfiend is a Japanese erotic horror manga series written and illustrated by Toshio Maeda.
Pornography in Japan has unique characteristics that readily distinguish it from Western pornography. Reflecting Japan's views on sexuality and culture, Japanese pornography delves into a wide spectrum of heterosexual, homosexual, and transgender sexual acts in addition to unique fetishes and paraphilias.
Softcore pornography or softcore porn is commercial still photography or film that has a pornographic or erotic component but is less sexually graphic and intrusive than hardcore pornography, defined by a "lack of penetration" including stripteases, lingerie modeling, simulated sex, and emphasis on the sensual appreciation of the female or male form. It typically contains nude or semi-nude actors involved in love scenes, and is intended to be sexually arousing and aesthetically beautiful.
Erotic art is a broad field of the visual arts including any artistic work intended to evoke erotic arousal, usually depicting human nudity and/or sexual activity. It has included works in almost any visual medium, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession, particularly when it is deemed to be "pornographic", "immoral", or "obscene".
La Blue Girl is an erotic anime and manga series by Toshio Maeda. Like Maeda's other hentai series, La Blue Girl features a large amount of tentacle rape. It departs somewhat from its predecessors, however, by lightening the atmosphere with humor, lightly parodying the "tentacle hentai" genre.
The Dream of the Fisherman's Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., is a woodblock-printed design by the Japanese artist Hokusai. It is included in Kinoe no Komatsu, a three-volume book of shunga erotica first published in 1814, and has become Hokusai's most famous shunga design. Playing with themes popular in Japanese art, it depicts a young ama diver entwined sexually with a pair of octopuses.
Rape pornography is a subgenre of pornography involving the description or depiction of rape. It can show simulated or real rape. It is not the same as the depiction of rape in non-pornographic media. Simulated scenes of rape and other forms of sexual violence have appeared in mainstream cinema, including rape and revenge films, almost since its advent.
Adventure Kid is an erotic manga series written and illustrated by Toshio Maeda. It was published by Wanimagazine into four volumes from 1988 to 1989 and it was adapted into an original video animation (OVA). Mixing horror, fantasy and comedy, it follows Norizaku and Midori as they find a demonic computer that sends them to Hell and destroy their world. They are transported to a World War II setting and they have to prevent their future to be ruined.
Lesbian erotica deals with depictions in the visual arts of lesbianism, which is the expression of female-on-female sexuality. Lesbianism has been a theme in erotic art since at least the time of ancient Rome, and many regard depictions of lesbianism to be erotic.
Ero guro (エログロ) is an artistic genre that puts its focus on eroticism, sexual corruption, and decadence. As a term, it is used to denote something that is both erotic and grotesque.
Toshio Maeda is an erotic manga artist who was prolific in the 1980s and '90s. Several of Maeda's works have been used as a basis for Original video animations (OVA) including La Blue Girl, Adventure Kid, Demon Beast Invasion, Demon Warrior Koji and his most notorious work, Urotsukidōji. An interviewer commented that Urotsukidōji "firmly placed him in the history books—in Japan and abroad—as the pioneer of the genre known as hentai, or "perverted".
Cartoon pornography is the portrayal of illustrated or animated fictional cartoon characters in erotic or sexual situations. Animated cartoon pornography or erotic animation is a subset of the larger field of adult animation, not all of which is sexually explicit.
Angel of Darkness is a four-part hentai anime series released in 1994 by Pink Pineapple in Japan. The series focuses on tentacle rape and S&M and was adapted into a live action series. The animated series is released in North America by ADV Films under their SoftCel Pictures label. The genre is situated between sci-fi horror and the slasher film.
Feminist views on pornography range from condemnation of all of it as a form of violence against women, to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, on BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in anglophone (English-speaking) countries. This deep division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against sex-positive ones.
Sex in film is the presence of sexuality in a film. Since the development of the medium, the presence in films of any form of sexuality has been controversial. Some films containing sex scenes have been criticized by religious groups or have been banned or the subject of censorship by governments, or both. In countries with a film rating system, films containing sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.
The following outline is provided as an overview of and topical guide to human sexuality:
Women's pornography, sometimes referred to as sex-positive pornography, is pornography often produced by women and aimed specifically at the female market – rejecting the view that pornography is only for men.